A scholarly edition of letters by Lady Mary Wortley Montagu. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

This book is an original, systematic, and radical attempt at decolonizing critical theory. Drawing on linguistic concepts from 16 languages from Asia, Africa, the Arab world, and South America, the essays in the volume explore the entailments of words while discussing their conceptual implications for the humanities and the social sciences everywhere. The essays engage in the work of thinking through words to generate a conceptual vocabulary that will allow for a global conversation on social theory which will be necessarily multilingual.

With essays by scholars, across generations, and from a variety of disciplines – history, anthropology, and philosophy to literature and political theory – this book will be essential reading for scholars, researchers, and students of critical theory and the social sciences.

"Contexts and Sources" provides readers with a rich selection of documents related to the historical background, language, composition, sale, reception, and newly discovered first half of the manuscript of Mark Twain's greatest work. Included are letters on the writing of the novel, excerpts from the author's autobiography, samples of bad poetry that inspired his satire (including an effort by young Sam Clemens himself), a section on the censorship of Adventures of Huckleberry Finn by schools and libraries over a hundred-year period, and commentary by David Carkeet on dialects of the book and by Earl F. Briden on its "racist" illustrations. In addition, this section reprints the full texts of both "Sociable Jimmy," upon which is based the controversial theory that Huck speaks in a "black voice," and "A True Story, Repeated Word for Word As I Heard It," the first significant attempt by Mark Twain to capture the speech of an African American in print. "Criticism" of Adventures of Huckleberry Finn is divided into "Early Responses" (including the first negative review) and "Modern Views" by Victor A. Doyno, T. S. Eliot, Jane Smiley, David L. Smith, Shelley Fisher Fishkin (the "black voice" thesis), James R. Kincaid (a rebuttal of Fishkin), and David R. Sewell. Also included is Toni Morrison's moving personal "Introduction" to the troubling experience of reading and re-reading Mark Twain's masterpiece. "A Chronology and Selected Bibliography" are also included.

This volume, to which European, American, and Israeli scholars have contributed, is designed to inform students of the Old Testament of the impact of archaeological discovery upon Old Testament study, with particular reference to specific sites. Twenty-five sites are included, in Egypt, Mesopotamia, Anatolia, Syria, and Palestine, and there are three regional studies, of Philistia, the Negeb, and Transjordan. Brief histories of the excavations are given, and the archaeological material is related to the Old Testament in such a way as to bring out points of interest concerning history, geography, chronology, religion, literature, language, law, industry, and the arts. The volumes include bibliographies, illustrations, maps, and a chronological chart.

'This is a stunning read that plunges you into another world. Backman writes with incredible sensitivity and insight. Every one of the characters is real and multi-faceted, having you breathlessly turning the pages, following their fears and hopes, fretting for their futures. This is storytelling at its best: Emotional, vivid, wise and utterly brilliant' Hazel Prior 'It's often said that winners write history, but there are no winners here' This is a small story about big questions. It's a story about family, community, life. It starts with a storm - and a death. But how does it end? Two years have passed since the events that no one wants to think about. Everyone has tried to move on, but there's something about this place that prevents it. The residents continue to grapple with life's big questions: What is a family? What is a community? And what, if anything, are we willing to sacrifice in order to protect them? As the locals of Beartown struggle to overcome the past, great change is on the horizon. Someone is coming home after a long time away. Someone will be laid to rest. Someone will fall in love, someone will try to fix their marriage, and someone will do anything to save their children. Someone will submit to hate, someone will fight, and someone will grab a gun and walk towards the ice rink. So what are the residents of Beartown willing to sacrifice for their home? Everything. Praise for the Beartown books: 'I utterly believed in the residents of Beartown, and felt ripped apart by the events in the book' Jojo Moyes 'Surrounded by impenetrable forests, Beartown recreates the stifling atmosphere of a dying community. A mature, compassionate novel' Sunday Times 'Backman can tickle the funny bone and tug on the heart strings when he needs to, and is a clever enough storyteller to not overindulge in either' Independent 'As popular Swedish exports go, Backman is up there with ABBA and Stieg Larsson' The New York Times Book Review 'Backman is a masterful writer' Kirkus Review

A scholarly edition of works by Lady Mary Wortley Montagu. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

St. Brigitta of Sweden (1303-73, canonized 1391) was one of the most charismatic and influential visionaries of the later Middle Ages. Altogether, she received some 700 revelations dealing with a variety of subjects, from meditations on the human condition, domestic affairs in Sweden, and ecclesiastical matters in Rome, to revelations in praise of the Incarnation and devotion to the Virgin. Her Revelationes, collected and ordered by her confessors, circulated widely throughout Europe both during her lifetime and long after her death. Many eminent individuals, including Cardinal Juan Torqemada and Martin Luther, read and commented on her writings, which influenced the spiritual lives of countless individuals. Birgitta was also the founder of a new contemplative order, which still exists. She is the patron saint of Sweden, and in 2000 was declared (with Catherine of Siena and Edith Stein) the first co-patroness of Europe. Interest in Birgitta's Revelationes has grown over the past decade. Historians and theologians draw on them for insights into late medieval spirituality, artistic imagery, political struggles, and social life. Scholars of literature study them to gain knowledge of rhetorical strategies employed in late medieval texts by women. Philologists analyze them to enhance understanding of the historical development of Latin and medieval Swedish. Increasingly, Birgitta is also admired and studied as a powerful female voice and prophet of reform. Collectively, the Revelationes encapsulate the workings of an extraordinary mind, alternating between a tender lyricism and a grim intensity and hallucinatory imagination, mixing stereotypical commonplaces with startling and sensational imagery, providing enlightenment on contemporary issues and practical advice about imminent and future events, and showing a constant devotion to the passion of Christ and a close identification with the Virgin. This is the second of four volumes and it contains Book IV and Book V. Book IV includes some of Birgitta's most influential visions, with topics ranging from the Avignon papacy and purgatory, to the Hundred Years War. Book V, the Liber Quaestionum (Book of Questions), takes the form of a learned dialogue between Christ and a monk standing on a ladder fixed between heaven and earth. The argument centers on the way in which God's providence is constantly misunderstood and rejected by self-centered human beings. The translation is based on the recently completed critical edition of the Latin text and promises to be the standard English translation of the Revelationes for years to come. It makes this important text available to a wider audience and provides the basis for new research on one of the foremost medieval women visionaries.

A scholarly edition of letters by Lady Mary Wortley Montagu. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

From the dawn of the early modern period around 1400 until the eighteenth century, Latin was still the European language and its influence extended as far as Asia and the Americas. At the same time, the production of Latin writing exploded thanks to book printing and new literary and cultural dynamics. Latin also entered into a complex interplay with the rising vernacular languages. This Handbook gives an accessible survey of the main genres, contexts, and regions of Neo-Latin, as we have come to call Latin writing composed in the wake of Petrarch (1304-74). Its emphasis is on the period of Neo-Latin's greatest cultural relevance, from the fifteenth to the eighteenth centuries. Its chapters, written by specialists in the field, present individual methodologies and focuses while retaining an introductory character. The Handbook will be valuable to all readers wanting to orientate themselves in the immense ocean of Neo-Latin literature and culture. It will be particularly helpful for those working on early modern languages and literatures as well as to classicists working on the culture of ancient Rome, its early modern reception and the shifting characteristics of post-classical Latin language and literature. Political, social, cultural and intellectual historians will find much relevant material in the Handbook, and it will provide a rich range of material to scholars researching the history of their respective geographical areas of interest.

Exam board: AQA A, Cambridge Assessment International Education Level & Subject: AS and A Level English Literature First teaching: September 2015 First examination: June 2017, 2021 This edition of Persuasion provides depth and context for A Level students, with the complete novel in an easy to read format, and a detailed introduction and bespoke glossary written by an experienced A Level teacher with academic expertise in the area. * Affordable high quality complete text of Persuasion, ideal for AS and A Level Literature * Perfectly pitched introductions provide the depth and demand required by AS and A Level * Explore the contemporary context, Jane Austen's writing, the novel's critical reception and subsequent interpretations for a deeper reading of the text * Expand your further reading with a list of key articles and critical and theoretical texts * Improve your understanding of the novel with unfamiliar concepts and culturally-specific terms defined in the glossary

This study reconstructs the history of a significant crisis in Christian-Jewish relations: the attempt to confiscate and destroy all Jewish books in Renaissance Germany. This unprecedented effort to end the practice of Judaism throughout the empire was challenged by Jewish communities and also, in an unexpected move, by Johannes Reuchlin (1455-1522), the founder of Christian Hebrew studies. Reuchlin had revolutionized the Christian study of the Bible with his Hebrew grammar. In 1510 he published an extensive, impassioned, and successful defense of Jewish writings and Jewish legal rights against the book pogrom, later acknowledged by Josel of Rosheim, the leader of German Jewry, as a ''miracle within a miracle.'' The fury that greeted Reuchlin's defense of Judaism resulted in a protracted heresy trial that polarized Europe, ultimately fostering a receptive environment for the nascent Reformation movement. The legal and theological battle over charges that Reuchlin's opinions were "impermissibly favorable to Jews," a conflict that elicited intervention on both sides from the most powerful political and intellectual leaders throughout Renaissance Europe, formed a new context for Christian reflection on the status of Judaism. David Price offers insight into important new Christian discourses on Judaism and anti-Semitism that emerged from the clash of Renaissance humanism with this potent anti-Jewish campaign, as well as an innovative analysis of Luther's virulent anti-Semitism in the context and aftermath of the Reuchlin Affair. His book is a valuable contribution to study of an important and complex development in European history: Christians acquiring accurate knowledge of Judaism and its history.

The poetry of Michelangelo offers an insight into one of the greatest artists of all time, and is a notable literary achievement in its own right. This text lays out the broad chronological evolution of the poems and clarifies both their meaning and the verbal artistry that shaped their construction. The poetry is always quoted in Italian and in translation.

Surviving Images explores the prominent role of cinema in the development of cultural memory around war and conflict in colonial and postcolonial contexts. It does so through a study of three historical eras: the colonial period, the national-independence struggle, and the postcolonial. Beginning with a study of British colonial cinema on the Sudan, then exploring anti-colonial cinema in Algeria, Egypt and Tunisia, followed by case studies of films emerging from postcolonial contexts in Palestine, Iran, Lebanon, and Israel, this work aims to fill a gap in the critical literature on both Middle Eastern cinemas, and to contribute more broadly to scholarship on social trauma and cultural memory in colonial and postcolonial contexts. This work treats the concept of trauma critically, however, and posits that social trauma must be understood as a framework for producing social and political meaning out of these historical events. Social trauma thus sets out a productive process of historical interpretation, and cultural texts such as cinematic works both illuminate and contribute to this process. Through these discussions, Surviving Images illustrates cinema's productive role in contributing to the changing dynamics of cultural memory of war and social conflict in the modern world.

Kabir was a great iconoclastic-mystic poet of fifteenth-century North India; his poems were composed orally, written down by others in manuscripts and books, and transmitted through song. Scholars and translators usually attend to written collections, but these present only a partial picture of the Kabir who has remained vibrantly alive through the centuries mostly in oral forms. Entering the worlds of singers and listeners in rural Madhya Pradesh, Bodies of Song combines ethnographic and textual study in exploring how oral transmission and performance shape the content and interpretation of vernacular poetry in North India. The book investigates textual scholars' study of oral-performative traditions in a milieu where texts move simultaneously via oral, written, audio/video-recorded, and electronic pathways. As texts and performances are always socially embedded, Linda Hess brings readers into the lives of those who sing, hear, celebrate, revere, and dispute about Kabir. Bodies of Song is rich in stories of individuals and families, villages and towns, religious and secular organizations, castes and communities. Dialogue between religious/spiritual Kabir and social/political Kabir is a continuous theme throughout the book: ambiguously located between Hindu and Muslim cultures, Kabir rejected religious identities, pretentions, and hypocrisies. But even while satirizing the religious, he composed stunning poetry of religious experience and psychological insight. A weaver by trade, Kabir also criticized caste and other inequalities and today serves as an icon for Dalits and all who strive to remove caste prejudice and oppression.

A scholarly edition of the poems of Thomas Gray. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

Since at least 1939, when daily-strip caveman Alley Oop time-traveled to the Trojan War, comics have been drawing (on) material from Greek and Roman myth, literature and history. At times the connection is cosmetic-as perhaps with Wonder Woman's Amazonian heritage-and at times it is almost irrelevant-as with Hercules' starfaring adventures in the 1982 Marvel miniseries. But all of these make implicit or explicit claims about the place of classics in modern literary culture.
Classics and Comics is the first book to explore the engagement of classics with the epitome of modern popular literature, the comic book. This volume collects sixteen articles, all specially commissioned for this volume, that look at how classical content is deployed in comics and reconfigured for a modern audience. It opens with a detailed historical introduction surveying the role of classical material in comics since the 1930s. Subsequent chapters cover a broad range of topics, including the incorporation of modern theories of myth into the creation and interpretation of comic books, the appropriation of characters from classical literature and myth, and the reconfiguration of motif into a modern literary medium. Among the well-known comics considered in the collection are Frank Miller's 300 and Sin City, DC Comics' Wonder Woman, Jack Kirby's The Eternals, Neil Gaiman's Sandman, and examples of Japanese manga. The volume also includes an original 12-page "comics-essay," drawn and written by Eisner Award-winning Eric Shanower, creator of the graphic novel series Age of Bronze.

Adored by many, appalling to some, baffling still to others, few authors defy any single critical narrative to the confounding extent that James Baldwin manages. Was he a black or queer writer? Was he a religious or secular writer? Was he a spokesman for the civil rights movement or a champion of the individual? His critics, as disparate as his readership, endlessly wrestle with paradoxes, not just in his work but also in the life of a man who described himself as "all those strangers called Jimmy Baldwin" and who declared that "all theories are suspect." Viewing Baldwin through a cultural-historical lens alongside a more traditional literary critical approach, All Those Strangers examines how his fiction and nonfiction shaped and responded to key political and cultural developments in the United States from the 1940s to the 1980s. Showing how external forces molded Baldwinas personal, political, and psychological development, Douglas Field breaks through the established critical difficulties caused by Baldwinas geographical, ideological, and artistic multiplicity by analyzing his life and work against the radically transformative politics of his time. The book explores under-researched areas in Baldwin's life and work, including his relationship to the Left, his FBI files, and the significance of Africa in his writing, while also contributing to wider discussions about postwar US culture. Field deftly navigates key twentieth-century themesathe Cold War, African American literary history, conflicts between spirituality and organized religion, and transnationalismato bring a number of isolated subjects into dialogue with each other. By exploring the paradoxes in Baldwin's development as a writer, rather than trying to fix his life and work into a single framework, All Those Strangers contradicts the accepted critical paradigm that Baldwin's life and work are too ambiguous to make sense of. By studying him as an individual and an artist in flux, Field reveals the manifold ways in which Baldwin's work develops and coheres.

Using examples from architecture, film, literature, and the visual arts, this wide-ranging book examines the place and significance of New York City in the urban imaginary between 1890 and 1940. In particular, Imagining New York City considers how and why certain city spaces - such as the skyline, the sidewalk, the slum, and the subway - have come to emblematize key aspects of the modern urban condition. In so doing, the book also considers the ways in which cultural developments in the late nineteenth and early twentieth centuries set the stage for more recent responses to a variety of urban challenges facing the city, such as post-disaster recovery, the renewal of urban infrastructure, and the remaking of public space.

This volume contains interviews with fourteen contemporary South African authors: Mariam Akabor, Sifiso Mzobe, Fred Khumalo, Futhi Ntshingila, Niq Mhlongo, Zukiswa Wanner, Nthikeng Mohlele, Mohale Mashigo, Lauren Beukes, Charlie Human, Yewande Omotoso, Andrew Salomon, Imraan Coovadia and Fred Strydom. The conversations with the writers are accompanied by vignettes of the authors' lives and summaries of their works. In curating this book, Danyela Dimakatso Demir and Olivier Moreillon step beyond pure literary theory and analysis by allowing the authors to speak to and assess the literary landscape, of which they form a part and which they co-create. However, Demir and Moreillon also trace concepts and terms that describe the current moment of South African literature, such as post-transitional literature and literature beyond 2000. By adopting a world-literary approach to (post)apartheid literature, this book makes an important contribution to debates on contemporary South African writing. In addition, Tracing the (Post)Apartheid Novel beyond 2000 seeks to raise awareness of the imbalance in both critical and public attention between literary 'big names', such as Andre P. Brink, J.M. Coetzee, Nadine Gordimer and Zakes Mda, who are nationally and internationally celebrated, and the younger and newer generation of South African writers, who go largely unnoticed.

The Rise of the African Novel is the first book to situate South African and African-language literature of the late 1880s through the early 1940s in relation to the literature of decolonization that spanned the 1950s through the 1980s, and the contemporary generation of established and emerging continental and diaspora African writers of international renown.

Calling it a major crisis in African literary criticism, Mukoma Wa Ngugi considers key questions around the misreading of African literature: Why did Chinua Achebe’s generation privilege African literature in English despite the early South African example? What are the costs of locating the start of Africa’s literary tradition in the wrong literary and historical period? What does it mean for the current generation of writers and scholars of African literature not to have an imaginative consciousness of their literary past?

While acknowledging the importance of Achebe’s generation in the African literary tradition, Mukoma Wa Ngugi challenges that narrowing of the identities and languages of the African novel and writer. In restoring the missing foundational literary period to the African literary tradition, he shows how early South African literature, in both aesthetics and politics, is in conversation with the literature of the African independence era and contemporary rooted transnational literatures.

This book will become a foundational text in African literary studies, as it raises questions about the very nature of African literature and criticism. It will be essential reading for scholars of African literary studies as well as general readers seeking a greater understanding of African literary history and the ways in which critical consensus can be manufactured and rewarded at the expense of a larger and historical literary tradition.

A scholarly edition of poems by Sir Philip Sidney. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

An easy-to-use teacher's guide outlines student objectives with each chapter, providing the answers to the assignments and weekly exercises. The final lesson of the week includes both the exam, covering insights on the week's chapter, as well as essays developed through the course of that week's study, chosen by the educator and student to personalize the coursework for the individual learner.

Attention Equals Life examines why a quest to pay attention to daily life has increasingly become a central feature of both contemporary American poetry and the wider culture of which it is a part. Drawing on theories and debates about the nature of everyday life from a number of fields across the humanities, this book traces the modern history of this preoccupation and consider why it is so much with us today. Attention Equals Life argues that it is no coincidence that a potent hunger for everyday life explodes in the post-1945 period. This deep cultural need should be seen as a reaction to the rapid and dislocating cultural, political, and social transformations of this epoch, which have resulted in a culture of perilous distraction, interruption, and fragmented attention. The book argues that poetry is an important, and perhaps unlikely, cultural form that has mounted a response, and even method of resistance, to a culture gradually losing its capacity to pay attention. It examines why a compulsion to represent the everyday becomes predominant in the decades after modernism, why it has so often led to unusual, challenging projects and formal innovation, and why poetry, in particular, might be an everyday-life genre par excellence. The book considers the variety of forms this preoccupation takes, and examines its aesthetic, philosophical, and political ramifications. By exploring the use of innovative strategies, unusual projects, and new technologies as methods of attending to dailiness, Attention Equals Life uncovers an important strain at the heart of twentieth and twenty-first century literature.