Magic enjoyed a vigorous revival in sixteenth-century Europe, attaining a prestige lost for over a millennium and becoming, for some, a kind of universal philosophy. Renaissance music also suggested a form of universal knowledge through renewed interest in two ancient themes: the Pythagorean and Platonic "harmony of the celestial spheres" and the legendary effects of the music of bards like Orpheus, Arion, and David. In this climate, Renaissance philosophers drew many new and provocative connections between music and the occult sciences.
In "Music in Renaissance Magic," Gary Tomlinson describes some of these connections and offers a fresh view of the development of early modern thought in Italy. Raising issues essential to postmodern historiography--issues of cultural distance and our relationship to the others who inhabit our constructions of the past --Tomlinson provides a rich store of ideas for students of early modern culture, for musicologists, and for historians of philosophy, science, and religion.
"A scholarly step toward a goal that many composers have aimed for: to rescue the "idea" of New Age Music--that music can promote spiritual well-being--from the New Ageists who have reduced it to a level of sonic wallpaper."--Kyle Gann, "Village Voice"
"An exemplary piece of musical and intellectual history, of interest to all students of the Renaissance as well as musicologists. . . . The author deserves congratulations for introducing this new approach to the study of Renaissance music."--Peter Burke, "NOTES"
"Gary Tomlinson's "Music in Renaissance Magic: Toward a Historiography of Others" examines the 'otherness' of magical cosmology. . . . [A] passionate, eloquently melancholy, and important book."--Anne Lake Prescott, "Studies in English Literature"

Pauline and Dan Campanelli's classic companion to Wheel of the Year is back for a new generation of readers to enjoy Celebrate the seasons of the year according to the ancient Pagan traditions. Ancient Ways shows how to prepare for and conduct the Sabbat rites, and helps you harness the magickal energy for weeks afterward. The wealth of seasonal rituals and charms within are drawn from ancient sources but are easily performed with readily available materials. Learn how to look into your previous lives at Yule. At Beltane, discover the places where you are most likely to see faeries. Make special jewelry to wear for your Lammas celebrations. For the special animals in your life, paint a charm of protection at Midsummer. Most Pagans feel that the Sabbat rituals are all too brief and wish for the magick to continue. Ancient Ways can help you reclaim your own traditions and heighten the feeling of magick all year long. Praise: "A delightful, joyous guide to celebrating the seasons and festivals with homespun magic." --Scott Cunningham, author of Cunningham's Encyclopedia of Magical Herbs "A delightful book that beautifully complements the authors' Wheel of the Year." --Ray Buckland, author of Practical Candleburning Rituals

Following the death of the Austrian philosopher and spiritual scientist Rudolf Steiner in 1925, Ita Wegman - one of his closest esoteric pupils - began to publish regular letters to the members of the Anthroposophical Society. In Steiner's tradition, these letters were appended with 'leading thoughts' (or guiding principles). Esoteric Studies collects many of these 'letters to friends', together with various articles, reports and addresses by Ita Wegman on subjects such as the Christmas Foundation Conference, the Goetheanum building and the festival of Michaelmas. Featuring an informative foreword by Crispian Villeneuve and a commemorative study by George Adams, this book provides a fine introduction to the work of Ita Wegman, as well as a rousing call for courage and wakefulness in the spirit of the Archangel Michael!

Katrina Hazzard-Donald explores African Americans' experience and practice of the herbal, healing folk belief tradition known as Hoodoo. She examines Hoodoo culture and history by tracing its emergence from African traditions to religious practices in the Americas. Working against conventional scholarship, Hazzard-Donald argues that Hoodoo emerged first in three distinct regions she calls "regional Hoodoo clusters" and that after the turn of the nineteenth century, Hoodoo took on a national rather than regional profile. The spread came about through the mechanism of the "African Religion Complex," eight distinct cultural characteristics familiar to all the African ethnic groups in the United States. The first interdisciplinary examination to incorporate a full glossary of Hoodoo culture, Mojo Workin': The Old African American Hoodoo System lays out the movement of Hoodoo against a series of watershed changes in the American cultural landscape. Hazzard-Donald examines Hoodoo material culture, particularly the ""High John the Conquer"" root, which practitioners employ for a variety of spiritual uses. She also examines other facets of Hoodoo, including rituals of divination such as the ""walking boy"" and the ""Ring Shout,"" a sacred dance of Hoodoo tradition that bears its corollaries today in the American Baptist churches. Throughout, Hazzard-Donald distinguishes between ""Old tradition Black Belt Hoodoo"" and commercially marketed forms that have been controlled, modified, and often fabricated by outsiders; this study focuses on the hidden system operating almost exclusively among African Americans in the Black spiritual underground.

A general introduction to medieval magic, containing a little-known handbook from the late Middle Ages.

Preserved in the Bavarian State Library in Munich is a manuscript that few scholars have noticed and that no one in modern times has treated with the seriousness it deserves. Forbidden Rites consists of an edition of this medieval Latin text with a full commentary, including detailed analysis of the text and its contents, discussion of the historical context, translation of representative sections of the text, and comparison with other necromantic texts of the late Middle Ages. The result is the most vivid and readable introduction to medieval magic now available.

Like many medieval texts for the use of magicians, this handbook is a miscellany rather than a systematic treatise. It is exceptional, however, in the scope and variety of its contents -- prayers and conjurations, rituals of sympathetic magic, procedures involving astral magic, a catalogue of spirits, lengthy ceremonies for consecrating a book of magic, and other materials.

With more detail on particular experiments than the famous thirteenth-century Picatrix and more variety than the Thesaurus Necromatiae ascribed to Roger Bacon, the manual is one of the most interesting and important manuscripts of medieval magic that has yet come to light.

Do you want to charm the love of your life, instigate a promotion at work or banish a bad friend? With this fun book and card set, get in touch with your inner witch and ensure life goes as planned! Do you want to charm the love of your life, instigate a promotion at work or banish a bad friend? With this fun book and card set, get in touch with your inner witch and ensure life goes as planned! The 52 charming cards come in two suits - Good Witches and Bad Witches - and the book explains their meanings. You can lay them out like tarot cards to predict the future, and cast the spell that accompanies each card to weave magic, both white and dark. Just remember that the Good Witch spells turn toads into princes, and the Bad Witch spells turn princes into toads...

What distinguished the true alchemist from the fraud? This question animated the lives and labors of the common men--and occasionally women--who made a living as alchemists in the sixteenth- and seventeenth-century Holy Roman Empire. As purveyors of practical techniques, inventions, and cures, these entrepreneurs were prized by princely patrons, who relied upon alchemists to bolster their political fortunes. At the same time, satirists, artists, and other commentators used the figure of the alchemist as a symbol for Europe's social and economic ills. Drawing on criminal trial records, contracts, laboratory inventories, satires, and vernacular alchemical treatises, Alchemy and Authority in the Holy Roman Empire situates the everyday alchemists, largely invisible to modern scholars until now, at the center of the development of early modern science and commerce. Reconstructing the workaday world of entrepreneurial alchemists, Tara Nummedal shows how allegations of fraud shaped their practices and prospects. These debates not only reveal enormously diverse understandings of what the "real" alchemy was and who could practice it; they also connect a set of little-known practitioners to the largest questions about commerce, trust, and intellectual authority in early modern Europe.

In a culture where the supernatural possessed an immediacy now strange to us, magic was of great importance both in the literary and mythic tradition and in ritual practice. Recently, ancient magic has hit a high in popularity, both as an area of scholarly inquiry and as one of general, popular interest. In Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds Daniel Ogden presents three hundred texts in new translations, along with brief but explicit commentaries. This is the first book in the field to unite extensive selections from both literary and documentary sources. Alongside descriptions of sorcerers, witches, and ghosts in the works of ancient writers, it reproduces curse tablets, spells from ancient magical recipe books, and inscriptions from magical amulets. Each translation is followed by a commentary that puts it in context within ancient culture and connects the passage to related passages in this volume. Authors include the well known (Sophocles, Herodotus, Plato, Aristotle, Virgil, Pliny) and the less familiar, and extend across the whole of Greco-Roman antiquity.
The second edition includes a new preface, an updated bibliography, and new source-passages, such as the earliest use of the word "mage" in Greek" (fr. Aeschylus' Persians ), a werewolf tale (Aesop's Fables), and excerpts from the most systematic account of ancient legislation against magic (Theodosian Code).

The story of the beliefs and practices called 'magic' starts in ancient Iran, Greece, and Rome, before entering its crucial Christian phase in the Middle Ages. Centering on the Renaissance and Marsilio Ficino - whose work on magic was the most influential account written in premodern times - this groundbreaking book treats magic as a classical tradition with foundations that were distinctly philosophical. Besides Ficino, the premodern story of magic also features Plotinus, Iamblichus, Proclus, Aquinas, Agrippa, Pomponazzi, Porta, Bruno, Campanella, Descartes, Boyle, Leibniz, and Newton, to name only a few of the prominent thinkers discussed in this book. Because pictures play a key role in the story of magic, this book is richly illustrated.

Magic, which is probably as old as humanity, is a way of achieving goals through supernatural means, either benevolent (white magic) or harmful (black magic). Magic has been used in Britain since at least the Iron Age (800 BC- AD 43) - amulets made from human bone have been found on Iron Age sites in southern England. Britain was part of the Roman Empire from AD 43 to 410, and it is then we see the first written magic, in the form of curse tablets. A good deal of magic involves steps to prevent the restless dead from returning to haunt the living, and this may lie behind the decapitated and prone (face down) burials of Roman Britain. The Anglo-Saxons who settled in England in the 5th and 6th century were strong believers in magic: they used ritual curses in Anglo-Saxon documents, they wrote spells and charms, and some of the women buried in pagan cemeteries were likely practitioners of magic (wicca, or witches). The Anglo-Saxons became Christians in the 7th century, and the new "magicians" were the saints, who with the help of God, were able to perform miracles. In 1066, William of Normandy became king of England, and for a time there was a resurgence of belief in magic. The medieval church was able to keep the fear of magic under control, but after the Reformation in the mid 16th century, this fear returned, with numerous witchcraft trials in the late 16th and 17th centuries.

Daughters of Hecate unites for the first time research on the problem of gender and magic in three ancient Mediterranean societies: early Judaism, Christianity, and Graeco-Roman culture. The book illuminates the gendering of ancient magic by approaching the topic from three distinct disciplinary perspectives: literary stereotyping, the social application of magic discourse, and material culture.
The volume challenges presumed associations of women and magic by probing the foundations of, processes, and motivations behind gendered stereotypes, beginning with Western culture's earliest associations of women and magic in the Bible and Homer's Odyssey. Daughters of Hecate provides a nuanced exploration of the topic while avoiding reductive approaches. In fact, the essays in this volume uncover complexities and counter-discourses that challenge, rather than reaffirm, many gendered stereotypes taken for granted and reified by most modern scholarship.
By combining critical theoretical methods with research into literary and material evidence, Daughters of Hecate interrogates gendered stereotypes that are as relevant now as for understanding antiquity or the early modern witch hunts.

Born Alphonse Louis Constant, French magician Eliphas Levi (1810-75) wrote prolifically on the occult sciences. His Histoire de la magie was first published in 1860. In it, Levi recounts the history of the occult in Western thought, encompassing its biblical, Zoroastrian and ancient Greek origins, various magical practices of the medieval and early modern periods - including hermeticism, alchemy and necromancy - and the role of magic in the French Revolution. The last section of the book describes nineteenth-century magical practices and includes details of Levi's own occult experiences. Prepared by Arthur Edward Waite (1857-1942), this English translation was first published in 1913. An editor and translator of numerous magical texts, Waite includes here a preface comprising an eloquent defense of Levi and intellectual magic. The original French edition is also reissued in the Cambridge Library Collection.

Born Alphonse Louis Constant, French magician Eliphas Levi (1810-75) wrote prolifically on the occult sciences. His hugely popular Dogme et rituel de la haute magie, published in French in 1854, was translated into English by Arthur Edward Waite (1857-1942) in 1896. In the present work, Waite condenses Levi's two volumes into one. The first part outlines Levi's theory of the doctrine of transcendent magic and discusses a wide range of magical phenomena, including bewitchment, Kabbalah and alchemy. The second part focuses on the practical aspects of ritual and ceremony in Western occult philosophy. Waite, a mystic and occult historian, edited several alchemical and magical texts for publication in the wake of the mid-nineteenth century occult revival. His translation is accompanied by a preface outlining Levi's colourful career. The original two-volume French edition is also reissued in the Cambridge Library Collection.

Eliphas Levi, born Alphonse Louis Constant, (1810-75) was instrumental in the revival of Western occultism in the nineteenth century, and published several influential books on magic that are also reissued in this series. This posthumous publication (1896) is a translation by William Wynn Westcott, co-founder of the 'Hermetic Order of the Golden Dawn', of an unpublished French manuscript by Levi, then owned by the spiritualist Edward Maitland. It includes eight of the author's drawings. Each short chapter outlines the meaning of one of the twenty-two tarot trumps and is followed by a brief editor's note describing the card's iconography and summarising interpretations (sometimes deliberately misleading) given in Levi's earlier publications. The book ends with Kabbalistic prayers and rituals, praise of Jesus Christ as the great initiate, and a surprising assertion that Christianity has superseded ancient magic, revealing the life-long tension between Catholicism and magic in Levi's personality and thought.

Intended as a supplement to Sir Walter Scott's 1830 Letters on Demonology and Witchcraft, this 1832 publication seeks to explain and expose the science behind the alleged 'magic' of spiritualists and conjurors. David Brewster (1781 1868), a Scottish natural philosopher and historian of science, was highly regarded in his lifetime but has since faded into obscurity. Penned at the request of Scott, Brewster's friend and neighbour, this book follows an epistolary structure, consisting of thirteen letters each addressing and exposing different aspects of the alleged supernatural activity, in keeping with the format of Scott's publication. Brewster's subject matter includes optics, magic lanterns, automata, alchemy, fire-breathing, spontaneous combustion, spectral illusions and various other phenomena. In each case he carefully outlines how this 'magic' is created with optical illusion, narcotic drugs, gas inhalation, and chemical tricks. The book offers an intriguing insight into nineteenth-century attitudes towards the supernatural.

Joseph Ennemoser (1787 1854) was an Tyrolean doctor and scientist, noted for his use of magnetism and hypnosis. He was a forerunner of Freud in his belief in the connection between the mind and physical health, and his interest in psychology led to investigations into the paranormal and magic. He became well known for his presentations about magic, delusions and apparently supernatural occurrences. He suggested that most of these phenomena appeared miraculous only because of a lack of understanding of the laws of nature. The History of Magic was published in Leipzig in 1844, and translated into English in 1854 by William Howitt, a leading Spiritualist writer. Volume 1 deals with the different categories of magic and mysticism, and how they were viewed in ancient times. He discusses visions, dreams and soothsaying, and miracles in the Bible, and the link between classical medicine and oracles.

Joseph Ennemoser (1787 1854) was an Tyrolean doctor and scientist, noted for his use of magnetism and hypnosis. He was a forerunner of Freud in his belief in the connection between the mind and physical health, and his interest in psychology led to investigations into the paranormal. He became well known for his presentations about magic, delusions and apparently supernatural occurrences. He suggested that most of these phenomena appeared miraculous only because of a lack of understanding of the laws of nature. The History of Magic was published in Leipzig in 1844, and translated into English in 1854 by William Howitt, a leading Spiritualist writer. Volume 2 examines Germanic and medieval magic. Ennemoser attempts to show how animal magnetism has been partially understood throughout history, and relates it to scientific knowledge. The editor, Mary Howitt, has added a collection of accounts of supernatural events which illustrate the topics discussed.

Also available in an open-access, full-text edition at http: //repositories.tamu.edu/bitstream/handle/1969.1/86080/Marlin_585444251_Txt.pdf?sequence=1 The black sun, an ages-old image of the darkness in individual lives and in life itself, has not been treated hospitably in the modern world. Modern psychology has seen darkness primarily as a negative force, something to move through and beyond, but it actually has an intrinsic importance to the human psyche. In this book, Jungian analyst Stanton Marlan reexamines the paradoxical image of the black sun and the meaning of darkness in Western culture.
In the image of the black sun, Marlan finds the hint of a darkness that shines. He draws upon his clinical experiences--and on a wide range of literature and art, including Goethe's "Faust, " Dante's "Inferno," the black art of Rothko and Reinhardt--to explore the influence of light and shadow on the fundamental structures of modern thought as well as the contemporary practice of analysis. He shows that the black sun accompanies not only the most negative of psychic experiences but also the most sublime, resonating with the mystical experience of negative theology, the Kabbalah, the Buddhist notions of the void, and the black light of the Sufi Mystics.
An important contribution to the understanding of alchemical psychology, this book draws on a postmodern sensibility to develop an original understanding of the black sun. It offers insight into modernity, the act of imagination, and the work of analysis in understanding depression, trauma, and transformation of the soul. Marlan's original reflections help us to explore the unknown darkness conventionally called the Self.
"The image of Kali appearing in the color insert following page 44 is (c) Maitreya Bowen, reproduced with her permission, "[email protected].

In 1573, the alchemist Anna Zieglerin gave her patron, the Duke of Braunschweig-Wolfenbüttel, the recipe for an extraordinary substance she called the lion's blood. She claimed that this golden oil could stimulate the growth of plants, create gemstones, transform lead into the coveted philosophers' stone—and would serve a critical role in preparing for the Last Days. Boldly envisioning herself as a Protestant Virgin Mary, Anna proposed that the lion's blood, paired with her own body, could even generate life, repopulating and redeeming the corrupt world in its final moments. In Anna Zieglerin and the Lion's Blood, Tara Nummedal reconstructs the extraordinary career and historical afterlife of alchemist, courtier, and prophet Anna Zieglerin. She situates Anna's story within the wider frameworks of Reformation Germany's religious, political, and military battles; the rising influence of alchemy; the role of apocalyptic eschatology; and the position of women within these contexts. Together with her husband, the jester Heinrich Schombach, and their companion and fellow alchemist Philipp Sommering, Anna promised her patrons at the court of Wolfenbüttel spiritual salvation and material profit. But her compelling vision brought with it another, darker possibility: rather than granting her patrons wealth or redemption, Anna's alchemical gifts might instead lead to war, disgrace, and destruction. By 1575, three years after Anna's arrival at court, her enemies had succeeded in turning her from holy alchemist into poisoner and sorceress, culminating in Anna's arrest, torture, and public execution. In her own life, Anna was a master of self-fashioning; in the centuries since her death, her story has been continually refashioned, making her a fitting emblem for each new age. Interweaving the history of science, gender, religion, and politics, Nummedal recounts how one resourceful woman's alchemical schemes touched some of the most consequential matters in Reformation Germany.