A magic square consists of a series of numbers so arranged in a square that the sum of each row and column and of both the corner diagonals shall be the same amount which may be termed the summation. In "Magic Squares and Cubes" W.S. Andrews writes "The study of magic squares probably dates back to prehistoric times. Examples have been found in Chinese literature written about AD 1125 which were evidently copied from still older documents. It is recorded that as early as the ninth century magic squares were used by Arabian astrologers in their calculations of horoscopes, etc. Hence, the probable origin of the term magic, which has survived to the present day." Topics such as magic squares, magic cubes, the Franklin squares, magics and Pythagorean numbers, the theory of reversions, magic circles, spheres, and stars, and magic octahedroids, among other things.

Communing With The Spirits is the only book available that deals with the magical practice of Necromancy in a non-initiatory manner. The book has had excellent reviews in the serious occult online press, and is considered by many serious Occultists to be a standard in the field. This second edition contains some interesting new material, but retains all of the old material that has been found to be useful in guiding people who have the real desire and inclination to successfully practice Necromancy. Necromancy is not for everyone, but for those interested in mastering the art, this book is an excellent guide. 100 words

With 23 illustrations. Crowley had a temple in Cefalu in Sicily. He was supposed to practice Black Magic there, and one day a baby was said to have disappeared mysteriously.

Some consider this to be the best book on magic available. The system of magic found here originated in Egypt from a magician who was known as Abramelin the Mage. It became the main source in the work of Aleister Crowley, who based many of his magical concepts and rituals on it. This book contains a complete system of ceremonial magic, covering areas considered to be both black and white. It is an advanced test that requires focus and concentration. If patience is used, one can be successful in its practice.

This volume presents editions of two fascinating anonymous and untitled manuscripts of magic produced in Elizabethan England: the Antiphoner Notebook and the Boxgrove Manual. Frank Klaassen uses these texts, which he argues are representative of the overwhelming majority of magical practitioners, to explain how magic changed during this period and why these developments were crucial to the formation of modern magic. The Boxgrove Manual is a work of learned ritual magic that synthesizes material from Henry Cornelius Agrippa, the Fourth Book of Occult Philosophy, Heptameron, and various medieval conjuring works. The Antiphoner Notebook concerns the common magic of treasure hunting, healing, and protection, blending medieval conjuring and charm literature with materials drawn from Reginald Scot’s famous anti-magic work, Discoverie of Witchcraft. Klaassen painstakingly traces how the scribes who created these two manuscripts adapted and transformed their original sources. In so doing, he demonstrates the varied and subtle ways in which the Renaissance, the Reformation, new currents in science, the birth of printing, and vernacularization changed the practice of magic. Illuminating the processes by which two sixteenth-century English scribes went about making a book of magic, this volume provides insight into the wider intellectual culture surrounding the practice of magic in the early modern period.

Many of the spells that spiritual workers give their clients to solve problems in their lives are given in this book. No knowledge or training in magic is necessary to perform thse spells, which have been taken from the successful folk magic of many of the ethnic spiritual practitioners of New York, as well as Draja Mickaharic

Creating Magickal Entities is a comprehensive reference manual that presents step-by-step instructions for creating entities through astral manipulation that will change your life. This manual, written by three practicing occultists, reveals magickal and alchemical methods, many which have been lost and suppressed through the ages, in a refreshingly modern way that magickal practitioners of any tradition can understand.

One of the peculiarities of Bulwer was his passion for occult studies. They had a charm for him early in life, and he pursued them with the earnestness which characterized his pursuit of other studies. He became absorbed in wizard lore; he equipped himself with magical implements, -- with rods for transmitting influence, and crystal balls in which to discern coming scenes and persons; and communed with spiritualists and mediums. The fruit of these mystic studies is seen in _Zanoni_ and A strange Story, romances which were a labor of love to the author, and into which he threw all the power he possessed, -- power re-enforced by multifarious reading and an instinctive appreciation of Oriental thought.

Everyone possesses the spiritual, psychic, and worldly potential of a Goddess or God. In this breakthrough book, Francesca De Grandis brings years of experience as a shamanic counselor and traditional spiritual healer to reveal how you can cultivate and celebrate the secret, magical side of your nature. This month-to-month program of many practical exercises, rituals, and prayers will help you:

• Discover your innate wisdom

• Heal inner blocks to happiness and meaningful action in your life

• Achieve your goals and feel energized, strong, and capable

• Unleash creativity and passion for living

• Celebrate a vibrant and healthy sexuality

Based on traditional Celtic culture and the author's own successful and unique Third Road teaching, this enriching journey deep into the heart of shamanism and Goddess Spirituality will appeal to all seekers, not just Wiccans. A lyrical sourcebook of rituals, spells, mysticism, and mirth, Goddess Initiation is designed for everyone who wants to integrate commonsense Spirituatity -- and a bit of Faerie dust! -- into their everyday lives.

Occult knowledge and practice can be divided into three main branches: Astrology, which aims to guide human fortune by means of foreknowledge; Alchemy, which tries to secure power through the agency of the philosopher's stone; and Ritual Magic, which seeks to control the spirit world. In this classic book (first published in 1949), Butler explores ritual magic using a wide range of texts from the pre-Christian rites of the Akkadians and Chaldeans to the Solomonic Clavicles of medieval Europe. Throughout, there is extensive quotation from the documents themselves, providing the reader with an authentic sense of the richness and power of these texts.

Butler also examines the careers of noted magicians of the fifteenth to nineteenth centuries, the history of ceremonial magic in England, the myth of Satanism, and the rituals involved in the Faustian pact with the devil. Ritual Magic is essential reading for all interested in the history of magic and in the way magic traditions have altered as they move from culture to culture and from century to century.

A practical guide to the Anglo-Saxon Futhark and how runes were used in Old England In the early Anglo-Saxon period, the region of Great Britain known as Northumbria was a kingdom in its own right. These lands, in what is now northern England and southeast Scotland, were the targets of the first Viking raids on Britain. This violent influx, followed by the establishment of trade routes with the Norse, brought the runes to the region, where they intermingled with local magical traditions and legends, resulting in the development of a practical runic wisdom entirely unique to Northumbria. In this guide to the Wyrdstaves, or runic practices, of Old Northumbria, Nigel Pennick examines the thirty-three runes of the Anglo-Saxon Futhark and how they were used in Old England for weaving the web of Wyrd. Sharing runic lore and legends from the area, he explains how the Northumbrian runes are unique because they contain elements from all the cultures of the region, including the Picts, Britons, Romans, Angles, Scots, and Norse. He illustrates how each rune in this tradition is a storehouse of ancient knowledge, detailing the meanings, historical uses, symbolism, and related tree and plant spirits for each of the thirty-three runes. The author describes the Northumbrian use of runes in magic and encryption and explores geomancy divination practices, the role of sacred numbers, and the power of the eight airts, or directions. He also shows how the Northumbrian runes have a close relationship with Ogam, the tree alphabet of the ancient Celts. Providing a magical history of Northumbria, as well as a look at the otherworldly beings who call these lands home, including boggarts, brownies, and dragons, Pennick explains how traditional spirituality is intimately tied to the landscape and the cycle of the seasons. He reveals how the runic tradition is still vibrantly alive in this area and ready for us to reawaken to it.

This work is a powerful and astute examination of the connection between magic in literature and magic in history. It traces the evolution of the Faust tradition and its relationship to the practice of magic in European history. Written by one of the most distinguished scholars in the field of German literature, this book, first published in 1952, is a classic text. Butler follows the magic tradition of the Magus--the priest-king--and its reformulation in the Christian world. In the process, the Magus was transformed into a wicked sorcerer who comes to a bad end in this world and a worse one hereafter. This conception, which gained ground in the Middle Ages, received its most categorical statement in the Faust legend.

The celebrated pact between Faust and the devil was in fact an invention of Christian mythologists who had interpreted occult rituals in accordance with the Christian belief that magicians were the servants of Satan. Occultists replied by denying the pact with the devil and by associating Faust with ritual magic traditions. Butler draws on her detailed knowledge of literature, religion, and history to produce an authoritative synthesis that all those interested in the development of mythology will find indispensable.

Which He Caused to be Painted Upon an Arch in St. Innocents Church Yard in Paris. Only 100 copies of this elusive book were ever printed until now! Introduction by W.W. Westcott. Flammel was certainly one of the most captivating figures in alchemy. Because he mastered the art of alchemy, his vast wealth and charities surpassed anything known in his time. Contained in this vary rare book is the symbolism and allusions to the inner meanings contained within the powerful symbols that yielded their ancient secrets to him. Many alchemists insist that this is one of the most important alchemical works ever written. Long out-of-print, it's reprinting will satisfy the yearning for those seeking the Philosopher's Stone. (Due to the age and scarcity of this rare book, some of the pages are light although the text is readable.

The object of this book is to place before the reader in language as simple as possible the story of alchemy. Because the literature on this science has ever been an enigma to both the scientific and the lay mind, it is the earnest desire of the author to present it stripped of its symbolism, and to give some indication of its processes, its achievements, and its possibilities. He wishes to show that this science is the Law operating behind all Manifestation in Man; Man that is in his entirety, physical, mental, and spiritual, and to demonstrate how it is bound up in the further evolution and unfoldment of the race, for without this understanding the vision of Man made perfect is impossible. This is an excellent primer for anyone interested in alchemy.

Or, the Victorious Philosophical Stone. A Treatise more complete and more intelligible than any yet extant, concerning the Hermetical Magistery to which is added, The Ancient War of the Knights: Being an Alchemistical Dialogue between our Stone, Gold and Mercury: of the True Matter of which those who have traced Nature do prepare the Philosopher's Stone. This may be the first reprint of this essential alchemical work since 1740!

A unique, authoritative collection of rituals, spells, and meditations for attracting and enhancing love relationships--from the authors of Power of the Witch. This entertaining and enlightening book addresses both the novice and experienced magic worker to give an overview on the meaning of love and on the craft of performing it.

Treason and magic were first linked together during the reign of Edward II. Theories of occult conspiracy then regularly led to major political scandals, such as the trial of Eleanor Cobham Duchess of Gloucester in 1441. While accusations of magical treason against high-ranking figures were indeed a staple of late medieval English power politics, they acquired new significance at the Reformation when the 'superstition' embodied by magic came to be associated with proscribed Catholic belief. Francis Young here offers the first concerted historical analysis of allegations of the use of magic either to harm or kill the monarch, or else manipulate the course of political events in England, between the fourteenth century and the dawn of the Enlightenment. His book addresses a subject usually either passed over or elided with witchcraft: a quite different historical phenomenon. He argues that while charges of treasonable magic certainly were used to destroy reputations or to ensure the convictions of undesirables, magic was also perceived as a genuine threat by English governments into the Civil War era and beyond.

This volume represents a selection of contributions on Mediterranean themes from a wider international interdisciplinary conference on Magical Texts in Ancient Civilizations, organised by the Centre for Comparative Studies of Civilizations at Jagiellonian University in Krakow in Poland between 27-28 June 2013. The meeting welcomed researchers from Hungary, Italy, Poland and Ukraine, covering various disciplines including comparative civilizations, comparative religions, linguistics, archaeology, anthropology, history and philosophy. In the past 'magic' was often misunderstood as irrational behaviour, in contrast to the tradition of philosophical or rational thought mostly based on Greek models. Evidence collected from ancient high cultures, like that of Pharaonic Egypt, includes massive amounts of documents and treatises of all kinds related to what has been labelled 'magic'. Today it cannot be written off as merely a primitive or 'lesser human' phenomenon: the awareness of magic remains to the present day in many societies, at all social levels, and has not been generally replaced by what might be considered as more advanced thinking. The researches in this volume focus heavily on Egypt (in particular Predynastic, Pharaonic, Hellenistic, Roman and Christian evidence), but Near Eastern material was also presented from Pagan (Ugaritic) and Christian (Syriac) times.

Now back in print after 25 years: A small but unusually exhaustive collection of magical texts from some of the most important ancient Egyptian manuals and stelae, translated and organized by the renowned Dutch Egyptologist J.F. Borghouts. Translations are helpfully annotated and indexed, and Borghouts has provided a succinct overview of Egyptian magic in his Introduction. Readers with Egyptian will find it easy to follow the references to the primary editions.

In The Chain of Things, Eric Downing shows how the connection between divinatory magic and reading shaped the experience of reading and aesthetics among nineteenth-century realists and modernist thinkers. He explores how writers, artists, and critics such as Gottfried Keller, Theodor Fontane, and Walter Benjamin drew on the ancient practice of divination, connecting the Greek idea of sympathetic magic to the German aesthetic concept of the attunement of mood and atmosphere. Downing deftly traces the genealogical connection between reading and art in classical antiquity, nineteenth-century realism, and modernism, attending to the ways in which the modern re-enchantment of the world-both in nature and human society-consciously engaged ancient practices that aimed at preternatural prediction. Of particular significance to the argument presented in The Chain of Things is how the future figured into the reading of texts during this period, a time when the future as a narrative determinant or article of historical faith was losing its force. Elaborating a new theory of magic as a critical tool, Downing secures crucial links between the governing notions of time, world, the "real," and art.

Magician, Poet and Seer, Victor Neuburg was the disciple of Aleister Crowley and literary godfather of Dylan Thomas. Really two books in one. Firstly a record of one man's extraordinary journey to magical enlightenment. Secondly the story of the Aleister Crowley, the magus who summoned Neuburg to join him in the quest. The book opens with the author's entry into the group of young poets including Dylan Thomas and Pamela Hansford Johnson. They gather around Victor Neuburg in 1935 when he is poetry editor of the Sunday Referee. Gradually the author becomes aware of his strange and sinister past, in which Neuburg was associated in magic with Aleister Crowley. Neuburg had been Crowley's partner in magical rituals in the desert and in rites even more dangerous and controversial. The author sought out the truth behind the rumours and with her intuitive understanding of deeper things presents a sympathetic and compelling biography. 'Vicky encouraged me as no one else has done, ' Dylan Thomas declared on hearing of Neuburg's death. 'He possessed many kinds of genius, and not the least was his genius for drawing to himself, by his wisdom, graveness, great humour and innocence, a feeling of trust and love, that won't ever be forgotten.' ' . . . there was a whiff of sulphur abroad, and all of us would have liked to know the truth of the Aleister Crowley's legends, the truth of the witch-like baroness called Cremers, the abandonment of Neuburg in the desert.' - Pamela Hansford Johnson

In The Archaeology of Magic, C. Riley Auge explores how early American colonists used magic to protect themselves from harm in their unfamiliar and challenging new world. Analyzing evidence from the different domestic spheres of women and men within Puritan society, Auge provides a trailblazing archaeological study of magical practice and its relationship to gender in the Anglo-American culture of colonial New England. Investigating homestead sites dating from 1620 to 1725 in Massachusetts, Rhode Island, and Maine, Auge explains how to recognize objects and architectural details that colonists intended as defenses and boundaries against evil supernatural forces. She supports this archaeological work by examining references to magic in letters, diaries, sermons, medical texts, and documentation of court proceedings including the Salem witch trials. She also draws on folklore from the era to reveal that colonists simultaneously practiced magic and maintained their Puritan convictions. Auge exposes the fears and anxieties that motivated individuals to try to manipulate the supernatural realm, and she identifies gendered patterns in the ways they employed magic. She argues that it is essential for archaeologists to incorporate historical records and oral traditions in order to accurately interpret the worldviews and material culture of people who lived in the past. Published in cooperation with the Society for Historical Archaeology

During the late thirteenth and early fourteenth centuries a group of monks with occult interests donated what became a remarkable collection of more than thirty magic texts to the library of the Benedictine abbey of St. Augustine's in Canterbury. The monks collected texts that provided positive justifications for the practice of magic and books in which works of magic were copied side by side with works of more licit genres. In Magic in the Cloister, Sophie Page uses this collection to explore the gradual shift toward more positive attitudes to magical texts and ideas in medieval Europe. She examines what attracted monks to magic texts, in spite of the dangers involved in studying condemned works, and how they combined magic with their intellectual interests and monastic life. By showing how it was possible for religious insiders to integrate magical studies with their orthodox worldview, Magic in the Cloister contributes to a broader understanding of the role of magical texts and ideas and their acceptance in the late Middle Ages.