The Hay archive of Coptic manuscripts consists of seven fragmentary sheets of leather bearing spells for divination, protection, healing, personal advancement, cursing and the satisfaction of sexual desire. Purchased from the heir of the Scottish Egyptologist and draughtsman, Robert Hay (1799–1863), the manuscripts arrived at the British Museum in 1868. Since they were first published in the 1930s, they were understood to be the work of a single copyist writing around AD 600 in the Theban region of Upper Egypt. The present volume has confirmed, nuanced or challenged these assessments on the basis of scientific analysis and close study of the manuscripts. Prompted by the urgent conservation needs of the corpus, this study seeks to provide a model, integrated approach to the publication of ancient texts as archaeological objects by providing a full record of provenance and collection history; scientific analysis; conservation approach and treatment; a new complete edition and translation of the Coptic texts; and an extended discussion of the cultural context of production. Written on poorly processed calf, sheep and goat skin, the manuscripts were copied by multiple non-professional writers in the 8th–9th centuries. Employing a striking combination of ancient Egyptian, Graeco-Roman, biblical and extra-biblical motifs, their contents represent a Christian milieu making use of the mechanics of earlier ‘magical’ practice in a period well after the arrival of Islam.

During the Middle Ages, the Western world translated the incredible Arabic scientific corpus and imported it into Western culture: Arabic philosophy, optics, and physics, as well as alchemy, astrology, and talismanic magic. The line between the scientific and the magical was blurred. According to popular lore, magicians of the Middle Ages were trained in the art of magic in "magician schools" located in various metropolitan areas, such as Naples, Athens, and Toledo. It was common knowledge that magic was learned and that cities had schools designed to teach the dark arts. The Spanish city of Toledo, for example, was so renowned for its magic training schools that "the art of Toledo" was synonymous with "the art of magic." Until Benedek Lang's work on Unlocked Books, little had been known about the place of magic outside these major cities. A principal aim of Unlocked Books is to situate the role of central Europe as a center for the study of magic.

Lang helps chart for us how the thinkers of that day--clerics, courtiers, and university masters--included in their libraries not only scientific and religious treatises but also texts related to the field of learned magic. These texts were all enlisted to solve life's questions, whether they related to the outcome of an illness or the meaning of lines on one's palm. Texts summoned angels or transmitted the recipe for a magic potion. Lang gathers magical texts that could have been used by practitioners in late fifteenth-century central Europe.

Magic was a fundamental part of the Greco-Roman world. Curses, erotic spells, healing charms, divination, and other supernatural methods of trying to change the universe were everyday methods of coping with the difficulties of life in antiquity. While ancient magic is most often studied through texts like surviving Greco-Egyptian spellbooks and artifacts like lead curse tablets, for a Greek or Roman magician a ritual was a rich sensual experience full of unusual tastes, smells, textures, and sounds, bright colors, and sensations like fasting and sleeplessness. Greco-Roman magical rituals were particularly dominated by the sense of smell, both fragrant smells and foul odors. Ritual practitioners surrounded themselves with clouds of fragrant incense and perfume to create a sweet and inviting atmosphere for contact with the divine and to alter their own perceptions; they also used odors as an instrumental weapon to attack enemies and command the gods. Elsewhere, odiferous herbs were used equally as medical cures and magical ingredients. In literature, scent and magic became intertwined as metaphors, with fragrant spells representing the dangers of sensual perfumes and conversely, smells acting as a visceral way of envisioning the mysterious action of magic. The Scent of Ancient Magic explores the complex interconnection of scent and magic in the Greco-Roman world between 800 BCE and CE 600, drawing on ancient literature and the modern study of the senses to examine the sensory depth and richness of ancient magic. Author Britta K. Ager looks at how ancient magicians used scents as part of their spells, to put themselves in the right mindset for an encounter with a god or to attack their enemies through scent. Ager also examines the magicians who appear in ancient fiction, like Medea and Circe, and the more metaphorical ways in which their spells are confused with perfumes and herbs. This book brings together recent scholarship on ancient magic from classical studies and on scent from the interdisciplinary field of sensory studies in order to examine how practicing ancient magicians used scents for ritual purposes, how scent and magic were conceptually related in ancient literature and culture, and how the assumption that strong scents convey powerful effects of various sorts was also found in related areas like ancient medical practices and normative religious ritual.

This work is a powerful and astute examination of the connection between magic in literature and magic in history. It traces the evolution of the Faust tradition and its relationship to the practice of magic in European history. Written by one of the most distinguished scholars in the field of German literature, this book, first published in 1952, is a classic text. Butler follows the magic tradition of the Magus--the priest-king--and its reformulation in the Christian world. In the process, the Magus was transformed into a wicked sorcerer who comes to a bad end in this world and a worse one hereafter. This conception, which gained ground in the Middle Ages, received its most categorical statement in the Faust legend.

The celebrated pact between Faust and the devil was in fact an invention of Christian mythologists who had interpreted occult rituals in accordance with the Christian belief that magicians were the servants of Satan. Occultists replied by denying the pact with the devil and by associating Faust with ritual magic traditions. Butler draws on her detailed knowledge of literature, religion, and history to produce an authoritative synthesis that all those interested in the development of mythology will find indispensable.

Reputed to have performed miraculous feats in New England-restoring the hair and teeth to an aged lady, bringing a withered peach tree to fruit-Eirenaeus Philalethes was also rumored to be an adept possessor of the alchemical philosophers' stone. That the man was merely a mythical creation didn't diminish his reputation a whit-his writings were spectacularly successful, read by Leibniz, esteemed by Newton and Boyle, voraciously consumed by countless readers. Gehennical Fire is the story of the man behind the myth, George Starkey. Though virtually unknown today and little noted in history, Starkey was America's most widely read and celebrated scientist before Benjamin Franklin. Born in Bermuda, he received his A.B. from Harvard in 1646 and four years later emigrated to London, where he quickly gained prominence as a "chymist." Thanks in large part to the scholarly detective work of William Newman, we now know that this is only a small part of an extraordinary story, that in fact George Starkey led two lives. Not content simply to publish his alchemical works under the name Eirenaeus Philalethes, "A Peaceful Lover of Truth," Starkey spread elaborate tales about his alter ego, in effect giving him a life of his own.

Just when it seemed that Science and Reason had scored their greatest triumphs, the mid-nineteenth century witnessed an astonishing rebirth of occultism and anit-rationalism: the beginnings of the movement we now call New Age. A secret tradition of knowledge rejected by the Christian or Scientific establishments suddenly became emboldened to seek publicity and converts. James Webb's painstaking research carry him into the undergrowth inhabited by such illuminated personages as Madame Blavatsky, the Reverend Leadbeater, the Bortherhood of Luxor, Annie Besant, Krishnamurti, Swami Vivekananda, Spiritualists, Rosicrucians, Vegetarians, Mithraic cults, and all manner of occult propagandists. "fascinating detail . . . particularly good in tracing the obscure and subterranean spiritual affiliations through which these pilgrims of eternity were bound together . . . as relevant to our own time as it is to the nineteenth century." --Goronwy Rees, ENCOUNTER

The most detailed analysis of the techniques of Solomonic magic from the seventh to the nineteenth century ever published. This volume explores the methods of Solomonic magic in Alexandria, tracing how the tradition passed through Byzantium (the Hygromanteia) to the Latin Clavicula Salomonis and its English incarnation as the Key of Solomon. Discover specific magical techniques such as the invocation of the gods, the binding of demons, the use of the four demon Kings, and the construction of the circle and lamen. The use of amulets, talismans, and phylacteries is outlined along with their methods of construction. Also included are explanations of the structures and steps of Solomonic evocation, the facing directions, practical considerations, the use of thwarting angels, achieving invisibility, sacrifice, love magic, treasure finding and the binding, imprisoning, and licensing of spirits.

This volume presents editions of two fascinating anonymous and untitled manuscripts of magic produced in Elizabethan England: the Antiphoner Notebook and the Boxgrove Manual. Frank Klaassen uses these texts, which he argues are representative of the overwhelming majority of magical practitioners, to explain how magic changed during this period and why these developments were crucial to the formation of modern magic. The Boxgrove Manual is a work of learned ritual magic that synthesizes material from Henry Cornelius Agrippa, the Fourth Book of Occult Philosophy, Heptameron, and various medieval conjuring works. The Antiphoner Notebook concerns the common magic of treasure hunting, healing, and protection, blending medieval conjuring and charm literature with materials drawn from Reginald Scot’s famous anti-magic work, Discoverie of Witchcraft. Klaassen painstakingly traces how the scribes who created these two manuscripts adapted and transformed their original sources. In so doing, he demonstrates the varied and subtle ways in which the Renaissance, the Reformation, new currents in science, the birth of printing, and vernacularization changed the practice of magic. Illuminating the processes by which two sixteenth-century English scribes went about making a book of magic, this volume provides insight into the wider intellectual culture surrounding the practice of magic in the early modern period.

This book explores a series of powerful artifacts associated with King Solomon via legendary or extracanonical textual sources. Tracing their cultural resonance throughout history, art historian Allegra Iafrate delivers exciting insights into these objects and interrogates the ways in which magic manifests itself at a material level. Each chapter focuses on a different Solomonic object: a ring used to control demons; a mysterious set of bottles that constrain evil forces; an endless knot or seal with similar properties; the shamir, known for its supernatural ability to cut through stone; and a flying carpet that can bring the sitter anywhere he desires. Taken together, these chapters constitute a study on the reception of the figure of Solomon, but they are also cultural biographies of these magical objects and their inherent aesthetic, morphological, and technical qualities. Thought-provoking and engaging, Iafrate's study shows how ancient magic artifacts live on in our imagination, in items such as Sauron's ring of power, Aladdin's lamp, and the magic carpet. It will appeal to historians of art, religion, folklore, and literature.

Sorcery has long been associated with the "dark side" of human development. Along with magic and witchcraft, it is assumed to be irrational and antithetical to modern thought. But in "The Feast of the Sorcerer," Bruce Kapferer argues that sorcery practices reveal critical insights into how consciousness is formed and how human beings constitute their social and political realities.
Kapferer focuses on sorcery among Sinhalese Buddhists in Sri Lanka to explore how the art of sorcery is in fact deeply connected to social practices and lived experiences such as birth, death, sickness, and war. He describes in great detail the central ritual of exorcism, a study which opens up new avenues of thought that challenge anthropological approaches to such topics as the psychological forces of emotion and the dynamics of power. Overcoming both "orientalist" bias and postmodern permissiveness, Kapferer compellingly reframes sorcery as a pragmatic, conscious practice which, through its dynamic of destruction and creation, makes it possible for humans to reconstruct repeatedly their relation to the world.

This volume comprises English translations of two fundamentally important texts on magic and witchcraft in the fifteenth century: Johannes Hartlieb's Book of All Forbidden Arts and Ulrich Molitoris's On Witches and Pythonesses. Written by laymen and aimed at secular authorities, these works advocated that town leaders and royalty alike should vigorously uproot and prosecute practitioners of witchcraft and magic. Though inquisitors and theologians promulgated the witch trials of late medieval times, lay rulers saw the prosecutions through. But local officials, princes, and kings could be unreliable; some were skeptical about the reality and danger of witchcraft, while others dabbled in the occult themselves. Borrowing from theological and secular sources, Hartlieb and Molitoris agitated against this order in favor of zealously persecuting occultists. Organized as a survey of the seven occult arts, Hartlieb's text is a systematic treatise on the dangers of superstition and magic. Molitoris's text presents a dialogue on the activities of witches, including vengeful sorcery, the transformation of humans into animals, and fornication with the devil. Taken together, these tracts show that laymen exerted significant influence on ridding society of their imagined threat. Precisely translated by Richard Kieckhefer, Hazards of the Dark Arts includes an insightful introduction that discusses the authors, their sources and historical environments, the writings themselves, and the influence they had in the development of ideas about witchcraft.

In this original, provocative, well-reasoned, and thoroughly documented book, Frank Klaassen proposes that two principal genres of illicit learned magic occur in late medieval manuscripts: image magic, which could be interpreted and justified in scholastic terms, and ritual magic (in its extreme form, overt necromancy), which could not. Image magic tended to be recopied faithfully; ritual magic tended to be adapted and reworked. These two forms of magic did not usually become intermingled in the manuscripts, but were presented separately. While image magic was often copied in the fourteenth and fifteenth centuries, The Transformations of Magic demonstrates that interest in it as an independent genre declined precipitously around 1500. Instead, what persisted was the other, more problematic form of magic: ritual magic. Klaassen shows that texts of medieval ritual magic were cherished in the sixteenth century, and writers of new magical treatises, such as Agrippa von Nettesheim and John Dee, were far more deeply indebted to medieval tradition--and specifically to the medieval tradition of ritual magic--than previous scholars have thought them to be.

Often alchemy is seen as an example of medieval gullibility and the alchemists as a collection of eccentrics and superstitious fools. In this Pocket Essential Sean Martin shows that nothing could be further from the truth. It is important to see the search for the philosopher's stone and the attempts to turn base metal into gold as metaphors for the relation of man to nature and man to God as much as seriously held beliefs. Alchemy had a self-consistent outlook on the natural world and man's place in it. Alchemists like Paracelsus and Albertus Magnus were amongst the greatest minds of their time and the history of alchemy is both the history of a spiritual search and the history of a slowly developing scientific method. Sir Isaac Newton devoted as much time to his alchemical studies as he did to his mathematical ones. This book traces the history of alchemy from ancient times to the 20th century, highlighting the interest of modern thinkers like Jung in the subject, and in the process covers a major, if neglected area of Western thought.

Sexuality and the occult arts have long been associated in the western imagination, but it was not until the nineteenth century that a large and sophisticated body of literature on sexual magic - the use of sex as a source of magical power - emerged. This book, the first history of western sexual magic as a modern spiritual tradition, places these practices in the context of the larger discourse surrounding sexuality in American and European society over the last 150 years to discover how sexual magic was transformed from a terrifying medieval nightmare of heresy and social subversion into a modern ideal of personal empowerment and social liberation. Focusing on a series of key figures including American spiritualist Paschal Beverly Randolph, Aleister Crowley, Julius Evola, Gerald Gardner, and Anton LaVey, Hugh Urban traces the emergence of sexual magic out of older western esoteric traditions including Gnosticism and Kabbalah, which were progressively fused with recently-discovered eastern traditions such as Hindu and Buddhist Tantra. His study gives remarkable new insight into sexuality in the modern era, specifically on issues such as the politics of birth control, the classification of sexual 'deviance', debates over homosexuality and feminism, and the role of sexuality in our own new world of post-modern spirituality, consumer capitalism, and the Internet.

What actually took place in the private laboratory of a mid-seventeenth century alchemist? How did he direct his quest after the secrets of Nature? What instruments and theoretical principles did he employ?
Using, as their guide, the previously misunderstood interactions between Robert Boyle, widely known as "the father of chemistry," and George Starkey, an alchemist and the most prominent American scientific writer before Benjamin Franklin as their guide, Newman and Principe reveal the hitherto hidden laboratory operations of a famous alchemist and argue that many of the principles and practices characteristic of modern chemistry derive from alchemy. By analyzing Starkey's extraordinary laboratory notebooks, the authors show how this American "chymist" translated the wildly figurative writings of traditional alchemy into quantitative, carefully reasoned laboratory practice--and then encoded his own work in allegorical, secretive treatises under the name of Eirenaeus Philalethes. The intriguing "mystic" Joan Baptista Van Helmont--a favorite of Starkey, Boyle, and even of Lavoisier--emerges from this study as a surprisingly central figure in seventeenth-century "chymistry." A common emphasis on quantification, material production, and analysis/synthesis, the authors argue, illustrates a continuity of goals and practices from late medieval alchemy down to and beyond the Chemical Revolution.
For anyone who wants to understand how alchemy was actually practiced during the Scientific Revolution and what it contributed to the development of modern chemistry, "Alchemy Tried in the Fire" will be a veritable philosopher's stone.

Ancient Greeks and Romans often turned to magic to achieve personal goals. Magical rites were seen as a route for direct access to the gods, for material gains as well as spiritual satisfaction. In this fascinating survey of magical beliefs and practices from the sixth century B.C.E. through late antiquity, Fritz Graf sheds new light on ancient religion. Evidence of widespread belief in the efficacy of magic is pervasive: the contemporaries of Plato and Aristotle placed voodoo dolls on graves in order to harm business rivals or attract lovers. The Twelve Tables of Roman Law forbids the magical transference of crops from one field to another. Graves, wells, and springs throughout the Mediterranean have yielded vast numbers of Greek and Latin curse tablets. And ancient literature abounds with scenes of magic, from necromancy to love spells. Graf explores the important types of magic in Greco-Roman antiquity, describing rites and explaining the theory behind them. And he characterizes the ancient magician: his training and initiation, social status, and presumed connections with the divine world. With trenchant analysis of underlying conceptions and vivid account of illustrative cases, Graf gives a full picture of the practice of magic and its implications. He concludes with an evaluation of the relation of magic to religion. Magic in the Ancient World offers an unusual look at ancient Greek and Roman thought and a new understanding of popular recourse to the supernatural.

In The Archaeology of Magic, C. Riley Auge explores how early American colonists used magic to protect themselves from harm in their unfamiliar and challenging new world. Analyzing evidence from the different domestic spheres of women and men within Puritan society, Auge provides a trailblazing archaeological study of magical practice and its relationship to gender in the Anglo-American culture of colonial New England. Investigating homestead sites dating from 1620 to 1725 in Massachusetts, Rhode Island, and Maine, Auge explains how to recognize objects and architectural details that colonists intended as defenses and boundaries against evil supernatural forces. She supports this archaeological work by examining references to magic in letters, diaries, sermons, medical texts, and documentation of court proceedings including the Salem witch trials. She also draws on folklore from the era to reveal that colonists simultaneously practiced magic and maintained their Puritan convictions. Auge exposes the fears and anxieties that motivated individuals to try to manipulate the supernatural realm, and she identifies gendered patterns in the ways they employed magic. She argues that it is essential for archaeologists to incorporate historical records and oral traditions in order to accurately interpret the worldviews and material culture of people who lived in the past. Published in cooperation with the Society for Historical Archaeology

This collection of essays considers the place of magic in the modern world, first by exploring the ways in which modernity has been defined in explicit opposition to magic and superstition, and then by illuminating how modern proponents of magic have worked to legitimize their practices through an overt embrace of evolving forms such as esotericism and supernaturalism. Taking a two-track approach, this book explores the complex dynamics of the construction of the modern self and its relation to the modern preoccupation with magic. Essays examine how modern “rational” consciousness is generated and maintained and how proponents of both magical and scientific traditions rationalize evidence to fit accepted orthodoxy. This book also describes how people unsatisfied with the norms of modern subjectivity embrace various forms of magic—and the methods these modern practitioners use to legitimate magic in the modern world. A compelling assessment of magic from the early modern period to today, Magic in the Modern World shows how, despite the dominant culture’s emphatic denial of their validity, older forms of magic persist and develop while new forms of magic continue to emerge. In addition to the editors, contributors include Egil Asprem, Erik Davis, Megan Goodwin, Dan Harms, Adam Jortner, and Benedek Láng.