A Collection of Magical Secrets Taken from Peter de Abano, Cornelius Agrippa and from other Famous Occult Philosophers and A Treatise Of Mixed Cabalah Which comprises the Angelic Art Taken From Hebrew Sages Translated from Wellcome MS4669 by Paul Harry Barron from the original French manuscript dated 1796 With Introduction by Stephen Skinner & David Rankine This book bridges the worlds of learned magic and village cunning, providing rare and previously unavailable material from the late eighteenth century. It comprises two parts, A Collection of Magickal Secrets and A Treatise of Mixed Cabalah, both of which contain unique and exciting magical material, that were previously bound together in a French manuscript with The Clavicule of Solomon and The Universal Treatise of the Keys of Solomon. These are reproduced along with The Keys of Rabbi Solomon, in the most significant grimoire publication of modern times, The Veritable Key of Solomon by Stephen Skinner & David Rankine. A Collection of Magical Secrets contains a collection of charms, ranging from the very simple to the complex. There are charms for healing, winning in love and gambling, gaining familiar spirits, regaining stolen or lost property, instructions for the creation of magic rings for controlling spirits, and a rare angelic conjuration of a Prince of the Thumb. A wide range of sympathetic magick techniques such as dreaming, poppets, using bread, herbs and sieves, are utilised to ensure the success of the charms. A Treatise of Mixed Cabalah contains four parts, three of which fit together to develop a greater knowledge of the practical Qabalah. This includes a ritual sequence of prayers and actions for increasing knowledge, practical instructions for the construction, consecration and use of wax pentacles for absent healing, a technique for angelic dream incubation and a system of divination with 112 possible answers.

This book is a facsimile reprint and may contain imperfections such as marks, notations, marginalia and flawed pages.

"Perhaps Hermeticism has fascinated so many people precisely because it has made it possible to produce many analogies and relationships to various traditions: to Platonism in its many varieties, to Stoicism, to Gnostic ideas, and even to certain Aristotelian doctrines. The Gnostic, the esoteric, the Platonist, or the deist has each been able to find something familiar in the writings. One just had to have a penchant for remote antiquity, for the idea of a Golden Age, in order for Hermeticism, with its aura of an ancient Egyptian revelation, to have enjoyed such outstanding success." from the Introduction

Hermes Trismegistus, "thrice-great Hermes," emerged from the amalgamation of the wisdom gods Hermes and Thoth and is one of the most enigmatic figures of intellectual history. Since antiquity, the legendary "wise Egyptian" has been considered the creator of several mystical and magical writings on such topics as alchemy, astrology, medicine, and the transcendence of God. Philosophers of the Renaissance celebrated Hermes Trismegistus as the founder of philosophy, Freemasons called him their forefather, and Enlightenment thinkers championed religious tolerance in his name. To this day, Hermes Trismegistus is one of the central figures of the occult his name is synonymous with the esoteric.

In this scholarly yet accessible introduction to the history of Hermeticism and its mythical founder, Florian Ebeling provides a concise overview of the Corpus Hermeticum and other writings attributed to Hermes. He traces the impact of Christian and Muslim versions of the figure in medieval Europe, the power of Hermeticism and Paracelsian belief in Renaissance thought, the relationship to Pietism and to Freemasonry in early modern Europe, and the relationship to esotericism and semiotics in the modern world."

Magic has stepped out of the movies, morphed from the pages of fairy tales, and is more present in America today than you might expect. Soccer moms get voodoo head washings in their backyards, young American soldiers send chants toward pagan gods of war, and a seemingly normal family determines that they are in fact elves. National bestselling author and award-winning religion reporter Christine Wicker leaves no talisman unturned in her hunt to find what's authentic and what's not in America's burgeoning magical reality. From the voodoo temples of New Orleans to the witches' covens of Salem to a graveyard in north Florida, Wicker probes the secrets of an underground society and teaches lessons she never dreamed could be taught. What she learns repels her, challenges her, and changes her in ways she never could have imagined. And if you let it, it might change you, too.

In this classic work, first published in 1899, one of the most prolific Egyptologists of the Victorian era offers his renowned insight into the magical power names, spells, and talismans held for the ancient Egyptians. How did beliefs that predated the worship of deities come to become associated with controlling gods and goddesses? How did magical amulets ward off evil spirits? What role did scarabs serve in bestowing immortality? The writings of E.A. Wallis Budge are considered somewhat controversial today because of his use of an archaic system of translation, but useful illustrations and an abundance of information make them necessary works for students of ancient civilizations as well as those of the evolution of historical study. This entertaining overview of the connection between religion and magic in ancient Egypt remain a vital resource today. SIR E.A. WALLIS BUDGE (1857-1934) was curator of Egyptian and Assyrian antiquities at the British Museum form 1894 to 1924. Among his many works of translation and studies of ancient Egyptian religion and ritual is his best-known project, The Egyptian Book of the Dead.

This thought-provoking and engaging guide is filled with a wide range of practical information and step-by-step plans for beginning your study and personal practice, including:
- Exploring the connection between spirituality and sexuality
- Meditating and creating sacred spaces
- Finding rituals and deities that are right for you
- Manifesting your desires through magic
- Living a joyful, purposeful life
- Eight original stories inspired by the Wiccan Sabbats
- And so much more

A magic square consists of a series of numbers so arranged in a square that the sum of each row and column and of both the corner diagonals shall be the same amount which may be termed the summation. In "Magic Squares and Cubes" W.S. Andrews writes "The study of magic squares probably dates back to prehistoric times. Examples have been found in Chinese literature written about AD 1125 which were evidently copied from still older documents. It is recorded that as early as the ninth century magic squares were used by Arabian astrologers in their calculations of horoscopes, etc. Hence, the probable origin of the term magic, which has survived to the present day." Topics such as magic squares, magic cubes, the Franklin squares, magics and Pythagorean numbers, the theory of reversions, magic circles, spheres, and stars, and magic octahedroids, among other things.

Communing With The Spirits is the only book available that deals with the magical practice of Necromancy in a non-initiatory manner. The book has had excellent reviews in the serious occult online press, and is considered by many serious Occultists to be a standard in the field. This second edition contains some interesting new material, but retains all of the old material that has been found to be useful in guiding people who have the real desire and inclination to successfully practice Necromancy. Necromancy is not for everyone, but for those interested in mastering the art, this book is an excellent guide. 100 words

Some consider this to be the best book on magic available. The system of magic found here originated in Egypt from a magician who was known as Abramelin the Mage. It became the main source in the work of Aleister Crowley, who based many of his magical concepts and rituals on it. This book contains a complete system of ceremonial magic, covering areas considered to be both black and white. It is an advanced test that requires focus and concentration. If patience is used, one can be successful in its practice.

With 23 illustrations. Crowley had a temple in Cefalu in Sicily. He was supposed to practice Black Magic there, and one day a baby was said to have disappeared mysteriously.

One of the peculiarities of Bulwer was his passion for occult studies. They had a charm for him early in life, and he pursued them with the earnestness which characterized his pursuit of other studies. He became absorbed in wizard lore; he equipped himself with magical implements, -- with rods for transmitting influence, and crystal balls in which to discern coming scenes and persons; and communed with spiritualists and mediums. The fruit of these mystic studies is seen in _Zanoni_ and A strange Story, romances which were a labor of love to the author, and into which he threw all the power he possessed, -- power re-enforced by multifarious reading and an instinctive appreciation of Oriental thought.

Many of the spells that spiritual workers give their clients to solve problems in their lives are given in this book. No knowledge or training in magic is necessary to perform thse spells, which have been taken from the successful folk magic of many of the ethnic spiritual practitioners of New York, as well as Draja Mickaharic

Creating Magickal Entities is a comprehensive reference manual that presents step-by-step instructions for creating entities through astral manipulation that will change your life. This manual, written by three practicing occultists, reveals magickal and alchemical methods, many which have been lost and suppressed through the ages, in a refreshingly modern way that magickal practitioners of any tradition can understand.

Occult knowledge and practice can be divided into three main branches: Astrology, which aims to guide human fortune by means of foreknowledge; Alchemy, which tries to secure power through the agency of the philosopher's stone; and Ritual Magic, which seeks to control the spirit world. In this classic book (first published in 1949), Butler explores ritual magic using a wide range of texts from the pre-Christian rites of the Akkadians and Chaldeans to the Solomonic Clavicles of medieval Europe. Throughout, there is extensive quotation from the documents themselves, providing the reader with an authentic sense of the richness and power of these texts.

Butler also examines the careers of noted magicians of the fifteenth to nineteenth centuries, the history of ceremonial magic in England, the myth of Satanism, and the rituals involved in the Faustian pact with the devil. Ritual Magic is essential reading for all interested in the history of magic and in the way magic traditions have altered as they move from culture to culture and from century to century.

Alchemy of the Word is a study of the literary, philosophical, and cultural ramifications of Cabala during the Renaissance. Important intellectual figures from 1490 to 1690 are considered, including Agrippa, Dee, Spenser, Shakespeare, Browne, and Milton; Cabalas more recent impact is also discussed. Cabala, a hermeneutic style of Biblical commentary of Jewish origin, is based on the notion that, along with an inscribed Decalogue, Moses received a secret, oral supplement that provides a symbolic, allegorical, and moral qualification of the literal law of religion.

Building on the work of Gershom Scholem, Joseph Blau, Harold Bloom, Francois Secret, Michel de Certeau, and Arthur Waite, Beitchman takes a fresh look at the "mystical" text through the lens of postmodernist theory. In a model developed from Deleuze-Guattari's "nomadology" to explore issues related to the Zohar, he shows that Cabala was a deconstruction of Renaissance authority. Like deconstruction, Cabala presents familiar material from novel and sometimes provocative perspectives. It allows space for modifiability, tolerance and humanity, by widening the margins between the letter of the law and the demands of an existence whose rules were so rapidly changing.

An exercise in the literary analysis of "sacred texts" and an examination of the mystical element in literary works, Alchemy of the Word is also an experiment in new historicism. It shows how the reincarnation theories of E M. Van Helmont, which impacted heavily on the seventeenth century English cabalistic circle of Henry More and Ann Conway, demonstrate at once the originality and boldness of Cabala, but also its desperation, constituting a theoretical parallel tothe continental "acting out" of the Sabbatian heresy.

Which He Caused to be Painted Upon an Arch in St. Innocents Church Yard in Paris. Only 100 copies of this elusive book were ever printed until now! Introduction by W.W. Westcott. Flammel was certainly one of the most captivating figures in alchemy. Because he mastered the art of alchemy, his vast wealth and charities surpassed anything known in his time. Contained in this vary rare book is the symbolism and allusions to the inner meanings contained within the powerful symbols that yielded their ancient secrets to him. Many alchemists insist that this is one of the most important alchemical works ever written. Long out-of-print, it's reprinting will satisfy the yearning for those seeking the Philosopher's Stone. (Due to the age and scarcity of this rare book, some of the pages are light although the text is readable.

The object of this book is to place before the reader in language as simple as possible the story of alchemy. Because the literature on this science has ever been an enigma to both the scientific and the lay mind, it is the earnest desire of the author to present it stripped of its symbolism, and to give some indication of its processes, its achievements, and its possibilities. He wishes to show that this science is the Law operating behind all Manifestation in Man; Man that is in his entirety, physical, mental, and spiritual, and to demonstrate how it is bound up in the further evolution and unfoldment of the race, for without this understanding the vision of Man made perfect is impossible. This is an excellent primer for anyone interested in alchemy.

Or, the Victorious Philosophical Stone. A Treatise more complete and more intelligible than any yet extant, concerning the Hermetical Magistery to which is added, The Ancient War of the Knights: Being an Alchemistical Dialogue between our Stone, Gold and Mercury: of the True Matter of which those who have traced Nature do prepare the Philosopher's Stone. This may be the first reprint of this essential alchemical work since 1740!

A unique, authoritative collection of rituals, spells, and meditations for attracting and enhancing love relationships--from the authors of Power of the Witch. This entertaining and enlightening book addresses both the novice and experienced magic worker to give an overview on the meaning of love and on the craft of performing it.

Treason and magic were first linked together during the reign of Edward II. Theories of occult conspiracy then regularly led to major political scandals, such as the trial of Eleanor Cobham Duchess of Gloucester in 1441. While accusations of magical treason against high-ranking figures were indeed a staple of late medieval English power politics, they acquired new significance at the Reformation when the 'superstition' embodied by magic came to be associated with proscribed Catholic belief. Francis Young here offers the first concerted historical analysis of allegations of the use of magic either to harm or kill the monarch, or else manipulate the course of political events in England, between the fourteenth century and the dawn of the Enlightenment. His book addresses a subject usually either passed over or elided with witchcraft: a quite different historical phenomenon. He argues that while charges of treasonable magic certainly were used to destroy reputations or to ensure the convictions of undesirables, magic was also perceived as a genuine threat by English governments into the Civil War era and beyond.

How to Become a Mage is the first English translation of the enormously influential occultist Josephin Peladan. This book is a fascinating entry into nineteenth-century French thought, sharing advice on overcoming the pitfalls of status quo society while perfecting one's own soul. Josephin Peladan (1858 1918) was a flamboyant personality and controversial media celebrity as well as the author of combative art criticism and a series of novels with occult themes. Peladan also wrote influential non-fiction works on occult topics committed to the belief that the best way for modern Europeans to enter into communion with the guiding intelligences of humanity was through magic and the arts. He played a key role in reviving Rosicrucianism and provided a spiritual and intellectual backdrop to fin-de-siecle French symbolism. His ideas influenced the leading artists of the day, including composers Claude Debussy and Erik Satie and writer Antonin Artaud.

This collection of essays considers the place of magic in the modern world, first by exploring the ways in which modernity has been defined in explicit opposition to magic and superstition, and then by illuminating how modern proponents of magic have worked to legitimize their practices through an overt embrace of evolving forms such as esotericism and supernaturalism. Taking a two-track approach, this book explores the complex dynamics of the construction of the modern self and its relation to the modern preoccupation with magic. Essays examine how modern "rational" consciousness is generated and maintained and how proponents of both magical and scientific traditions rationalize evidence to fit accepted orthodoxy. This book also describes how people unsatisfied with the norms of modern subjectivity embrace various forms of magic-and the methods these modern practitioners use to legitimate magic in the modern world. A compelling assessment of magic from the early modern period to today, Magic in the Modern World shows how, despite the dominant culture's emphatic denial of their validity, older forms of magic persist and develop while new forms of magic continue to emerge. In addition to the editors, contributors include Egil Asprem, Erik Davis, Megan Goodwin, Dan Harms, Adam Jortner, and Benedek Lang.