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Books > Earth & environment > Geography > Cartography, geodesy & geographic information systems (GIS) > Map making & projections
This authoritative, reader-friendly text presents core principles of good map design that apply regardless of production methods or technical approach. The book addresses the crucial questions that arise at each step of making a map: Who is the audience? What is the purpose of the map? Where and how will it be used? Students get the knowledge needed to make sound decisions about data, typography, color, projections, scale, symbols, and nontraditional mapping and advanced visualization techniques.
Writers know only too well how long it can take--and how awkward it can be--to describe spatial relationships with words alone. And while a map might not always be worth a thousand words, a good one can help writers communicate an argument or explanation clearly, succinctly, and effectively. In his acclaimed How to Lie with Maps, Mark Monmonier showed how maps can distort facts. In Mapping it Out: Expository Cartography for the Humanities and Social Sciences, he shows authors and scholars how they can use expository cartography--the visual, two-dimensional organization of information--to heighten the impact of their books and articles. This concise, practical book is an introduction to the fundamental principles of graphic logic and design, from the basics of scale to the complex mapping of movement or change. Monmonier helps writers and researchers decide when maps are most useful and what formats work best in a wide range of subject areas, from literary criticism to sociology. He demonstrates, for example, various techniques for representing changes and patterns; different typefaces and how they can either clarify or confuse information; and the effectiveness of less traditional map forms, such as visibility base maps, frame-rectangle symbols, and complementary scatterplot designs for conveying complex spatial relationships. There is also a wealth of practical information on map compilation, cartobibliographies, copyright and permissions, facsimile reproduction, and the evaluation of source materials. Appendixes discuss the benefits and limitations of electronic graphics and pen-and-ink drafting, and how to work with a cartographic illustrator. Clearly written, and filled with real-world examples, Mapping it Out demystifies mapmaking for anyone writing in the humanities and social sciences. A useful guide to a subject most people probably take too much for granted. It shows how map makers translate abstract data into eye-catching cartograms, as they are called. It combats cartographic illiteracy. It fights cartophobia. It may even teach you to find your way.--Christopher Lehmann-Haupt, The New York Times
What is a country? Acclaimed travel writer and Oxford geography don Nick Middleton brings to life the origins and histories of 50 states that, lacking international recognition and United Nations membership, exist on the margins of legitimacy in the global order. From long-contested lands like Crimea and Tibet to lesser-known territories such as Africa's last colony and a European republic that enjoyed independence for a single day, Middleton presents fascinating stories of shifting borders, visionary leaders, and forgotten peoples. Beautifully illustrated with 50 regional maps, each country is literally die-cut out of the page, offering a distinctive tactile experience while exploring these remarkable places.
The Self-Made Map argues that during the Renaissance in France a "new cartographic impulse" affected both the "graphic and imaginary forms of literature." In this wide-ranging and fascinating work, Tom Conley demonstrates that as new maps were plotted during this period, a new sense of self emerged, one defined in part by the relationship of the self to space. Conley traces the explosion of interest in mapmaking that occurred with the discovery of the New World, and discusses the commensurate rise of what he defines as cartographic writing-writing that "holds, penetrates, delineates, and explores space." Considering the works of such writers as Rabelais, Montaigne, and Descartes, Conley provides a "navigation" through the printed page, revealing the emerging values of Renaissance France. In his examination of the placing of words, letters, and graphic elements in books, he exposes the playful and sometimes enigmatic relation between spatial organization and text. Conley also exposes the ideological exercise inherent in mapmaking, arguing that Renaissance cartography is inseparably bound up with the politics of the era. He undertakes close readings of maps and illustrations, discussing the necessity of viewing Renaissance maps in the context of their typographic layout, graphic reproduction, and literary and ideological import. Richly illustrated throughout, The Self-Made Map combines studies of art, geography, history, literature, and printing to show a clear historical transformation, along the way linking geographical discoveries, printing processes, and political awareness. Conley's provocative analysis discloses how early modern printed literature and cartography worked together to crystallize broader issues engaging the then emergent status of cultural identity, nation, and individuality.
Through a detailed study of the work of three of the leading figures of the era - Augustus Petermann, Physical Geographer Royal to Queen Victoria; cartographer Charles Meredith van de Velde, who produced the finest map of the region at the time; and Edward Robinson, founder of modern Palestinology - the authors explore the complex cultural, cartographic and technical processes that shaped and determined the resulting maps of the region. Making full use of newly discovered archival material, and richly illustrated in both colour and black and white, Mapping the Holy Land is essential reading for cartographers, historical geographers, historians of mapmaking, and for all those with an interest in the Holy Land and the history of Palestine.
Since then new texts have appeared (such as the Artemidoros palimpsest), and new editions of existing texts (by geographical authorities who include Agatharchides, Eratosthenes, Pseudo-Skylax and Strabo) have been produced. There has been much archaeological research, especially at the perimeters of the Greek world, and a more accurate understanding of ancient geography and geographers has emerged. The topic is therefore overdue a fresh and sustained treatment. In offering precisely that, Duane Roller explores important topics like knowledge of the world in the Bronze Age and Archaic periods; Greek expansion into the Black Sea and the West; the Pythagorean concept of the earth as a globe; the invention of geography as a discipline by Eratosthenes; Polybios the explorer; Strabo's famous Geographica; the travels of Alexander the Great; Roman geography; Ptolemy and late antiquity; and the cultural reawakening of antique geographical knowledge in the Renaissance, including Columbus' use of ancient sources.
China at the Center focuses on two masterpieces of seventeenth-century map-making that illustrate the exchange of information (and misinformation) between Europe and Asia. The world maps created by Jesuit priests Matteo Ricci (1602) and Ferdinand Verbiest (1674) for the Chinese courts tell fascinating stories about the meeting of two worldviews. They provided Europeans with greater knowledge of China and the Chinese with new ideas about geography, astronomy, and the natural sciences. The maps also show the ways that certain myths were perpetuated, especially as seen in the vivid and imaginative descriptions of the peoples and places of the world and in their depictions of exotic fauna.
Este libro te muestra como usar un GPS y Google Earth para crear mapas sencillos y expresivos como el que se muestra en la portada para compartir en la red. Con una lectura de apenas 10 horas, aprenderas a trabajar con un GPS sin errores, a usarlo junto con Google Earth incluso en zonas sin acceso a internet y a crear rapidamente diversos mapas interactivos que otras personas pueden ver y modificar a traves de internet sin necesidad de expertos ni complicaciones innecesarias. Aunque se plantea en el contexto de la Cooperacion al Desarrollo, el mismo procedimiento es valido para cualquier otra aplicacion.
This careful study of eighteenth-century cartography along the Gulf Coast reveals a fascinating mix of cooperation and competition between Spain and France.Louis Juchereau de Saint-Denis explored much of the region around the Gulf and sent data to his homeland of France, but he also shared information with Spanish officials. Juan Manuel de Olivan Rebolledo used this information to create several maps, one of which was drawn to demonstrate how Spain might protect itself from the French threat in Louisiana and Canada.Information from the Olivan/Saint-Denis maps soon emerged on French maps. Guillaume Delisle's 1718 ""mother map"" of the Gulf Coast was made possible by Francois Le Maire, a virtually unknown French missionary in Mobile. Jack Jackson and Winston De Ville examine Le Maire's various memoirs and maps, which relied on Saint-Denis for their portrayal of the ""Western Country."" Le Maire's work explains how Delisle acquired the information to draw his profoundly influential map.This important book for cartographers will also be of interest to the lay historian and the Gulf Coast enthusiast.
Geographical works, as socially constructed texts, provide a rich source for historians and historians of science investigating patronage, the governmental initiatives and support for science, and the governmental involvement in early modern commerce. Over the course of nearly two centuries (1594-1789), in adopting and adapting maps as tools of statecraft, the Bourbon Dynasty both developed patron-client relations with mapmakers and corporations and created scientific institutions with fundamental geographical goals. Concurrently, France-particularly, Paris-emerged as the dominant center of map production. Individual producers tapped the traditional avenues of patronage, touted the authority of science in their works, and sought both protection and legitimation for their commercial endeavors within the printing industry. Under the reign of the Sun King, these producers of geographical works enjoyed preeminence in the sphere of cartography and employed the familiar rhetoric of image to glorify the reign of Louis XIV. Later, as scientists and scholars embraced Enlightenment empiricism, geographical works adopted the rhetoric of scientific authority and championed the concept that rational thought would lead to progress. When France Was King of Cartography investigates over a thousand maps and nearly two dozen map producers, analyzes the map as a cultural artifact, map producers as a group, and the array of map viewers over the course of two centuries in France. The book focuses on situated knowledge or 'localized' interests reflected in these geographical productions. Through the lens of mapmaking, When France Was King of Cartography examines the relationship between power and the practice of patronage, geography, and commerce in early modern France.
Spatial Analysis: Modelling in a GIS Environment Edited by Paul Longley and Michael Batty Digital data and information are used increasingly by academics, professionals, local authorities, and government departments. Powerful new technologies, such as geographic information systems (GIS), are being developed to analyse such data, and GIS technologies are rapidly becoming part of the emergent world digital infrastructure. This book shows how computer methods of analysis and modelling, built around GIS, can be used to identify ways in which our cities and regions might be better planned and understood. The contributors to this book are all actively involved in research using geographic information systems. This book will be valuable reading for:
This book is the first systematic integration of cognitive and semiotic approaches to understanding maps as powerful, abstract, and synthetic spatial representations. Presenting a perspective built on four decades of cartographic research, it explores how maps work at multiple levels--from the cognitive to the societal--and provides a cohesive picture of how the many representational choices inherent in mapping interact with the processing of information and construction of knowledge. Utilizing this complex perspective, the author shows how the insights derived from a better understanding of maps can be used in future map design. Although computers now provide the graphic tools to produce maps of similar or better quality than previous manual techniques, they seldom incorporate the conceptual tools needed to make informed symbolization and design decisions. The search for these conceptual tools is the basis for How Maps Work. Following an introduction that discusses various approaches to understanding how maps work, the book explores how meaning is derived from maps. Chapters cover the complex set of interdependent perceptual and cognitive issues relevant to the way in which individuals retrieve information and build knowledge from maps. This is followed by a look at the other side of the representational coin: how maps are imbued with meaning. In this section, a visual semiotics is developed as a way to describe and formalize the process of cartographic representation. This formalization is a critical step toward longer-term goals of building expert systems for map symbolization and design that will free analysts working in interactive visualization environments from the burden of individually making representational decisions. In the final section, the cognitive-semiotic framework constructed in the first two sections is used to explore dramatic new developments in Geographic Visualization (GVIS). Emphasis is on the role of maps,
Over the past two decades, techniques for advanced computing and enhanced imaging have transformed the ways planners, geographers, surveyors, and others think about and visualize the places, regions, and peoples of the earth. Ground Truth is the first book to explicitly address the role of geographic information systems (GIS) in their social context. Contributing authors consider the ideas and practices that have emerged among GIS users, demonstrating how they reflect the material and political interests of certain groups. Chapters also discuss the impact of new GIS technologies on the discipline of geography, and evaluate the role of GIS within the wider transformations of free-market capitalism.
First published in 1879, Sir Edward Bunbury's A History of Ancient Geography remains the seminal work in English on its subject. In two substantial volumes of outstanding scholarship the author surveys the development of geography in ancient times from its beginnings to the fall of the Roman Empire. It contains a wealth of information drawn not just from the geographical handbooks of Strabo, Pomponius Mela, Pliny the Elder and Ptolemy but from every corner of Greek and Latin literature including contemporary travelers' accounts. Integrating topographical analyses with geography, the History remains unchallenged as a meticulously researched and thoroughly balanced treatment of its subject. This edition contains a new introduction by Duane Roller, Professor Emeritus in the Department of Classics, Ohio State University, USA.
In the age of MapQuest and GPS, we take cartographic literacy for granted. We should not; the ability to find meaning in maps is the fruit of a long process of exposure and instruction. A ""carto-coded"" America - a nation in which maps are pervasive and meaningful - had to be created. The Social Life of Maps tracks American cartography's spectacular rise to its unprecedented cultural influence. Between 1750 and 1860, maps did more than communicate geographic information and political pretensions. They became affordable and intelligible to ordinary American men and women looking for their place in the world. School maps quickly entered classrooms, where they shaped reading and other cognitive exercises; giant maps drew attention in public spaces; miniature maps helped Americans chart personal experiences. In short, maps were uniquely social objects whose visual and material expressions affected commercial practices and graphic arts, theatrical performances and the communication of emotions. This lavishly illustrated study follows popular maps from their points of creation to shops and galleries, schoolrooms and coat pockets, parlors and bookbindings. Between the decades leading up to the Revolutionary War and the Civil War, early Americans bonded with maps; Martin Bruckner's comprehensive history of quotidian cartographic encounters is the first to show us how.
Henry Finnis Blosse Lynch (1862-1913) came from a prominent Anglo-Irish family of explorers, travellers and businessmen. Family interests in the Middle East, together with his mother's Armenian ancestry, led him in the 1890s to undertake a number of extensive journeys to Armenia which form the basis of this work. Covering both Russian and Turkish Armenia, Lynch's detailed observations include commentary on Armenian history, politics, culture, church, ethnicity and architecture. Together with the geographical, statistical and political information he included, these two volumes remain one of the most definitive accounts in English. This edition is illustrated and includes a new introduction by Simon Payaslian, who holds the Charles K. and Elisabeth M. Kenosian Chair in Modern Armenian History and Literature, Boston University, USA.
The map is a central element of our visual culture. It has also been a vital representation technology in many scholarly disciplines for hundreds of years, as well as a practical tool for navigation and a means for the government of territory. But, as the editor of this new four-volume collection from Routledge explains, the rhetorical power and technical complexity of how maps work are relatively underappreciated and not well analysed across the social sciences and beyond. Now, to enable researchers and advanced students to make better sense of a vast corpus of scholarship, Mapping brings together all the important literature in a comprehensive and coherently edited compendium. The carefully selected texts demonstrate how cartography works as a powerful representational form; they also explore how different mapping practices have been conceptualized. The four volumes are structured by theme-including 'definitions and paradigms'; 'design and communication'; 'technologies and techniques'; and 'people and politics'-and the gathered materials include major works from leading cartographers, as well as classic and cutting-edge pieces from scholars and researchers in cognate subject areas.
From the Preface by Tetsuya Iseki: A Survey of London was originally published by John Stow (c. 1525 1605) in 1598. Stow was a chronicler and antiquary who edited literary works and archaeological texts (his first publication was Chaucer s Canterbury Tales, newly edited in 1561). In 1603 Stow published a new edition with corrections and additions, and it achieved immediate popular success. Even after his death, the work was reprinted in 1618 (Anthony Munday s new edition), and again in 1633, but then disappeared from print until the end of the century. (The 1603 edition which was re-edited by C. L. Kingsford was issued by Oxford University Press in 1908, and later reprinted as the facsimile edition in 2000.) After the Great Fire of 1666, the state of London depicted and recorded in Stow s Survey was greatly transformed. In 1694 Richard Blome (who published a new edition of William Camden s Britannia) made an attempt to publish his new edition of Stow s Survey with maps and many additions to describe the rebuilding of London after the Fire, but this was not successful. In 1702 John Strype (1643 1737), who had already achieved fame as an editor of historical and biographical documents, started editing Blome s abortive work and created a new edition to answer the need for a current version of Stow s Survey. Strype was said to have completed his edition (in two folio volumes) by November 1707, while a similar, rival book, A New View of London by Edward Hatton, was going to be published the following year. The booksellers gave up Strype s Survey because Hatton s publication was a smaller and cheaper edition. As it turned out, however, Hatton s View of London could not satisfy the demand for a more scholarly updated edition of Stow s Survey, and Strype s project was revived in 1716 and finally published in December 1720. Strype s Survey of London is basically an enlarged edition of Stow s Survey, but the main body of the text and the maps are essentially taken from Blome s 1694 edition. A mere reading of Strype s Survey will reinforce the claim that the work is full of information about the late Stuart capital: the economics, politics, religion, architecture, and moral life of his day. Maps and plates of Strype s Survey retain vivid visual details and, more than any other previous attempts, successfully remap the prosperous state of London. Pre-Fire maps were pictorial bird s-eye views, in which buildings and landmarks are privileged over topographical accuracy, but alleys and yards are often obscured. The two-dimensional maps were published by John Ogilby and William Morgan after the fire in 1677. A large number of illustrations in Strype s new edition show the details of the capital s parishes and wards, including important historical buildings within and without the City both in two dimensions and bird s-eye views. Strype s Survey of London was priced at six guineas, and some 700 copies were published. Now the original is rarely found and the condition of the copies in the British Library or the ones in some other big libraries are not sound enough for reprint use. The present reprint is from my personal unspoiled copy of the 1720 edition. All texts and visual images derive from this copy. The work was originally published in two volumes: Volume 1 contains Books 1 3 and Volume 2 contains Books 4 6, plus appendices. This reprinted edition consists of three volumes: Volume 1 (Books 1, 2), Volume 2 (Books 3, 4), and Volume 3 (Books 5, 6). The texts are in the original fount and all illustrations and maps are inserted as foldouts.
First published in 1987. Routledge is an imprint of Taylor & Francis, an informa company.
Maps have power--they can instruct, make life easier, mislead, or even lie. This engaging text provides the tools to read, analyze, and use any kind of map and assess its strengths and weaknesses. Requiring no advanced math skills, the book presents basic concepts of symbolization, scale, coordinate systems, and projections. It gives students a deeper understanding of the types of maps they encounter every day, from turn-by-turn driving directions to the TV weather report. Readers also learn how to use multiple maps and imagery to analyze an area or region. The book includes 168 figures, among them 22 color plates; most of the figures can be downloaded as PowerPoint slides from the companion website. Appendices contain a glossary, recommended resources, a table of commonly used projections, and more. |
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