In Three Simple Rules, Rueben Job offers an interpretation of John Wesley's General Rules for today's readers. For individual reading or group study, this insightful work calls us to mutual respect, unity and a deeper daily relationship with God. This simple but challenging look at three commands, "do no harm, do good, stay in love with God." Every year I review the three general rules of the United Methodist Church with those who are being ordained. Now I have a wonderful ordination gift to give them in Bishop Job s, Three Simple Rules, to start and deepen the conversation as they enter a new relationship with the church. Bishop Job has described by attending upon all the ordinances of God to be to stay in love with God. It s a fresh language that speaks especially to long-time Christians and United Methodists. Sally Dyck, Resident Bishop, Minnesota Area

Three Simple Rules is a new catechism for everyone wanting to follow Jesus Christ. These practices for holy living should replace the membership vows in every church Don t let the title fool you. Bishop Job writes, The rules are simple, but the way is not easy. Only those with great courage will attempt it, and only those with great faith will be able to walk this exciting and demanding way. John Hopkins, Resident Bishop, East Ohio Area"

In John Bunyan's The Pilgrim's Progress, the pilgrims cannot reach the Celestial City without passing through Vanity Fair, where everything is bought and sold. In recent years there has been much analysis of commerce and consumption in Britain during the long eighteenth century, and of the dramatic expansion of popular publishing. Similarly, much has been written on the extraordinary effects of the evangelical revivals of the eighteenth century in Britain, Europe, and North America. But how did popular religious culture and the world of print interact? It is now known that religious works formed the greater part of the publishing market for most of the century. What religious books were read, and how? Who chose them? How did they get into people's hands? Vanity Fair and the Celestial City is the first book to answer these questions in detail. It explores the works written, edited, abridged, and promoted by evangelical dissenters, Methodists both Arminian and Calvinist, and Church of England evangelicals in the period 1720 to 1800. Isabel Rivers also looks back to earlier sources and forward to the continued republication of many of these works well into the nineteenth century. The first part is concerned with the publishing and distribution of religious books by commercial booksellers and not-for-profit religious societies, and the means by which readers obtained them and how they responded to what they read. The second part shows that some of the most important publications were new versions of earlier nonconformist, episcopalian, Roman Catholic, and North American works. The third part explores the main literary kinds, including annotated bibles, devotional guides, exemplary lives, and hymns. Building on many years' research into the religious literature of the period, Rivers discusses over two hundred writers and provides detailed case studies of popular and influential works.

The growing appeal of abolitionism and its increasing success in converting Americans to the antislavery cause, a generation before the Civil War, is clearly revealed in this book on the Methodist Episcopal Church in America. The moral character of the antislavery movement is stressed. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The growing appeal of abolitionism and its increasing success in converting Americans to the antislavery cause, a generation before the Civil War, is clearly revealed in this book on the Methodist Episcopal Church in America. The moral character of the antislavery movement is stressed. Originally published in 1965. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Over the course of the past 40 years, painter John Wesley has created a remarkably singular body of work whose subject is no less than the American psyche. While many artists of his generation have used popular images to explore the cultural landscape, Wesley has employed comic strip style and compositional rigor to make deeply personal, often hermetic paintings that strike at the core of our most primal fears, joys and desires. In this first volume ever to collect the entire iconic Bumstead series, which spans from 1974 until the present, we are introduced to several paintings that have never been reproduced before. These are dark and erotic works, sly and witty without ever giving too much away. Linda Norden described them thus in Parkett 62: "The Bumstead paintings--whether detailing scenes of domestic misunderstanding, zooming in on off-camera moments of bafflement or simply scanning empty halls and walls for private memories--are excruciatingly specific representations of the gulfs between feeling and comprehension... smart, funny, startling, irreverently empathetic and often heartbreaking, they are a welcome antidote to more laborious discourse." With an insightful new essay by Robert Hobbs.