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Books > Christianity > Protestantism & Protestant Churches > Methodist Churches
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Luminescence, Volume 2
(Paperback)
C.K. Barrett, Fred Barrett; Edited by Ben Witherington
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R1,859
R1,530
Discovery Miles 15 300
Save R329 (18%)
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Ships in 10 - 15 working days
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Together at the Table is the personal story and public message of
Bishop Karen Oliveto, the first openly LGBTQ person to be elected a
bishop in The United Methodist Church. Her election was and is
controversial, with opponents seeking to have her removed and some
even threatening violence against her. The denomination has been
debating the inclusion of LGBTQ people for decades and will be
gathering in February 2019 to determine whether it can agree to let
conferences within the church ordain as they see fit and let
congregations decide what weddings to hold or whether conservative
and liberal factions will break off from the denominational body.
Bishop Oliveto believes that the church can stay togetherthat
people of different convictions can remain in communion with one
another. Woven together with her own story of coming out and
following God's call to ordained ministry is her guidance for how
to live together despite differencesby practicing empathy, living
with ambiguity, appreciating the diversity of creation, and
embracing unity without uniformity.
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John Wesley
(Paperback)
John Wesley; Edited by A.C. Outler
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R878
Discovery Miles 8 780
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Ships in 10 - 15 working days
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Over the course of the past 40 years, painter John Wesley has
created a remarkably singular body of work whose subject is no less
than the American psyche. While many artists of his generation have
used popular images to explore the cultural landscape, Wesley has
employed comic strip style and compositional rigor to make deeply
personal, often hermetic paintings that strike at the core of our
most primal fears, joys and desires. In this first volume ever to
collect the entire iconic Bumstead series, which spans from 1974
until the present, we are introduced to several paintings that have
never been reproduced before. These are dark and erotic works, sly
and witty without ever giving too much away. Linda Norden described
them thus in Parkett 62: "The Bumstead paintings--whether detailing
scenes of domestic misunderstanding, zooming in on off-camera
moments of bafflement or simply scanning empty halls and walls for
private memories--are excruciatingly specific representations of
the gulfs between feeling and comprehension... smart, funny,
startling, irreverently empathetic and often heartbreaking, they
are a welcome antidote to more laborious discourse." With an
insightful new essay by Robert Hobbs.
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