Goldscheider, a Viennese factory (est 1885), soon sped to the top of European ceramics makers. Figures and vessels of faience and terracotta as well as bronze and alabaster, all of top quality in respect of form and workmanship, were created in the Historicist, Jugendstil and Art Deco period styles. A crucial factor was collaboration with distinguished sculptors and ceramicists of the day - including Demetre Chiparus, Walter Bosse and Josef Lorenzl - who were responsible for a great many of the Goldscheider designs.This success story was quashed by National Socialist aryanisation in 1938: the Goldscheider family was forced to emigrate, the firm was sold and the new proprietor was unable to sustain the high aesthetic quality standard. The Goldscheider brothers did manage to open new ceramics businesses while in exile in the US and England and Walter Goldscheider even returned to Vienna after the Second World War to resume his post as managing director of his old firm; however, in the 1950s the great ceramics tradition of this venerable Viennese business ended when it was sold to the German Carstens company.

From the early years of the twentieth century to the 1980s, the A. E. Hull Pottery Company has produced imaginative ceramics that have entranced both consumers and collectors alike. Hundreds of brilliant color photographs present a sweeping survey of the broad scope of Hull pottery produced over many decades. Novelty items, flower pots, cookie jars and containers, vases, and serving wares are all included in this informative book. Additionally, a brief history of the company, an examination of its many manufacturer's marks, an Index, and a Bibliography are included. Revised values for the wares displayed are provided in the captions. Every collector of twentieth century ceramics and fans of Ohio pottery will find this engaging reading.

Louis Comfort Tiffany's blown art glass, made from 1891 to 1928, embodies the artist's superior workmanship and satisfied his dream to introduce objects of both usefulness and beauty into the average household. These lovely objects, which he named "Favrile" and made in his New York studio, display Tiffany's reverence for antique glass and include the colored, gold iridescent, blue iridescent, and opalescent forms featured in this book. Over 240 color photographs of objects from many public and private collections, a very interesting text, and meticulously composed descriptions display Tiffany's intriguing art glass together for the first time in book form. Comments about their rarity accompany the descriptions.

This is a collection of autobiographical essays by Paul J Stankard, recognised widely as one of the world's master glass artists. Stankard is particularly renowned and respected for his flame-worked floral motifs expressed in crystal paperweights, rectangular columns, and orbs. Paul was trained in scientific glassblowing and worked in industrial scientific glass during most of the 1960s. Challenged by an inner sense of creativity and the need to establish his creative independence, he started making paperweights in the early 1970s. Attracted to the emerging studio glass movement, recognised as a maker of fine paperweights, and driven by an intense and incessant pursuit of excellence, Paul was -- by the 1980s -- recognised as a highly accomplished glass artist, a member of the pioneering generation of glass artists in America. As the emotional, intellectual, and spiritual dimensions of his art matured, and as he continued to develop new techniques for expressing his art, he also assumed more prominent influence in the development of educational programs and institutions that celebrated and expanded art in glass. Throughout his life, Paul also wrestled with, and learned how to succeed in spite of, a learning disability -- dyslexia. The book presents the author's record of his life as a struggling, then highly successful, artist; reveals insights into the challenges he faced as a dyslexic and how he came to understand, then circumvent, his disability; and records his perspectives on the history of the studio glass movement in America as he witnessed and experienced it during the past fifty years. This book will be of value to readers interested in the life of a major American artist and the history of the glass art movement in America, as well as to those looking for an inspirational story of how, in one man, the human spirit faced, addressed, and outwitted a learning disability and climbed the steep road to success to become a master artist in glass.

A guide to 20 glass painting projects inspired by artists of the period 1890 to 1930, this text explains basic tools, materials and techniques; features an extensive motif library, which provides design templates; and includes tips for adapting the motifs to suit any project.

"he Portland Vase is the most famous cameo-glass vessel from antiquity, probably made during the reign of the Roman Emperor Augustus (27BC - AD14). The scenes on the vessel have long perplexed and enchanted in equal measure. The subject is clearly one of love and marriage, but who are the figures and are they historical or mythological? This book offers an exciting new reading of the vase, setting it in the context of the dramatic relationships between the houses of Octavian, Antony and Cleopatra. It also explores the lively history of the vase, from the earliest records in Italy in 1601, to its purchase by Sir William Hamilton and the dukes of Portland, and its abiding influence on British craftsmen such as Josiah Wedgwood whose copies helped to make it famous.

Over 400 copyright-free designs from 80 artists, selected from the periodical Keramic Studio, a major forum for the American Arts and Crafts movement. 436 illus.

Every power tool and technique necessary for capturing the animal kingdom in wood is presented in this thorough and engaging volume. Frank C. Russell provides concise instructions and never-before-demonstrated techniques and carving sequences for transforming a block of wood into a lifelike animal. With 192 full-color photographs, every step is illustrated. Following the philosophy that you can carve only what you know, photographs of living animals accompany each carving sequence. Twelve project plans are provided as well. Plans for a bear, bobcat, bison, elephant, fox, giraffe, horse, rabbit, squirrel, tiger, whitetail deer, and wolf provide the carver with ample opportunity to apply newly discovered techniques. Color reference photographs accompany the projects. This book will bring enjoyment and challenges to all carvers, novice and professional alike. It will also guide carvers easily and concisely to finished works of art that they may be proud of.

Thinking Inside the Roughout leads new and experienced carvers through the creative, carving, and painting process of 28 of America's top caricature carvers. In each chapter, a member of the Caricature Carvers of America creates a unique carving, starting from the same generic roughout. Included is a step-by-step chapter describing the carving process, beginning with the roughout and ending with painting and antiquing the finished piece. Individualized chapters describe the artist's approach to developing an idea, including tips on carving and painting through full-color photos and text. Additional carvings from the generic roughout are featured in a gallery at the back of the book.

Transform miraculous beeswax into environmentally friendly household cleaners, personal care products, candles and crafts Features over 100 step-by-step recipes, this book presents easy-to-follow recipes that utilize the amazing flexibility of beeswax for crafting safe, highly effective home products. From lotions and salves to candles and cleaners, The Beeswax Workshop shows you how to make organic alternatives to chemically-laden store bought items. You will love stocking first aid kits with natural sunburn salve and antimicrobial ointment; making beeswax-based beauty products like lip balm, blush, perfume, shampoo, and hair pomade; and even waterproofing gardening tools and camping equipment. The Beeswax Workshop provides you with a wonderful collection of new and creative ways to use sustainable beeswax.

The figurative pottery designs of Mimbres classic culture (A.D. 1000-1150) have long inspired archaeologists, artists, designers, and Southwest travelers alike. Today there is still relatively little known about the Mimbres people who depicted daily and ceremonial life in ancient America's most literal designs. Featuring more than seventy-five of the most remarkable examples of Mimbres prehistoric figurative art that uniquely depicts evidence of Mimbres life, culture, and environment, these pottery designs, reconstructed and distilled in digital renderings and presented in an animated story, offer us a window into this fascinating Southwest culture. Along with the remarkable colorful motif interpretations, the author uses the designs to sketch out additional information about this lost culture, including hypothesizing about the Mimbres view of nature, and the artists themselves.

This magnificent new book explores the history of the perfume bottle, from dusty fragments found in Mesopotamian ruins, through the Middle Ages and the Victorian era, to the most resplendent examples of modern glassmaking. It even includes a Lalique bottle not yet released to the public! Other major bottle designers and manufacturers are discussed-Stiegel, De Vilbliss, Baccarat, and Saint Gobain Desjonquere, to name a few-along with perfumers who were instrumental in the growth of the industry in this century, from Crown and Caron to Elizabeth Arden. In over 400 full-color photographs, this beautiful book shows the perfume containers (including miniatures, solids, advertising fans, and the gigantic display factice) that most entrance today's collectors. Includes current value guide, meticulous documentation, and glorious photographs.

Nineteenth Century Lighting, surveys the candle powered lighting devices used in Northern Europe, the British Isles, as well as those made in America. The examples illustrated are those used in primarily domestic situations, however some are also from the public sector. Over 394 photographs are each acompanied by a detailed, physical and historical description, painstakingly researched by Mr. Bacot. In addition he has further enriched these fine examples with informative and interesting text on the changes and innovations of the period. Nineteenth Century Lighting is an excellent and thorough source book for the collector, historian and all those interested in these revolutionary candle powered designs of the years from 1783-1883.

Carve various types of faces, eyes, and lips alongside one of the leading caricature carvers in the country, Harold Enlow. Learn expert tips and techniques to achieve detailed facial features and make your carvings pop with life and expression. Kit contains a high-quality, hand-cast resin study stick with a wood color stain and a 40-page instructional booklet with step-by-step instructions and coordinating photography, making this a must-have addition to your woodcarving library! Study stick measures 11.5" in height.

Medieval Sussex Pottery

Donyatt, in Somerset, has been the site of continuous pottery production from the 13th century. Its products had a wide distribution, throughout the west country, to London and beyond. This comprehensive account of the Donyatt industry includes a thorough study of the pots and their changing styles and decoration, the development of their kilns, the lives and working conditions of the potters, and their migrations to and from other potteries. It is based on the author's extensive excavations and on study of rich documentary sources, and combines two sorts of information rarely so adequately available for any site or industry.

Beautiful stained glass windows were part of a church building wave in Northeastern Pennsylvania during the boom years of coal in the latter part of the nineteenth century and the early part of the twentieth centuries. Father Joseph McShane SJ, President of the University of Scranton, wanted to highlight and preserve this important heritage. To create a warm and welcoming environment in the University of Scranton's newly completed Brennan Hall, home of the Kania School of Management, he commissioned digital photographs of many of these windows. Large prints were made, mounted in large glass frames and placed on the walls of the five floors of Brennan Hall. This book celebrates the religious significance, artistic beauty, and regional importance of these windows by reproducing them in full colour. Dr. Virginia Raguin of Holy Cross College, a well-known stained glass scholar, gives them context with a general historical/artistic introduction to the book and briefer introductions to the eight churches involved. Maureen Brennan briefly summaries key historical and informative data for each window, including the many Tiffanys. These windows and this book are a tribute to the religious and artistic vigour of an important American region in its prime.