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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Design styles > Modernist design & Bauhaus
Scandinavia is a region associated with modernity: modern design,
modern living and a modern welfare state. This new history of
modernism in Scandinavia offers a picture of the complex reality
that lies behind the label: a modernism made up of many different
figures, impulses and visions. It places the individuals who have
achieved international fame, such as Edvard Munch and Alvar Aalto
in a wider context, and through a series of case studies, provides
a rich analysis of the art, architecture and design history of the
Nordic region, and of modernism as a concept and mode of practice.
Modernism in Scandinavia addresses the decades between 1890 and
1970 and presents an intertwined history of modernism across the
region. Charlotte Ashby gives a rationale for her focus on those
countries which share an interrelated history and colonial past,
but also stresses influences from outside the region, such as the
English Arts and Crafts movement and the impact of emergent
American modernism. Her richly illustrated account guides the
reader through key historical periods and cultural movements, with
case studies illuminating key art works, buildings, designed
products and exhibitions.
The captivating tale of the plans and personalities behind one of
New York City's most radical and recognizable buildings Considered
the crowning achievement of Frank Lloyd Wright (1867-1959), the
Solomon R. Guggenheim Museum in Manhattan is often called iconic.
But it is in fact iconoclastic, standing in stark contrast to the
surrounding metropolis and setting a new standard for the postwar
art museum. Commissioned to design the building in 1943 by the
museum's founding curator, Baroness Hilla von Rebay, Wright
established residence in the Plaza Hotel in order to oversee the
project. Over the next 17 years, Wright continuously clashed with
his clients over the cost and the design, a conflict that extended
to the city of New York and its cultural establishment. Against all
odds, Wright held fast to his radical design concept of an inverted
ziggurat and spiraling ramp, built with a continuous beam-a shape
recalling the form of an hourglass. Construction was only completed
in 1959, six months after Wright's death. The building's initial
critical response ultimately gave way to near-universal admiration,
as it came to be seen as an architectural masterpiece. This
essential text, offering a behind-the-scenes story of the
Guggenheim along with a careful reading of its architecture, is
beautifully illustrated with more than 150 images, including plans,
drawings, and rare photographs of the building under construction.
Founded by Walter Gropius in 1919, the Bauhaus School had an
enormous impact on the arts and everyday life. Fifty of the most
representative pieces of Bauhaus art and design are presented here
in illuminating and engrossing two-page spreads. This book selects
the artists, buildings, furniture pieces, theatrical productions,
toys, and textiles that epitomize the Bauhaus ideal of uniting form
and function. Artists such as Josef Albers, Laszlo Moholy-Nagy,
Wassily Kandinsky, and Joost Schmidt are featured along with
lesser-known but equally important designers and artists. Anyone
interested in the history and accomplishments of the Bauhaus will
find much to learn and enjoy in this unique compilation that
reveals the movement's range as well as its influence on today's
artistic practices.
'Does full justice to the remarkable achievements of an unlikely
martyr' Mail on Sunday 'A fascinating study of a handful of the
potential motivations behind violent political acts through the
balanced examination of a remarkable woman' All About History Lady
Constance Lytton (1869-1923) was the most unlikely of suffragettes.
One of the elite, she was the daughter of a Viceroy of India and a
lady in waiting to the Queen. She grew up in the family home of
Knebworth and in embassies around the world. For forty years, she
did nothing but devote herself to her family, denying herself the
love of her life and possible careers as a musician or a reviewer.
Then came a chance encounter with a suffragette. Constance was
intrigued; witnessing Emmeline and Christabel Pankhurst on trial
convinced her of the urgent necessity of votes for women and she
went to prison for the cause as gleefully as any child going on a
school trip. But, once jailed, Constance soon found that her name
and her connections singled her out for unwelcome special
treatment. By now, 1909, the suffragettes were hunger striking and
the government had retaliated with force-feeding. The stories that
began to leak out of bungled operations, of dirty tubes, of screams
halfheard through brick walls, of straitjackets and handcuffs
outraged the suffragettes. Constance decided on her most radical
step yet: to go to prison in disguise. Taking the name Jane Warton,
she cut her hair, put on glasses and ugly clothes and got herself
arrested in Liverpool. Once in prison, she was force-fed eight
times before her identity was discovered and she was released. Her
case became a cause celebre, with debate raging in The Times and
questions being asked in the House of Commons. Lady Constance
Lytton became an inspiration and, in the end, a martyr. In this
extraordinary new biography, Lyndsey Jenkins reveals for the first
time the fascinating story of the woman who abandoned a life of
privilege to fight for women s rights.
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