The Bauhaus Journal, now published in this gorgeous facsimile, is the ultimate testimony to the school's diversity and impact One hundred years after the founding of the Bauhaus, it's time to revisit Bauhaus, the school's journal, as a crucial testimony of this iconic moment in the history of modern art. This gorgeously produced, slipcased, 14-volume publication features facsimiles of individual issues of the journal, as well as a commentary booklet including an overview of the content, English translations of all texts and a scholarly essay that places the journal in its historical context. Even during its existence, the influence of the Bauhaus school extended well beyond the borders of Europe, and its practitioners played a formative role in all areas of art, design and architecture. The school's international reach and impact is particularly evident in its journal. Bauhaus Journal was published periodically under the direction of Walter Gropius and L szl Moholy-Nagy, among others, from 1926 to 1931. In its pages, the most important voices of the movement were heard: Bauhaus masters and artists associated with the school such as Josef Albers, Wassily Kandinsky, Paul Klee, Oskar Schlemmer, Herbert Bayer, Marcel Breuer, Ludwig Mies van der Rohe, Gerrit Rietveld and many more. The centenary of the Bauhaus provides an ideal opportunity to reassess this history, to consider the ideals of the school and its protagonists through this graphically innovative publication.

The 'new urban municipality of Berlin', also called Greater Berlin, was created 100 years ago, on 1 October 1920, following a ground-breaking administrative reform. This was a century-defining milestone that transformed Berlin into a world city. The old city of Berlin was merged with 7 other cities, 59 rural communities, and 27 estate districts. As a result, the city's area increased from 66 to 878 square metres, its population from 1.9 to 3.9 million people, virtually overnight. But Greater Berlin did not remain a fixed entity. After the fall of the Berlin Wall, new planning and development projects continued to transform the greater urban area, which has grown, seemingly without end, far beyond the boundaries of Berlin. The two volumes of Unfinished Metropolis are dedicated to the past and future of Greater Berlin. The first volume offers an insight into an array of different topics, such as Berlin's role as the capital of Germany, its relationship with Brandenburg, and the historical, economic, and social conditions that have driven the growth of the urban area over the centuries. The second volume delves deeper into the designs for the future. It comprehensively documents the International Urban Planning Competition for Berlin-Brandenburg 2070, held by the states' association of architects and engineers. It also explores how other European capital regions - London, Moscow, Paris, and Vienna - are seeking to ensure sustainable urban development in years to come. Volume 1: 100 Years of Urban Planning for Greater Berlin 416 pages; 550 pictures Volume 2: International Urban Planning Competition for Berlin-Brandenburg 2070 336 pages; 300 pictures

This is the most thorough and detailed monograph on the artwork of Raymond Jonson. He is one of many artists of the first half of the twentieth-century who demonstrate the richness and diversity of an under-appreciated period in the history of American art. Visualizing the spiritual was one of the fundamental goals of early abstract painting in the years before and during World War I. Artists turned to alternative spirituality, the occult, and mysticism, believing that the pure use of line, shape, color, light and texture could convey spiritual insight. Jonson was steadfastly dedicated to this goal for most of his career and he always believed that modernist and abstract styles were the most effective and compelling means of achieving it.