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Books > Arts & Architecture > History of art / art & design styles > From 1900 > Design styles > Modernist design & Bauhaus
Shine allures and awakens desire. As a phenomenon of perception
shiny things and materials fascinate and tantalize. They are a
formative element of material culture, promising luxury, social
distinction and the hope of limitless experience and excess. Since
the early twentieth century the mass production, dissemination and
popularization of synthetic materials that produce
heretofore-unknown effects of shine have increased. At the same
time, shine is subjectified as "glamor" and made into a token of
performative self-empowerment. The volume illuminates genealogical
as well as systematic relationships between material phenomena of
shine and cultural-philosophical concepts of appearance, illusion,
distraction and glare in bringing together renowned scholars from
various disciplines.
They were not only two of the outstanding artists of the Bauhaus,
but also a well-known couple. Their many famous works and the
artists they influenced as teachers and role models bear witness to
their life and work. But that is not all, as another ingenious
couple literally shows us. The photographer duo Lake Verea has
joined forces with the Josef and Anni Albers Foundation to trace
the material and intellectual traces of their artistic creativity
in their estate. Correspondence with Bauhaus colleagues, tubes of
paint and fabric fibers are captured with an extraordinary feel and
vividness. Seeing the objects gives wings to the imagination. For
inevitably, one sees the hands of the artists at work, who formed
their very own contribution to 20th century art history from these
objects, conversations and trains of thought.
John Heskett wants to transform the way we think about design by
showing how integral it is to our daily lives, from the spoon we
use to eat our breakfast cereal, and the car we drive to work in,
to the medical equipment used to save lives. Design combines 'need'
and 'desire' in the form of a practical object that can also
reflect the user's identity and aspirations through its form and
decoration. This concise guide to contemporary design goes beyond
style and taste to look at how different cultures and individuals
personalize objects. Heskett also reveals how simple objects, such
as a toothpick, can have their design modified to suit the specific
cultural behaviour in different countries. There are also
fascinating insights into how major companies such as Nokia, Ford,
and Sony approach design. Finally, the author gives us an exciting
vision of what design can offer us in the future, showing in
particular how it can humanize new technology. ABOUT THE SERIES:
The Very Short Introductions series from Oxford University Press
contains hundreds of titles in almost every subject area. These
pocket-sized books are the perfect way to get ahead in a new
subject quickly. Our expert authors combine facts, analysis,
perspective, new ideas, and enthusiasm to make interesting and
challenging topics highly readable.
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