Alexey Shchusev (1873-1949) was one of the most celebrated architects of the Soviet Union, famous for Lenin's Mausoleum in Moscow. Not only a gifted designer of many prominent buildings, his career was quite unique and closely intertwined with the turbulent course of Russian and Soviet history. He was one of the very few architects who managed to rise to the top of the architectural hierarchy under the tsars and then to repeat this success under Soviet rule. Already before the Revolution of 1917, Shchusev was an acclaimed Revivalist architect, wellknown for his church designs and Moscow's Kazan Station. In the 1920s, he became a renowned Constructivist. Following the official renunciation of Avant-Garde architecture ordered by Stalin, Shchusev swiftly became an advocate of Socialist Classicism, designing many projects in the dictator's favoured Empire Style in order to satisfy the Stalinist state's needs for monumental representation. Combining a scholarly study of Shchusev's career with stunning photographs this book traces the development of this artistically and politically gifted architect through the architectural and historical changes in the first half of the twentieth century.

John Heskett wants to transform the way we think about design by showing how integral it is to our daily lives, from the spoon we use to eat our breakfast cereal, and the car we drive to work in, to the medical equipment used to save lives. Design combines 'need' and 'desire' in the form of a practical object that can also reflect the user's identity and aspirations through its form and decoration. This concise guide to contemporary design goes beyond style and taste to look at how different cultures and individuals personalize objects. Heskett also reveals how simple objects, such as a toothpick, can have their design modified to suit the specific cultural behaviour in different countries. There are also fascinating insights into how major companies such as Nokia, Ford, and Sony approach design. Finally, the author gives us an exciting vision of what design can offer us in the future, showing in particular how it can humanize new technology. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

For a long time only slightly noticed, modernist movements in Chinese art history are gaining more and more recognition. One of its key fi gures is Ting Yin Yung, whose art is essential to understanding Western-style art in China. Ting was one of the fi rst to turn to his own cultural history to inform the Western-style paintings he and others aspired to master, primarily to breathe life into what many considered a stagnant art tradition. It is difficult to gauge the full extent of Ting's impact and influence on modern and contemporary Chinese art, but this comprehensive catalogue raisonne of his oil paintings brings us in a position to see how his vision, through both his art and his teachings, inspired and nurtured many.

The Art of Football is a singular look at early college football art and illustrations. This collection contains more than two hundred images, many rare or previously unpublished, from a variety of sources, including artists Winslow Homer, Edward Penfield, J. C. Leyendecker, Frederic Remington, Charles Dana Gibson, George Bellows, and many others. Along with the rich art that captured the essence of football during its early period, Michael Oriard provides a historical context for the images and for football during this period, showing that from the beginning it was perceived more as a test of courage and training in manliness than simply an athletic endeavor. Oriard's analysis shows how these early artists had to work out for themselves-and for readers-what in the new game should be highlighted and how it should appear on the page or canvas. The Art of Football takes modern readers back to the day when players themselves were new to the sport, and illustrators had to show the public what the new game of football was. Oriard demonstrates how artists focused on football's dual nature as a grueling sport to be played and as a social event and spectacle to be watched. Through its illustrations and words The Art of Football gives readers an engaging look at the earliest depictions of the game and the origins of the United States as a football nation.

The extraordinary story of Isokon, a groundbreaking Modernist building in London, and how its network of residents helped shape Modern Britain.

In the mid-1930s, three giants of the international Modern movement, Bauhaus professors Walter Gropius, Marcel Breuer and Laszlo Moholy-Nagy, fled Nazi Germany and sought refuge in Hampstead in the most exciting new apartment block in Britain. The Lawn Road Flats, or Isokon building (as it came to be known), was commissioned by the young visionary couple Jack and Molly Pritchard and designed by aspiring architect Wells Coates. Built in 1934 in response to the question `How do we want to live now?' it was England's first modernist apartment building and was hugely influential in pioneering the concept of minimal living. During the mid-1930s and 1940s its flats, bar and dining club became an extraordinary creative nexus for international artists, writers and thinkers. Jack Pritchard employed Gropius, Breuer and Moholy-Nagy in his newly formed Isokon design company and the furniture, architecture and graphic art the three produced for him and other clients during their brief sojourn in pre-war England helped shape Modern Britain.

This book tells the story of the Isokon, from its beginnings to the present day, and fully examines the work, artistic networks and legacy of the Bauhaus artists during their time in Britain. The tales are not just of design and architecture but war, sex, death, espionage and the infamous dinner parties. Isokon resident Agatha Christie features in the book, as does Charlotte Perriand, working for Le Corbusier's practice, who Jack Pritchard commissioned for a pavilion design in 1930.

The book is beautifully illustrated with archive photography much of which is previously unseen and includes the work of photographer and Soviet spy Edith Tudor-Hart, as well as plans and sketches, menus, postcards and letters from the Pritchard family archive.

In Spring 2018, the Isokon building and Breuer, Gropius and Moholy-Nagy were honoured with a Blue Plaque from English Heritage. 2019 marks the centenary of the foundation of the Bauhaus, so the book is a timely celebration of European design.

In 1930 pioneering female gallerist Lucy Wertheim opened The Wertheim Gallery in London. Wertheim challenged the established art scene conventions; she was a woman without formal art training, driven by intuition and a belief that young British artists should have the same opportunities as their European counterparts. Adventure in Art is Lucy's 1947 autobiography, telling the story of her career in the British Modernist era. Republished by Unicorn to coincide with the forthcoming Towner Eastbourne exhibition, A Life in Art: Lucy Wertheim & Reuniting the Twenties Group (Summer 2022), this book brings to a contemporary audience the trials and tribulations of a key participant in the male-dominated art world in the first half of the twentieth century. Lucy Wertheim's discerning eye and business acumen helped to propel big names such as Christopher Wood, Alfred Wallis, Cedric Morris, Henry Moore and Frances Hodgkins into the mainstream. With three commissioned essays - the first by Frances Spalding (Lucy Wertheim - Her Gallery in Context); the second by Ariane Banks (Lucy Wertheim - A Pioneering Woman and Her Contemporaries); the third by Towner's Collections & Exhibitions Curator, Karen Taylor (Lucy Wertheim - Her 'Forty-One Year Experiment' [1930-71]) - this new edition not only brings Lucy Carrington Wertheim's words and deeds back into our conscience, but it also publishes over 70 artworks, many of which are featured in the Towner exhibition, as well as newly photographed ephemera from the Estate's extensive archive. Together, this exhibition and book will significantly reset the accepted narrative, and shine a light on a neglected corner of mid-twentieth century art history.

Modernism ushered in some of the most exciting innovations in art and literature, from Fauvism, Cubism, and Dada, to the novels of James Joyce and Franz Kafka, to such provocative works as Marcel Duchamp's "Fountain." But Modernism also left many people puzzled in its wake. How can a routine bathroom fixture be considered a work of art? Shouldn't a novel have a beginning, a middle, and an end--or at least a story? In this Very Short Introduction, Christopher Butler provides a coherent account of Modernism across various aesthetic and cultural fields. Butler examines how and why Modernism began, explaining what it is and showing how virtually all aspects of 20th and 21st century life have been influenced by its aesthetic legacy. Butler considers several aspects of modernism, including some classic modernist works, movements and notions of the avant garde, and the idea of "progress" in art. Finally, Butler sheds light on modernist ideas of the self, subjectivity, irrationalism, people and machines, and the political dimensions of modernism as a whole.
About the Series: Combining authority with wit, accessibility, and style, Very Short Introductions offer an introduction to some of life's most interesting topics. Written by experts for the newcomer, they demonstrate the finest contemporary thinking about the central problems and issues in hundreds of key topics, from philosophy to Freud, quantum theory to Islam.

The captivating tale of the plans and personalities behind one of New York City's most radical and recognizable buildings Considered the crowning achievement of Frank Lloyd Wright (1867-1959), the Solomon R. Guggenheim Museum in Manhattan is often called iconic. But it is in fact iconoclastic, standing in stark contrast to the surrounding metropolis and setting a new standard for the postwar art museum. Commissioned to design the building in 1943 by the museum's founding curator, Baroness Hilla von Rebay, Wright established residence in the Plaza Hotel in order to oversee the project. Over the next 17 years, Wright continuously clashed with his clients over the cost and the design, a conflict that extended to the city of New York and its cultural establishment. Against all odds, Wright held fast to his radical design concept of an inverted ziggurat and spiraling ramp, built with a continuous beam-a shape recalling the form of an hourglass. Construction was only completed in 1959, six months after Wright's death. The building's initial critical response ultimately gave way to near-universal admiration, as it came to be seen as an architectural masterpiece. This essential text, offering a behind-the-scenes story of the Guggenheim along with a careful reading of its architecture, is beautifully illustrated with more than 150 images, including plans, drawings, and rare photographs of the building under construction.

Seen as a step toward addressing this gap, this catalogue seeks to position Mohidin within Berlin art circles of the 1960s, and unravel what could be contingently described as painting from within the tradition. The catalogue also explores the formative role of Mohidin's Pago Pago series not only in his oeuvre, but also in our very ability to write about Southeast Asian history.