What you will go onto read is a part biography, part dissection and part educational book that start's at the very beginning with a young boy who was inspired by London, family life, football and world music, a love that nearly ended in a long term prison sentence. Fortunately not only Tony, but the many that went on to succeed because of his drive and direction, he was given another chance, this turned into his sliding doors effect, and not only did it change his life but the lives of many others. Creator of a leading London record label and manager for one of the pioneering acts over the past decade, Tony Portelli became part creator of a genre of music that took inspiration and street culture and turned it into careers for many who also had a dream. So what has been written within these pages, a first of its kind from a genre, is probably the most contentious behind the scene's book ever written about the Music Industry, a book that's entitled; The Music Industry Raw, Pirates, Clubs, House and Garage.

Find out what really goes on behind the scenes of the music industry. It''s a true story with unexpected twists and turns along the way. Told by an insiders first hand account, "Behind Nashville" reveals the truth about how the music industry operates.

Around the world there are grandparents, parents, and children who can still sing ditties by Tigger or Baloo the Bear or the Seven Dwarves. This staying power and global reach is in large part a testimony to the pizzazz of performers, songwriters, and other creative artists who worked with Walt Disney Records.

"Mouse Tracks: The Story of Walt Disney Records" chronicles for the first time the fifty-year history of the Disney recording companies launched by Walt Disney and Roy Disney in the mid-1950s, when Disneyland Park, Davy Crockett, and the Mickey Mouse Club were taking the world by storm. The book provides a perspective on all-time Disney favorites and features anecdotes, reminiscences, and biographies of the artists who brought Disney magic to audio.

Authors Tim Hollis and Greg Ehrbar go behind the scenes at the Walt Disney Studios and discover that in the early days Walt Disney and Roy Disney resisted going into the record business before the success of "The Ballad of Davy Crockett" ignited the in-house label. Along the way, the book traces the recording adventures of such Disney favorites as Mickey Mouse, Donald Duck, Cinderella, Bambi, Jiminy Cricket, Winnie the Pooh, and even Walt Disney himself. Mouse Tracks reveals the struggles, major successes, and occasional misfires. Included are impressions and details of teen-pop princesses Annette Funicello and Hayley Mills, the Mary Poppins phenomenon, a Disney-style "British Invasion," and a low period when sagging sales forced Walt Disney to suggest closing the division down.

Complementing each chapter are brief performer biographies, reproductions of album covers and art, and facsimiles of related promotional material. "Mouse Tracks" is a collector's bonanza of information on this little-analyzed side of the Disney empire.

Tim Hollis lives in Birmingham, Alabama. Three of his previous books--histories of tourism and children's television--are published by University Press of Mississippi. Two-time Grammy nominee Greg Ehrbar, a twenty-year Disney company veteran, is a writer of advertising, books, television specials, radio shows, compact discs, and Walt Disney Records Read-Alongs.

Learn more about the book and the authors at www.mousetracksonline.com.

This hearing transcript of the Committee on Small Business of the U.S. House of Representatives includes statements and submitted reports from the following witnesses: Rick Dube, a Senior Analyst and Editor with Webnoize, which focuses on the entertainment industry's relationship with the Internet; Tom Silverman, founder and CEO of Tommy Boy Records is testifying on behalf of the RIAA --- Recording Industry Association of America; Peter Harter, Vice President for Global Public Policy and Standards of Emusic.com, the Internet's leading retailer of licensed and authorized MP3 music files; And Chuck D, recording artist and founder of Rapstation.com, which features free MP3 downloads, a television station and information for aspiring artists.

Producing Hit Records takes a behind the scenes look with today's top record producers at what it takes to sit in the big chair. Producers talk about how they got into the field, how they continue to get work, how they motivate artists to come up with that great take and what it's like to work in an industry that's constantly changing.

"10 Steps to Successfully Managing Recording Artists" outlines the steps essential to effectively managing an artist. It should be choice reading for new and aspiring managers, as well as established and seasoned veteran managers. Artists and industry professionals alike can also use this book as a personal guide for reviewing and identifying the characteristics of a successful and competent manager. Over two decades of music entertainment experience Tour Manager--Surface (JVC) Japan Blue Note Tour Conference/Seminar Panelist--Jack the Rapper, Philadelphia Music Conference, Southeast Music and Entertainment Summit, Ear 2 Da Streets Music Conference, and Route One South Music Conference National Radio Promotions Ruffhouse/ Columbia Records Song Placement and A&R Consultation: Michael Jackson, Guy, Monifah, BlackStreet, and 702 Provided Regional Radio, Retail, Club, Video, Street, and Lifestyle Promotional Services for: Warner Brothers, Sony/550, Universal, Motown, Atlantic, Death Row, and several others... 2003-2004 National Dean's List Award Winner 2004 National Registers Who's Who in Executives and Professionals

"Good management is important to sustaining and maintaining a long and successful career. This book captures key points that are essential and very useful to managers and artists who may be seeking or evaluating their management."
--Teddy Riley, recording artist/producer/songwriter (Michael Jackson, Bobby Brown, SWV, BlackStreet, Janet Jackson, Guy)

"This book contains very valuable information and I rate it high on the list of must reads for managers."
--Vincent Herbert, producer/songwriter (Dionne Warwick, Destiny's Child, Aaliyah, Toni Braxton, Babyface, Tatyana Ali)

This Book Makes it Easy for Almost Anyone to Generate Over $500,000.00 or More a Year as An Independent Artist in The Music Industry! Get the Insiders Secrets on How To Successfully: . Negotiate TOP DOLLAR when booking shows . Promote yourself PROFESSIONALLY . Develop the TOOLS YOU NEED to make a name for yourself . BREAK OUT of the gig to gig existence . Have clubs LINING UP to book YOU! . EARN MORE MONEY from the gigs you are already working . ALWAYS have a venue to play . Organize a HIGH PAYING TOUR . Work the media for MAXIMUM EXPOSURE . Negotiate for FREE advertising . Sell your CDs WITHOUT A RECORD LABEL . GRAB THE ATTENTION of the 'big guys' . SUCCESSFULLY promote yourself to the 'hidden markets' . MAKE YOURSELF RICH AND FAMOUS If you're seriously ready to kick start your career, this is the book you need, It's everything you need to make it to the top, except the talent!

Obsessed or possessed? Tara C. Dance-House chanteuse spins a tale of music, sex, violence and intrigue. Check it On the road to success, it's ride or die and in Honey's world you have to make your own moves Striving to create a thriving music career as an unsigned artist tackling inner demons while maintaining control for inner peace struggling to stay focused amidst every thing that seems to be working against you while laying the foundation for stardom and that hit record. This is Walk Honey's odyssey of debauchery, lust and mayhem. The truth keeps you reeling as she name drops on celebs, rappers, singers and talents of the 'Whose Who in the entertainment industry. You know it aint a lie, cos any one in 'The Biz will have to recognize the obsessed, the driven or the so many others that come into their world to play at the price of use and abuse. No matter the outcome it's ineffable. It's Murder in Music Land Every artiste has a story. This is Honey's. This contains adult content and extremely sensitive material.

In Jay Z and the Roc-A-Fella Dynasty, author Jake Brown has chronicled the Hip Hop icon's legacy. As Hip Hop's prodigal son, Jay Z is truly the pinnacle of where Hip Hop has come in its short but extraordinary life time. Among the detailed and explicit chapters, the story includes: "The Hustlin Years," "Shawn Carter Becomes Jay Z," "The Birth of Roc-A-Fella Records and Brooklyn's Finest-Jay Z and Biggie Smalls."

This work provides the tools needed to start and operate an independent record label. It offers useful, straightforward advice and information that applies to every person who is interested in starting a label, presently running a small label, or curious about how an independent record company operates.

Visual Music Instrument Patents Volume One is a collection of primary source documents for visual music instruments, often called "color organs," gleaned from the United States Patent Office. Information about these devices is often only available through the inventor's patent applications, but these applications are not currently available except through the time-consuming process of searching Patent Office databases. This volume is an informational resource for those instruments that are already known and studied (Bishop, Rimington, Wilfred, Fischinger), and includes a number of patents for other instruments that have not been examined as thoroughly (Munsell, Hallock-Greenwalt, others). Volume One also includes a few patents that are related to visual music instruments such as systems of notation for writing visual music and devices for determining "color harmony" through a relationship to musical form.

The online music revolution has brought the weakness of the law to the forefront. Anonymous theft, with little risk of criminal prosecution and practically no societal censure, tempts those who would never dream of shoplifting a CD from a music store. The RIAA has sued middle school students, high school and college students as well as grandparents, some of whom honestly believed they were doing nothing wrong. Even professors of the law argue over what behavior is permissible and what is not. This ambiguity holds back the advancement of legitimate uses of technology while doing nothing to stop those who would steal regardless of the consequences. A Fogging of Basic Values critically examines what has occurred within music and other societal venues where behavioral boundaries have blurred.

Music history -- Blues -- R&B

Elmore James, Sonny Boy Williamson, Little Milton, and James Waller-all of these musical powerhouses furthered their recording careers at a little label on once-thriving Farish Street, the historic black district of Jackson, Mississippi.

These blues, gospel, and R&B all-stars are featured in "Trumpet Records: Diamonds on Farish Street," the detailed story of this thriving recording label of the mid-1950s.

What caused it to spring to life in Jackson? It began in 1949, when a white woman named Lillian McMurry and her husband purchased a hardware store on Farish Street, then a location on the boundary between the city's white and black business and entertainment districts. While taking inventory of the original stock and renovating the building, she discovered a stack of unsold records, including Wynonie Harris's recording of "All She Wants to Do Is Rock." Curious, Mrs. McMurry played it on the store's record player and became so inspired that she decided to record more music like it. Thus was born Trumpet Records.

The life of the studio was brief, and this book, in careful detail, covers its short history (1951-1956) and includes accounts of recording sessions with its roster of gospel groups, blues musicians, and R&B singers, almost all of them African American. The book also documents McMurry's attempts to fuse country and African American popular music into what would become rock 'n' roll.

From interviews, archival recordings, company documents, reviews, photographs, and the assistance of the founder, Marc W. Ryan has compiled the fascinating history of this short-lived but influential company.

This new edition of a work recognized in 1993 by the Association for Recorded Sound Collections features an updated discography and bibliography, extensive new documentation, and additional insights into the operations of Trumpet Records.

Marc W. Ryan is an independent music scholar living in North San Juan, California. His work has been published in "Rolling Stone," "Discoveries," and "Blues and Rhythm."

Digital compression technologies such as MP3 and Napster are having an explosive impact on the way music is distributed. Every day, hundreds of thousands of music files are searched for, shared, recorded, and listened to by computer and Web users-all free of charge. It's a boon for consumers and a disaster for record companies, and the end result can be nothing less than a cultural and economic transformation. Sonic Boom is a fascinating narrative of the controversy that's sending shock waves through the music industry. It's the story of musicians such as the Beastie Boys and Public Enemy, who are reaching fans without record company support; entrepreneurs who are distributing MP3 files without licensing agreements; and record-industry executives who are fighting for their business at every turn. It reveals how, even as the star-maker machinery of record companies remains in the hands of the old guard, innovators are finding ways to outsmart it. Peopled with a sensational cast of characters that includes rock stars, music moguls, teenagers, and Internet entrepreneurs, Sonic Boom exposes the recording industry's plight as a fascinating microcosm of the vast cultural, ethical, and legal issues that all industries face in the information age.

"Soulsville, U.S.A." provides the first history of the groundbreaking label along with compelling biographies of the promoters, producers, and performers who made and sold the music. More than 45 photos. (Music)

The nuts and bolts of how the business of music is conducted is explained here. The author discusses such topics as revenue streams, copyrights and recording sessions. (Music)

(Book). In this prime collection of first-hand interviews, 37 of the world's top record producers share their creative secrets and hit-making techniques from the practical to the artistic. George Martin reveals the technical and musical challenges of working with The Beatles, while Phil Ramone, producer for such artists as Billy Joel, discusses studio wall treatments. Offering real-world advice on everything from mics to mixing to coaching a nervous singer, producers interviewed include Arif Mardin (Aretha Franklin), Brian Wilson (The Beach Boys), Alan Parsons (Pink Floyd) and more.

A comprehensive reference guide to the history of recording, this book combines the technical history of the recording process and the industry that grew up to support it, with the history of the musical, vocal and spoken repertoire that developed in parallel with recording. Starting with the simultaneous inventions of Charles Cros and Thomas Edison, the book charts the story of the phonograph from the earliest recordings by figures such as Brahms and Tennyson to the development of the modern gramophone. The complex patent and copyright history of early inventions is set out, as is the commercial climate in which the first record companies emerged. The late-19th-century musical legacy and its performance practice implications are discussed, leading to the pioneering work of, for example, Henry Wood and Thomas Beecham. Popular music history is also examined, on an international basis, with Argentine and Uruguayan tango records discussed alongside American ragtime and jazz and European operetta. The book also analyzes the recording boom before the Depression, the pre-war reconstruction of the industry, the emergence of recording entrepreneurs, disc jockeys and crooners, the emergence of rebetika in Europe, the Caribbean record industry, and the first libraries. In the post-war period, the book covers the breathtaking speed of technical development from EP to LP to cassette to CD, and the enormous explosion of popular music. The final chapters examine new technical innovations such as DAT and minidisc, and record-derived music techniques such as scratch, karaoke, dup and rap.

Little Labels -- Big Sound celebrates 10 legendary record labels, their founders and the artists they developed, people who created original and enduring music on the tide of social change. From the 1920s through the 1960s, scores of small, independent record companies nurtured distinctly American music: jazz, blues, gospel, country, rhythm and blues, and rock 'n' roll. These companies, run on shoestring budgets, were on the fringe of mainstream culture. Louis Armstrong, Hank Williams, James Brown, Roy Orbison, and other musicians brought regional American styles to a world audience and won enduring fame for themselves. But often forgotten are the colorful owners of small record labels who first recorded these musicians and helped to popularize their sound before the dominant, more bureaucratic competitors knew what had happened.

Rick Kennedy and Randy McNutt bring alive the glory days of the independent labels and their colorful founders, many of whom were interviewed for this book. Sometimes these men were visionaries. Ross Russell, a record-store owner in Los Angeles in the mid-1940s, risked his last dollar to create Dial Records because he was convinced that an obscure jazz saxophonist named Charlie Parker was creating a music revolution with his bebop jazz. Sam Phillips in Memphis had recorded white country and black R&B singers in the early 1950s, so he knew exactly what he was looking for when a shy, teenaged Elvis Presley walked into his storefront studio in 1954 and asked to make a record.

Other owners had little appreciation for the music but were street-smart entrepreneurs. The white-owned "race" labels of the 1920s, for example, recognized a black consumer market thatthe recording business had previously ignored. Operating out of such cities as Houston, Memphis, Cincinnati, and New Orleans, these savvy business people promoted regional sounds that were to reverberate around the world.

But influencing the development of music wasn't what these record-label owners had in mind; they were just trying to earn a living. Today, when most of the independent record labels have gone under or have been gobbled up by big conglomerates, the music they produced on primitive equipment remains fresh -- and bigger than life.

Little Labels -- Big Sound tells with verve and affection the story of the people and the small homegrown companies who gave America its beat.

"CopyCats" is a creative work that presents the author's detailed survey of a wide array of performers who specialize in celebrity impersonations.

Arranged in an easy-to-follow style, her text reveals many enlightening facts about this aspect of show business.

Her interviews with the performers examine how they came to emulate a particular star, how they research their roles and how they put together a whole show.

In discussing the lives of the performers themselves, including a diverse assortment of photographs, and proffering an accessible glimpse into the lives of those talented individuals, her register offers a rich overview of a distinctive subject.

The author's intricate design, careful attention to detail and expansive scope contribute to the intriguing nature of this chronicle.

In "Star Tracks," Larry Wacholtz has indeed written the next generation of indispensable music industry literature. The acknowledged bible, David Baskerville's "Handbook . . ." finally has a fitting protege. Wacholtz has used the cream and meat from works by the music business elite (Passman, Krasilovsky, the Brabec twins and Baskerville himself), contributed a ton of his own research data with practical quotes by top professionals, and presented it in a lively easy-reading style. The book is comprehensive, with a wealth of charts and figures, but manages never to be dull. --Alan Remington, Professor of Music, Orange Coast College

In Bootleg: The Secret History of the Other Recording Industry, Clinton Heylin examines the entire modern history of this underground culture: from what defines a bootleg and its complex and protean legal status, to a full history of bootlegs' production and distribution, to what's contained on some of the most notorious bootlegs and how to find them. Along with many illustrations of the creative packages, this is the whole story of the $250 million industry that sustains itself on the great figures of rock music and their biggest admirers.