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Books > Business & Economics > Industry & industrial studies > Media, information & communication industries > Music industry
After discovering a derelict record plant on the edge of a northern
English city, and hearing that it was once visited by David Bowie,
Karl Whitney embarks upon a journey to explore the industrial
cities of British pop music. Manchester, Liverpool, Newcastle,
Leeds, Sheffield, Hull, Glasgow, Belfast, Birmingham, Coventry,
Bristol: at various points in the past these cities have all had
distinctive and highly identifiable sounds. But how did this
happen? What circumstances enabled those sounds to emerge? How did
each particular city - its history, its physical form, its accent -
influence its music? How were these cities and their music
different from each other? And what did they have in common? Hit
Factories tells the story of British pop through the cities that
shaped it, tracking down the places where music was performed,
recorded and sold, and the people - the performers, entrepreneurs,
songwriters, producers and fans - who made it all happen. From the
venues and recording studios that occupied disused cinemas,
churches and abandoned factories to the terraced houses and back
rooms of pubs where bands first rehearsed, the terrain of British
pop can be retraced with a map in hand and a head filled with music
and its many myths.
Factory Records' fame and fortune were based on two bands - Joy
Division and New Order - and one personality - that of its
director, Tony Wilson. At the height of the label's success in the
late 1980s, it ran its own club, the legendary Hacienda, had a
string of international hit records, and was admired and emulated
around the world. But by the 1990s the story had changed. The back
catalogue was sold off, top bands New Order and Happy Mondays were
in disarray, and the Hacienda was shut down by the police.
Critically acclaimed on its original publication in 1996, this book
tells the complete story of Factory Records' spectacular history,
from the label's birth in 1970s Manchester, through its '80s heyday
and '90s demise. Now updated to include new material on the
re-emergence of Joy Division, the death of Tony Wilson and the
legacy of Factory Records, it draws on exclusive interviews with
the major players to give a fascinating insight into the unique
personalities and chaotic reality behind one of the UK's most
influential and successful independent record labels.
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