Read the story of how successful music entrepreneur Kristin K. Yost set herself up for financial success her first year out of graduate school, as a piano teacher.

Joe Longthorne is one of the UK's leading live entertainers, and an icon of his era. In the golden days of Joe's career, he was one of television's highest paid performers, attracting audiences of over 12 million courtesy of his amazing voice and impressions of singers such as Shirley Bassey, Tom Jones and Frank Sinatra. He has countless gold and platinum albums to his name, has appeared on the Royal Variety Show and sells out iconic venues the world over, including the Palladium, Royal Albert Hall, Sydney Opera House and Drury Lane Chicago. However, tragedy and trauma have haunted the Hull-born singer and he tells his life story in his own words in this wonderful book. From his childhood in the travelling community and singing on the streets for money to the colourful rock and roll lifestyle of sex, drugs, bankruptcy, court appearances and the bizarre, hilarious stories which worldwide touring produces. But Joe's toughest times have been found in his repeated battles with cancer, having fought off the illness multiple times over the last three decades, most recently in the summer of 2014 when Joe beat throat cancer - and began singing again hours after his life-saving operation!This is the true story of one of Britain's most iconic entertainers, a man who has never flinched from doing what he was born for - performing. In a book which for critics and fans have been united in praise, Joe Longthorne lays bare his incredible life in this, his official autobiography.

Building and maintaining a working band, cover or otherwise, is a lot of work. A ton of work. A ton of hard work. You aren't only required to be a good musician and performer, but a salesperson, a marketer, a promoter, a customer service representative, and more. It isn't always the rock star life you dreamed about. Whether playing music in a cover band is a hobby, something you would like to turn into more than just a hobby or something you are trying to make a full-time career out of, this book is for you. In (Not) Just a Bar Band, I cover branding, the difference between marketing and promotion, social media, your online presence and more. You bring the music, I bring the rest

The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century. This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne. The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert. The arena concert becomes the "real time" centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space. The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century. This volume finds out why.

You have your sound polished. You have a sweet website. You're ready to get your music reviewed. Now what? How do you do it? Artist Etiquette 101: Sure Fire Ways To Get A Positive Response From Labels, Radio and Press answers that question. Written by Founder/CEO of Hip Rock Magazine, Daniel C. Morrison you get: Do's and Don'ts when sending messages to media A mental exercise technique to get your mind ready Examples of common mistakes made by artists starting out A template you can actually use TODAY and much more With Reviews by Labels and Publicists working for Avril Lavigne, Hinder, Guns N Roses, Metallica, Linkin Park and more you owe it to yourself to see exactly what Daniel C. Morrison has to say to you A few of the many positive reviews... "The content is great and highly informative " - David Wimble - Founder of The Indie Bible (www.theindiebible.com) "Daniel Morrison's Artist Etiquette 101 is a great tool for up-and-coming bands looking for media and industry exposure. Daniel makes some great points about keys to presenting a band in a positive light." -Kristine Ashton-Magnuson/Ashton-Magnuson Media (Rocklahoma event, ShipRocked event, Steve Vai's Vai Academy Song Evolution Camp) "We like working with good people." - Kim Estlund, BWR Public Relations Evanescence, Linkin Park, Hinder, Avril Lavigne] "It was so great to work on this event and to get to work with so many great media folks like you." - Morrella S. Raleigh, Director of Marketing - Nederlander Entertainment "I appreciate everything you're doing." - Harold Gutierrez, Machine Shop Marketing Linkin Park, Korn, Papa Roach]

New Edition Completely Updated and Expanded This book takes the mystery out of the NEW music business The music industry has changed dramatically in the last five years. You need the "latest" information on how the music industry is set up, and you need legal information that is current, accurate, and targeted to independent record labels and musicians-whether you're an experienced performer or just starting out.

Music industry veteran Christopher Knab's honest, no-nonsense information empowers you to sell, promote, publicize, and perform your music. Learn how to work with industry professionals, prepare a career plan and publicity campaign, connect with your fanbase, grab the attention of distributors, get radio airplay, negotiate offers for live performances, and create a demand for your music with traditional methods and social networking strategies.

Entertainment law attorney Bartley F. Day's straight-to-the-point legal chapters include Making Sense of Music Industry Contracts, Recording a Cover Version, Trademarking Band Names, Insider Tips for Hiring a Music Attorney, Filing Copyright Applications, Recording Contract Advances and Royalty Rates, and a new chapter on the controversial 360 Deals now offered by many record labels.

This edition is filled with brand new topics like Radio's Reasons Not to Play a Record, and updated favorites like, Ten Reasons Why Musicians Fail (and How Not To), and Con Jobs: Watch Out for the Flim-Flam Man. There's a sample Four Front Music Marketing Plan, a Distributor One-Sheet, a Band Tour and Work Schedule, a Band Bio, and much, much more.

At 343 pages, this edition is over 70 pages longer than the 3rd edition. Newly revised, illustrated, and indexed, the 4th edition of "Music Is Your Business" is the essential book for independent musicians and record labels, and is used as a college and university textbook.