After being in the eye of the media for years and teaching at the Kingdom Music Festival for several years, the Lord dropped in my spirit to put together a book that outlines the information and impartations that I have received over the years. I have ministered to wide-eyed individuals for years on the subject of the media promoting your ministry gifts. There is a way to promote your gift without the added pressure of subjecting yourself to the pains and stains of a sometimes godless media system. You can take your gift to the nations without whoring yourself to the nations. As Kingdom builders and agents of change, we can access the seven cultural mountains and bring about a paradigm shift that sets the world on its face and on fire for the King of Kings. I believe that we can be IN the world and not OF the world. Follow God's plan for success in your ministry, business and life. Success comes knocking on the doors of those who are prepared and equipped to open the door. Are you ready?

The Master Key is a book for the indie artist/record company in this digital age, who's trying to become successful and who would like to maximize there dollars of there efforts.This book also has some inspirational words for the mind and soul through biblical scripters.

For years, up-and-coming musicians have wondered the secret to "making it." Finally, there is a book that provides answers to those questions, straight from the source: successful artists themselves. In Making It, successful artists are asked the same question: How did you go from wanting a career as a musician to having one? Featured artists are Jerry DePizzo (O.A.R.), Joe Pisapia (Guster), Dave Barnes, Gabe Dixon, Five Times August, Chris Trapper (The Push Stars), Derek Webb (Caedmon's Call), Marti Dodson (Saving Jane), Griffin House, Johnny Lee, and Erin McCarley. Reading this book will allow you to take control of your career by getting good advice from people who have been there.

The Arena Concert: Music, Media and Mass Entertainment is the first sustained engagement with what might said to be - in its melding of concert and gathering, in its evolving relationship with digital and social media, in its delivery of event, experience, technology and star - the art form of the 21st century. This volume offers interviews with key designers, discussions of the practicalities of mounting arena concerts, mixing and performing live to a mass audience, recollections of the giants of late twentieth century music in performance, and critiques of latter-day pretenders to the throne. The authors track the evolution of the arena concert, consider design and architecture, celebrity and fashion, and turn to feminism, ethnographic research, and ideas of humour, liveness and authenticity, in order to explore and frame the arena concert. The arena concert becomes the "real time" centre of a global digital network, and the gig-goer pays not only for an immersion in (and, indeed, role in) its spectacular nature, but also for a close encounter with the performers, in this contained and exalted space. The spectacular nature of the arena concert raises challenges that have yet to be fully technologically overcome, and has given rise to a reinvention of what live music actually means. Love it or loathe it, the arena concert is a major presence in the cultural landscape of the 21st century. This volume finds out why.