The music industry is one of the most dynamic and fascinating business sectors. Its business model has had to evolve and adapt to continually changing technologies that impact at every level from distribution to artist management. Its latest challenge has been the closure of live music venues during the Covid-19 pandemic. The second edition of this much used introduction to the economic workings of the music business has been updated to include analysis of the impact of the pandemic as well as new trends in the industry, such as the increasing dominance of tech companies and big data and the growing importance of collective management organizations as market players, which has impacted on new business contracts. At a time when live performance outstrips music sales as the primary source of income for today's musicians, this new edition also examines how different stakeholder positions have shifted. The book remains a rigorous presentation of the industry's business model, the core sectors of publishing, recording and live music, and the complex myriad of licensing and copyright arrangements that underpin the industry. The revenue streams of recording companies are analysed alongside the income stream of artists to show how changing formats and distribution platforms impact both industry profit margins and artists' earnings.

Illusions of Happiness picks up the story as John recovers from his injuries and returns to performing and recording. On this often turbulent journey back, he is heckled by The Sex Pistols, negotiates a tricky Criminal Injuries Compensation case, has his portrait hung in The National Portrait Gallery and makes a series of singles with Trevor Horn (Frankie Goes To Hollywood) and Steve Levine (Culture Club), along the way being briefly managed by Tom Watkins (Pet Shop Boys, Bros) and re-signing with CBS. The flame of ambition, having been extinguished once before, briefly flickers - but life is busy making other plans. Offered the chance to move to 'the other side of the music business desk', John seizes the chance and begins a fruitful new career in A & R, "when I finally began to take hold of my own destiny". The book - and this to-be-continued story - ends in 1986; John has a new career, a new apartment and exciting new prospects. The future's looking bright. But, hovering over the horizon like a gathering storm, is the realisation that the initially ignored AIDS epidemic is a crisis which is only just beginning.

Choosing a career is one of the most important decisions we make in our lifetime. Career choice is more than working to earn a living but also an important window into how we identify and feel about ourselves. There are multiple issues involved in every career choice, particularly in the pursuit of a career in music performance. Influenced by her hybrid background in music performance, psychology, and psychoanalysis, Julie Jaffee Nagel addresses the joys and challenges of career choice in music, with a specific focus upon the classical performing musician. She addresses a wide range of pressing topics related to such a career choice at a time when jobs and income for musicians are diminishing and COVID-19 has had a monumental, long-term impact on the arts. This includes feelings of burnout, career change and redirection, the need for self-care, mental health issues related to the lack of jobs and income, and the oftentimes crippling standards of professional performing musicians. In addition, Nagel also points to potential opportunities and advocates new roles for musicians in the wake of a transformed music industry and society. Despite the numerous challenges performing musicians face in their careers, music can play a powerful role in mental life and society, helping us cope with the ravages and losses of the pandemic and other important events, and this can serve as much inspiration and reinvigorate professional musicians questioning the purpose of their career. All of these themes are developed through stories, clinical examples, anecdotes, research data, and personal reflection.

This is a fascinating inside story about one prolific songwriter's experience working for the famed Motown Records and directly with Motown's founder Berry Gordy. It is an interesting look into the actual contracts between Mr. Gordy and his talented "family" of musicians told by one of the most famous songwriters of his time. If Motown didn't grow to be the success it is today, Motown's royalty contract-work-for-hire-compensation would be fair under the circumstances. The difficulty comes when Mr. Gordy's success as a businessman exceeds every possible prediction. The FAME WITHOUT FORTUNE story begins in 1959 with Al Cleveland as a young man who makes the hard choice to leave his wife and children behind in order to chase his dreams of being a singer and a songwriter. It follows him through the trials of New York City and putting up with discrimination on the "Chitlin' Circuit." There he has an adulterous affair sending the final blow to his marriage. A short time later, he marries his second wife and Al's big break seemed to come when he signed up with Motown Records under Berry Gordy. He was writing number-one songs for stars such as Smokey Robinson and Marvin Gaye. All along his fame grew, but he was not receiving pay for them. Instead he received headaches, heartaches, excuses, and IRS raids. He left Motown and toured with famous artists, but during that time, there was little room for a black songwriter to make a living. Al had to return to Motown to stay in the business.

ELeading TonesE is a glimpse into several aspects of the musical world. There are portions devoted to Leonard Slatkin's life as a musician and conductor portraits of some of the outstanding artists with whom he has worked as well as anecdotes and stories both personal and professional. Much of the book discusses elements of the industry that are troubling and difficult during this first part of the 21st century. Auditions critics fiscal concerns and labor negotiations are all matters that today's conductors must be aware of and this book provides helpful suggested solutions. ELeading TonesE is intended not only for musicians but also for the music lover who wishes to know more about what goes into being a conductor.

In the 1960s and 1970s, becoming a rock musician was fundamentally different than playing other kinds of music. It was a learned rather than a taught skill. In On Becoming a Rock Musician, sociologist H. Stith Bennett observes what makes someone a rock musician and what persuades others to take him seriously in this role. The book explores how bands form; the backstage and onstage reality of playing in a band; how bands promote themselves and interact with audiences and music professionals like DJs; and the role of performance.

'If you look at all the people involved - Ivo, Tony Wilson, McGee, Geoff Travis, myself - nobody had a clue about running a record company, and that was the best thing about it.' Daniel Miller, Mute RecordsOne of the most tangible aftershocks of punk was its prompt to individuals: do it yourself. A generation was inspired, and often with no planning or business sense, in bedrooms, record-shop back offices and sheds, labels such as Factory, Rough Trade, Mute, Beggars Banquet, 4AD, Creation, Warp and Domino began. From humble beginnings, some of the most influential artists were allowed to thrive: Orange Juice, New Order, Depeche Mode, Happy Mondays, The Smiths, Primal Scream, My Bloody Valentine, Aphex Twin, Teenage Fanclub, The Arctic Monkeys. How Soon Is Now? is a landmark survey of the artists, the labels, and the mavericks behind them who had the vision and bloody-mindedness to turn the music world on its head.

'How to make Gospel Music work for you' is an informative and authoritative guide to gospel music in Britain today. In this engaging and readable book, Roy shows how the music, which began in the West Indian Churches started by the Windrush Generation in the 1950s and 60s, rose to become the gospel music we know and love in Britain today. Drawing on his many years' experience of working in gospel music, Roy uses his vast inside knowledge to share in a few easy steps how gospel artists can make an album, market and promote it, write the songs, get the music into churches, get it heard on radio and television and how by using social media, gospel artists can successfully grow and develop their music. Roy supports this assertion by offering a wide range of advice, no nonsense tips, and suggestions, to help gospel artists who are trying to make a success of their music. This book is for you if: you are interested in the history of Gospel music and want to know more about it; you are starting out with your music and need help; you want to know how to succeed with your music; you want to know how the UK Gospel music scene works; and, you are already a Gospel music artist but is struggling with your music. Roy Francis has been involved in Gospel music from a young age and would in the early years accompany his father, a pioneer of the Black Pentecostal movement in Britain, playing the piano at all the church services. His talent drew the attention of other church leaders and soon he was in demand to play at their services. Roy went on to become a teacher, an Award-Winning television producer, concert promoter, and consultant. He was the producer of Channel ground-breaking gospel music series, `People Get Ready', producer of BBC's `Songs of Praise' and the highly successful multi-million selling `Donnie McClurkin Live in London' concert and DVD. Today he spends his time as agent and mentor, working with leading as well as unknown gospel artists.