ELeading TonesE is a glimpse into several aspects of the musical world. There are portions devoted to Leonard Slatkin's life as a musician and conductor portraits of some of the outstanding artists with whom he has worked as well as anecdotes and stories both personal and professional. Much of the book discusses elements of the industry that are troubling and difficult during this first part of the 21st century. Auditions critics fiscal concerns and labor negotiations are all matters that today's conductors must be aware of and this book provides helpful suggested solutions. ELeading TonesE is intended not only for musicians but also for the music lover who wishes to know more about what goes into being a conductor.

In the 1960s and 1970s, becoming a rock musician was fundamentally different than playing other kinds of music. It was a learned rather than a taught skill. In On Becoming a Rock Musician, sociologist H. Stith Bennett observes what makes someone a rock musician and what persuades others to take him seriously in this role. The book explores how bands form; the backstage and onstage reality of playing in a band; how bands promote themselves and interact with audiences and music professionals like DJs; and the role of performance.

'How to make Gospel Music work for you' is an informative and authoritative guide to gospel music in Britain today. In this engaging and readable book, Roy shows how the music, which began in the West Indian Churches started by the Windrush Generation in the 1950s and 60s, rose to become the gospel music we know and love in Britain today. Drawing on his many years' experience of working in gospel music, Roy uses his vast inside knowledge to share in a few easy steps how gospel artists can make an album, market and promote it, write the songs, get the music into churches, get it heard on radio and television and how by using social media, gospel artists can successfully grow and develop their music. Roy supports this assertion by offering a wide range of advice, no nonsense tips, and suggestions, to help gospel artists who are trying to make a success of their music. This book is for you if: you are interested in the history of Gospel music and want to know more about it; you are starting out with your music and need help; you want to know how to succeed with your music; you want to know how the UK Gospel music scene works; and, you are already a Gospel music artist but is struggling with your music. Roy Francis has been involved in Gospel music from a young age and would in the early years accompany his father, a pioneer of the Black Pentecostal movement in Britain, playing the piano at all the church services. His talent drew the attention of other church leaders and soon he was in demand to play at their services. Roy went on to become a teacher, an Award-Winning television producer, concert promoter, and consultant. He was the producer of Channel ground-breaking gospel music series, `People Get Ready', producer of BBC's `Songs of Praise' and the highly successful multi-million selling `Donnie McClurkin Live in London' concert and DVD. Today he spends his time as agent and mentor, working with leading as well as unknown gospel artists.

Sam Cutler was tour manager for the Rolling Stones at some of their major gigs in the late sixties, including the infamous concert at Altamont where a man was murdered by a Hells Angel in front of the stage while the Stones played on. After the show, Sam was left behind to make peace with the Hells Angels, the various mobsters and organizations who had taken an overt interest in the event, and the people of America. There has never been an official investigation into events at Altamont and those involved have never before spoken on record. Sam Cutler has decided that it is time to put to rest the myths and legends that have grown up around this infamous event in rock history and for the first time reveal the truth. Sam survived Altamont and went on to live the ultimate rock and roll dream. This is also his own account of the high ol' times he had managing tours for San Francisco band the Grateful Dead -- who went on to become the world's most successful live act. Along the way Sam draws intimate portraits of other stars of the psychedelic circus that was the music industry in the sixties and seventies, including Janis Joplin, Jimi Hendrix, The Band, the Allman Brothers, Pink Floyd, and Eric Clapton. This is an exhilarating, all-areas-access rock memoir from someone who has seen -- and done -- it all.

What 'live music' means for one generation or culture does not necessarily mean 'live' for another. This book examines how changes in economy, culture and technology pertaining to post-digital times affect production, performance and reception of live music. Considering established examples of live music, such as music festivals, alongside practices influenced by developments in technology, including live streaming and holograms, the book examines whether new forms stand the test of 'live authenticity' for their audiences. It also speculates how live music might develop in the future, its relationship to recorded music and mediated performance and how business is conducted in the popular music industry.