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Books > Children's & Educational > The arts > Music
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Musical Tales
(Paperback)
Alice Cotton; Illustrated by Alice Cotton
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R333
R308
Discovery Miles 3 080
Save R25 (8%)
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Ships in 18 - 22 working days
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The music industry is a fast moving field with new technology and
methodological advances combining to catalyse innovations all the
time. 'Innovation in Music 2013' was an international conference
exploring this topic, held in December 2013 in York, UK. The event
covered specific and cross-disciplinary aspects of the music
industry including music creation, technology, production and
business, sound engineering, mastering, post production and sound
design, games music and cross-disciplinary themes. This volume
contains a technical keynote speech delivered by former Metropolis
Studios Mastering Engineer and now Technical Manager at Guilde
Productions, Crispin Murray, accompanied by 20 articles developed
from presentations delivered at the conference and peer reviewed.
Read this book to get an excellent overview of the latest
leading-edge developments occurring in the music industry.
Abraham Lincoln's faithful dog, Fido, witnesses history from 1858,
the year of the famous "A House Divided" speech, through the Civil
War, and the assassination of Lincoln.
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Weber's the Marksman
(Paperback)
Joomi Park; Edited by Joy Cowley; Illustrated by Aljoscha Blau
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R293
R214
Discovery Miles 2 140
Save R79 (27%)
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Ships in 9 - 17 working days
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TILINA tells the successful story of the humble and poor farm
labourer Robert Clarke and his musical invention in the year of
1843. The Clarke Tinwhistle has conquered the world for more than
170 years with its unique flute-like chiffy tone and plays lots of
different musical styles these days. Enjoy the journey into the
fascinating inspiration of the Clarke Tinwhistle
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Puccini's Turandot
(Paperback)
Hye-Sook Uhm; Edited by Joy Cowley; Illustrated by Miriam Miras
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R293
R268
Discovery Miles 2 680
Save R25 (9%)
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Ships in 9 - 17 working days
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Gary Barlow is a national treasure! A member of the group Take
That, as well as a solo artist, Gary is one of the biggest names on
the music scene today. He is known for his amazing musical talent,
his appearance on The X Factor, and much more. Find out about the
man behind the microphone; what inspires Gary, where he grew up,
his interests, and his work in activism and philanthropy. Readers
get a great close-up view of Gary - from his early days with Take
That - with interesting facts, fun trivia and quotes. Have a go at
the Gary Barlow quiz, find out about his famous friends, and what
he likes to do in his spare time. A fantastic resources for
biography based project work; full glossary and index included.
Each title in the Real-life Stories series looks at a celebrity who
is at the top of their game and the height of their career. We take
a look at how they got to where they are today, what their daily
life is like and where they are going next.
The National Singing Programme Sing Up was officially launched in
November 2007 and a team from the Institute of Education,
University of London were appointed early that academic term to
undertake a research evaluation of key elements of the Programme.
One key component of the UK Government's National Singing Programme
Sing Up (produced by Youth Music in partnership with Abbot Mead
Vickers, Faber Music and The Sage Gateshead) is to ensure that
children's singing development is fostered by adults who have
appropriate musical knowledge, skills and understanding. Its stated
role is to: 'deliver inclusive, learner-centred training for
leaders singing with primary-age children in 60 target areas across
England from September 2007 to March 2011, and each project runs
for two years.' The workforce development - embracing 'Vocal Force'
- draws on principles developed through 'Vocal Union', part of the
Sage Gateshead's 'Access to Excellence Music Manifesto Pathfinder
Programme'. Vocal Force is working in collaboration with existing
schemes, projects, organisations and individuals across England as
part of Sing Up. The Institute of Education, University of London
agreed to undertake an external evaluation of a significant number
of workforce development participants that was complimentary to,
but separate from, the Sage Gateshead's own internal evaluation
processes.
Pianist Madeleine Forte's story is one of obstacles and successes,
of extraordinary talent, and of a long and fascinating life of
international study and performance. Born in Vichy-controlled
French Algeria during World War II, she began learning to play the
piano at an early age and was soon performing publicly. She made
her debut in Vichy at thirteen while studying with Alfred Cortot
and Wilhelm Kempff. As a young woman, she went to boarding school
in Algiers and Paris, continuing her musical studies. She married
young, and the marriage fell apart not long after the birth of her
first son, Yann. As she continued to travel, studying and
performing, she struggled to establish herself as a professional
artist. She studied with Rosina Lhevinne and Martin Canin in New
York, married again, and became a professor of music at Boise State
University. Her second marriage brought another son, Olen, and
lasted fourteen years. After her second divorce, she moved to
Connecticut, where she met Allen Forte, her third husband. They
collaborated on several artistic projects and performed all over
the world. This memoir tells the story of how a little girl with a
big talent overcame myriad challenges and found the courage to
achieve artistic success and personal happiness. Praise for
Madeleine Forte's Performances and Recordings "At a time when
national styles have all but dissolved into a generalized
international goulash, Forte's gorgeous tone and sensuous line
evoke classic French pianism ... her Maurice Ravel holds its own
against interpretations by many of her more celebrated peers, from
the chaste simplicity of the Sonatine to the virtuosic 'Gaspard de
la Nuit, ' in which no prisoners are taken and no notes are
dropped." "-The New Yorker" "Madeleine Forte is another master of
the French School ... She plays Debussy in a manner that would do
her old master Cortot proud, with a clear-eyed vigor, pearlescent
tone, and attention to detail that does not belie the emotional
content of the music but only makes it more coherent." "-Fanfare"
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