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Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles
(Guitar Method). The Hal Leonard Guitar Method is designed for
anyone just learning to play acoustic or electric guitar. It is
based on years of teaching guitar students of all ages, and it also
reflects some of the best guitar teaching ideas from around the
world. Book 1 includes tuning; playing position; musical symbols;
notes in first position; C, G, G7, D, D7, A7, and Em chords;
rhythms through eighth notes; strumming and picking; over 80 great
songs, riffs, and examples.
Developed to increase the speed and ease of getting around the
drumset using rudiments as the foundation. The cross sticking and
drum-to-drum patterns used in this book will increase the student's
coordination skills, familiarity of the drumset, and soloing
vocabulary. An exceptional way to incorporate rudiments into the
drumset performer's practice routine.
In the 21st Century, the guitar, as both a material object and tool
for artistic expression, continues to be reimagined and reinvented.
From simple adaptations or modifications made by performers
themselves, to custom-made instruments commissioned to fulfil
specific functions, to the mass production of new lines of
commercially available instruments, the extant and emergent forms
of this much-loved musical instrument vary perhaps more than ever
before. As guitars sporting multiple necks, a greater number of
strings, and additional frets become increasingly common, so too do
those with reduced registers, fewer strings, and fretless
fingerboards. Furthermore, as we approach the mark of the first
quarter-century, the role of technology in relation to the guitar's
protean nature is proving key, from the use of external effects
units to synergies with computers and AR headsets. Such
wide-ranging evolutions and augmentations of the guitar reflect the
advancing creative and expressive needs of the modern guitarist and
offer myriad new affordances. 21st Century Guitar examines the
diverse physical manifestations of the guitar across the modern
performative landscape through a series of essays and interviews.
Academics, performers and dual-practitioners provide significant
insights into the rich array of guitar-based performance practices
emerging and thriving in this century, inviting a reassessment of
the guitar's identity, physicality and sound-creating
possibilities.
Steve Beresford's polymathic activities have formed a prism for the
UK improv scene since the 1970s. He is internationally known as a
free improviser on piano, toy piano and electronics, composer for
film and TV, and raconteur and Dadaist visionary. His résumé is
filled with collaborations with hundreds of musicians and other
artists, including such leading improvisers as Derek Bailey, Evan
Parker and John Zorn, and he has given performances of works by
John Cage and Christian Marclay. In this book, Beresford is heard
in his own words through first-hand interviews with the author.
Beresford provides compelling insight into an extensive range of
topics, displaying the broad cultural context in which music is
embedded. The volume combines chronological and thematic chapters,
with topics covering improvisation and composition in jazz and free
music; the connections between art, entertainment and popular
culture; the audience for free improvisation; writing music for
films; recording improvised music in the studio; and teaching
improvisation. It places Beresford in the context of improvised and
related musics – jazz, free jazz, free improvisation – in which
there is growing interest. The linear narrative is broken up by
'interventions' or short pieces by collaborators and commentators.
A book that clearly explains the principles of jazz soloing.
Logically organized, with hundreds of musical examples, this method
is the result of many years of Ted's teaching and research.
Teach yourself the essential piano chords plus many more! Organized
as a chord per spread, for the left and right hands, this is a
handy, comprehensive reference for jazz, pop, rock and soul
musicians playing the piano or keyboard at any level. This
no-nonsense, easy to carry, wiro book will fit on a stand and into
a music bag or hand bag with the minimum of fuss. Revised and
updated version, replaces ISBN-13 9781844517152
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