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Books > Arts & Architecture > Music > Musical instruments & instrumental ensembles
Titles: Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki)
* French Folk Song (Folk Song) * Lightly Row (Folk Song) * Song of
the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come,
Little Children (Folk Song) * May Song (Folk Song) * Allegro
(Shinichi Suzuki) * Perpetual Motion in D Major (Shinichi Suzuki) *
Perpetual Motion in G Major (Shinichi Suzuki) * Long, Long Ago
(T.H. Bayly) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi
Suzuki) * Rigadoon (H. Purcell) * Etude (Shinichi Suzuki) * The
Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann)
* Minuet in C, No. 11 in G Major from Notebook for Anna Magdalena
Bach, BWV 841 (J.S. Bach) * Minuet No. 2 from Minuet in G Major,
BWV 116 (J.S. Bach).
This title is available in SmartMusic.
These easy-to-read, progressive exercises by Joanne Martin develop
a student's reading skills one stage at a time, with many
repetitions at each stage. I Can Read Music is designed as a first
note-reading book for students of string instruments who have
learned to play using an aural approach such as the Suzuki
MethodA(R), or for traditionally taught students who need extra
note reading practice. Its presentation of new ideas is clear
enough that it can be used daily at home by quite young children
and their parents, with the teacher checking progress every week or
two.
Peter Beaven's tale leads us through the pitfalls and triumphs of a
career in choir directing and church music, orchestral conducting,
and professional singing in choirs and stage works. His teaching
experiences are just as hair-raising as his performing life. Being
there at the inception of the GCSE music exam, as a teacher, he
felt it wasn't an improvement on the previous exam and became
disenchanted with education, in general, and music education in
particular. The author maintains that he failed every exam he ever
sat, adding much weight to his argument, but also admits to a
modicum of success along the way. Despite earlier difficulties with
a genetic neuropathy, he conquered the disabilities to regain an
organ technique at the age of fifteen, which has served him well
for over fifty years. His adventures with the military have been a
twenty-year expedition through extraordinary happenings,
personalities, and experiences. All worthwhile but in marked
contrast to many other facets of his career.
A faster-paced, combined version of Levels 2 and 3. Perfect for
students who are progressing rapidly through the Complete Level 1
Lesson Book and who wish to continue at the same accelerated pace.
Sound Innovations for Concert Band, Book 2 continues your student's
musical journey by teaching with segmented presentation of new
concepts and introducing ensemble playing. Isolating concepts and
teaching them individually helps facilitate understanding of the
more advanced material. Following the unique Sound Innovations
organization, the book contains four levels, each of which are
divided into several sections that introduce concepts separately
and provide plenty of practice and performance opportunities to
reinforce each lesson. Visit www.alfred.com/soundinnovations for
more information.
"Sound Innovations by Alfred Publishing is a dream-come-true method
for beginning concert band and string orchestra. Its infusion of
technology provides an open-ended architecture of the first order.
This unique blend of time-tested strategies and technology offer a
great foundation for a successful learning experience."
?John Kuzmich, Jr., BandDirector.com
The Music Tree series continues the development of complete
musicianship by providing the beginner with delightful and varied
repertoire. The pupil learns a variety of idioms encompassing folk,
jazz and pop. The creativity of the students is emphasized since
they are given musical segments to rearrange, transpose, complete
or to use as the basis for a new composition. Technical aspects are
also addressed including greater facility, blocked intervals and
chords, and more hands together playing. Guided training steps are
used to encourage intelligent practice skills.
Strings teaching and learning has tended to emphasize performance
rather than the quality of experience for the children. School
instruction has become rigid and focused on technical accuracy.
Alternative teaching strategies must be pursued in order to provide
a challenging yet enjoyable experience of playing and learning the
bowed string instruments for students. Applying Flow Theory to
Strings Education in P-12 and Community Schools: Emerging Research
and Opportunities offers a comprehensive reference for string
teachers and learners of the instruments in P-12 and community
schools to understand the conceptual framework of flow theory-based
strings pedagogy. This book addresses critical issues to facilitate
children's musical flow and the elements required to construct the
pedagogy. Featuring a range of topics such as alternative
assessment, musical pedagogy, and teacher training, this book is
essential for music teachers, band directors, instructional
designers, academicians, educational professionals, administrators,
researchers, and students.
This book contains all the scales and arpeggios required for
ABRSM's Grade 5 Piano exam. It covers all the new requirements from
2021.
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