Designed for the Christian student, this course incorporates the appealing music and activities from Alfred's All-in-One Course with lyrics and illustrations that reflect spiritual and inspirational themes. Students will be exposed to Christian values and principles as well as Biblical lessons while learning basic musicianship skills.

Now you can have over 100 of the most useful chords right at your fingertips. This chart gives you all the basic chords in every key. Each chord is shown in standard music notation and as an easy-to-read piano keyboard diagram. Fingerings are given for each chord. Also included is a clear description of inverting chords.

No pianist can experience the full flowering of her art without eventually grappling with those great musical minds who composed specifically for piano. In The Pianist's Craft, Richard Anderson collects from his fellow pianist-scholars 19 articles on the teaching, preparation, and performance of works by the greatest composers in the standard piano repertoire. This collection ranges in subject matter from Inge Rosar's meditation on playing Bach on the modern keyboard to Gary Amato's assessment of Haydn's sonatas, from Christie Skousen's review of tone production in Chopin to GwenolynMok's foray into recreating Ravel's works on an Erard piano, the same used by Ravel himself. Readers will find essays as well on Mozart's piano compositions, Beethoven's sonatas, the influence of Schubert's lieder on his piano works, and works by Schumann, Liszt, Brahms, Debussy, Rachmaninoff, Scriabin, Prokofiev, Shostakovich, Bartok, Gershwin, and Crumb. The contributors all recognized nationally and internationally for their contributions as performing artists, teachers, recording artists, and clinicians write thoughtfully about the composers whose work they have studied and played for years. Each author addresses issues unique to the individual composer they have chosen to explore, examining questions of phrasing, tempo, articulation, dynamics, rhythm, color, gesture, lyricism, instrumentation, and genre. Valuable insight is provided into teaching, performing, and preparing these great works. In The Pianist's Craft these great artists and teachers answer questions for readers that are otherwise only addressed in conferences, master classes, and private lessons. In this collection of essays, key points of information and instruction are offered with over 200 musical examples included as illustration. The Pianist's Craft is intended for teachers and students of the intermediate and advanced levels of piano, instructors and performers at the university level, and those who love piano and piano music generally.

(Essential Elements for Strings). (Essential Elements for Strings and Essential Elements Interactive are fully compatible with Essential Elements 2000 for Strings) Essential Elements for Strings offers beginning students sound pedagogy and engaging music, all carefully paced to successfully start young players on their musical journey. EE features both familiar songs and specially designed exercises, created and arranged for the classroom in a unison-learning environment, as well as instrument-specific exercises to focus each student on the unique characteristics of their own instrument. EE provides both teachers and students with a wealth of materials to develop total musicianship, even at the beginning stages. Books 1 and 2 also include access to Essential Elements Interactive (EEi), the ultimate online music education resource - anywhere, anytime, and on any device. Go to www.essentialelementsinteractive.com to learn more Method features: * Enhanced Starting System * Optimum Reinforced Learning * Pacing * Theory, History, Cross-Curriculum & Creativity * Performance Spotlights Book also includes My EE Library * (www.myeelibrary.com) - Instant Stream/Download/CD-ROM* * Start-up video Learn the basics * Play-along mp3 tracks for all exercises Features a professional orchestra * Duets and trios Print and play parts with friends * Music listening library Hear great pieces for orchestra * Internet access required for My EE Library (book includes instructions to order free opt. CD-ROM)

This easy step-by-step method emphasizes correct playing habits and note reading through interval recognition. Lesson Book Level 1A begins by teaching basic keyboard topography and fluent recognition of white key names in relation to black keys. It focuses on simple rhythms and prepares students for intervallic reading with entertaining songs that focus on "same," "stepping up" and "stepping down." It then introduces lines and space notes in treble and bass clefs, melodic and harmonic intervals of 2nds, 3rds, 4ths and 5ths, and graduates to reading on the grand staff. It also introduces the flat and sharp signs. This course is most effective when used under the direction of a piano teacher or experienced musician.

This songbook contains every song recorded by The Smiths specially arranged in the original keys. Each song includes chord symbols, guitar chord boxes and complete lyrics.

Few now remember that the guitar was popular in England during the age of Queen Elizabeth and Shakespeare, and yet it was played everywhere from the royal court to the common tavern. This groundbreaking book, the first entirely devoted to the renaissance guitar in England, deploys new literary and archival material, together with depictions in contemporary art, to explore the social and musical world of the four-course guitar among courtiers, government servants and gentlemen. Christopher Page reconstructs the trade in imported guitars coming to the wharves of London, and pieces together the printed tutor for the instrument (probably of 1569) which ranks as the only method book for the guitar to survive from the sixteenth century. Two chapters discuss the remains of music for the instrument in tablature, both the instrumental repertoire and the traditions of accompanied song, which must often be assembled from scattered fragments of information.

(Guitar Method). The Hal Leonard Guitar Method is designed for anyone just learning to play acoustic or electric guitar. It is based on years of teaching guitar students of all ages, and it also reflects some of the best guitar teaching ideas from around the world. Book 1 includes tuning; playing position; musical symbols; notes in first position; C, G, G7, D, D7, A7, and Em chords; rhythms through eighth notes; strumming and picking; over 80 great songs, riffs, and examples.

Few works in the nineteenth-century repertoire have aroused such extremes of hostility and admiration, or have generated so many scholarly problems, as Anton Bruckner's symphonies. In this 2004 book, Julian Horton seeks fresh ways of understanding the symphonies and the problems they have accrued by treating them as the focus for a variety of inter-disciplinary debates and methodological controversies. He isolates problematic areas in the works' analysis and reception, and approaches them from a range of analytical, historical, philosophical, literary, critical and psychoanalytical viewpoints. The symphonies are thus explored in the context of a number of crucial and sometimes provocative themes, including the political circumstances of the works' production, Bruckner and post-war musical analysis, issues of musical influence, the problem of editions, Bruckner and psychobiography, and the composer's controversial relationship to the Nazis.

This book deals with all the well-know piano, violin, and cello concertos and is illustrated with a wealth of musical examples.

(Book). Here's your complete guide to using MIDI synthesizers, samplers, soundcards, sequencers, computers and more The MIDI Companion shows how a MIDI system or systems for a wide range of situations can be assembled quickly, easily and trouble-free. Describes how to synchronize MIDI sequencers, drum machines, multitrack equipment, SMPTE-based equipment, and other MIDI instruments. Describes each and every MIDI code and the techniques used in transmitting these codes between various MIDI devices. Explains how to get the most out of any musical situation that calls for the use of synthesizers and electronic musical instruments. This totally new edition includes more information on the actual applications and musical uses for MIDI. A complete chapter devoted to General MIDI, plus the charts for GM sounds. Two additional new chapters on The MIDI Studio and MIDI And The Personal Computer. New diagrams, updated diagrams, new graphics. Profusely illustrated with pictures, photographs and diagrams, and also includes a detailed glossary.

Concise but thorough profiles of symphony orchestras outside the US make this and its companion volume ("Symphony Orchestras of the United StateS") indispensable for music libraries and many general public libraries as well. . . . Using the widely scattered literature on the subject, orchestral archives, and his own questionnaire, Craven profides information on each organization's history, seasonal activities, administrative structure, cultural impact, recordings, music directors, books and articles written about it, address, and telephone number. . . . Highly recommended for academic and general collections. "Choice"

Robert Craven's new book together with his recent work on orchestras of the United States are the first to focus on the major symphonic groups. Designed as a resource for music lovers and collectors as well as those more directly connected with the music world, this reference guide provides profiles of 118 orchestras based in 42 countries. Entries are included on the leading symphonies of Britain and Europe and newer organizations that have achieved prominence in Latin America and Asia. Musicians, musicologists, critics, music historians, and other experts have contributed their rich and diversified musical knowledge to the individual essays, which range from 750 to 3,000 words in length.

This guide, written by one of the foremost interpreters of early clarinet music, is intended for all clarinetists with a desire to investigate music of earlier periods. It contains practical help on both the acquisition and playing of historical clarinets, while performers on modern instruments will find much advice on style, approach and techniques, which combine to make up a well-grounded, period interpretation. Most importantly, case studies that include the music of Handel, Mozart and Brahms help recreate performances as close as possible to the composer's original intention.

A Pianist's Dictionary is an exploration of the world of the classical pianist and piano professor. The author deconstructs the many familiar words that help describe these worlds as well as their practitioners. Based upon a lifetime of experience as an active concert artist and college professor, this book will resonate with both past and current students of the piano and with music lovers with even a passing interest in these worlds. Written in an accessible style, A Pianist's Dictionary covers the piano world from accompanist to tone and voicing, and helps the reader understand the mysteries of practicing and the challenges of how to find a suitable piano teacher. Filled with amusing anecdotes and observations, this book is a welcome addition to the literature about pianos and pianists.

This easy step-by-step method emphasizes correct playing habits and note reading through interval recognition. Level 6 concepts include: a review of major and minor triads; diminished and augmented triads; the diminished seventh chord; a special style of pedaling; the key of F sharp Minor; the E Major scale; the key of C sharp minor; the A flat Major scale; thirty-second notes; and dotted sixteenth notes. This book also contains an important daily scale routine and a dictionary of musical terms. For reinforcement of each principle as it is introduced, supplementary material is carefully coordinated, page for page, at each level of instruction. Correlated supplemental books for Level 6 include: Ear Training * Recital * Theory and Top Hits! Solo.

Providing essential tools to transform college piano students into professional piano teachers, Courtney Crappell's Teaching Piano Pedagogy helps teachers develop pedagogy course curricula, design and facilitate practicum-teaching experiences, and guide research projects in piano pedagogy. The book grounds the reader in the history of the domain, investigates course materials, and explores unique methods to introduce students to course concepts and help them put those concepts into practice. To facilitate easy integration into the curriculum, Crappell provides example classroom exercises and assignments throughout the text, which are designed to help students understand and practice the related topics and skills. Teaching Piano Pedagogy is not simply a book about teaching piano-it is a book about how piano students learn to teach.

"Because many readers may simply wish to browse the book or enjoy individual profiles, the volume may be useful in a variety of libraries serving both general users and researchers." Reference Books Bulletin

With its depth of coverage and international scope this first-of-its-kind volume contains a comprehensive collection of information on recordings (LPs, CDs, or Cassettes) in which percussion instruments are featured as solo instruments or as part of chamber ensembles, with the best of the literature and performers worldwide. Percussion Discography includes information about the composer of a particular work, the composition's title, the record company that issued the recording, the number of the recording, and the performer(s) on each recording. For example, at the entry for Paul Creston's widely known work Concertino for Marimba four separate recordings are cited. The discographic listings that deal entirely with music for which a written score is available as opposed to improvisational music are organized alphabetically by composer last name and within each composer's output by the title of the composition. Each compositional entry is followed by the record company and the catalog number. When possible, the performer's name is listed at the end of each entry. Indexes of performers and composition titles facilitate cross referencing and the directory of recording companies and distributors that have been mentioned in the discography aids those who wish to obtain an actual sound recording either through a record store or directly from the company. Containing some of the 20th century's most remarkable composers, arrangers, and performers, the volume will be useful to departments of composition at universities as a source for 20th-century compositional materials. Conservatory libraries and libraries at universities and colleges with music programs need the solid, in-depth coverage of the recorded percussion repertoire presented here. Performers, music educators, and students will find it an indispensable guide for expanding their knowledge of percussion literature.