The romantic musical comedy-drama film La La Land is the winner of six Oscars, seven Golden Globes and five BAFTAs. This artist-approved selection of 10 songs from the Oscar-winning music by Justin Hurwitz, Benj Pasek and Justin Paul has been expertly arranged for intermediate solo piano, including the Oscar winning City of Stars.

John Lenwood McLean - sugar free saxophonist from Sugar Hill, Harlem - is widely known as one of the finest, most consistent soloists in jazz history. From early in his career Jackie's powerful, unsentimental, sometimes astringent sound and inventive style made audiences and critics sit up and listen. Steeped in - but eventually moving well beyond - the influence of his mentor and friend Charlie Parker, he built an attractive, instantly recognisable musical personality. As author Derek Ansell says, his career trajectory is far from the typical jazz story of the tragic artist in which early brilliance leads to later decline. McLean's story is one of glorious triumph over the drug addiction that affected so many of his friends and might have destroyed him. Able to produce uniformly fine recordings through the darkest periods of his personal life, he saw his reputation as a musician steadily grow and became not only a living legend as an improviser but a much respected educator whose students carry on his legacy. Fortunately, McLean's discography is large and Derek Ansell is a surefooted guide through the recordings, presenting them in the context in which they were made and indicating the special gems among a vast body of recorded work that is one of jazz's greatest treasures.

This engaging work was composed in 1929 and premiered the following year by its dedicatee, the legendary Spanish cellist Pablo Casals. The five folk songs on which the work is founded are 'Salisbury Plain', 'The Long Whip', 'Low down in the broom', 'Bristol Town', and 'I've been to France'. This arrangement for solo viola and orchestra is compatible with the original orchestral accompaniment, materials for which are available on hire.

- An important and timely volume, presenting and delivering a much-needed (and inclusive) counter-narrative in the field of Community Music - Chimes with the International Society of Music Education's World 2020 Conference theme on celebrating equity and diversity in music education (including Community Music) research and practices - Appropriate and required reading for a large range of readers including (but not limited to) undergraduates, graduate students, academics, scholars, university professors, practitioners, and researchers

Set against the vivid background of 1920s Sydney, A Distant Prospect is an intimate, hilarious and ultimately deeply moving coming-of-age adventure told with a touch of poetry by a quintessentially Irish narrator.

Each piece in the Solo Books coordinates page-by-page with the Lesson Books, reinforcing newly learned concepts presented at the lesson. Includes adorable full-color illustrations that enhance each piece.

for SATB and organ or piano Chilcott's setting of St Benedict's sixth-century prayer begins with a gentle recurring figure in the keyboard, graduallly building to a rousing climax. The primarily homophonic texture allows the timeless text to shine through, while the expansive vocal writing and expressive use of harmony create a sense of awe towards the Almighty God.

(Faber Piano Adventures ). Level 3B continues to build musicianship with challenging and motivating pieces. Concepts include the octave, A minor and D minor scales (natural and harmonic minor), motive and sequence, all 12 major and minor triads, triad inversions, syncopation, and introduction to sixteenth notes. Contents include: Andante * Drummer at the Keyboard * Fiesta Espana * Gavotte * Highland Jig * House of the Rising Sun * Humoresque * Snowfall * Minuet in F * Pachelbel Canon * Phantom of the Keys * Rage Over a Lost Penny * Sea Chantey * Swing Low, Sweet Chariot * and more.

for SATB and organ This radiant anthem explores the theme of light, with luminescent harmonies, a virtuosic organ part, and soaring vocal lines. The text is by Dr Marcus Tomalin, after Dante's Paradiso, and Bednall's word painting is highly effective. A compelling climax as the singers tell of the 'pure living light shining' falls away to a powerful unaccompanied moment, before the organ picks up a motif and develops it in a majestic interlude. This is a highly rewarding anthem for performer and audience alike. Pure Living Light was recorded by The Epiphoni Consort on the CD David Bednall: Sudden Light (Delphian, DCD34189).

O Antiphon Sequence was conceived as a recital piece, although each of its individual movements would also work in a liturgical context. Each movement is a response to a short extract of liturgical text taken from the 'O Antiphons', which are the Magnificat antiphons used at Vespers during the last seven days of Advent in Western Christian traditions. The work was commissioned by the American Guild of Organists for performance at the 2018 AGO National Convention in Kansas City, Missouri.

One chanter, three drones, three regulators, thirteen keys, too many near-extinctions to mention and 300 years of heroes: that, with a frisson of fairies on moonlit knolls, is the Irish uilleann ('ill-in') pipes. The Wheels Of The World presents an epic tale of triumph and survival, where the soulful heart of a nation has been kept alive across ages by a slender thread of guardians - blind men, eccentrics, self-aggrandisers, noble heroes, bloody-minded revivalists and at least three people compared to Jimi Hendrix. Uilleann piping is Ireland's equivalent to the story of the blues in America, save that here the trail of legends and lore is richer and deeper by far. It is the sound of 18th-century blues - a microtonal virtuoso machine wielded by misfits and geniuses, often one and the same. This is the story of a continuum, from John McSherry, a 21st-century icon, backwards in time through Paddy Keenan, Liam O'Flynn, Finbar Furey, Seamus Ennis, Willie Clancy, Johnny Doran, Leo Rowsome and Patsy Touhey - at the dawn of recorded sound - and thence to find a litany of unrecorded legends before them. It is also a snapshot of professional Irish traditional musicians, after the gold rush of the late 20th century, keeping calm and carrying on.

Titles: Tonalization and Intonation Exercises (S. Suzuki) * Exercises in Octaves and Fifths (D. Preucil) * La Folia (M. Marais/arr. D. Preucil) * Allegro (G.H. Fiocco) * Suite in G Major from Suite in G Major for Violoncello, BWV 1007 (Allemande, Minuet I, Minuet II) (J.S. Bach) * Arioso, Sinfonia for Oboe, Violin, Viola, Basso Continuo, Ich Steh mit einen Fuss im Grabe, BWV 156 (J.S. Bach) * Chromatic Scale Exercises (D. Preucil) * Three-Octave Scales and Arpeggios in D Major and D Minor (D. Preucil) * Adagio and Rondo in D (Adagio, Rondo) (W.A. Mozart) * Hungarian Dance No. 5 (J. Brahms) * Position Etudes (S. Suzuki) * Country Dances (L. van Beethoven) * Concerto for Two Violins, Violin II arranged for Viola, BWV 1043 (1st Movement: Vivace) (J.S. Bach) * Concerto in C Minor (I. Allegro molto ma maestoso, II. Adagio molto espressivo) (J.C. Bach/arr. Casadesus).
This title is available in SmartMusic.

EThe Gibson 335 Guitar BookE tells the story of Gibson's ES-335 and related models as played by B.B. King Alvin Lee and Eric Clapton among other virtuosos. It's full of great guitars cool players and fascinating historical detail. The book traces the story from Gibson's first thinline models to the company's signature instruments and modern re-creations of today.THThe book is in the tradition of Tony Bacon's bestselling guitar series with a carefully researched story a gallery section of full-color pictures of the most important guitars and players and a reference section detailing production years and specifications.THThe 335 was launched in 1958. It had a double-cutaway body but the interesting features were hidden inside. A solid block in an otherwise hollow body created a new semi-solid structure cleverly combining the sonic qualities of a hollowbody guitar and a solidbody. Variants included the stereo 345 and the upscale 355 and players have lined up ever since for a taste of these attractively different flavors.THSome of those players featured in the book include Larry Carlton Dave Grohl (Foo Fighters) Peter Hayes (Black Rebel Motorcycle Club) Justin Hayward (Moody Blues) Eric Clapton Pepper Keenan (Down) B.B. King Elvin Bishop (Butterfield Blues Band) Alvin Lee (Ten Years After) Alex Lifeson (Rush) Eddie Phillips (the Creation) Johnny Marr (the Smiths) Lee Ritenour Andy Summers (the Police) Bill Nelson (Be-Bop Deluxe) and Andrew White (Kaiser Chiefs).

Music is a heavenly gift. It is one of the only gifts that transcends the barriers of language and creed. The inspirational and charismatic music of the Bahama Brass Band stirs a range of emotions from overwhelming peace and contentment to sheer bliss.

The harmonic arrangements combined in the music of the Bahama Brass Band are the culmination of many influences; the most important being our heritage and faith in Almighty God. The world famous Bahama Brass Band was organized in 1925 by four ministers of the Gospel namely; Bishop Hermis Ferguson, Bishop Alvin S. Moss, Bishop James R. Cooper, and Pastor Frank Cunningham. Today, with the combination of its Nassau and Grand Bahama segments, the membership exceeds 100.

This band plays an important role in the ministry of the Church of God of Prophecy as evidenced by its performances at local and state conventions as well as the bi-annual worldwide General Assemblies.

The late Bishop Stanley R. Ferguson, first colonial overseer prophesied that the day would come when this band would play before Kings and the Rulers of the earth. On July 10th, 1973 the prophecy was fulfilled during The Bahamas' Independence Celebrations. In attendance to witness the ministry of this band were; Prince Charles, Prince of Wales, representative for his mother Queen Elizabeth II of the United Kingdom, Sir Roland Symonette, former premier of The Bahamas, Rt. Hon. Sir Lynden Pindling, prime minister of The Bahamas, prime ministers and government representatives of St. Lucia, Jamaica, Bermuda, St. Kitts, Grenada and thirty (30) Latin American countries.

The Suzuki MethodA(R) of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Suzuki Cello School materials include: Cello Parts (Vol. 1-10) * Piano Accompaniments (Vol. 1-8) * Cassettes (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard) * Compact Discs (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard). Suzuki MethodA(R) Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.