Sun Dance is a slightly modified version of the fifth movement from the composer's Organ Dances, originally conceived for organ solo, strings, and percussion. The music is for the most part celebratory in character, its spiky rhythms driven along by the pervasive alternation of 3/8 and 4/4 metrical groupings, although the composer also has fun with 7/8 and 5/8 patterns.

Maestros in America: Conductors in the 21st Century provides short biographical and critical essays of over 100 American conductors-and conductors in America-in the twenty-first century. Roderick L. Sharpe and Jeanne Koekkoek Stierman made their selections based on three categories of persons: American-born; naturalized US citizens; and foreign conductors holding a permanent appointment in the US. In addition, all individuals included had to have been active as conductors at the start of the new millennium. These criteria allowed the authors to incorporate up-and-comers as well as those more established, offering an extensive cross-section of the upper echelons of the conducting profession focused on the present, recent past, and future. Each entry is a biographical essay containing essential facts of the conductor's life and work, as well as assessment and commentary gleaned from articles, interviews, reviews, and, in some cases, personal observation. The entries conclude with the conductor's website, a list of further reading, and selected recordings. These sketches of currently or recently practicing conductors provide insight into the state of orchestral music-making in the US as it is, has been, and may become, highlighting the efforts these conductors made to ensure its survival. Complete with two appendixes and an index, this important reference will be beneficial to music students and faculty, reference librarians, orchestral administrators, and music lovers alike.

Viola Basics is a landmark method by two of the leading figures in music education. Includes a pupil's tutor book with online audio and downloadable teacher's accompaniments, Viola Basics, providing everything you need to get playing. This book starts at absolute beginner level and progresses to Grade 1. Step-by-step technical progression is supported by fun exercises and warm-ups, alongside a wide range of imaginative repertoire, helpful fact files and rhythm boxes. Music theory and general musicianship activities help students to become well-rounded musicians.

The renaissance flute, with its rich history, stunning repertoire, and mellow tone, has attracted a significant following among flutists, whether they specialize in modern flute or historical instruments. Yet, actually delving into the study of renaissance flute has proven a challenge - there exists a confusing array of editions of renaissance music, specialized (and often expensive) facsimiles of manuscripts and early prints, and in unfamiliar notations, while at the same time there is a dearth of resources for beginners. Confronting this challenge with the first ever practitioners' handbook for renaissance flute, Kate Clark and Amanda Markwick offer flutists of all levels a clear and accessible introduction to the world and repertoire of the instrument. In The Renaissance Flute: A Contemporary Guide, Clark and Markwick cover all aspects, from practicalities such as buying and maintaining the instrument, to actual music for solo and group performance, to theory designed to improve the understanding and playing of renaissance polyphony. This approach enables students to immerse themselves at their own pace and build on their skills with each chapter. With nearly 40 full pages of exercises, and a companion website with recorded examples and filmed instructions from the authors, The Renaissance Flute provides professionals and newcomers alike a new entryway into the world and practice of renaissance music.

This volume contains valuable practice material for candidates preparing for the ABRSM Grade 2 Piano exams. The book is written in attractive and approachable styles and representative of the technical level expected in the exam.

How can the studio teacher teach a lesson so as to instill refined artistic sensibilities, ones often thought to elude language? How can the applied lesson be a form of aesthetic education? How can teaching performance be an artistic endeavor in its own right? These are some of the questions Teaching Performance attempts to answer, drawing on the author's several decades of experience as a studio teacher and music scholar. The architects of absolute music (Hanslick, Schopenhauer, and others) held that it is precisely because instrumental music lacks language and thus any overt connection to the non-musical world that it is able to expose essential elements of that world. More particularly, for these philosophers, it is the density of musical structure-the intricate interplay among purely musical elements-that allows music to capture the essences behind appearances. By analogy, the author contends that the more structurally intricate and aesthetically nuanced a pedagogical system is, the greater its ability to illuminate music and facilitate musical skills. The author terms this phenomenon relational autonomy. Eight chapters unfold a piano-pedagogical system pivoting on the principle of relational autonomy. In grounding piano pedagogy in the aesthetics of absolute music, each domain works on the other. On the one hand, Romantic aesthetics affords pedagogy a source of artistic value in its own right. On the other hand, pedagogy concretizes Romantic aesthetics, deflating its transcendental pretentions and showing the dichotomy of absolute/utilitarian to be specious.

Commissioned for the 40th birthday of the organist Paul Walton, Walton's Paean is a work of great verve, with compelling rhythms, exciting harmonies, and catchy melodies propelling the celebratory music forward. Through the boisterous excitement, legato passages emerge as the piece hurtles towards the resounding finale. There is also a little joke in the occasional references to the music of Paul Walton's namesake, William.

(Faber Piano Adventures ). Developing the ear and training the eye of the young child is a key component of the Writing Book A. Tucker, the mascot dog who loves to LISTEN, is always on the scene as the young child imitates, matches, and creates rhythmic and melodic patterns. The multi-cultural friends present improvisation and simple, guided composition activities. Blinker, the owl who loves to LOOK, helps students recognize patterns of rhythms and notes, and introduces sightreading. The Writing Book offers a holistic, musical approach to theory through discovery, creativity, imagination, and fun

In The Score, The Orchestra, and the Conductor, internationally-renowned conducting instructor Gustav Meier presents his practical approach to preparing an orchestral score for rehearsal and performance. Well-illustrated with numerous music examples, charts, figures, and tables, Meier's methods, grounded in the rich body of his collected experience as a music director and teacher of conducting students, are explained in great detail. Meier covers all aspects of conducting from experimenting without the orchestra to creating signals that produce the desired sound. The methods he describes offer specific and readily applicable advice for virtually every musical and technical decision that occurs in the important phase between when a conductor first decides upon a specific score and the first rehearsal with an orchestra. And from ear training to working with musicians to programming, he also offers his expertise on the day-to-day aspects of conducting and musical performance. The Score, The Orchestra, and the Conductor will be an indispensable and often-read contribution to the library of every music director and conducting student.

(Unlocking the Masters). From Mozart to Debussy to Olivier Messiaen, the works of 50 composers are closely examined in The Great Instrumental Works . It is a book for anyone who enjoys the lively arts of opera, drama, film, literature, and popular song and who wants to find out what is really going on in the symphonies of Mozart, the string quartets of Beethoven, the orchestral works of Debussy and Ravel, and the contemporary pieces of Olivier Messiaen and Arvo Part. The author, Father Owen Lee, is an internationally known commentator on music and the arts, and writes with a style that has been called "rich, dense, and profound" (Citizen's Weekly), "highly readable" (Choice), and "often irreverently amusing" (Opera News). With Father Lee as a guide, the intricacies of classical forms and key relationships are rendered not only intelligible but meaningful, the music itself becomes life-enhancing, and its great composers come vividly to life.

A time-honored tradition just got better! The John W. Schaum Piano Course has been newly revised with 100 percent new engravings and typesetting, color highlighting for concept emphasis, updated song titles and lyrics, and full-color illustrations.

In Rhythm Makers: The Legendary Drummers of Nashville in Their Own Words, Tony Artimisi documents through extensive interviews the work of some of the most influential drum kit players in popular music today, opening a window onto one of the most vibrant music scenes in modern American history. Telling their stories in their own words, each legendary figure walks readers through the realities of how musical opportunities arise in Nashville, how the recording process has changed over time, what it is like to drum behind some of the top artists in American music, and how one makes it as a professional drummer. Artimisi's subjects together have performed on literally thousands of recordings, from master recordings to demos, jingles to sound-alikes. Having played behind nearly everyone who passed through Nashville, from Dolly Parton and Elton John to Glen Campbell and Johnny Mathis, Eddie Bayers Jr. regales readers with stories of the many areas in the industry he worked to build his legendary career. Master drummer Jerry Kroon, whose credits include work with Ricky Skaggs, Willie Nelson, Merle Haggard and numerous others, shares his secret for maintaining good relationships with various personality types in music. Percussionist extraordinaire Tom Roady, who has recorded with Wilson Pickett, The Dixie Chicks, and Kenny Chesney-too name but a few-offers insights into what makes a drummer in his recollection of his career start. One of the most inventive instrumentalists, Kenny Malone, who has worked with Waylon Jennings, Garth Brooks, Johnny Cash and many more, discusses his own unique experiments in drumming technique in order to maintain his creative edge. Finally, Tommy Wells, whose career beginnings in Motown led him to Nashville, where he drummed for Charley Pride, The Statler Brothers, and The Charlie Daniels Band, offers a true insider's perspective offering insights into how jingle and sound-alike sessions operate, which can be a valuable part of the professional sideman's work. This work is the ideal for readers interested in the history of country music and the Nashville recording scene more generally, record and music production, popular music, and drumming as both art and profession.

Francis James Child's English and Scottish Popular Ballads, published in ten parts from 1882 to 1898, contained the texts and variants of 305 extant themes written down between the thirteenth and nineteenth centuries. Unsurpassed in its presentation of texts, this exhaustive collection devoted little attention to the ballad music, a want that was filled by Bertrand Harris Bronson in his four-volume Traditional Tunes of the Child Ballads. The present book is an abridged, one-volume edition of that work, setting forth music and text for proven examples of oral tradition, with a new comprehensive introduction. Its convenient format makes readily available to students and scholars the materials for a study of the Child ballads as they have been preserved in the British-American singing tradition.

(Faber Piano Adventures ). Book 1 covers fundamental rhythms, all the notes of the grand staff, C position, G position. Contents include: Aloha Oe * Amazing Grace * Bagpipes * Bus Stop Boogie * Camptown Races * Chant of the Monk * Chant of the Monks * Chinese Dragon * Chord Crossings * Dreamscape * Eine Kleine Nachtmusik * English Minuet * Fife and Drums * Forest Drums * French Minuet.

This new edition of The Keyed Bugle is an expansion rather than a revision of the first edition. The performance practice discussion has been extended to cater to the needs of the reader who wishes to learn the instrument. All chapters contain new information, and the chapters on Performers, Makers and Sellers have been extensively expanded. An additional chapter offers an explanation of the peculiarly distinct acoustics of keyed bugles and provides an analysis of construction styles employed by particular makers. After closely researching instruments that have been documented by the signatures of specific firms and comparing them with unmarked examples, the author enables readers to make confident observations on the nature of regional and manufacturer's styles. The new research in this area provides the groundwork for informed speculation about the origins of undocumented keyed bugles. This work puts the best of current research on the instrument into book form and provides the collector, performer, and serious music student with a clear picture of the instrument's history, repertoire, and technique.

Song List:

(Everything I Do) I Do It For You [Robin Hood: Prince Of Thieves]
Against All Odds [Take A Look At Me Now]
As Time Goes By [Casablanca]
Beyond The Sea [Finding Nemo]
Can You Feel The Love Tonight [The Lion King]
Come What May [Moulin Rouge!]
Goldfinger [Goldfinger]
Hopelessly Devoted To You [Grease]
How Deep Is Your Love [Saturday Night Fever]
I Will Always Love You [The Bodyguard]
Into The West [The Lord Of The Rings: The Return Of The King]
Live And Let Die [Live And Let Die]
Love Is All Around [Four Weddings And A Funeral] Mad World [Donnie Darko]
Moon River [Breakfast At Tiffany's]
Mrs Robinson [The Graduate]
My Heart Will Go On [Titanic]
Oh, Pretty Woman [Pretty Woman]
Raindrops Keep Falling On My Head [Butch Cassidy & The Sundance Kid]
Son Of A Preacher Man [Pulp Fiction]
Speak Softly Love [The Godfather]
Take My Breath Away [Top Gun]
Unchained Melody [Ghost]
Up Where We Belong [An Officer And A Gentleman]