(Fake Book). This collection gathers more than 300 bluegrass favorites presented in the straightforward Real Book format favored by musicians: Alabama Jubilee * Ballad of Jed Clampett * Bill Cheatham * Blue Ridge Mountain Blues * Bury Me Beneath the Willow * Dixie Hoedown * Down to the River to Pray * Foggy Mountain Top * Highway 40 Blues * How Mountain Girls Can Love * I'm Goin' Back to Old Kentucky * John Henry * Keep on the Sunny Side * The Long Black Veil * My Rose of Old Kentucky * Old Train * Pretty Polly * Rocky Top * Sally Goodin * Shady Grove * Wabash Cannonball * Wayfaring Stranger * Wildwood Flower * The Wreck of the Old '97 * and hundreds more

The movie musical that starred Bing Crosby, Danny Kaye, Rosemary Clooney and Vera-Ellen that featured the songs of Irving Berlin. A successful song-and-dance pair become romantically involved with a sister act and team up to save the failing Vermont Inn of their former commanding general.

First Published in 1997. Born in Dresden Germany, in 1748 Franz Seydelmann was an active music composer. He is principally known for his operas and church music, however he also wrote twenty-three sonatas, including seven solo harpischord sonatas, a Capriccio with variations and the Six Sonatas for Two Persons at Keyboard.

(Fake Book). A great resource for worship leaders, praise bands & singers, or anyone who loves today's praise and worship music This book includes more than 400 songs arranged for B-flat instruments many of which also include vocal harmony lines. There's a convenient index by key as well as the standard alphabetical table of contents, and a guitar chord guide. The collection is comb-bound so it stays open right where you want it to Song highlights include: Above All * Agnus Dei * Ancient of Days * As the Deer * Awesome God * Better Is One Day * Breathe * Celebrate Jesus * Come, Now Is the Time to Worship * Draw Me Close * Firm Foundation * Give Thanks * Glorify Thy Name * Great Is the Lord * He Has Made Me Glad * The Heart of Worship * Here I Am to Worship * I Could Sing of Your Love Forever * I Love You Lord * I Worship You, Almighty God * Jesus, Name Above All Names * Lord, I Lift Your Name on High * Lord, Reign in Me * Majesty * More Precious Than Silver * My Life Is in You, Lord * My Redeemer Lives * Oh Lord, You're Beautiful * Open the Eyes of My Heart * The Power of Your Love * Refiner's Fire * Shine, Jesus, Shine * Shout to the Lord * Step by Step * This Is the Day * Trading My Sorrows * We Fall Down * We Will Worship the Lamb of Glory * You Are My All in All * You Are My King (Amazing Love) * and hundreds more

A supplement to Alfred's Basic Piano Library, this series is designed for students and teachers with limited or no experience in jazz and rock music styles. Perfect for individuals and group instruction and playable on both acoustic and electronic keyboards. Each piece is performed on the accompanying cassette tapes and GM disks.

The Suzuki MethodA(R) of Talent Education is based on Dr. Shinichi Suzuki's view that every child is born with ability, and that man is the son of his environment. According to Dr. Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Suzuki Cello School materials include: Cello Parts (Vol. 1-10) * Piano Accompaniments (Vol. 1-8) * Cassettes (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard) * Compact Discs (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard). Suzuki MethodA(R) Core Materials available for piano, violin, viola, cello, string bass, flute, harp, guitar, and recorder.

Bill Snibson, a Lambeth costermonger, is revealed to be the New Earl of Hareford and his newly-discovered aristocratic relations are horrified. Bringing him to Hareford Hall, they attempt to educate Bill into the ways of the gentry and seperate him from his cockney girlfriend. This "comical cockney comedy" features an abundance of well-known "toe -tapping" songs (including "Lambeth Walk", "The Sun Has Got His Hat On" and "Leaning On A Lamppost"). This version was rewritten by Stephen Fry and Mike Ockrent and first presented at the Leicester Haymarket Theatre in 1985 with Robert Lindsay and Emma Thompson.

Viola Basics is a landmark method by two of the leading figures in music education. Includes a pupil's tutor book with online audio and downloadable teacher's accompaniments, Viola Basics, providing everything you need to get playing. This book starts at absolute beginner level and progresses to Grade 1. Step-by-step technical progression is supported by fun exercises and warm-ups, alongside a wide range of imaginative repertoire, helpful fact files and rhythm boxes. Music theory and general musicianship activities help students to become well-rounded musicians.

Vinyl: A History of the Analogue Record is the first in-depth study of the vinyl record. Richard Osborne traces the evolution of the recording format from its roots in the first sound recording experiments to its survival in the world of digital technologies. This book addresses the record's relationship with music: the analogue record was shaped by, and helped to shape, the music of the twentieth century. It also looks at the cult of vinyl records. Why are users so passionate about this format? Why has it become the subject of artworks and advertisements? Why are vinyl records still being produced? This book explores its subject using a distinctive approach: the author takes the vinyl record apart and historicizes its construction. Each chapter explores a different element: the groove, the disc shape, the label, vinyl itself, the album, the single, the b-side and the 12" single, and the sleeve. By anatomizing vinyl in this manner, the author shines new light on its impact and appeal.

This book (published in German by Bärenreiter in 1988 and now available in English translation for the first time) is a comprehensive guide to the genesis, transmission, structure, meaning, and performance considerations of Bach's St John Passion. One of Bach's most fascinating works, its text demonstrates a profound understanding of St John's Gospel. The musical design of the choruses with their numerous interrelationships is quite unique and demands some explanation. The fact that the Passion exists in four different versions leads Dürr to ask which changes were intentional and which were the result of practical constraints or of orders issued by church authorities.

This collection brings the history of music publishing into the realm of social history, looking beyond the printing process to examine why and for whom music publishers produced their work. The book shows how technological limitations and printers' and publishers' preferences significantly influenced musical tastes in Europe from medieval times to the modern age. Contributors are leading scholars from the United States, Canada, Great Britain, and Italy. The essays examine the history of music publishing from its inception to the early twentieth century. The Dissemination of Music provides new insight into the social history of music, illustrating how certain types of music were made popular because publishers made them more available, and how the reputations of composers were made or broken by the whims of publishers. This important reference work will interest scholars and students in all areas of music. Readership: Academics and professionals in the areas of musicology, history of music, history of publishing, as well as collectors of rare books.

(Fake Book). Hal Leonard proudly presents new "mini" editions of its best-selling Real Books. These 5.5 x 8.5 little books pack a big jazz punch; they include all 400 fantastic songs found in the 9 x 12 versions: Ain't Misbehavin' * All or Nothing at All * Along Came Betty * Cheek to Cheek * East of the Sun (And West of the Moon) * Funkallero * H & H * I've Got the World on a String * I've Got You Under My Skin * The Jive Samba * The Lady Is a Tramp * Milestones * Moonlight in Vermont * A Nightingale Sang in Berkeley Square * On a Clear Day (You Can See Forever) * Samba De Orfeu * Stormy Weather (Keeps Rainin' All the Time) * Things Ain't What They Used to Be * The Very Thought of You * Violets for Your Furs * Watermelon Man * and hundreds more.

Now in paperback! Hugely popular in the 19th century, and starting to regain popularity now, the literature for multiple pianos is relatively unknown. J.S. Bach began the history of keyboard music for three or more players around 1730; Mozart contributed to the literature. Other important composers_Czerny, Moscheles, Smetana, Glazunov, Rachmaninoff_continued the tradition for particular pianists and occasions. Louis Moreau Gottschalk used a large number of pianos and pianists for his popularly acclaimed 'monster concerts' in the Americas. By the early 20th century, a mass of transcriptions and arrangements had accumulated. Later in the century, such important 20th-century composers as Ives, Stravinsky, Antheil, Orff, Dallapiccola, Milhaud, and others composed original works for the medium. Includes a comprehensive bibliography with an illustrative, detailed guide to the catalogue. Cloth edition originally published in 1993.

When first published in 1979 no less an authority than Bob Copper described this collection as 'without doubt . . . the finest book of English traditional songs that has come my way in a very long time'.

Just under one hundred and fifty songs are collected and arranged in seven different categories:

'Fellows that Follow the Plough Work', 'A Health to the Master: Deference and Protest', 'The High Gallows Tree: Crime', 'Once I loved a Lass: Courtship', 'The Charmig Bride: Marriage', 'Up To The Rigs: Sport and Diversion' and 'The Life of a Man: Seasons and Ceremonies'.

As Roy Palmer concludes in his own introduction, 'Yet in the final analysis, it could be argued that the songs' final justification is aesthetic. They have a sheer beauty of language which both refleced and helped to shape the utterance of generations of Englishmen, men like Shakespeare, Crabbe, John Clare, Wordsworth, Hardy, John Arden, as well as the countless thousands of ploughmen, shepherds, blacksmiths, milkmaids and servant girls who were the backbone of the nation. Their full power emerges, however, not on the page but on the lips. I hope they will be savoured, but above all sung'.

A fresh perspective on two well-known personalities, Schoenberg's Correspondence with Alma Mahler documents a modern music friendship beginning in fin-de-siecle Vienna and ending in 1950s Los Angeles. This volume is the first English-language edition of the complete extant correspondence in new English translations from the original German, many from new transcriptions of handwritten originals, and it is the first English-language book of Schoenberg's correspondence with a female associate. These often quite candid letters afford readers a fascinating glimpse into the personalities, ideologies, institutions, protocols, and aesthetics of early twentieth-century European music culture. Critics, conductors, composers, and visual artists are appraised, kindly or venomously; visual artists and writers also appear. Above all, Alma Mahler (1879-1964) and Arnold Schoenberg (1874-1951) emerge as intriguing, complex individuals who transcend their conventional representations as, respectively, a femme fatale and a musical radical. For Schoenberg, Alma was a sympathetic confidante, a comrade in their shared battle against musical conservatism, yet also a canny negotiator of Vienna's social circles, a skill that brought Schoenberg into contact with important patrons. Not only did he invite Alma to his premieres, lectures, and art exhibitions, but Schoenberg also sent her scores of his music and drafts of his writings. He revealed to her his plans for his innovative new music society, the Society for Private Music Performances, and his development of a new method of composition with twelve tones. The letters remind us of how crucial the social and personal dimensions of music culture were to the early twentieth-century composers and musicians. Gender, ethnicity, and social class conditioned their opportunities in music--and in life--and their shared experience of fleeing fascism to a new country with a different culture and language resonates with our own epoch.

for SATB, piano, and optional saxophone, bass, and drum kit Ophelia, Caliban, and Miranda puts a jazzy twist on three Shakespearean characters. With newly written texts by Charles Bennett, each of the three movements focuses in on Ophelia from Hamlet and Caliban and Miranda from The Tempest. In the funky opener, 'River Bride', the upper voices take the part of Ophelia, while the tenors and basses play a lover figure. Caliban's song, 'Ariel taught me how to play', is a reflective ballad in which the slave tells Miranda, who has escaped his advances, about the spirit helper Ariel teaching him to play the saxophone. The final movement, 'All good things come to an end', is a sassy yet tender number, where Miranda bids farewell to her beloved husband Ferdinand, declaring: 'I've gone back to the island to remember who I am'. The saxophone, bass, piano, and drum kit parts may be played as written or serve as a guide.

This engaging step-by-step guide prescribes effective strategies and tactics for translating a wide range of songs and other vocal music, from classical to contemporary. Focusing on best practice and with a variety of language examples, the book centres on four key themes: translating songs for a range of recipients and within different contexts (skopos theory) translating songs for reading on paper or on screens (surtitles and subtitles) "singable translations" and the Pentathlon Approach translating expressive texts. With a substantial introduction, six insightful chapters, further reading and a glossary of key terms (also available at https://www.routledge.com/9781138641792 and on the Routledge Translation Studies Portal), this lively and clear student-friendly guide is essential for students, researchers and practitioners involved in or studying the practice of translating music. This will also be an engaging read for musicians and all those interested in the study of music.

Now in paper! An invaluable reference text for singers, teachers, and vocal and operatic coaches, this volume contains the complete song texts of the songs for voice and piano by Chausson, Debussy, Duparc, Faure, and Ravel. All these song texts are in an easy-to-read three-line format; Line 1: the original language text; Line 2: a vertically accurate word-by-word translation into English, using the exact word order of the original language; Line 3: a poetic reconstruction of Line 2 into a more poetically understandable English form. This format differs from purely poetic or singing translations by giving the user an exact, accurate knowledge of each word as it is understood by a native language singer. Cloth edition published in 1991. Available in paperback in 2001.

These books of studies provide invaluable practice material for the building of technique. The three sets of Elementary Progressive Studies, each of which contain 24 studies, comprehensively explore violin playing in the various positions indicated and a note at the head of each study shows further the technical skill to be developed. All of the books contain a good variety of finger technique, keys and bow strokes, and helpful fingerings and bowings are given.

Superstudies Violin Book 2 is a collection of 12 original, imaginative studies for solo violin that continues the technical progression of Superstudies Book 1. Aimed at young players of Grades 2-4 standard, it introduces a wide range of musical styles, while consolidating all the finger patterns used in 1st position and introducing easy 3rd position fingering. This book also explores new bowing techniques including spiccato and hooked bows. Teachers and pupils will find this valuable yet light hearted collection both enjoyable and stimulating.