**ABRSM selected pieces (Singing from 2009): Sand in my eyes: from Salad Days (Julian Slade & Dorothy Reynolds) I sit in the sun: from Salad Days (Julian Slade & Dorothy Reynolds) Cleopatra: from Salad Days (Julian Slade & Dorothy Reynolds) The Time of My Life: from Salad Days (Julian Slade & Dorothy Reynolds)

Bach-Gesellschaft edition. 93 works, 6 Trio Sonatas, German Organ Mass, Orgelbüchlein, Six Schubler Chorales, 18 Choral Preludes.

Book by Hugh Wheeler Introduction by Christopher Bond "Mr. Sondheim fearlessly explores psychic caverns where civilized people are not dying to go ... A naked Sweeney Todd stands revealed as a musical of naked rage, chewing up everyone in its path as it spits out blood and tears." - Frank Rich, The New York Times * "A work of such scope and such daring that it dwarfs every other Broadway musical that even attempts to invite comparison." - Rex Reed, New York Daily News

An Ode by Milton, set for SATB choir and orchestra. Vocal score with piano accompaniment.

9 songs from the classic Andrew Lloyd Webber musical: All I Ask of You * Angel of Music * Masquerade * The Music of the Night * The Phantom of the Opera * The Point of No Return * Prima Donna * Think of Me * Wishing You Were Somehow Here Again. 9 songs from the classic musical: All I Ask of You * Angel of Music * Masquerade * The Music of the Night * The Phantom of the Opera * The Point of No Return * Prima Donna * Think of Me * Wishing You Were Somehow Here Again.

The Best of Eva Cassidy features four pages of color photographs, and a heartwarming introduction written by her father. Titles are: Ain't No Sunshine * At Last * Autumn Leaves * Blue Skies * Blues in the Night * Dark End of the Street * Easy Street Dream * Fields of Gold * How Can I Keep from Singing? * Kathy's Song * Need Your Love So Bad * Over the Rainbow * People Get Ready * Songbird * They Call It Stormy Monday * Time After Time * Way Beyond the Blue * What a Wonderful World.

Me and My Piano Duets book 2 comprises 16 pieces arranged for piano, which have interchangeable parts of equal difficulty so that the young pianist can play alongside a teacher, parent or another pupil, whilst others are intended for pupil/teacher performance. They form part of the Me and My Piano Series by Dame Fanny Waterman and Marion Harewood, with this second book containing a selection of easy, attractive duets for the young beginner.

David Hanrahan is a well-known and respected exponent of accordion music and he uses his experience to bring you an sagacious and informative guide to playing the accordion. Using a QandA format, and by concentrating on the most frequently asked questions, he gives confidence to a developing beginner. All the fundamental skills are covered in this book, from playing first notes and adding bass notes to the function of the air valve and bellows action. With illustrations, music theory and general tips, The Box is a perfect start for those wanting to learn the accordion and provides a source of early and easy extracts and melodies. Includes a demonstration CD.

Berklee GuideThe definitive text used for the time-honored Chord Scales course at Berklee College of Music, this book concentrates on scoring for every possible ensemble combination and teaches performers and arrangers how to add color, character and sophistication to chord voicings. Topics covered include: selecting appropriate harmonic tensions, understanding jazz harmony, overcoming harmonic ambiguity, experimenting with unusual combinations and non-traditional alignments, and many more. The accompanying CD includes performance examples of several different arranging techniques.A no-nonsense, meat and potatoes source of basic and not-so-basic information about everything relating to jazz writing covers several courses worth of information. Kenny WernerPianist, Composer and Author of Effortless Mastery

If you're about to be stranded on a desert island and you can only take your guitar and one songbook with you, make sure it's The Guitar Tab White Pages! This incredible second edition contains 150 note-for-note transcriptions straight from the original recordings - over 1,000 pages of guitar tab! The primo songlist covers some of the best guitar songs ever from all styles of music. Songs include: All Day and All of the Night * American Woman * Change the World * Cliffs of Dover * Couldn't Stand the Weather * Dani California * Don't Fear the Reaper * Dust in the Wind * Free Ride * Gloria * Heartache Tonight * Hey Joe * Layla * Longer * Moonlight in Vermont * Mr. Jones * Name * Owner of a Lonely Heart * Papa's Got a Brand New Bag * Piece of My Heart * Rhiannon * Satin Doll * Sir Duke * The Space Between * Sunday Bloody Sunday * Sweet Child O' Mine * Time for Me to Fly * What I Like About You * You Give Love a Bad Name * You Were Meant for Me * and more! The table of contents lists songs both alphabetically by title and by artist. The largest collection ever of authentic guitar transcriptions!

(Instrumental Folio). 16 pieces from this swashbuckling blockbuster arranged so solo instrumentalists can play along with great accompaniment tracks. Includes: The Black Pearl * Davy Jones * He's a Pirate * I've Got My Eye on You * Jack Sparrow * To the Pirate's Cave * Wheel of Fortune * and more.

32-Page A4 Manuscript Book, 12-Stave (White Book). A range of manuscript paper in various formats is available from Faber Music.

Otello, Verdi's penultimate opera, was composed more than a dozen years after Aida, which he had intended to be his last work for the stage. He was persuaded by his publisher Giulio Ricordi to work with the librettist Arrigo Boito on an adaptation of Shakespeare's Othello; the resulting work is one of the supreme examples of Italian opera. Greeted with enormous enthusiasm at its premiere at La Scala in 1887, Otello immediately went on to huge success in all the major opera houses of the world. The richness of its musical and dramatic inventiveness is largely unmatched in Verdi's output, and its title role is perhaps the most demanding for the tenor in any Italian opera. This volume contains articles describing how Verdi was persuaded to write the opera and extracts from the extended correspondence between Verdi and Boito during the period of composition, as well as a detailed musical commentary and a historical survey of important productions and performers of the principal roles. The guide includes the full libretto with English translation, a discography, a bibliography, and DVD and website guides.

This work is a pocket-sized collection of ABBA hits presented in chord songbook format. It includes complete lyrics, chord names and a handy chord box reference sheet, and features more than 70 ABBA classics. The songs include: "Chiquitia"; "Dancing Queen"; "Waterloo"; "Take A Chance On Me"; "Fernando"; "The Winner Takes It All"; "Knowing Me, Knowing You"; "Thank You For the Music Sales"; "Mamma Mia"; "Money, Money, Money"; "One Of Us"; and, "Super Trouper".

Up-Grade! Piano Duets Grades 0-1 is a fun addition to Pam Wedgwood's popular Up-Grade! Series, which aims to help bridge the gap between grades. Packed with great duets for players of Grade 0-1 level plus teacher, parent or slightly more advanced pupil, it's guaranteed to breathe new life into your piano playing. Featuring Over The Rainbow and Close Every Door, alongside original pieces by the inimitable Pam Wedgwood, all pieces are demonstrated via the online audio.

This fifth edition includes even more of your favorite country hits - over 700 songs by country superstars of yesterday and today: Achy Break Heart * Ain't Going Down ('Til the Sun Comes Up) * Always on My Mind * Amazed * American Soldier * Are You Lonesome Tonight? * Bless the Broken Road * Blue Clear Sky * Boot Scootin' Boogie * A Boy Named Sue * Breathe * Butterfly Kisses * Crazy * Daddy Sang Bass * Does Fort Worth Ever Cross Your Mind * Down at the Twist and Shout * Elvira * Family Tradition * Forever and Ever, Amen * Friends in Low Places * The Gambler * Georgia on My Mind * The Greatest Man I Never Knew * Harper Valley P.T.A. * I Am a Man of Constant Sorrow * I Hope You Dance * Jambalaya * King of the Road * Long Black Train * Redneck Woman * Rocky Top * She Believes in Me * Sixteen Tons * There's a Tear in My Beer * Walkin' After Midnight * What's Forever For * Where Were You (When the World Stopped Turning) * You're Still the One * Your Cheatin' Heart * and more. Also features a glossary of guitar chord frames, alphabetical and artist indexes, and plastic-comb binding.

Evidence indicates that the concertos of Vivaldi, Bach, Haydn etc were performed as chamber music, not the full orchestral works commonly assumed. The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line,discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.