Titles: Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * French Folk Song (Folk Song) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Allegro (Shinichi Suzuki) * Perpetual Motion in D Major (Shinichi Suzuki) * Perpetual Motion in G Major (Shinichi Suzuki) * Long, Long Ago (T.H. Bayly) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Rigadoon (H. Purcell) * Etude (Shinichi Suzuki) * The Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in C, No. 11 in G Major from Notebook for Anna Magdalena Bach, BWV 841 (J.S. Bach) * Minuet No. 2 from Minuet in G Major, BWV 116 (J.S. Bach).
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For the last 50 years, Clive James has been writing remarkable songs - witty, moving, sometimes satirical, often thrillingly poetic - with his musical partner, Pete Atkin. They've written more than 200 together, releasing the first album of their work in 1970 and the last in 2015. John Peel loved them. So did Kenny Everett. Stephen Fry is a huge fan. And Clive himself believes these songs are the best things he's ever done. Loose Canon explores the sparkling lyrics and brilliantly memorable tunes that have won Clive and Pete a fanatical cult following but still managed to remain the British music industry's best-kept secret. Stephen Fry has written an incredibly generous and enthusiastic foreword.

Jonathan G. Laniyan is privileged to study music up to Higher National Diploma level (H.N.D.) at the Polytechnic Ibadan Nigeria. He also holds Royal Schools of Music Grade 5 in Jazz Piano, Theory and Grades 7 and 8 in Practical Musicianship. He is a composer and arranger of works in Western and African Idiom, hoping to go for further studies to complete a Master's Degree (in music) in the near future.

This is the only English translation of this important book by the world's most distinguished Bach scholar. This work is widely regarded as the most authoritative and comprehensive treatment of the Bach cantatas. It begins with a historical survey of the seventeenth-century background to the cantatas, and performance practice issues. The core of the book is a work-by-work study in which each cantata in turn is represented by its libretto, a synopsis of its movements, and a detailed analytical commentary. This format makes it extremely useful as a reference work for anyone listening to, performing in, or studying any of the Bach cantatas. In this edition all the cantata librettos are given in German-English parallel text. The most recent (sixth) German edition appeared in 1995. For the English edition the text has been carefully revised to bring it up to date, taking account of Bach scholarship since that date.

Edwin Eugene Bagley (1857-1922) was born in Craftsbury, Vermont, and started his music career at the age of nine as a vocalist and bellringer. In spite of never having had formal music lessons he became a successful cornet player, trombonist and composer. He moved to Boston in 1880, became solo cornet player in the Boston Theater, and traveled with the Bostonians, an opera company, for nine years, and later played with the Germania Band. He eventually settled in New Hampshire, where he directed several city bands. It is believed Bagley started composing the National Emblem in 1902 while on a train tour with his band, but was dissatisfied with its ending and threw the score out. Fortunately, some members of his band (the Keene, New Hampshire, City Band) retrieved it and secretly rehearsed the score in the baggage car, surprising him with a performance of the work in their next concert. Bagley later revised the work and it was first published in 1906. The first recording of it was made in 1908 by the band of Arthur Pryor, on the Victor Talking Machine Company label. It has since appeared in more than one dozen published editions. The National Emblem, which features an excerpt of "The Star Spangled Banner," deservedly became the most famous of Bagley's marches, and a standard of the American march repertoire. It is widely played in Independence Day celebrations, and is used by the US military for presenting and retiring the colors. John Philip Sousa, when asked to name the three most effective street marches ever written named two of his own works as the first two, and National Emblem as the third. This new edition by Richard W. Sargeant Jr. remains true to the composer's original orchestration, omitting the bloated extra instrumentation which was inserted by publishers over the years. As with the others in this series, it is designed to offer band directors and others interested in this genre newly engraved authoritative editions prepared from the primary sources using the composer's original instrumentaion, which is sometimes markedly different from that found in bands today.

One of the most popular marches ever written, the Colonel Bogey March was composed in 1914 by Lt. Frederick J. Rickets (1881-1945), under the pseudonym Kenneth J. Alford. Born in London, Ricketts enlisted in the band of the First Battalion, Royal Irish Regiment, at age fourteen, and later studied at the Royal Military School of Music, Kneller Hall. He served as bandmaster to several battalions, and was appointed Director of Music of the famed Royal Marines of Plymouth in 1930. He composed 19 known marches and several other light works under the pseudonym Kenneth J. Alford, but "Colonel Bogey" remains his most popular work. Opening with a characteristic two-note phrase (a descending minor third) it is said that the tune was inspired by a fiery and somewhat eccentric military man and avid golfer nicknamed "Colonel Bogey" who used to whistle the catchy notes instead of shouting "Fore" when about to drive a ball. By the early 1930s the Colonel Bogey March had sold well over one million copies, and became widely used for events both in the golfing world and the military world, as it is the authorized march-past in quick time for several Canadian battalions. Its popularity re-surged in the 1950s when the English composer Malcolm Arnold used it in his score of the film "The Bridge on the River Kwai." This new edition by Richard W. Sargeant Jr. remains true to the composer's original 1914 scoring, without the bloated extra instrumentation which was added by publishers over the years. As with the others in this series, it is designed to offer band directors and others interested in this genre newly engraved authoritative editions prepared from the primary sources using the composer's original instrumentaion, which is sometimes markedly different from that found in bands today.

Although Belgian composer C sar Franck completed his setting of Pslam 150 in 1883, the work was not published until six years after his death in 1890. Richard Sargeant's new edition, with English text based upon the King James translation, has been prepared with the chorus member's needs in mind. The chorus staves are produced in a large size with a text font selected for maximum readability even under less-than-ideal lighting, which the organ reduction has been produced in smaller, cue-sized notes for ready reference.

This book contains nine pieces from ABRSM's Grade 8 Piano syllabus for 2021 & 2022, three pieces chosen from each of Lists A, B and C. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information.

The New International Edition of Suzuki Piano School, Volume 2 includes French, German and Spanish translations, new Romantic and 20th-century pieces, as well as a newly recorded CD performed by internationally renowned recording artist Seizo Azuma. Now the book and CD can be purchased together or separately. The contents have changed slightly with minimal reordering of the music. The Mozart Minuet and Bach Musette from the earlier edition were eliminated and replaced with two new 20th-century pieces by BartA3k (noted below), and the Bach "Minuet in G Minor" (from J. S. Bachas Notebook for Anna Magdalena Bach) has been moved to Volume 3. Other improvements include a cleaner appearance with less editing and spacious new engravings, as well as more detailed titles that include the keys, sources, composer dates, and catalog numbers.
Titles: Acossaise (J. N. Hummel) * A Short Story (H. Lichner) * The Happy Farmer, from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in G Major, BWV 822 (J. S. Bach) * Minuet in G Major, from J. S. Bach's Notebook for Anna Magdalena Bach (Anonymous) * Minuet in G Minor, BWV 822 (J. S. Bach) * Cradle Song, Op. 13, No. 2 (C. M. von Weber) * Arietta (W. A. Mozart) * Hungarian Folk Song, from For Children, Sz. 42 (BA(c)la BartA3k) * Melody, from Album for the Young, Op. 68, No. 1 (R. Schumann) * Minuet in G Major, from J. S. Bach's Notebook for Anna Magdalena Bach (C. Petzold) * Sonatina in G Major, Anh. 5 (Moderato, Romance) (L. van Beethoven) * Children at Play, from For Children, Sz. 42 (BA(c)la BartA3k).