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Books > Arts & Architecture > Music > Musical scores, lyrics & libretti
42 of the most famous classics arranged for simplified piano. These
enchanting melodies supply students of the first and second levels
of study with an introduction to the world's finest music.
Titles: Sonata in C Major, Op. 40, No. 1 (Allegro, Rondo grazioso)
(J.B. Br?val) * Adagio and Allegro from the Sonata in E minor, Op.
1, No. 2 (B. Marcello) * Minuets from the Suite in G Major, BWV
1007 (J.S. Bach) * Tonalization * Chanson Triste, Op. 40, No. 2 for
Piano (P. I. Tchaikovsky).
This title is available in SmartMusic.
Alfred's Basic Adult All-in-One Course is a greatly expanded
version of Alfred's Basic Adult Piano Course that includes lesson,
theory, technic and additional repertoire in a convenient,
"all-in-one" format. This comprehensive course adds such features
as isometric hand exercises, finger strengthening drills, and
written assignments that reinforce each lesson's concepts. The
accompanying DVD includes an introduction to all the pages in the
book and performances of the pieces by well-known teacher, Gayle
Kowalchyk. Titles: Alouette * Alpine Melody * Amazing Grace * Au
Claire de la Lune * Aunt Rhody * Auld Lang Syne * Aura Lee * The
Bandleader * Beautiful Brown Eyes * Blow the Man Down * Blues for
Wynton Marsalis * Brother John * Caf? Vienna * The Can-Can *
Chasing the Blues Away * Chiapanecas * Cockles and Mussels * The
Cuckoo * Day is Done * Dueling Harmonics * The Entertainer * A
Friend Like You * Go Down, Moses * Good King Wenceslas * Good
Morning to You * Good People * Got Those Blues * Greensleeves *
Happy Birthday to You * Harmonica Rock * Harp Song * Here's a Happy
Song * He's Got the Whole World in His Hands * I'm Gonna Lay My
Burden Down * Jericho * Jingle Bells * Joy to the World *
Kum-ba-yah * Largo (Dvorak) * Lavender's Blue * Lightly Row *
Little Brown Jug * Liza Jane * London Bridge * Lone Star Waltz *
Love Somebody * Lullaby * The Marine's Hymn * Mary Ann * Merrily We
Roll Along * Mexican Hat Dance * Michael, Row the Boat Ashore *
Money Can't Buy Everything * My Fifth * Ode to Joy * On Top of Old
Smoky * O Sole Mio * Raisins and Almonds * Rock Along * Rockets *
Rockin' Intervals * Rock It Away * Scarborough Fair * Shoo, Fly,
Shoo * Skip to My Lou * Standing in the Need of Prayer * The
Stranger * Tisket, a Tasket * Waltzing Chords * Waltz Time * What
Can I Share * When the Saints Go Marching In * Why Am I Blue?
(Book). Jimi Hendrix was such an extraordinary guitarist, it can be
easy to forget that just as much passion, soul, and precision went
into his lyrics. Inspired by Bob Dylan, Hendrix was a fearless
lyrical innovator, willing to let his imagination guide him to
landscapes hitherto unexplored within the realm of pop music. From
the existential euphoria of "I Don't Love Today" to the elusive
beauty of "Little Wing" to the psychedelic blues of "My Friend" to
the otherworldly "1983 (A Merman I Should Turn to Be)," his lyrics
remain among the greatest in the pantheon of rock, infused with the
same inventiveness, virtuosity, and courage that informed his
guitar playing. Here are all the words to the Hendrix classics
you've rocked along to for years, as well as unpublished songs from
Valleys of Neptune and other hitherto undiscovered sources. Jimi
Hendrix: The Ultimate Lyrics Book, compiled by Janie L. Hendrix, is
extraordinarily personal. It includes numerous examples of Jimi's
handwritten lyrics, often scribbled on hotel stationery, as well as
photos of Jimi to accompany every song. Much of this material has
never been seen before. Jimi Hendrix: The Ultimate Lyrics Book will
give you a glimpse of the lyricist behind the songs, a songwriter
whose words were just as searing as his solos.
SPANISH EDITION. This is one of the most popular hymnals, used by
million of believers because it contains traditional hymns as well
as praise and worship songs.
After decades of anticipation, Alfred is proud to release the
officially licensed, collectible sheet music companion folios to
The Legend of Zelda(tm) video game series. The 33 arrangements in
this Easy Piano edition contain the instantly recognizable melodies
beloved by generations of gamers around the globe. From Koji
Kondo's iconic "The Legend of Zelda(tm) Main Theme" to The Legend
of Zelda(tm): Spirit Tracks themes, the dozens of pieces in this
book represent two and a half decades of Nintendo(R) video game
favorites. Adding to the fun, graphics from the corresponding games
grace each page of the sheet music. Impress friends, family, and
audiences of all ages by playing from this magnificent collection,
which makes a great gift for every pianist.
Titles: * The Legend of Zelda(tm) Title Theme * The Legend of
Zelda(tm) Main Theme * Zelda II(tm) - The Adventure of Link(tm)
Title Theme * Zelda II(tm) - The Adventure of Link(tm) Palace Music
* The Legend of Zelda(tm): A Link to the Past(tm) Title Screen *
The Legend of Zelda(tm): A Link to the Past(tm) Hyrule Castle Music
* The Legend of Zelda(tm): A Link to the Past(tm) Main Theme * The
Legend of Zelda(tm): A Link to the Past(tm) The Dark World * The
Legend of Zelda(tm): Link's Awakening(tm) Main Theme * The Legend
of Zelda(tm): Ocarina of Time(tm) Title Theme * The Legend of
Zelda(tm): Ocarina of Time(tm) Princess Zelda's Theme * The Legend
of Zelda(tm): Ocarina of Time(tm) Hyrule Field * The Legend of
Zelda(tm): Ocarina of Time(tm) Lost Woods (Saria's Song) * The
Legend of Zelda(tm): Ocarina of Time(tm) Gerudo Valley * The Legend
of Zelda(tm): Ocarina of Time(tm) Song of Storms * The Legend of
Zelda(tm): Majora's Mask(tm) Prelude of Majora's Mask * The Legend
of Zelda(tm): Majora's Mask(tm)Termina Field * The Legend of
Zelda(tm): The Wind Waker(tm) Main Theme * The Legend of Zelda(tm):
The Wind Waker(tm) Dragon Roost Island * The Legend of Zelda(tm):
The Wind Waker(tm) Ocean Theme * The Legend of Zelda(tm
First published in 1998, music scored for film has only relatively
recently received the critical attention which it merits. Many
composers in the twentieth century have written works for films or
documentaries, a number feeling that this aspect of their output
has been undervalued. This dictionary complements other studies
which have appeared in recent years which look at the technical and
theoretical issues concerned with film music composition. Arranged
alphabetically by composer, the volume comprises over 500 entries
covering all nationalities. Each entry includes very brief
biographical information on the composer, followed by a list of the
films (with dates) for which he or she has composed. Details of
recordings are also given. The dictionary's international coverage
ensures that it will become a standard reference work for all those
interested in the history of twentieth-century music and the
development of film.
for soprano soloist, mixed choir, and orchestra or ensemble (with
organ) This is one of the best-loved and most widely performed
choral works of the twentieth century. The texts (in Latin and
English) are from the Missa pro Defunctis, the Book of Common
Prayer, and the Psalms. The seven sections form an arch-like
meditation on the themes of life and death: prayers on behalf of
all humanity, psalms, personal prayers to Christ, and in the
central Sanctus an affirmation of divine glory. The full scores
have been edited and engraved by the composer himself and are
presented in handsome, cloth-bound editions. Vocal and orchestral
material is available on hire.
Twenty-five beautiful songs from the World Church with an emphasis
on Africa. Contents: GloriaSanto, santo santoSenhor tempiedade de
nosHe came downStand firmHalle, halle, halleMay God draw nearThe
Lord is my lightKyrie eleisonJesus Christ our living LordJesus
saranamLet the world in concert singSara shristeImelaWa wa wa
emimimoBlessed be GodAmen, Alleluia!Amen siakudumisaNdingen'
endumisweniMayenziweMany and greatAgios o TheosKyrie eleisonYour
kingdom comeJesu tawa pano
Specifically designed for congregational use, this contains 255
songs for straightforward arrangements, either four-part harmony or
with piano accompaniment.
Heather Laing examines, for the first time, the issues of gender
and emotion that underpin the classical style of film scoring, but
that have until now remained unquestioned and untheorized, thus
providing a benchmark for thinking on more recent and alternative
styles of scoring. Many theorists have discussed this type of music
in film as a signifier of emotion and 'the feminine', a capacity in
which it is frequently associated with female characters. The full
effect of such an association on either female or male
characterization, however, has not been examined. This book
considers the effects of this association by progress through three
stages: cultural-historical precedents, the generic parameters of
melodrama and the woman's film, and the narrativization of music in
film through diegetic performance and the presence of musicians as
characters. Case studies of specific films provide textual and
musical analyses, and the genres of melodrama and the woman's film
have been chosen as representative not only of the epitome of the
Hollywood scoring style, but also of the narrative association of
women, emotion and music. Laing leads to the conclusion that music
functions as more than merely a signifier of emotion. Rather, it
takes a crucial role in both indicating and determining how emotion
is actually understood as part of the construction of gender and
its representation in film.
In this compilation, first published in 1999, Ian Ledsham compiles
an extensive catalogue of the Shaw-Hellier Collection, complete
with diagrams regarding how we use text.
(Fake Book). This amazing collection transcribes nearly 150 of the
best-known jazz solos (regardless of the instrument) exactly as
recorded by icons of the trade, including: Autumn Leaves (Chet
Baker) * Blue in Green (Toots Thielemans) * Blue Train (John
Coltrane) * Bright Size Life (Jaco Pastorius) * Dolphin Dance
(Herbie Hancock) * Footprints (Wayne Shorter) * I Do It for Your
Love (Bill Evans) * I Mean You (Thelonius Monk) * Isreal (Bill
Evans) * K.C. Blues (Charlie Parker) * Milestones (Miles Davis) *
New Orleans (Wynton Marsalis) * Nuages (Django Reinhardt) * Quiet
Nights of Quiet Stars (Oscar Peterson) * Spring Ain't Here (Pat
Metheny) * Stella by Starlight (Ray Brown) * Waltz for Debby
(Cannonball Adderley) * West End Blues (Louis Armstrong) * and many
more. Some songs are presented multiple times featuring the unique
solos by different artists who performed them.
In which the writings of the authors Thom Yorke and Stanley Donwood
are gathered together. This commonplace book includes faxes, notes,
fledgling lyrics, sketches, lists of all kinds and scribblings
towards nirvana, as were sent between the two authors during the
period 1999 to 2000 during the creation of the Radiohead albums Kid
A and Amnesiac. This is a document of the creative process and a
mirror to the fears, portents and fantasies invoked by the world as
its citizens faced a brave new millennium.
The interdisciplinary approach of Music and Medieval Manuscripts is
modeled on the work of the scholar to whom the book is dedicated.
Professor Andrew Hughes is recognized internationally for his work
on medieval manuscripts, combining the areas of paleography,
performance, liturgy and music. All these areas of research are
represented in this collection with an emphasis on the continuity
between the physical characteristics of medieval manuscripts and
their different uses. Albert Derolez provides a landmark and
controversial essay on the origins of pre-humanistic script, while
Margaret Bent proposes a new interpretation of a famous passage
from a fifteenth-century poem by Martin Le Franc. Timothy McGee
contributes an innovative essay on late-medieval music, text and
rhetoric. David Hiley discusses musical changes and variation in
the offices of a major saint's feast, and Craig Wright presents an
original study of Guillaume Dufay. Jan Ziolkowski treats the topic
of neumed classics, an under-explored aspect of the history of
medieval pedagogy and the transmission of texts. The essays that
comprise this volume offer a unique focus on medieval manuscripts
from a wide range of perspectives, and will appeal to musicologists
and medievalists alike.
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