A comprehensive catalogue of the surviving polyphonic song repertory 1415-1480 in any European language. The catalogue will be an essential work of reference for anyone interested in the music of the 15th century.

I turned 70 on June 3rd, 2020, and my bucket list looms large. Doing a lyric book was always on that list so, here it is. Through my Words, is an illustrated informative diary of my life, told through the lyrics of my songs. Creation has always been my salvation. Enjoy! -Suzi Quatro

Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock-biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies-to examine the development of a relatively new literary genre dubbed by the authors as "poetic song verse." They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry. Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.

This 50th anniversary collectible hardcover edition contains full guitar TAB transcriptions for 50 early Stones classics from their ABKCO years. These are all-new arrangements featuring the most accurate transcriptions for all of Keith Richard's, Brian Jones', and Mick Taylor's legendary guitar parts. The book also comes with a section of the most classic Keith riffs. The songs within are selected from 12 x 5, Aftermath, Beggars Banquet, Between the Buttons, Big Hits (High Tide and Green Grass), December's Children (and Everybody's), Flowers, Hot Rocks 1964--1971, Let It Bleed, Metamorphosis, Sticky Fingers, Their Satanic Majesties Request, and more Titles: 19th Nervous Breakdown * 2000 Light Years from Home * As Tears Go By * Back Street Girl * Bitch * Brown Sugar * Can't You Hear Me Knocking * Child of the Moon (rmk) * Country Honk * Dandelion * Dead Flowers * Dear Doctor * Factory Girl * Get Off of My Cloud * Gimme Shelter * Have You Seen Your Mother, Baby, Standing in the Shadow? * Heart of Stone * Honky Tonk Women * I'm Free * It's All Over Now * Jigsaw Puzzle * Jumpin' Jack Flash * Lady Jane * The Last Time * Let It Bleed * Let's Spend the Night Together * Live with Me * Memo from Turner * Midnight Rambler * Monkey Man * Mother's Little Helper * No Expectations * Out of Time * Paint It, Black * Parachute Woman * Play with Fire * Ruby Tuesday * Salt of the Earth * (I Can't Get No) Satisfaction * She's a Rainbow * The Spider and the Fly * Stray Cat Blues * Street Fighting Man * Stupid Girl * Sway * Sympathy for the Devil * Under My Thumb * Wild Horses * You Can't Always Get What You Want * You Got the Silver.

A practical guide for guitarists searching for new repertoire that includes women composers, this unique work lists musical works by instrumentation followed by biographies of each composer. The format first leads users to available pieces in possible ensembles and then to the biographical section, which introduces them to the composers, many of whom have been completely unknown in the guitar world. Appendixes list addresses for composers and publishers. Indexes cross reference composers with their works. Instrumentation entries include titles, composer names, publisher names, specific instruments, and length and description of the piece for indication of style. In the biographical entries, sources are given to guide the reader to more complete information about the composer. These features, combined with valuable appendixes, indexes, and cross-referencing capabilities from section to section, make this work easy to use.

200 songs by Handel, Purcell, Boyce, Flacton, Green et al. "A Collection of the most Celebrated English and Scots Songs, Neatly Engrav'd and Embelish'd with Designs adapted to the Subject of each Song taken from the Compositions of the Best masters in the most Correct Manner with the thorough Bass and Transcriptions for the Flute... ." "London Engraved by Henry Roberts. Printed and sold by John Simpson at the Bass Viol and Flute in Sweetings Alley at the East Door of the Royal Exchange... ." This is a facsimile of the 1746 edition.

The Oxford Handbook of Film Music Studies charts the interdisciplinary activity around music in visual media, addressing the primary areas of inquiry: history, genre and medium, analysis and criticism, and interpretation. Chapters in Part I cover the range most broadly, from the relations of music and the soundtrack to opera and film, textual representation of film sound, film music as studied by cognitive scientists, and Hanns Eisler's work as film composer and co-author of the foundational text Composing for the Films (1947). Part II addresses genre and medium with chapters focusing on cartoons and animated films, the film musical, music in arcade and early video games, and the interplay of film, music, and recording over the past half century. The chapters in Part III offer case studies in interpretation along with extended critical surveys of theoretical models of gender, sexuality, and subjectivity as they impinge on music and sound. The three chapters on analysis in Part IV are diverse: one systematically models harmonies used in recent films, a second looks at issues of music and film temporality, and a third focuses on television. Chapters on history (Part V) cover topics including musical antecedents in nineteenth-century theater, the complex issues in sychronization of music in performance of early (silent) films, international practices in early film exhibition, and the symphony orchestra in film.

Exploring the parallel development of the brass band movement and religious fervor in late 19th-century America, this work includes illustrations from original materials as well as scores for 22 works. While the choral tradition has remained strong in churches, in this earlier period both choral and instrumental forms were equally popular. This study begins with solo cornet parts, used by men like George Ives to lead the singing at revival meetings, and ends with an extensive band arrangement of Pleyel's Hymn. Extensive historical notes, old-time illustrations, and sacred music make this a most interesting and useful reference book. An enormous amount of music was written and arranged for the popular brasswinds at the time, some of which was sacred music for the church. Changing taste and secularism resulted in the loss of the entire body of written and arranged sacred music for brass, once as cherished in church performance as the choral tradition is today. For scholars and performers interested in the variety of music produced in the United States during the 19th century.