In writing this poem I have attempted to cut through so much of what we now think of as Ancient Egypt, and only the bare bones will remain. Symbolic figureheads such as Osiris and Amon will be discussed, but not elevated, and favoured centres of apparent importance or popularity will be by-passed. This will not be a book for those who wish to play tourist, dropping off here for a quick sensation, or stopping there for an imagined photo-shoot, it will be an experience for all those who wish to embrace the origin and notion of Set, and Set's values. In recording the mythical life of Set, we have applauded him. The strength and warmth of his intellect demand similar warmth in his dramatic performance throughout ancient Egyptian history. To adopt an attitude of detachment, particularly towards the ancient and unknown, can bar from sight those many scenes glimpsed by the historian who approaches the role of reconstructing an era with sympathy, insight and understanding. Neither the truth nor the equilibrium of scholarship is disturbed by controlled imagination and honest praise of this much-maligned Egyptian god. We are portraying the mythological concept and personality of Set not in order to worship a hero, but to recognise him as a leader and a hero. Set strives to take his stand against 5,000 years of a 'drift of history' with the introduction of Osirion and Amonite tradition, and a preconditioning before being replaced by Christianity.

This book provides an annotated source edition of the only two extant documents related to the sorcery trial brought against Pes de Guoythie and Condesse de Beheythie in Lower Navarre, in 1370. It provides full transcriptions of both documents, and English translations of the most salient passages. These sources illustrate at an early date many of the features prevalent in later sources on which trials, such as the metamorphosis of those accused into animals; infanticide; poisoned apples; collective meetings; and ointments made from various creatures. As such, it offers a fascinating insight into allegations of witchcraft in the High and Late Middle Ages.

Originally published in 1967, this book is a study of witchcraft and sorcery among the Shona, Ndebele and Kalanga peoples of Zimbabwe. It analyses in their social context verbatim evidence and confessions from a comprehensive series of judicial records. It provides the first systematic demonstration of the importance and the exstent to which such sources can be used to make a detailed analysis of the character and range of beliefs and motives. The main emphasis is on witchcraft and sorcery beliefs, the nature of accusations, confessions and divination, btoh traditional and as practised by members of the Pentecostal Church.

Its author is as mysterious as its subject matter. The one appearance of English occultist FRANCIS BARRETT (b. circa 1770) upon the literary scene is this mammoth 1801 work, a complete study of ritual magic, in practice and in its theoretical underpinnings. Drawing on numerous works of the arcane and the occult, this one-of-a-kind book ignited a fervor for magic, in all its forms, in the Europe in the early 19th century, and may have even influenced Joseph Smith, founder of the Mormon Church. Subtitling his tome Celestial Intelligencer, Barrett promises here to present a "complete system of occult philosophy," containing the "ancient and modern practice of the Cabalistic art," and showing "the wondering effects that may be performed by a Knowledge of the celestial influences, the occult properties of metals, herbs, and stones." Alchemy, talismanic magic, magnetism, ceremonial magic, the conjuration of spirits... Barrett reveals the secrets of all these disciplines, and more. Featuring all the original charts, diagrams, and illustrations, and including Barrett's biographies of famous occultists from Agrippa to Zoroaster, this is a fascinating work of occult and cultural history.

Satan in America tells the story of America's complicated relationship with the devil. "New light" evangelists of the eighteenth century, enslaved African Americans, demagogic politicians, and modern American film-makers have used the devil to damn their enemies, explain the nature of evil and injustice, mount social crusades, construct a national identity, and express anxiety about matters as diverse as the threat of war to the dangers of deviant sexuality. The idea of the monstrous and the bizarre providing cultural metaphors that interact with historical change is not new. Poole takes a new tack by examining this idea in conjunction with the concerns of American religious history. The book shows that both the range and the scope of American religiousness made theological evil an especially potent symbol. Satan appears repeatedly on the political, religious, and cultural landscape of the United States, a shadow self to the sunny image of American progress and idealism.

Written by Joseph L. Henderson, one of the first generation of Jungian analysts, and Dyane N. Sherwood, a practising analyst, this book is a striking and unique contribution to the resurgence of interest in alchemy for its way of representing the phenomenology of creative experience. Transformation of the Psyche is organized around 22 illuminated paintings from the early Renaissance alchemical manuscript the Splendor Solis, and is further illustrated by over 50 colour figures. The images of the Splendor Solis are possibly the most beautiful and evocative alchemical paintings to be found anywhere, and they are widely known to students of alchemy. Jung reproduced several Splendor Solis images in his works, yet prior to this book no one has explored the symbolism of the paintings as a series in relation to the process of depth psychological transformation. This book is the first scholarly study of the paintings in their entirety, and of the mythological and historical allusions contained within the images. Transformation of the Psyche does not simply explain or analyze the pictures, but invites the reader to participate in the creative and transforming process evoked by these images. Transformation of the Psyche is a truly unique book that will be of immense value and interest to analysts and psychotherapists, as well as scholars of mediaeval and renaissance intellectual history and students of spiritual disciplines.

Neither power nor morality but both. Moral power is what Sukuma farmers in Tanzania in times of crisis attribute to an unknown figure they call their witch. A universal process is involved, as much bodily as social, which obstructs the patient's recovery. Healers turn the table on the witch through rituals showing that the community and the ancestral spirits side with the victim. In contrast to biomedicine, their magic and divination introduce moral values that assess the state of the system and that remove the obstacles to what is taken as key: self-healing. The implied 'sensory shifts' and therapeutic effectiveness have largely eluded the literature on witchcraft. This book shows how to comprehend culture other than through the prism of identity politics. It offers a framework to comprehend the rise of witch killings and human sacrifice, just as ritual initiation disappears.

The notion of "magic" is a current popular culture phenomenon. Harry Potter, the Lord of the Rings, the commercial glamour of the footballer and the pop idol surround us with their charisma, enchantment, and charm. But magic also exerts a terrifying political hold upon us: bin Laden's alleged March 28 e-mail message spoke of the attacks on America in form of "crushing its towers, disgracing its arrogance, undoing its magic." The nine scholars included in this volume consider the cultural power of magic, from early Christianity and the ancient Mediterranean to the curious film career of Buffalo Bill, focusing on topics such as Surrealism, France in the classical age, alchemy, and American fundamentalism, ranging from popular to elite magic, from theory to practice, from demonology to exoticism, from the magic of memory to the magic of the stage. As these essays show, magic defines the limit of both science and religion but as such remains indefinable.

First published in 1978, Don Juan, Mescalito and Modern Magic begins with an analysis of the Castaneda material from the viewpoint of its inherently magical content. The author examines the symbiotic gestures, the magical actions and the mind-altering techniques employed by the brujo Don Juan, and then goes on to draw comparisons with two other schools of thought: the psychedelic development of the 1960s and the Western Magical Tradition. The essential aim throughout is to show that there is a basically Western shamanism which uses Western symbols and is easily accessible. The shamanistic practices of the Hermetic Order of the Golden Dawn are examined in this context. Considerable emphasis is also placed on mythological aspects associated with out-of-the-body experiences and their relevance to both the Don Juan Mescalito imagery and the Qabalistic and Tarot symbols found in Western Magic. This book will be of interest to students of religion, history and literature.

Examining the intersection of occult spirituality, text, and gender, this book provides a compelling analysis of the occult revival in literature from the 1880s through the course of the twentieth century. Bestselling novels such as The Da Vinci Code play with magic and the fascination of hidden knowledge, while occult and esoteric subjects have become very visible in literature during the twentieth century. This study analyses literature by women occultists such as Alice Bailey, Dion Fortune, and Starhawk, and revisits texts with occult motifs by canonical authors such as Sylvia Townsend Warner, Leonora Carrington, and Angela Carter. This material, which has never been analysed in a literary context, covers influential movements such as Theosophy, Spiritualism, Golden Dawn, Wicca, and Goddess spirituality. Wallraven engages with the question of how literature functions as the medium for creating occult worlds and powerful identities, particularly the female Lucifer, witch, priestess, and Goddess. Based on the concept of ancient wisdom, the occult in literature also incorporates topical discourses of the twentieth century, including psychoanalysis, feminism, pacifism, and ecology. Hence, as an ever-evolving discursive universe, it presents alternatives to religious truth claims that often lead to various forms of fundamentalism that we encounter today. This book offers a ground-breaking approach to interpreting the forms and functions of occult texts for scholars and students of literary and cultural studies, religious studies, sociology, and gender studies.

Tap into the magic all around you with Witchcraft, an illustrated guide to ancient potions, spells, chants, rituals, and incantations from around the world. Learn how to form a spirit circle with coven members, what instruments you need for your craft, special conjurations for each day of the week, and hundreds of crafty spells and potions that will allow you to: Banish headaches Keep your home safe Envision your future spouse Win riches Communicate with animals Conceive a child Summon the dead Make it snow Separate lovers Know your future And more! Spells are conveniently organized by purpose: safekeeping spells, healing spells and potions, spells against enemies, counter-spells, luck and fortune spells, love and matchmaking spells, weather and earth spells, spells to cast on animals, power spells, and communing with the dead. With stunning linoleum-cut illustrations by artist Melissa West that bring the magic of the past to life, this comprehensive compendium is also a delightful page-turner that's full of unexpected treasures. Place it in a sacred place in your home-and make sure no enemies find it to access its inestimable powers! The Mystical Handbook series from Wellfleet takes you on a magical journey through the wonderful world of spellcraft and spellcasting. Explore a new practice with each volume and learn how to incorporate spells, rituals, blessings, and cleansings into your daily routine. These portable companions feature beautiful foil-detail covers and color-saturated interiors on a premium paper blend. Other books in the series include: Love Spells, Moon Magic, Moon Magic Journal, Knot Magic, Superstitions, House Magic, Herbal Magic, Book of Shadows, and Goddess Magic.

In the Western world, magic has often functioned as an umbrella term for various religious beliefs and ritual practices that seek to influence events by harnessing supernatural power. The definition of these myriad occult and esoteric traditions have, however, usually come from those that are opposed to its practice; notably authorities in religious, legal and intellectual spheres. This book seeks to provide a new perspective, directly from the practitioners of modern Western magic, by exploring how a distinctive mode of embodiment and consciousness can produce a transition from an 'ordinary' to a 'magical' worldview. Starting with an introduction to the study of magic in the Western academy, the book then presents the author's own participant observation of five ethnographic case studies of modern Western magic. The focus of these ethnographic case studies is directed towards ideas and methods the informants employ to self-legitimise and self-represent as 'magicians'. It concludes by discussing the phenomenological implications and issues around embodiment that are inherent to the contemporary practice of magic. This is a unique insight into the lived experience of practitioners of modern magic. As such, it will be of keen interest to scholars of the Occult and New Religious Movements, as well as Religious Studies academics examining issues around the embodiment and the anthropology of religion.

The Path of the Devil is organized around three fundamental theories: witch hunts as functional sacrificial ceremonies, realistic conflict and strategic persecution, and scapegoat phenomena. All conjectures point to the role of epidemic disease, war, and climactic and economic hardships as considerable factors. However, such crises have to be differentiated: when war is measured as a quantitative characteristic it is found to inhibit witch hunts, while epidemic disease and economic hardship encourages them. The book integrates the sociologies of collective behavior, contentious conflict, and deviance with cross-disciplinary theory and research. The final chapters examine the Salem witch trials as "a perfect storm," and illustrate the general patterns found for early modern witch hunts and "modern witch hunts," which exhibit similarities that are found to be more than metaphorical.

Offering a new template for future exploration, Susan Greenwood examines and develops the notion that the experience of magic is a panhuman orientation of consciousness, a form of knowledge largely marginalized in Western societies. In this volume she aims to form a "bridge of communication" between indigenous magical or shamanic worldviews and rationalized Western cultures. She outlines an alternative mythological framework for the latter to help develop a magical perception, as well as giving practical case studies derived from her own research. The form of magic discussed here is not fantastic or virtual, but ecological and sensory. Magical knowledge infiltrates the body in its deepest levels of the subconscious, and unconscious, as well as conscious awareness; it is felt and understood through the connection with an inspirited world that includes the consciousness of other beings, including those of plant, animal and the physical environment. This is anthropology from the heart rather than the head, and it engages with the messy area of emotions, an embodiment of the senses, and struggles to find a common language of listening to one another across a void of differences. The aim is to provide a non-reductive structure for the creative interplay of both magical and analytical modes of thought. Passion is a motivator for change, and a change in attitude to magic as an integrative force of human understanding is the main thread of this work.

Conjure calm and summon serenity with Calming Magic, a soothing introduction to the healing energy of mystical practices, aromatherapy blends, crystal rituals, and more. Use the power of intention, ritual, and spellwork to craft a more peaceful, connected life with Calming Magic. Harnessing ancient wisdom and profound magic, this enchanted guide pairs mindfulness with mysticism to help readers support the body, mind, and heart in times of stress. Organized into three sections -- Peace, Clarity and Creativity -- Calming Magic offers a pathway to tranquility, from quieting anxious thoughts and focusing the mind to cultivating the imagination. Each section incorporates magical practice that fortify the body (with teas, yoga practices and home remedies), the mind (with meditations, spells and feng shui), and the heart (with crystals, tarot readings and rituals). With primers on the foundations of mystical practices, and creative DIYs to customize rituals and spells, this beautiful volume brings magic and harmony into today's hectic world.

Originally published in 1992, Channeling is a comprehensive bibliography on the subject of channeling. The book defines channeling as any message received or conveyed from transcendent entities and covers material on the history of channeling, those that have claimed to transcend death, contact with UFOs and contemporary channeling groups. The book acts as a research guide and seeks to outline the historical roots of channeling, explaining its major teachings and considers its significance as a spiritual movement. It provides sources from books, booklets, articles, and ephemeral material and offers a comprehensive list of both primary and secondary materials related to channeling, the bibliography takes the most diverse and useful sources of the time. This volume although published almost 30 years ago, still provides a unique and insightful collection for academics of religion, in particular those researching spiritualism and the occult.

The past century has born witness to a growing interest in the belief systems of ancient Europe, with an array of contemporary Pagan groups claiming to revive these old ways for the needs of the modern world. By far the largest and best known of these Paganisms has been Wicca, a new religious movement that can now count hundreds of thousands of adherents worldwide. Emerging from the occult milieu of mid twentieth-century Britain, Wicca was first presented as the survival of an ancient pre-Christian Witch-Cult, whose participants assembled in covens to venerate their Horned God and Mother Goddess, to celebrate seasonal festivities, and to cast spells by the light of the full moon. Spreading to North America, where it diversified under the impact of environmentalism, feminism, and the 1960s counter-culture, Wicca came to be presented as a Goddess-centred nature religion, in which form it was popularised by a number of best-selling authors and fictional television shows. Today, Wicca is a maturing religious movement replete with its own distinct world-view, unique culture, and internal divisions. This book represents the first published academic introduction to be exclusively devoted to this fascinating faith, exploring how this Witches' Craft developed, what its participants believe and practice, and what the Wiccan community actually looks like. In doing so it sweeps away widely-held misconceptions and offers a comprehensive overview of this religion in all of its varied forms. Drawing upon the work of historians, anthropologists, sociologists, and scholars of religious studies, as well as the writings of Wiccans themselves, it provides an original synthesis that will be invaluable for anyone seeking to learn about the blossoming religion of modern Pagan Witchcraft.

This 12-month perpetual planner for good witches provides a place to plan and track everything from daily tasks and key rituals to the sacred holidays and solstices on the Wheel of the Year. It's chock-full of notes on holistic Wiccan magickal tips, spells, lore and recipes distilled from the popular `The Good Witch's Guide' by Shawn Robbins and Charity Bedell. And because it is perpetual you can jump in at any time of the year.

Why does the Torah begin with the letter beit, the second letter of the Hebrew alphabet? In seeking answers to this question, Michael J. Alter has gathered a wealth of material drawing from the Oral Law (Mishnah and Talmud), the Midrash, anonymous kabbalistic texts, and the works of many prominent rabbis, scribes, and writers spanning the past 2,000 years.

This book represents the first systematic study of the role of the Devil in English witchcraft pamphlets for the entire period of state-sanctioned witchcraft prosecutions (1563-1735). It provides a rereading of English witchcraft, one which moves away from an older historiography which underplays the role of the Devil in English witchcraft and instead highlights the crucial role that the Devil, often in the form of a familiar spirit, took in English witchcraft belief. One of the key ways in which this book explores the role of the Devil is through emotions. Stories of witches were made up of a complex web of emotionally implicated accusers, victims, witnesses, and supposed perpetrators. They reveal a range of emotional experiences that do not just stem from malefic witchcraft but also, and primarily, from a witch's links with the Devil. This book, then, has two main objectives. First, to suggest that English witchcraft pamphlets challenge our understanding of English witchcraft as a predominantly non-diabolical crime, and second, to highlight how witchcraft narratives emphasized emotions as the primary motivation for witchcraft acts and accusations.

The Salem Witch Trials of 1692 are a case study in hysteria and group psychology, and the cultural effects still linger centuries later. This critical study examines original trial transcripts, historical accounts, fiction and drama, film and television shows, and tourist sites in contemporary Salem, challenging the process of how history is collected and recorded. Drawing from literary and historical theory, as well as from performance studies, the book offers a new definition of presenting history and uses Salem as a tool for rethinking the relationships between the truth and the stories people tell about the past.