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Books > Humanities > Religion & beliefs > Alternative belief systems > Occult studies
This book introduces readers to the practice of Vodou and helps deconstruct and destroy stereotypes which have survived for hundreds of years. The authors in the collection--from Karen McCarthy Brown to Gerdes Fleurant to Leslie Desmangles--are leading scholars in the rapidly growing field of Vodou Studies. Tackling a wide range of Vodou practices and images, the essays within work to introduce readers to the history and practice of this religion, and to correct the fiction of Vodou which has been circulating as fact. The book focuses specifically on the role Vodou plays in Haiti, the country in which it has its strongest following, examining the influence it has on spiritual beliefs, cultural practices, national identity, popular culture, writing and art. By looking in detail at the beliefs and practices in one country, the reader will begin to understand this unique religion and the multiple domains in which it operates.
Isaac Luria (1534-1572) is one of the most extraordinary and influential mystical figures in the history of Judaism, a visionary teacher who helped shape the course of nearly all subsequent Jewish mysticism. Given his importance, it is remarkable that this is the first scholarly work on him in English. Most studies of Lurianic Kabbalah focus on Luria’s mythic and speculative ideas or on the ritual and contemplative practices he taught. The central premise of this book is that Lurianic Kabbalah was first and foremost a lived and living phenomenon in an actual social world. Thus the book focuses on Luria the person and on his relationship to his disciples. What attracted Luria’s students to him? How did they react to his inspired and charismatic behavior? And what roles did Luria and his students see themselves playing in their collective quest for repair of the cosmos and messianic redemption?
Satan in America tells the story of America's complicated relationship with the devil. 'New light' evangelists of the eighteenth century, enslaved African Americans, demagogic politicians, and modern American film-makers have used the devil to damn their enemies, explain the nature of evil and injustice, mount social crusades, construct a national identity, and express anxiety about matters as diverse as the threat of war to the dangers of deviant sexuality. The idea of the monstrous and the bizarre providing cultural metaphors that interact with historical change is not new. Poole takes a new tack by examining this idea in conjunction with the concerns of American religious history. The book shows that both the range and the scope of American religiousness made theological evil an especially potent symbol. Satan appears repeatedly on the political, religious, and cultural landscape of the United States, a shadow self to the sunny image of American progress and idealism.
This book contains a dramatic and revealing translation of this ancient classic into English. The Chinese original is set side-by-side with the translation. Two things set this work apart from other translated versions. First, archeological findings are used to uncover the meaning of passages obscured for thousands of years. Second, it preserves the flavor of the original in a poetic rendition. An introductory part of this book provides the historical and philosophical background to the I Ching. The story is told of the ancient Chinese civilization, pointing out events and figures mentioned in the I Ching. The undisguised face of the I Ching will appeal to the modern reader, who will read it in his or her own individual way, as poetry, as discoverer of self, or as soothsayer. It is in the grand tradition of the I Ching for different people to see different things. To Confucius, who was born in 550 B.C., it was a source of ethics. To Leibnitz, the eighteenth-century inventor of calculus, it was the essence of binary mathematics. To Jung Freud's rival in psychology, it was an explorer of the unconscious. To some Wall Streeters, it predicts the stock market. This second edition includes a new chapter on a historical perspective, and other additions, changes and minor reformatting.
Russian Tales of Demonic Possession: Translations of Savva Grudtsyn and Solomonia is a translation from the Russian of two stories of demonic possession, of innocence lost and regained. The original versions of both tales date back to the seventeenth century, but the feats of suffering and triumph described in them are timeless. Aleksei Remizov, one of Russia's premiere modernists, recognized the relevance of the late-medieval material for his own mid-twentieth-century readers and rewrote both tales, publishing them in 1951 under the title The Demoniacs. The volume offers a new translation of the original Tale of Savva Grudtsyn as well as first-ever translations of The Tale of The Demoniac Solomonia and Remizov's Demoniacs. Russian Tales of Demonic Possession opens with an introduction that interprets and contextualizes both the late-medieval and the twentieth-century tales. By providing new critical interpretations of all four tales as well as a short discussion of the history of demons in Russia, this introduction makes an eerily exotic world accessible to today's English-speaking audiences. Savva Grudtsyn and Solomonia, the protagonists of the two tales, are young people poised on the threshold of adulthood. When demons suddenly appear to confront and overmaster them, each of them teeters on the brink of despair in a world filled with chaos and temptation. The Tale of Savva Grudtsyn and The Tale of the Demoniac Solomonia propel us forcibly into the realm of good and evil and pose hard questions: Why does evil afflict us? How does it manifest itself? How can it be overcome? Aleksey Remizov's modernist re-castings of the two stories offer compelling evidence that these same questions are very much with us today and are still in need of answers.
In the living room of a London flat, a man stands naked and blindfolded. His wrists are bound together behind his back with red cord, which is looped round his neck and holds his arms up to make a triangle. A white cord is tied round his right ankle. What do witches do? What is it like to be a witch? Experience the process through the eyes of Stewart Farrar, author, journalist and witch, as he describes in detail in this new paperback edition for 2021 the activities and practices of modern-day witches. Principles of healing and clairvoyance as well as rituals, invocations and initial rites are covered in depth as Farrar accompanies the reader into the personal life of his own coven.
This is the first English translation of one of the most important, interesting and comprehensive discussions of the occult sciences ever published. Investigations into Magic" deals not only with magic in all its forms, from the manipulation of angelic and demonic powers to straightforward conjuring and illusion, but also with witchcraft, alchemy, astrology, divination, prophecy, and possession by evil spirits. In addition, Del Rio gives judges and confessors practical advice on the most effective ways of dealing with people who are accused of practising magic, and enlivens his whole discussion with anecdotes drawn from a remarkable range of sources, including his own experience. Nothing so panoramic had ever appeared before, and for the next one hundred and fifty years "Investigations into Magic" was the indispensable reference work on the subject. Modern historians and students of the sixteenth century, as well as readers across many interdisciplinary fields, will likewise find it an invaluable and fascinating guide to certain modes of early modern thought.
Best known as the Saducismus triumphatus (1681), Joseph Glanvill's book on witchcraft is among the most frequently published from the seventeenth century, and its arguments for the reality of diabolic witchcraft elicited passionate responses from critics and supporters alike. Davies untangles the intricate development of this text and explores how Glanvill's roles as theologian, philosopher and advocate for the Royal Society of London converge in its pages. Glanvill's broader philosophical method and unique approach to the supernatural provide a case study that enables the exploration of the interaction between the rise of experimental science and changing attitudes to witchcraft.
How does a mind think magically? The research documented in this book is one answer that allows the disciplines of anthropology and neurobiology to come together to reveal a largely hidden dynamic of magic. Magic gets to the very heart of some theoretical and methodological difficulties encountered in the social and natural sciences, especially to do with issues of rationality. This book examines magic head-on, not through its instrumental aspects but as an orientation of consciousness. Magical consciousness is affective, associative and synchronistic, shaped through individual experience within a particular environment. This work focuses on an in-depth case study using the anthropologist's own experience gained through years of anthropological fieldwork with British practitioners of magic. As an ethnographic view, it is an intimate study of the way in which the cognitive architecture of a mind engages the emotions and imagination in a pattern of meanings related to childhood experiences, spiritual communications and the environment. Although the detail of the involvement in magical consciousness presented here is necessarily specific, the central tenets of modus operandi is common to magical thought in general, and can be applied to cross-cultural analyses to increase understanding of this ubiquitous human phenomenon.
Rediscovering Renaissance Witchcraft is an exploration of witchcraft in the literature of Britain and America from the 16th and 17th centuries through to the present day. As well as the themes of history and literature (politics and war, genre and intertextuality), the book considers issues of national identity, gender and sexuality, race and empire, and more. The complex fascination with witchcraft through the ages is investigated, and the importance of witches in the real world and in fiction is analysed. The book begins with a chapter dedicated to the stories and records of witchcraft in the Renaissance and up until the English Civil War, such as the North Berwick witches and the work of the 'Witch Finder Generall' Matthew Hopkins. The significance of these accounts in shaping future literature is then presented through the examination of extracts from key texts, such as Shakespeare's Macbeth and Middleton's The Witch, among others. In the second half of the book, the focus shifts to a consideration of the Romantic rediscovery of Renaissance witchcraft in the eighteenth century, and its further reinvention and continued presence throughout the nineteenth, twentieth and twenty-first centuries, including the establishment of witchcraft studies as a subject in its own right, the impact of the First World War and end of the British Empire on witchcraft fiction, the legacy of the North Berwick, Hopkins and Salem witch trials, and the position of witchcraft in culture, including filmic and televisual culture, today. Equipped with an extensive list of primary and secondary sources, Rediscovering Renaissance Witchcraft is essential reading for all students of witchcraft in modern British and American culture and early modern history and literature.
This is a regional and comparative study of early modern witchcraft. The history of witchcraft continues to attract attention with its emotive and contentious debates. The methodology and conclusions of this book have impacted not only on witchcraft studies but on the approach to social and cultural history with its quantitative and anthropological approach. The book provides a case study on Essex as well as drawing comparisons with other regions of early modern England. The second edition adds a historiographical introduction, placing the book in context in the late 1990s.
This is the first book to examine extensively the religious aspects
of Chinese alchemy. Its main focus is the relation of alchemy to
the Daoist traditions of the early medieval period (third to sixth
centuries). It shows how alchemy contributed to and was tightly
integrated into the elaborate body of doctrines and practices that
Daoists built at that time, from which Daoism as we know it today
evolved. The book also clarifies the origins of Chinese alchemy and
the respective roles of alchemy and meditation in self-cultivation
practices. It contains full translations of three important
medieval texts, all of them accompanied by running commentaries,
making available for the first time in English the gist of the
early Chinese alchemical corpus.
Death Metal is among the most despised forms of violently themed entertainment. Many politicians, conservative groups and typical Americans attribute youth violence and the destruction of social values to such entertainment. The usual assumptions about the Death Metal scene and its fans have rarely been challenged. This book investigates the demographic trends, attitudes, philosophical beliefs, ethical systems, and behavioral patterns within the scene, seeking to situate Death Metal in the larger social order. The Death Metal community proves to be a useful microcosm for much of American subculture and lends insight into the psychological and social functions of many forbidden or illicit entertainment forms. The author's analysis, rich in interviews with rock stars, radio hosts, and average adolescent fans, provides a key to comprehending deviant tendencies in modern American culture.
First published in 1986. Independent Spirits is about the intellectual world of the humbly-born in late nineteenth- and early twentieth-century Britain, focussing on plebeian, or working- and lower middle-class spiritualists. This book is an important study which throws light on the idealism and search for knowledge that were so central in plebeian circles and in certain, very important parts of the labour movement during the nineteenth and early twentieth centuries. This title will be of interest to students of history.
A leading figure in the Theosophical Society, Leadbeater was a prolific author, writing on subjects ranging from Buddhism, Masonic history and the origins of Christianity through to the power of thought and the fourth dimension. Leadbeater was also the force behind Annie Besant, the discoverer and educator if Krishnamurti, and became Presiding Bishop of the Liberal Catholic Church. For all his influence Charles Leadbeater remains largely unknown as a man. This biography, first published in 1982, dispels many of the mysteries surrounding his life, and Leadbeater emerges as neither evil degenerate or infallible saint, but as a complex and eccentric adventurer into the realm of the occult. This title will be of particular interest to students of history and theology.
This book presents the story of a unique collection of 140 manuscripts of 'learned magic' that was sold for a fantastic sum within the clandestine channels of the German book trade in the early eighteenth century. The book will interpret this collection from two angles - as an artefact of the early modern book market as well as the longue-duree tradition of Western learned magic -, thus taking a new stance towards scribal texts that are often regarded as eccentric, peripheral, or marginal. The study is structured by the apparent exceptionality, scarcity, and illegality of the collection, and provides chapters on clandestine activities in European book markets, questions of censorship regimes and efficiency, the use of manuscripts in an age of print, and the history of learned magic in early modern Europe. As the collection has survived till this day in Leipzig University Library, the book provides a critical edition of the 1710 selling catalogue, which includes a brief content analysis of all extant manuscripts. The study will be of interest to scholars and students from a variety of fields, such as early modern book history, the history of magic, cultural history, the sociology of religion, or the study of Western esotericism.
This volume presents a chronological series of essays on various demonic traits and traditions handed down from classical antiquity, reinterpreted and systematized in the Middle Ages in Europe, and extending their influences to our present day and culture. The main focus lies on the adaptation and reformulation of specific demonological constellations in the fifteenth and sixteenth centuries, combining ethnological approaches with concepts of cultural history and their reflection in the arts and in literature. These superhuman and supernatural entities present us with a multitude of forms, figures, and functions - from helpful messengers and mediators to frightful and devilish antagonists of the humans they encounter. As model explanations of that which may not be explained in any other way they offer answers and interpretations of the 'Other' outside humanity as well as inside the human being.
This academic text features articles regarding paranormal, extraordinary, or fringe-science claims. It logically examines the claims of astrology; psychic ability; alternative medicine and health claims; after-death communication; cryptozoology; and faith healing, all from a skeptical perspective. Paranormal Claims is a compilation of some of the most eye-opening articles about pseudoscience and extraordinary claims that often reveal logical, scientific explanations, or an outright scam. These articles, steeped in skepticism, teach critical thinking when approaching courses in psychology, sociology, philosophy, education, or science.
The Goetia is the most famous grimoire after the Key of Solomon. The owner of this handbook of sorcery was Dr. Thomas Rudd, the most important scholar-magician of the early seventeenth century, and a magical successor to Dr. John Dee. The Goetia of Dr. Rudd explains how the 72 angels of the Shemhamphorash are used to evoke and safely bind demons--material that has not been made available in any previous edition. This rare volume contains a transcription of a hitherto unpublished manuscript of the Lemegeton and includes illustrations drawn from rare manuscripts held in the British Library.
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