The paranormal has gone mainstream.Beliefs are on the rise, with almost half of the British population, and two thirds of Americans, claiming to believe in extra sensory perceptions and hauntings. Psychic magazines like Spirit and Destiny, television shows such as Fringe, Ghost Whisperer and Most Haunted, ghost-cams and e-poltergeists, bestselling books on mind, body and spirit, and magicians like Derren Brown have moved from the outer limits to the centre of popular culture, turning paranormal beliefs and scepticism into revenue streams. Paranormal Media offers a unique, timely exploration of the extraordinary, unexplained and supernatural in popular culture, looking in unusual places in order to understand this phenomenon. Early spirit forms such as magic lantern shows or the spirit photograph are re-imagined as a search for extraordinary experiences in reality TV, ghost tourism, and live shows. Through a popular cultural ethnography, and critical analysis in social and cultural theory, this ground-breaking book by Annette Hill presents an original and rigorous examination of people's experiences of spirits and magic. In popular culture, people are players in an orchestral movement about what happens to us when we die. In a very real sense the audience is the show. This book is the story of audiences and their participation in a show about matters of life and death. Paranormal Media will be a highly interesting read for undergraduate and postgraduate students, as well as academics, on a wide range of television, media, cultural studies, and sociology courses.

Increasingly, contemporary scholarship reveals the strong connection between Victorian women and the world of the nineteenth-century supernatural. Women were intrinsically bound to the occult and the esoteric from mediums who materialised spirits to the epiphanic experiences of the New Woman, from theosophy to telepathy. This volume addresses the various ways in which Victorian women expressed themselves and were constructed by the occult through a broad range of texts. By examining the roles of women as automatic writing mediums, spiritualists, authors, editors, theosophists, socialists and how they interpreted the occult in their life and work, the contributors in this edition return to sensation novels, ghost stories, autobiographies, s?ances and fashionable magazines to access the visible and invisible worlds of Victorian life. The variety of texts analysed by the authors in this collection demonstrates the many interpretations of the occult in nineteenth-century culture and the ways that women used supernatural imagery and language to draw attention to issues that bore immediate implications on their own lives. Either by catering for the fad of ghost stories or by giving public trance speeches women harnessed the metaphorical and financial forces of the supernatural. As the articles in this book demonstrate the occult was after all a female affair. This book was published as a special issue of Women's Writing.

The paranormal has gone mainstream.Beliefs are on the rise, with almost half of the British population, and two thirds of Americans, claiming to believe in extra sensory perceptions and hauntings. Psychic magazines like Spirit and Destiny, television shows such as Fringe, Ghost Whisperer and Most Haunted, ghost-cams and e-poltergeists, bestselling books on mind, body and spirit, and magicians like Derren Brown have moved from the outer limits to the centre of popular culture, turning paranormal beliefs and scepticism into revenue streams. Paranormal Media offers a unique, timely exploration of the extraordinary, unexplained and supernatural in popular culture, looking in unusual places in order to understand this phenomenon. Early spirit forms such as magic lantern shows or the spirit photograph are re-imagined as a search for extraordinary experiences in reality TV, ghost tourism, and live shows. Through a popular cultural ethnography, and critical analysis in social and cultural theory, this ground-breaking book by Annette Hill presents an original and rigorous examination of people's experiences of spirits and magic. In popular culture, people are players in an orchestral movement about what happens to us when we die. In a very real sense the audience is the show. This book is the story of audiences and their participation in a show about matters of life and death. Paranormal Media will be a highly interesting read for undergraduate and postgraduate students, as well as academics, on a wide range of television, media, cultural studies, and sociology courses.

New collection of essays promising to re-energize the debate on Nazism's occult roots and legacies and thus our understanding of German cultural and intellectual history over the past century. Scholars have debated the role of the occult in Nazism since it first appeared on the German political landscape in the 1920s. After 1945, a consensus held that occultism - an ostensibly anti-modern, irrational blend of pseudo-religious and -scientific practices and ideas - had directly facilitated Nazism's rise. More recently, scholarly debate has denied the occult a role in shaping the Third Reich, emphasizing the Nazis' hostility to esoteric religion and alternative forms of knowledge. Bringing together cutting-edge scholarship on the topic, this volume calls for a fundamental reappraisal of these positions. The book is divided into three chronological sections. The first,on the period 1890 to 1933, looks at the esoteric philosophies and occult movements that influenced both the leaders of the Nazi movement and ordinary Germans who became its adherents. The second, on the Third Reich in power, explores how the occult and alternative religious belief informed Nazism as an ideological, political, and cultural system. The third looks at Nazism's occult legacies. In emphasizing both continuities and disjunctures, this book promises to re-open and re-energize debate on the occult roots and legacies of Nazism, and with it our understanding of German cultural and intellectual history over the past century. Contributors: Monica Black; Jeff Hayton; Oded Heilbronner; Eric Kurlander; Fabian Link and J. Laurence Hare; Anna Lux; Perry Myers; John Ondrovcik; Michael E. O'Sullivan; Jared Poley; Uwe Schellinger, Andreas Anton, and Michael T. Schetsche; Peter Staudenmaier. Monica Black is Associate Professor and Associate Head of the Department of History at the University of Tennessee, Knoxville. Eric Kurlander is J. Ollie Edmunds Chair and Professor of Modern European History at Stetson University.

The Salem Witch Trials of 1692 are a case study in hysteria and group psychology, and the cultural effects still linger centuries later. This critical study examines original trial transcripts, historical accounts, fiction and drama, film and television shows, and tourist sites in contemporary Salem, challenging the process of how history is collected and recorded. Drawing from literary and historical theory, as well as from performance studies, the book offers a new definition of presenting history and uses Salem as a tool for rethinking the relationships between the truth and the stories people tell about the past.

First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.

The Church of Satan was founded by Anton LaVey on April 30, 1966. In his hands, Satan became a provocative symbol for indulgence, vital existence, natural wisdom and the human being's true animal nature. At present, religious Satanism exists primarily as a decentralized subculture with a strong internet presence within a larger Satanic milieu in Western culture. Though most are inspired by LaVey, the majority of contemporary Satanists are not members of the Church of Satan. The various expressions of modern Satanism all navigate in today's detraditionalized religious market through the creative appropriation of popular culture, philosophy, literature and religion. The concrete solutions are varied; but they all understand the power of transgression allying oneself with a most powerful symbol of resistance, namely Satan. Thus, contemporary religious Satanism could be understood as a complex negotiation of atheism, secularism, esotericism and self: A "self-religion" in the modern age. Despite the fascinating nature of religious Satanism, it has attracted little scholarship until relatively recently. This book brings together a group of international scholars to produce the first serious book-length study of religious Satanism, presenting a collection that will have wide appeal to specialists and non-specialists alike. The first part contains broader studies of influential groups and important aspects of the Satanic milieu, especially regarding historical developments, the construction of tradition and issues of legitimacy. The second part narrows the view to regional variations, especially with studies on Northern and Eastern Europe. The third part consists of primary documents selected for their representational and informational value.

Throughout the nineteenth and early twentieth centuries, Shakespeare's ghost appeared again and again at seance tables in London, Paris, Melbourne, and Cape Town, as well as in smaller, rural settings. This study concerns itself with a now-forgotten religious group, Spiritualists, and how its ensuing discussions of Shakespeare's meaning, his writing practices, his possible collaborations, and the supposed purity and/or corruption of his texts anticipated, accompanied, or silhouetted similar debates in Shakespeare studies.

How did the witch become wicked? This is the central question of Crafting the Witch, which documents and analyzes the gendered transformation of magical figures that occurred in Arthurian romance as it developed from its earliest continental manifestations in the twelfth century to its flowering in fifteenth- and sixteenth-century England. In particular, while wizard-figures remained repositories of privileged knowledge throughout these periods, representations of witches mitigated cultural anxieties prompted by nascent capitalist economics through a rigid circumscription of femininity within the domain of the maternal. Though there are innumerable studies of witchcraft, few explore the development of the witch-figure within a continuing literary tradition that spans both the medieval and early modern periods, a process which offers a unique glimpse into the history of this powerful figure. Arthurian texts serve as a particularly useful case study for mapping the intersection of medieval and early modern discourses of literature, religion, science, and law which formed the notorious and familiar wicked witch. The witch still functions as a warning to women who reject normative conventions of ideal femininity, reminding us that while opportunity may knock, wickedness taints those who try to answer.

Personifications of evil in the form of demons, devils, spirits, vampires, and other malign entities can be found across the popular cultural spectrum. One only has to peruse the shelves of music and book stores or view the content of some of the most successful films and television series to discover evidence for the phenomenal popular fascination with the demonic other. However, rather surprisingly, this is not an area in which much research has been done. The aim of this volume is to examine the demonic foil within popular culture. Moreover, it will bring together an international team of some of most important and creative scholars in the areas of Biblical Studies, Religious Studies, and Christian Theology currently exploring the religious significance of popular culture.

This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski's work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.

This book rediscovers a spiritual way of preparing the actor towards experiencing that ineffable artistic creativity defined by Konstantin Stanislavski as the creative state. Filtered through the lens of his unaddressed Christian Orthodox background, as well as his yogic or Hindu interest, the practical work followed the odyssey of the artist, from being oneself towards becoming the character, being structured in three major horizontal stages and developed on another three vertical, interconnected levels. Throughout the book, Gabriela Curpan aims to question both the cartesian approach to acting and the realist-psychological line, generally viewed as the only features of Stanislavski's work. This book will be of great interest to theatre and performance academics as well as practitioners in the fields of acting and directing.

Witch-Hunting in Scotland presents a fresh perspective on the trial and execution of the hundreds of women and men prosecuted for the crime of witchcraft, an offence that involved the alleged practice of maleficent magic and the worship of the devil, for inflicting harm on their neighbours and making pacts with the devil.

Brian P. Levack draws on law, politics and religion to explain the intensity of Scottish witch-hunting. Topics discussed include:

• the distinctive features of the Scottish criminal justice system
• the use of torture to extract confessions
• the intersection of witch-hunting with local and national politics
• the relationship between state-building and witch-hunting and the role of James VI
• Scottish Calvinism and the determination of zealous Scottish clergy and magistrates to achieve a godly society.

This original survey combines broad interpretations of the rise and fall of Scottish witchcraft prosecutions with detailed case studies of specific witch-hunts. Witch-Hunting in Scotland makes fascinating reading for anyone with an interest in witchcraft or in the political, legal and religious history of the early modern period.

A fascinating examination of how Americans think about and write about witches, from the 'real' witches tried and sometimes executed in early New England to modern re-imaginings of witches as pagan priestesses, comic-strip heroines and feminist icons. The first half of the book is a thorough re-reading of the original documents describing witchcraft prosecutions from 1640-1700 and a re-thinking of these sources as far less coherent and trustworthy than most historians have considered them to be. The second half of the book examines how these historical narratives have transformed into myths of witchcraft still current in American society, writing and visual culture. The discussion includes references to everything from Increase Mather and Edgar Allan Poe to Joss Whedon (the writer/director of Buffy the Vampire Slayer, which includes a Wiccan character) and The Blair Witch Project.

A fascinating examination of how Americans think about and write about witches, from the 'real' witches tried and sometimes executed in early New England to modern re-imaginings of witches as pagan priestesses, comic-strip heroines and feminist icons.
The first half of the book is a thorough re-reading of the original documents describing witchcraft prosecutions from 1640-1700 and a re-thinking of these sources as far less coherent and trustworthy than most historians have considered them to be.
The second half of the book examines how these historical narratives have transformed into myths of witchcraft still current in American society, writing and visual culture. The discussion includes references to everything from Increase Mather and Edgar Allan Poe to Joss Whedon (the writer/director of Buffy the Vampire Slayer, which includes a Wiccan character) and The Blair Witch Project.

In writing this poem I have attempted to cut through so much of what we now think of as Ancient Egypt, and only the bare bones will remain. Symbolic figureheads such as Osiris and Amon will be discussed, but not elevated, and favoured centres of apparent importance or popularity will be by-passed. This will not be a book for those who wish to play tourist, dropping off here for a quick sensation, or stopping there for an imagined photo-shoot, it will be an experience for all those who wish to embrace the origin and notion of Set, and Set's values. In recording the mythical life of Set, we have applauded him. The strength and warmth of his intellect demand similar warmth in his dramatic performance throughout ancient Egyptian history. To adopt an attitude of detachment, particularly towards the ancient and unknown, can bar from sight those many scenes glimpsed by the historian who approaches the role of reconstructing an era with sympathy, insight and understanding. Neither the truth nor the equilibrium of scholarship is disturbed by controlled imagination and honest praise of this much-maligned Egyptian god. We are portraying the mythological concept and personality of Set not in order to worship a hero, but to recognise him as a leader and a hero. Set strives to take his stand against 5,000 years of a 'drift of history' with the introduction of Osirion and Amonite tradition, and a preconditioning before being replaced by Christianity.

See the history of witchcraft, magic and superstition come to life with this spectacular supernatural book! From alchemy and modern Wicca to paganism and shamanism, this enchanting book takes you on a mystical journey that will leave you spellbound. This is the perfect introduction to magic and the occult! This reference book on witchcraft is packed with: - Informative, engaging, and accessible text and lavish illustrations - Special features on aspects of magic, such as oracle bones of ancient China, the Knights Templar, and magic at the movies, and "plants and potions", such as mandrake and belladonna examine topics in great detail - Quick-fact panels that explore magic origins, key figures, key deities, use in spells, structures of religions, and more This indispensable witchcraft book explores the common human fascination with spells, superstition, and the supernatural. It provides you with a balanced and unbiased account of everything from Japanese folklore and Indian witchcraft to the differences between black and white magic and dispelling myths such as those surrounding the voodoo doll and Ouija. Expect the unexpected with A History Of Magic, Witchcraft and the Occult. It will open your eyes to other worlds. Discover forms of divination from astrology and palmistry to the Tarot and runestones. Explore the presence of witchcraft in literature from Shakespeare's Macbeth to the Harry Potter series, and the ways in which magic has interacted with religion. Whether you're a believer or a sceptic, this richly illustrated history book provides a fresh approach to the extensive and complex story of witchcraft, magic and the occult.

Rosie Strange is back in the latest of the fabulously creepy Essex Witch Museum Mysteries Secretly Rosie Strange has always thought herself a little bit more interesting than most people – the legacy her family has bequeathed her is definitely so, she’s long believed. But then life takes a peculiar turn when the Strange legacy turns out not just to be the Essex Witch Museum, but perhaps some otherworldly gifts that Rosie finds difficult to fathom. Meanwhile Sam Stone, Rosie’s curator, is oddly distracted as breadcrumb clues into what happened to his missing younger brother and other abducted boys from the past are poised to lead him and Rosie deep into a dark wood where there lurks something far scarier than Hansel and Gretel’s witch… Praise for the Essex Witch Museum Mysteries: ‘I gleefully submitted to a tale of witchcraft, feminism, mysterious strangers, historical atrocities, plucky heroines and ghastly apparitions – and came away more proud than ever to be an Essex girl.’ Sarah Perry, author of The Essex Serpent ‘Confident, down-to-earth Essex girl Rosie is an appealing character, and there is plenty of spooky fun in this spirited genre mashup.’ Guardian

Conjure calm and summon serenity with Calming Magic, a soothing introduction to the healing energy of mystical practices, aromatherapy blends, crystal rituals, and more. Use the power of intention, ritual, and spellwork to craft a more peaceful, connected life with Calming Magic. Harnessing ancient wisdom and profound magic, this enchanted guide pairs mindfulness with mysticism to help readers support the body, mind, and heart in times of stress. Organized into three sections -- Peace, Clarity and Creativity -- Calming Magic offers a pathway to tranquility, from quieting anxious thoughts and focusing the mind to cultivating the imagination. Each section incorporates magical practice that fortify the body (with teas, yoga practices and home remedies), the mind (with meditations, spells and feng shui), and the heart (with crystals, tarot readings and rituals). With primers on the foundations of mystical practices, and creative DIYs to customize rituals and spells, this beautiful volume brings magic and harmony into today's hectic world.

Comprising well over a thousand pages of densely written Aramaic, the compilation of texts known as the Zohar represents the collective wisdom of various strands of Jewish mysticism, or kabbalah, up to the thirteenth century. This massive work continues to provide the foundation of much Jewish mystical thought and practice to the present day. In this book, Pinchas Giller examines certaing sections of the Zohar and the ways in which the central doctrines of classical kabbalah took shape around them.

Beginning with an introduction to the methodology, "Parapsychology" provides the reader with a sympathetic yet critical overview of current research into unexplained phenomena including visions, telepathy, psychokinesis, divination, and out-of-body experiences. Each chapter describes the phenomena, outlines the main lines of research, discusses possible explanations for such anomalies of cognitive function, and provides suggestions for relevant further reading.
"Parapsychology"'s detailed, yet accessible coverage of the psychological study of unexplained phenomena will be welcomed by psychology and social science students and researchers.

From Nikki Van De Car, the best-selling author of Practical Magic, comes a fully-illustrated, enchanted introduction to the witch's world of modern potions, including tinctures, infusions, herbal DIYs, and magically-infused craft cocktails. Witchcraft meets cocktail craft in Potions, a contemporary introduction to the world of infusions, tisanes and herbal teas, homemade tinctures, and expertly mixed alcoholic beverages, all imbued with a healthy dose of everyday enchantment. As with all magic, intention is what makes a potion a potion, and author Nikki Van De Car uses her signature blend of holistic remedies, DIY projects, and accessible magical rituals to guide readers through the wide world of potion-making. From homebrewed kombuchas to crystal-charged cocktails, this fully illustrated guide is an essential addition to the arsenal of kitchen witches and enchanted mixologists. Organized around a series of intentions -- including Creativity, Calm, Love, Harmony, and Protection -- the chapters in this book each include teas, cocktails, kombuchas, non-alcoholic beverages, and DIY components like bitters, shrubs, and infusions, that enhance the reader's spellwork. Every recipe will involve a brief ritual of some kind, whether setting an intention, or using a crystal, sun magic, or moon magic, and each recipe will involve some form of herbal magic. Each cocktail is accompanied by a vibrant, full-color illustration, and each chapter includes longer mystical rituals to support the reader's overall magical practice.

Psychic and other exceptional experiences are surprisingly common but opinions as to their causes vary widely. Can tricks of the mind such as hallucinations, mistaken perception and errors of judgement explain such phenomena or does some yet to be understood non-sensory means of communication come into play? In Parapsychology, leading researchers from both the UK and the USA combine their expertise to form a lucid account of research into the science of psychic experience. Beginning with an introduction to the methodology, Parapsychology addresses topics including coincidence, telepathy, precognition, psychokinesis, healing, apparitions, reincarnation and out-of-body experiences. Each chapter describes the phenomenon, outlines the main lines of research and discusses the merits of possible explanations for such anomalies of cognitive function. Extensive suggestions for relevant further reading on each individual subject are provided, along with a detailed glossary of terms. Parapsychology provides an accessible and succinct overview of the research and current thinking on the subject of psychic and allied experiences. This balanced account of work in this fascinating area will be of great interest to students and researchers in psychology as well as anyone with an interest in the field.