Witches, ghosts, fairies. Premodern Europe was filled with strange creatures, with the devil lurking behind them all. But were his powers real? Did his powers have limits? Or were tales of the demonic all one grand illusion? Physicians, lawyers, and theologians at different times and places answered these questions differently and disagreed bitterly. The demonic took many forms in medieval and early modern Europe. By examining individual authors from across the continent, this book reveals the many purposes to which the devil could be put, both during the late medieval fight against heresy and during the age of Reformations. It explores what it was like to live with demons, and how careers and identities were constructed out of battles against them - or against those who granted them too much power. Together, contributors chart the history of the devil from his emergence during the 1300s as a threatening figure - who made pacts with human allies and appeared bodily - through to the comprehensive but controversial demonologies of the turn of the seventeenth century, when European witch-hunting entered its deadliest phase. This book is essential reading for all students and researchers of the history of the supernatural in medieval and early modern Europe.

Some years ago, for no obvious reason, Paul Whiteman felt compelled to analyse the mystical number 666, also known as the number of The Beast. His little mathematical revelation was followed almost immediately by a violent thunderstorm, and by a severe attack of asthma requiring urgent hospital admission. The concurrence of these scary events with his dabbling in the occult was probably coincidental. But the episode prompted Paul to further investigate numbers and the beliefs associated with them, the culmination of this research being 666 and All That. The initial chapters provide a pertinent review of the history and nature of numbers, number systems and the numbers of time. Relevant interpretations of the Revelation of St John are presented, taking into account both exoteric and esoteric views. Particular attention is given to the prevalence of sixes and sevens. This all provides the background to his interpretation of the code, 666. The obsession with numbers and supernatural apocalypses may say more about the nature of the human mind than some association with the spirit world. So far, the attempts of seers to prospectively predict a doomsday have been unimpressive. But the most likely causes of apocalyptic events in the 21st Century are, surely, rather obvious. Unchecked, they may be associated with a major evolutionary divergence - without the help of supernatural intervention. Paul discusses these issues, and the nature of the spirit that drives modern human evolution in this complex and fascinating read.

Not every lie sounds untrue. Some lies are repeated so often they seem to be common sense. That's why lies about God are so dangerous. The Gospel According to Satan examines eight lies the enemy wants us to believe and provides eight lines of counterattack against them. The lies include: God just wants you to be happy; you only live once you need to live your truth; and just let go and let God. Jared C. Wilson reveals why these lies appeal to us, shows how they harm us, and provides ways to counteract them. We can renounce Satan's counterfeit gospel, but first we must see it for what it is.

"Avery Gordon's stunningly original and provocatively imaginative book explores the connections linking horror, history, and haunting." --George Lipsitz
"The text is of great value to anyone working on issues pertaining to the fantastic and the uncanny." --American Studies International"
"Ghostly Matters" immediately establishes Avery Gordon as a leader among her generation of social and cultural theorists in all fields. The sheer beauty of her language enhances an intellectual brilliance so daunting that some readers will mark the day they first read this book. One must go back many more years than most of us can remember to find a more important book." --Charles Lemert
Drawing on a range of sources, including the fiction of Toni Morrison and Luisa Valenzuela (He Who Searches"), Avery Gordon demonstrates that past or haunting social forces control present life in different and more complicated ways than most social analysts presume. Written with a power to match its subject, Ghostly Matters" has advanced the way we look at the complex intersections of race, gender, and class as they traverse our lives in sharp relief and shadowy manifestations.
Avery F. Gordon is professor of sociology at the University of California, Santa Barbara.
Janice Radway is professor of literature at Duke University.

"The Greek magical papyri" is a collection of magical spells and formulas, hymns, and rituals from Greco-Roman Egypt, dating from the second century B.C. to the fifth century A.D. Containing a fresh translation of the Greek papyri, as well as Coptic and Demotic texts, this new translation has been brought up to date and is now the most comprehensive collection of this literature, and the first ever in English.
"The Greek Magical Papyri in Transition" is an invaluable resource for scholars in a wide variety of fields, from the history of religions to the classical languages and literatures, and it will fascinate those with a general interest in the occult and the history of magic.
"One of the major achievements of classical and related scholarship over the last decade."--Ioan P. Culianu, "Journal for the Study of Judaism"
"The enormous value of this new volume lies in the fact that these texts will now be available to a much wider audience of readers, including historians or religion, anthropologists, and psychologists."--John G. Gager, "Journal of Religion"
"[This book] shows care, skill and zest. . . . Any worker in the field will welcome this sterling performance."--Peter Parsons, "Times Literary Supplement"

This volume draws on a range of ethnographic and historical material to provide insight into witchcraft in sub-Saharan Africa. The chapters explore a variety of cultural contexts, with contributions focusing on Cameroon, Central African Republic, Ghana, Mali, Ethiopia and Eritrean diaspora. The book considers the concept of witchcraft itself, the interrelations with religion and medicine, and the theoretical frameworks employed to explain the nature of modern African witchcraft representations.

The book explores the issues of exorcism and demonic possession and its meaning on this new twentieth century. The author presents leading experts in the field of mental health, sociologists and theology which face off the classic battle royale of science versus religion and good versus evil. Framed within the most famous and widely documented exorcism case in the history of Christianity, the 1949 exorcism of a thirteen year old boy in Mt. Ranier, MD on which William Peter Blatty based his celebrated novel and later film The Exorcist, the most frightening horror film to come out of Hollywood, the author explores the controversial subject in the light of science. "Is demonic possession, like sin, one of the dead metaphors supposedly killed off by scientific spirit of the 21st century?" "Is our quest for the existence of such phenomena reflected in the human need to live in a world where evil embodies the image of Satan-the fallen angel who inhabits the inner circle of Dante's inferno?" "Is the Antichrist a living and viable force at work in our lives, awaiting his next opportunity to exert his influence as he attempts to drag the world into a state of chaos?". The author presents documents on the Mount Rainier Exorcism never before unveiled that had remained hidden in the archives of the prestigious Rhine Research Foundation, former Duke University Parapsychology Laboratory since 1949. For the first , he uncovers the mystery of the Mount Rainier Exorcism, via a rigorous scientific methodology ,and presents interviews with actual witnesses of the case and photographs of the actual sites where the mysterious events took place never before released. The author may finally settle down the mystery surrounding the Mount Rainier case and The Exorcist.

Stories of witchcraft and demonic possession from early modern England through the last official trials in colonial New England Those possessed by the devil in early modern England usually exhibited a common set of symptoms: fits, vomiting, visions, contortions, speaking in tongues, and an antipathy to prayer. However, it was a matter of interpretation, and sometimes public opinion, if these symptoms were visited upon the victim, or if they came from within. Both early modern England and colonial New England had cases that blurred the line between witchcraft and demonic possession, most famously, the Salem witch trials. While historians acknowledge some similarities in witch trials between the two regions, such as the fact that an overwhelming majority of witches were women, the histories of these cases primarily focus on local contexts and specifics. In so doing, they overlook the ways in which manhood factored into possession and witchcraft cases. Vexed with Devils is a cultural history of witchcraft-possession phenomena that centers on the role of men and patriarchal power. Erika Gasser reveals that witchcraft trials had as much to do with who had power in the community, to impose judgement or to subvert order, as they did with religious belief. She argues that the gendered dynamics of possession and witchcraft demonstrated that contested meanings of manhood played a critical role in the struggle to maintain authority. While all men were not capable of accessing power in the same ways, many of the people involved-those who acted as if they were possessed, men accused of being witches, and men who wrote possession propaganda-invoked manhood as they struggled to advocate for themselves during these perilous times. Gasser ultimately concludes that the decline of possession and witchcraft cases was not merely a product of change over time, but rather an indication of the ways in which patriarchal power endured throughout and beyond the colonial period. Vexed with Devils reexamines an unnerving time and offers a surprising new perspective on our own, using stories and voices which emerge from the records in ways that continue to fascinate and unsettle us.

The first major survey of the occult collection of artworks, letters, objects and ephemera in the Tate Archive and collection. Revealing over 150 esoteric and mystical pieces, some never before seen, this book gives a new understanding to the artists in the Tate collection and the history and practice of the occult. A lavishly illustrated magical volume acts a potent talisman connecting the two worlds of Tate - the seen public collection and the unseen secrets lurking in the archive. The pages of this book explore the hidden artworks and ephemera left behind by artists, and shed new light on our understanding of the art historical canon. It offers an in-depth exploration of the occult and its relationship to art and culture including witchcraft, alchemy, secret societies, folklore and pagan rituals, demonology, spells and magic, psychic energies, astrology and tarot. Expect to find the unexpected in the works and lives of artists such as Ithell Colquhoun, Paul Nash, Barbara Hepworth, Cecil Collins, John William Waterhouse, Alan Davie, Joe Tilson, Henry Moore, Eileen Agar, William Blake, Leonora Carrington and Pamela Colman Smith. For the first time, the clandestine, magical works of the Tate archive are revealed with archivist Victoria Jenkins exploring relationships between art and the occult, and how both can act as a form of resistance to challenging environments. This book challenges perceptions and illuminates the surprising breadth and extraordinary ways in which artists interpret not just the physical world around them but also the supernatural, to make the unseen, seen. If you think you know Tate artists, it's time to think again.

Naming the Witch explores the recent series of witchcraft accusations and killings in East Java, which spread as the Suharto regime slipped into crisis and then fell. After many years of ethnographic work focusing on the origins and nature of violence in Indonesia, Siegel came to the conclusion that previous anthropological explanations of witchcraft and magic, mostly based on sociological conceptions but also including the work of E.E. Evans-Pritchard and Claude Levi-strauss, were simply inadequate to the task of providing a full understanding of the phenomena associated with sorcery, and particularly with the ideas of power connected with it. Previous explanations have tended to see witchcraft in simple opposition to modernism and modernity (enchantment vs. disenchantment). The author sees witchcraft as an effect of culture, when the latter is incapable of dealing with accident, death, and the fear of the disintegration of social and political relations. He shows how and why modernization and witchcraft can often be companiens, as people strive to name what has hitherto been unnameable.

An initiation signals a beginning: a door opens and you step through Amanda Yates Garcia's mother initiated her into the goddess-worshipping practice of witchcraft when she was thirteen years old, but Amanda's true life as a witch only began when she underwent a series of spontaneous initiations of her own. Descending into the underworlds of poverty, sex work and misogyny, Initiated describes Amanda's journey to return to her body, harness her natural power, and finally reclaim her witchcraft to create the magical world she envisioned. Peppered with mythology, tales of the goddesses and magical women throughout history, Initiated stands squarely at the intersection of witchcraft and feminism. Amanda shows that practising magic is about more than spells and potions; magic is nothing less than claiming power for oneself and taking back our planet in the name of Love. Initiated is both memoir and manifesto, calling the magical people of the world to take up their wands, be brave, and create the enchanted world they long to live in. 'Godesses, ecstasies, fairy tales: Initiated is full of my favourite things, told with savage grace. This book will change your life.' FRANCESCA LIA BLOCK

In Freud's Early Psychoanalysis, Witch Trials and the Inquisitorial Method: The Harsh Therapy, author Kathleen Duffy asks why Freud compared his 'hysterical' patients to the accused women in the witch trials, and his 'psychoanalytical' treatment to the inquisitorial method of their judges. He wrote in 1897 to Wilhelm Fliess: 'I ... understand the harsh therapy of the witches' judges'. This book proves that Freud's view of his method as inquisitorial was both serious and accurate. In this multidisciplinary and in-depth examination, Duffy demonstrates that Freud carefully studied the witch trial literature to develop the supposed parallels between his patients and the witches and between his own psychoanalytic method and the judges' inquisitorial extraction of 'confessions', by torture if necessary. She examines in meticulous detail both the witch trial literature that Freud studied and his own case studies, papers, letters and other writings. She shows that the various stages of his developing early psychoanalytic method, from the 'Katharina' case of 1893, through the so-called seduction theory of 1896 and its retraction, to the 'Dora' case of 1900, were indeed in many respects inquisitorial and invalidated his patients' experience. This book demonstrates with devastating effect the destructive consequences of Freud's nineteenth-century inquisitorial practice. This raises the question about the extent to which his mature practice and psychoanalysis and psychotherapy today, despite great achievements, remain at times inquisitorial and consequently untrustworthy. This book will therefore be invaluable not only to academics, practitioners and students of psychoanalysis, psychotherapy, literature, history and cultural studies, but also to those seeking professional psychoanalytic or psychotherapeutic help.

Magic, which is probably as old as humanity, is a way of achieving goals through supernatural means, either benevolent (white magic) or harmful (black magic). Magic has been used in Britain since at least the Iron Age (800 BC- AD 43) - amulets made from human bone have been found on Iron Age sites in southern England. Britain was part of the Roman Empire from AD 43 to 410, and it is then we see the first written magic, in the form of curse tablets. A good deal of magic involves steps to prevent the restless dead from returning to haunt the living, and this may lie behind the decapitated and prone (face down) burials of Roman Britain. The Anglo-Saxons who settled in England in the 5th and 6th century were strong believers in magic: they used ritual curses in Anglo-Saxon documents, they wrote spells and charms, and some of the women buried in pagan cemeteries were likely practitioners of magic (wicca, or witches). The Anglo-Saxons became Christians in the 7th century, and the new "magicians" were the saints, who with the help of God, were able to perform miracles. In 1066, William of Normandy became king of England, and for a time there was a resurgence of belief in magic. The medieval church was able to keep the fear of magic under control, but after the Reformation in the mid 16th century, this fear returned, with numerous witchcraft trials in the late 16th and 17th centuries.

Opulent jeweled objects ranked among the most highly valued works of art in the European Middle Ages. At the same time, precious stones prompted sophisticated reflections on the power of nature and the experience of mineralized beings. Beyond a visual regime that put a premium on brilliant materiality, how can we account for the ubiquity of gems in medieval thought? In The Mineral and the Visual, art historian Brigitte Buettner examines the social roles, cultural meanings, and active agency of precious stones in secular medieval art. Exploring the layered roles played by gems in aesthetic, ideological, intellectual, and economic practices, Buettner focuses on three significant categories of art: the jeweled crown, the pictorialized lapidary, and the illustrated travel account. The global gem trade brought coveted jewels from the Indies to goldsmiths' workshops in Paris, fashionable bodies in London, and the crowns of kings across Europe, and Buettner shows that Europe's literal and metaphorical enrichment was predicated on the importation of gems and ideas from Byzantium, the Islamic world, Persia, and India. Original, transhistorical, and cross-disciplinary, The Mineral and the Visual engages important methodological questions about the work of culture in its material dimension. It will be especially useful to scholars and students interested in medieval art history, material culture, and medieval history.

Magic: The Basics is a concise and engaging introduction to magic in world history and contemporary societies. Presenting magic as a global phenomenon which has manifested in all human cultures, this book takes a thematic approach which explores the historical, social, and cultural aspects of magic.

Key features include:

attempts to define magic either in universal or more particular terms, and to contrast it with other broad and potentially fluid categories such as religion and science;

an examination of different forms of magical practice and the purposes for which magic has been used;

debates about magic’s effectiveness, its reality, and its morality;

an exploration of magic’s association with certain social factors, such as gender, ethnicity and education, among others.

Offering a global perspective of magic from antiquity through to the modern era and including a glossary of key terms, suggestions for further reading and case studies throughout, Magic: The Basics is essential reading for anyone seeking to learn more about the academic study of magic.

Table of Contents

Acknowledgements

Introduction: A Magical World

Chapter 1: The Meanings of Magic

Chapter 2: Magical Acts

Chapter 3: Magic Contested and Condemned

Chapter 4: Magical Identities

Chapter 5: The Reality of Magic

Chapter 6: Magic in the Modern World

Glossary

Further Reading

'The fables of witchcraft have taken so fast hold and deepe root in the heart of man, that few or none can indure with patience the hand and correction of God.' Reginald Scot, whose words these are, published his remarkable book The Discoverie of Witchcraft in 1584. England's first major work of demonology, witchcraft and the occult, the book was unashamedly sceptical. It is said that so outraged was King James VI of Scotland by the disbelieving nature of Scot's work that, on James' accession to the English throne in 1603, he ordered every copy to be destroyed. Yet for all the anger directed at Scot, and his scorn for Stuart orthodoxy about wiches, the paradox was that his detailed account of sorcery helped strengthen the hold of European demonologies in England while also inspiring the distinctively English tradition of secular magic and conjuring. Scot's influence was considerable. Shakespeare drew on The Discoverie of Witchcraft for his depiction of the witches in Macbeth. So too did fellow-playwright Thomas Middleton in his tragi-comedy The Witch. Recognising Scot's central importance in the history of ideas, Philip Almond places his subject in the febrile context of his age, examines the chief themes of his work and shows why his writings became a sourcebook for aspiring magicians and conjurors for several hundred years. England's First Demonologist makes a notable contribution to a fascinating but unjustly neglected topic in the study of Early Modern England and European intellectual history.

In contradistinction to the many monographs and edited volumes devoted to historical, cultural, or theological treatments of demonology, this collection features newly written papers by philosophers and other scholars engaged specifically in philosophical argument, debate, and dialogue involving ideas and topics in demonology. The contributors to the volume approach the subject from the perspective of the broadest areas of Western philosophy, namely metaphysics, epistemology, logic, and moral philosophy. The collection also features a plurality of religious, cultural, and theological views on the nature of demons from both Eastern and Western thought, in addition to views that may diverge from these traditional roots. Philosophical Approaches to Demonology will be of interest to philosophers of religion, theologians, and scholars working in philosophical theology and demonology, as well as historians, cultural anthropologists, and sociologists interested more broadly in the concept of demons.

When the world around you turns dark, tap into the light. If you're having a hard time finding that light, facing trauma and division, or want to send healing vibes to a friend, the inspired, easy-to-do spells of Light Magic for Dark Times can assist. Luna Luna magazine's Lisa Marie Basile shares inspired spells, rituals, and practices, including: A new moon ritual for attracting a lover A spell to banish recurring nightmares A graveyard meditation for engaging with death A mermaid ritual for going with the flow A zodiac practice for tapping into celestial mojo A rose-quartz elixir for finding self-love A spell to recharge after a protest or social justice work These 100 spells are ideal for those inexperienced with self-care rituals, as well as experienced witches. They can be cast during a crisis or to help prevent one, to protect loved ones, to welcome new beginnings, to heal from grief, or to find strength. Whether you're working with the earth, performing a cleanse with water or smoke, healing with tinctures or crystals, meditating through grief, brewing, enchanting, or communing with your coven, Light Magic for Dark Times will help you tap into your inner witch in times of need.

Demons are real; they roam our world looking for opportunities to heap destruction upon us. They are ruled by blind hatred toward humanity, and they don't discriminate. Man, woman, or child-all are fair game. Journey into the realm of these horrific creatures with a real demon hunter to see the intense carnage unleashed on an unsuspecting public. Find out how prevalent demons are in our society outside religious persuasion, consider relevant and new research, and read true stories of possession. Discover what these parasites are and what they do, understand their makeup and behaviors, and learn how to get rid of them should you become afflicted. Through trial and error, with significant physical and mental risk to the author, a new exorcism technique of binding demons is unveiled here. Against all odds, the author survives to tell his story. Consider this book a warning . . .

Perfect for Hallowe'en: haunting accounts of real-life exorcisms through the centuries, from ancient Egypt and the biblical Middle East to colonial America and twentieth-century South Africa Levitation. Feats of superhuman strength. Speaking in tongues. A hateful, glowing stare. The signs of spirit possession have been documented for thousands of years and across religions and cultures, even into our own time. Unsettling and chilling, The Penguin Book of Exorcisms brings together the most astonishing accounts: Saint Anthony set upon by demons in the form of a lion, a bull and a panther, who are no match for his devotion and prayer; the Prophet Muhammad casting an enemy of God out of a young boy; fox spirits in medieval China and Japan; a headless bear assaulting a woman in sixteenth-century England; the possession of an entire convent of Ursuline nuns in a French town; a Zulu woman who daily floated to a height of five feet; the exorcism in Earling, Iowa, in 1928 that inspired the film The Exorcist; a Filipina girl 'bitten by devils'; and a rare example of a priest's letter requesting permission of a bishop to perform an exorcism - after witnessing a boy walk backwards up a wall. . .

Discover the strange world of the undead and the proof that creatures of the night exist when you read Vampires by Konstantinos. The facts about vampires are stranger than anything you may have read, heard, or imagined before. In Vampires you'll learn the truth about the undead. It rips away the myth and exposes the habits and lifestyles of these beings. Vampires reveals the occult truths about these creatures including actual first-person encounters with vampires of all types--the ancient undead of folklore, contemporary mortal blood drinkers, and the most dangerous creatures of all: psychic vampires who intentionally drain the life force from their victims. - Learn about the four types of vampires - Read about vampire legends from around the world - Discover vampires from history, including: - Arnold Paole of Serbia - Peter Plogojowitz and the Count de Cabreras of Hungary - The vampire of Croglin Grange, Cumberland, England - Countess Elizabeth Bathory, responsible for up to 650 deaths - Gilles de Rais - Fritz Haarman, of Germany, from ninety years ago - John Haigh of Yorkshire, England, from just before WWII - And of course, the real Vlad Dracula - Present-day blood drinkers - How to protect yourself from vampires Included are letters from contemporary vampires. You will be shocked and surprised as you discover what these people are really like. Besides learning about the psychic vampire that unintentionally drains you of your energy as well as the intentional psychic vampire, you'll learn rituals for protection and methods to avoid falling into their clutches. Vampires finally reveals the truth about the undead. You will be fascinated when you discover who they were and what they are now, and you'll be grateful when you learn how to protect yourself from them. This is not a book of fantasy and imagination, but of science, history, and spirituality.

Strange Histories is an exploration of some of the most extraordinary beliefs that existed in the late Middle Ages through to the end of the seventeenth century. Presenting serious accounts of the appearance of angels and demons, sea monsters and dragons within European and North American history, this book moves away from "present-centred thinking" and instead places such events firmly within their social and cultural context. By doing so, it offers a new way of understanding the world in which dragons and witches were fact rather than fiction, and presents these riveting phenomena as part of an entirely rational thought process for the time in which they existed. This new edition has been fully updated in light of recent research. It contains a new guide to further reading as well as a selection of pictures that bring its themes to life. From ghosts to witches, to pigs on trial for murder, the book uses a range of different case studies to provide fascinating insights into the world-view of a vanished age. It is essential reading for all students of early modern history. .