Who is Lucifer? The orthodox Christian view tells us that he challenged God, fell from Heaven, tempted Eve and created death and suffering. Then he became Satan, horned king of Hell. Yet as Lynn Picknett explains, Devil was only a new incarnation of the old woodland deity Pan, while Lucifer was a personification of the Morning Star, the planet Venus and its goddess. 'He' was therefore originally 'she', and a divine representation of love, beauty and human warmth. Indeed, many ancient goddesses were known as Lucifera, or 'Light-bringer' - an honour extended to Mary Magdalene in her true role as goddess-worshipping priestess and Christ's successor. While thousands follow Lucifer in order to achieve earthly wealth and power, Picknett explains that such misguided behaviour is far from true Luciferan principles - the audacious pushing ever outwards of the limits of human knowledge, startlingly exemplified by the little-known heresies of Leonardo da Vinci. Ironically, controversial modern scientists, who see no proof of a God, much less of a Devil, may possess the key to the existence of the old archetypal adversaries.; Urging a radical shift in both religious and scientific paradigms, Pi

Not every lie sounds untrue. Some lies are repeated so often they seem to be common sense. That's why lies about God are so dangerous. The Gospel According to Satan examines eight lies the enemy wants us to believe and provides eight lines of counterattack against them. The lies include: God just wants you to be happy; you only live once you need to live your truth; and just let go and let God. Jared C. Wilson reveals why these lies appeal to us, shows how they harm us, and provides ways to counteract them. We can renounce Satan's counterfeit gospel, but first we must see it for what it is.

"The Greek magical papyri" is a collection of magical spells and formulas, hymns, and rituals from Greco-Roman Egypt, dating from the second century B.C. to the fifth century A.D. Containing a fresh translation of the Greek papyri, as well as Coptic and Demotic texts, this new translation has been brought up to date and is now the most comprehensive collection of this literature, and the first ever in English.
"The Greek Magical Papyri in Transition" is an invaluable resource for scholars in a wide variety of fields, from the history of religions to the classical languages and literatures, and it will fascinate those with a general interest in the occult and the history of magic.
"One of the major achievements of classical and related scholarship over the last decade."--Ioan P. Culianu, "Journal for the Study of Judaism"
"The enormous value of this new volume lies in the fact that these texts will now be available to a much wider audience of readers, including historians or religion, anthropologists, and psychologists."--John G. Gager, "Journal of Religion"
"[This book] shows care, skill and zest. . . . Any worker in the field will welcome this sterling performance."--Peter Parsons, "Times Literary Supplement"

This volume draws on a range of ethnographic and historical material to provide insight into witchcraft in sub-Saharan Africa. The chapters explore a variety of cultural contexts, with contributions focusing on Cameroon, Central African Republic, Ghana, Mali, Ethiopia and Eritrean diaspora. The book considers the concept of witchcraft itself, the interrelations with religion and medicine, and the theoretical frameworks employed to explain the nature of modern African witchcraft representations.

The book explores the issues of exorcism and demonic possession and its meaning on this new twentieth century. The author presents leading experts in the field of mental health, sociologists and theology which face off the classic battle royale of science versus religion and good versus evil. Framed within the most famous and widely documented exorcism case in the history of Christianity, the 1949 exorcism of a thirteen year old boy in Mt. Ranier, MD on which William Peter Blatty based his celebrated novel and later film The Exorcist, the most frightening horror film to come out of Hollywood, the author explores the controversial subject in the light of science. "Is demonic possession, like sin, one of the dead metaphors supposedly killed off by scientific spirit of the 21st century?" "Is our quest for the existence of such phenomena reflected in the human need to live in a world where evil embodies the image of Satan-the fallen angel who inhabits the inner circle of Dante's inferno?" "Is the Antichrist a living and viable force at work in our lives, awaiting his next opportunity to exert his influence as he attempts to drag the world into a state of chaos?". The author presents documents on the Mount Rainier Exorcism never before unveiled that had remained hidden in the archives of the prestigious Rhine Research Foundation, former Duke University Parapsychology Laboratory since 1949. For the first , he uncovers the mystery of the Mount Rainier Exorcism, via a rigorous scientific methodology ,and presents interviews with actual witnesses of the case and photographs of the actual sites where the mysterious events took place never before released. The author may finally settle down the mystery surrounding the Mount Rainier case and The Exorcist.

In this initiatic novel, bestselling author and acclaimed spiritual teacher Barbara Hand Clow weaves an erotically charged story of romance, deep earth forces, psychic powers, the aristocracy, and Vatican world control revealed by an ancient ruby that inspires mystical visions. Set in Rome in 2012, the story follows Sarah Adamson, a beautiful young Catholic graduate student from Boston studying at the Vatican Library for her thesis on the first Christian heretic, Marcion of Pontus. She is being courted by two utterly different men: Simon Appel, a descendent of the kabbalist Isaac Luria who covers Vatican affairs for the New York Times, and Armando Pierleoni, the scion of an ancient Italian aristocratic family with strong ties to the Vatican. After a terrible encounter with the dark side at a castle in Tuscany, Sarah is given a ring set with a ruby crystal, a powerful stone that was once the third eye of an ancient Buddha statue in Nepal. With the mystic ring on her finger, Sarah’s visionary abilities are ignited. She remembers her past life as the Sibyl of Cumae, a Roman oracle whose powers are now being channeled by the Vatican to maintain world control. As Sarah’s research and visions reveal the cause of evil in the Church and Simon’s reporting exposes the depth of the sexual abuse scandals surrounding the Vatican, the two form an alliance with an ex-lover of both Simon and Armando, Claudia, who describes secret priestly power rituals going on in Vatican City. As the heightened energies of the winter solstice of 2012 arrive and 2013 dawns, will Simon and Sarah be able to harness their divine powers for transformation? Will the Vatican seek new direction as it elects a new pope? Revealing the very nature of how evil gets into the world, this novel of romance, mystery, heresy, and spirituality uncovers the esoteric foundations for the emergence of a golden new age.

Stories of witchcraft and demonic possession from early modern England through the last official trials in colonial New England Those possessed by the devil in early modern England usually exhibited a common set of symptoms: fits, vomiting, visions, contortions, speaking in tongues, and an antipathy to prayer. However, it was a matter of interpretation, and sometimes public opinion, if these symptoms were visited upon the victim, or if they came from within. Both early modern England and colonial New England had cases that blurred the line between witchcraft and demonic possession, most famously, the Salem witch trials. While historians acknowledge some similarities in witch trials between the two regions, such as the fact that an overwhelming majority of witches were women, the histories of these cases primarily focus on local contexts and specifics. In so doing, they overlook the ways in which manhood factored into possession and witchcraft cases. Vexed with Devils is a cultural history of witchcraft-possession phenomena that centers on the role of men and patriarchal power. Erika Gasser reveals that witchcraft trials had as much to do with who had power in the community, to impose judgement or to subvert order, as they did with religious belief. She argues that the gendered dynamics of possession and witchcraft demonstrated that contested meanings of manhood played a critical role in the struggle to maintain authority. While all men were not capable of accessing power in the same ways, many of the people involved-those who acted as if they were possessed, men accused of being witches, and men who wrote possession propaganda-invoked manhood as they struggled to advocate for themselves during these perilous times. Gasser ultimately concludes that the decline of possession and witchcraft cases was not merely a product of change over time, but rather an indication of the ways in which patriarchal power endured throughout and beyond the colonial period. Vexed with Devils reexamines an unnerving time and offers a surprising new perspective on our own, using stories and voices which emerge from the records in ways that continue to fascinate and unsettle us.

The first major survey of the occult collection of artworks, letters, objects and ephemera in the Tate Archive and collection. Revealing over 150 esoteric and mystical pieces, some never before seen, this book gives a new understanding to the artists in the Tate collection and the history and practice of the occult. A lavishly illustrated magical volume acts a potent talisman connecting the two worlds of Tate - the seen public collection and the unseen secrets lurking in the archive. The pages of this book explore the hidden artworks and ephemera left behind by artists, and shed new light on our understanding of the art historical canon. It offers an in-depth exploration of the occult and its relationship to art and culture including witchcraft, alchemy, secret societies, folklore and pagan rituals, demonology, spells and magic, psychic energies, astrology and tarot. Expect to find the unexpected in the works and lives of artists such as Ithell Colquhoun, Paul Nash, Barbara Hepworth, Cecil Collins, John William Waterhouse, Alan Davie, Joe Tilson, Henry Moore, Eileen Agar, William Blake, Leonora Carrington and Pamela Colman Smith. For the first time, the clandestine, magical works of the Tate archive are revealed with archivist Victoria Jenkins exploring relationships between art and the occult, and how both can act as a form of resistance to challenging environments. This book challenges perceptions and illuminates the surprising breadth and extraordinary ways in which artists interpret not just the physical world around them but also the supernatural, to make the unseen, seen. If you think you know Tate artists, it's time to think again.

An initiation signals a beginning: a door opens and you step through Amanda Yates Garcia's mother initiated her into the goddess-worshipping practice of witchcraft when she was thirteen years old, but Amanda's true life as a witch only began when she underwent a series of spontaneous initiations of her own. Descending into the underworlds of poverty, sex work and misogyny, Initiated describes Amanda's journey to return to her body, harness her natural power, and finally reclaim her witchcraft to create the magical world she envisioned. Peppered with mythology, tales of the goddesses and magical women throughout history, Initiated stands squarely at the intersection of witchcraft and feminism. Amanda shows that practising magic is about more than spells and potions; magic is nothing less than claiming power for oneself and taking back our planet in the name of Love. Initiated is both memoir and manifesto, calling the magical people of the world to take up their wands, be brave, and create the enchanted world they long to live in. 'Godesses, ecstasies, fairy tales: Initiated is full of my favourite things, told with savage grace. This book will change your life.' FRANCESCA LIA BLOCK

Naming the Witch explores the recent series of witchcraft accusations and killings in East Java, which spread as the Suharto regime slipped into crisis and then fell. After many years of ethnographic work focusing on the origins and nature of violence in Indonesia, Siegel came to the conclusion that previous anthropological explanations of witchcraft and magic, mostly based on sociological conceptions but also including the work of E.E. Evans-Pritchard and Claude Levi-strauss, were simply inadequate to the task of providing a full understanding of the phenomena associated with sorcery, and particularly with the ideas of power connected with it. Previous explanations have tended to see witchcraft in simple opposition to modernism and modernity (enchantment vs. disenchantment). The author sees witchcraft as an effect of culture, when the latter is incapable of dealing with accident, death, and the fear of the disintegration of social and political relations. He shows how and why modernization and witchcraft can often be companiens, as people strive to name what has hitherto been unnameable.

In Freud's Early Psychoanalysis, Witch Trials and the Inquisitorial Method: The Harsh Therapy, author Kathleen Duffy asks why Freud compared his 'hysterical' patients to the accused women in the witch trials, and his 'psychoanalytical' treatment to the inquisitorial method of their judges. He wrote in 1897 to Wilhelm Fliess: 'I ... understand the harsh therapy of the witches' judges'. This book proves that Freud's view of his method as inquisitorial was both serious and accurate. In this multidisciplinary and in-depth examination, Duffy demonstrates that Freud carefully studied the witch trial literature to develop the supposed parallels between his patients and the witches and between his own psychoanalytic method and the judges' inquisitorial extraction of 'confessions', by torture if necessary. She examines in meticulous detail both the witch trial literature that Freud studied and his own case studies, papers, letters and other writings. She shows that the various stages of his developing early psychoanalytic method, from the 'Katharina' case of 1893, through the so-called seduction theory of 1896 and its retraction, to the 'Dora' case of 1900, were indeed in many respects inquisitorial and invalidated his patients' experience. This book demonstrates with devastating effect the destructive consequences of Freud's nineteenth-century inquisitorial practice. This raises the question about the extent to which his mature practice and psychoanalysis and psychotherapy today, despite great achievements, remain at times inquisitorial and consequently untrustworthy. This book will therefore be invaluable not only to academics, practitioners and students of psychoanalysis, psychotherapy, literature, history and cultural studies, but also to those seeking professional psychoanalytic or psychotherapeutic help.

Magic, which is probably as old as humanity, is a way of achieving goals through supernatural means, either benevolent (white magic) or harmful (black magic). Magic has been used in Britain since at least the Iron Age (800 BC- AD 43) - amulets made from human bone have been found on Iron Age sites in southern England. Britain was part of the Roman Empire from AD 43 to 410, and it is then we see the first written magic, in the form of curse tablets. A good deal of magic involves steps to prevent the restless dead from returning to haunt the living, and this may lie behind the decapitated and prone (face down) burials of Roman Britain. The Anglo-Saxons who settled in England in the 5th and 6th century were strong believers in magic: they used ritual curses in Anglo-Saxon documents, they wrote spells and charms, and some of the women buried in pagan cemeteries were likely practitioners of magic (wicca, or witches). The Anglo-Saxons became Christians in the 7th century, and the new "magicians" were the saints, who with the help of God, were able to perform miracles. In 1066, William of Normandy became king of England, and for a time there was a resurgence of belief in magic. The medieval church was able to keep the fear of magic under control, but after the Reformation in the mid 16th century, this fear returned, with numerous witchcraft trials in the late 16th and 17th centuries.

Now in hardcover with a fresh new look. The vast store of magical lore within the Three Books of Occult Philosophy has been an essential resource for occultists since its original publication in 1531. Donald Tyson presents these writings in their complete form, supplemented by notes and explanations to contextualise the material for the modern reader.

Opulent jeweled objects ranked among the most highly valued works of art in the European Middle Ages. At the same time, precious stones prompted sophisticated reflections on the power of nature and the experience of mineralized beings. Beyond a visual regime that put a premium on brilliant materiality, how can we account for the ubiquity of gems in medieval thought? In The Mineral and the Visual, art historian Brigitte Buettner examines the social roles, cultural meanings, and active agency of precious stones in secular medieval art. Exploring the layered roles played by gems in aesthetic, ideological, intellectual, and economic practices, Buettner focuses on three significant categories of art: the jeweled crown, the pictorialized lapidary, and the illustrated travel account. The global gem trade brought coveted jewels from the Indies to goldsmiths' workshops in Paris, fashionable bodies in London, and the crowns of kings across Europe, and Buettner shows that Europe's literal and metaphorical enrichment was predicated on the importation of gems and ideas from Byzantium, the Islamic world, Persia, and India. Original, transhistorical, and cross-disciplinary, The Mineral and the Visual engages important methodological questions about the work of culture in its material dimension. It will be especially useful to scholars and students interested in medieval art history, material culture, and medieval history.

Magic: The Basics is a concise and engaging introduction to magic in world history and contemporary societies. Presenting magic as a global phenomenon which has manifested in all human cultures, this book takes a thematic approach which explores the historical, social, and cultural aspects of magic.

Key features include:

attempts to define magic either in universal or more particular terms, and to contrast it with other broad and potentially fluid categories such as religion and science;

an examination of different forms of magical practice and the purposes for which magic has been used;

debates about magic’s effectiveness, its reality, and its morality;

an exploration of magic’s association with certain social factors, such as gender, ethnicity and education, among others.

Offering a global perspective of magic from antiquity through to the modern era and including a glossary of key terms, suggestions for further reading and case studies throughout, Magic: The Basics is essential reading for anyone seeking to learn more about the academic study of magic.

Table of Contents

Acknowledgements

Introduction: A Magical World

Chapter 1: The Meanings of Magic

Chapter 2: Magical Acts

Chapter 3: Magic Contested and Condemned

Chapter 4: Magical Identities

Chapter 5: The Reality of Magic

Chapter 6: Magic in the Modern World

Glossary

Further Reading

The author of The Green Witch, shows you how you can create your own green witch grimoire to record your favourite spells, recipes, rituals, and more. A grimoire is essential for any witch wanting to capture and record spells, rituals, and secret ingredients. And for a green witch, a perfect place to reflect upon the power of nature, and document the stones, plants, flowers, oils, and herbs used in her practice. The Green Witch's Grimoire finally is a place for all your prized knowledge. Experienced witch Arin Murphy-Hiscock guides you on your path to creating your own personal book of your most cherished magic. Continue to hone your craft and grow into the green witch you've always dreamed of as you personalize your own Green Witch's Grimoire.

The world's leading psychiatric authority on demonic possession delves into the hidden world of exorcisms and his own transformation from cynic to believer over the course of his twenty-five-year career. Successful New York psychiatrist Richard Gallagher was skeptical yet intrigued when a hard-nosed, no-nonsense Catholic priest asked him to examine a woman for a possible exorcism. Meeting her, Gallagher was astonished. The woman's behavior defied logic. In an instant, she could pinpoint a person's secret weaknesses. She knew how individuals she'd never known had died, including Gallagher's own mother, who passed away after a lengthy battle with ovarian cancer. She spoke fluently in multiple languages, including Latin-but only when she was in a trance. This was not psychosis, Gallagher concluded. It was, in his scientific estimation, what could only be describe as paranormal ability. The woman wasn't mentally disturbed-she was possessed. This remarkable case was the first of many that Gallagher would encounter. Sought after today by leaders of all faiths-ministers, priests, rabbis and imams, Gallagher has spent a quarter-century studying demonic activity and exorcisms throughout history and has witnessed more cases than any other psychiatrist in the world today. In this eerie and enthralling book, Gallagher chronicles his most famous cases for the first time, including: A professional who claimed her spiritualist mother had "assigned" her a spirit who "turned on her." A petite woman-"90 pounds soaking wet"-who threw a 200-pound Lutheran deacon across the room to the horror of onlookers in a church hall; And "Julia," the so-called Satanic queen and self-described witch, who exhibited "the most harrowing" case, a "once-in-a-century" possession. Going beyond horror movies and novels, Demonic Foes takes you deep into this hidden world, sharing in full details of these true-life tales of demonic possession.

'The fables of witchcraft have taken so fast hold and deepe root in the heart of man, that few or none can indure with patience the hand and correction of God.' Reginald Scot, whose words these are, published his remarkable book The Discoverie of Witchcraft in 1584. England's first major work of demonology, witchcraft and the occult, the book was unashamedly sceptical. It is said that so outraged was King James VI of Scotland by the disbelieving nature of Scot's work that, on James' accession to the English throne in 1603, he ordered every copy to be destroyed. Yet for all the anger directed at Scot, and his scorn for Stuart orthodoxy about wiches, the paradox was that his detailed account of sorcery helped strengthen the hold of European demonologies in England while also inspiring the distinctively English tradition of secular magic and conjuring. Scot's influence was considerable. Shakespeare drew on The Discoverie of Witchcraft for his depiction of the witches in Macbeth. So too did fellow-playwright Thomas Middleton in his tragi-comedy The Witch. Recognising Scot's central importance in the history of ideas, Philip Almond places his subject in the febrile context of his age, examines the chief themes of his work and shows why his writings became a sourcebook for aspiring magicians and conjurors for several hundred years. England's First Demonologist makes a notable contribution to a fascinating but unjustly neglected topic in the study of Early Modern England and European intellectual history.

In contradistinction to the many monographs and edited volumes devoted to historical, cultural, or theological treatments of demonology, this collection features newly written papers by philosophers and other scholars engaged specifically in philosophical argument, debate, and dialogue involving ideas and topics in demonology. The contributors to the volume approach the subject from the perspective of the broadest areas of Western philosophy, namely metaphysics, epistemology, logic, and moral philosophy. The collection also features a plurality of religious, cultural, and theological views on the nature of demons from both Eastern and Western thought, in addition to views that may diverge from these traditional roots. Philosophical Approaches to Demonology will be of interest to philosophers of religion, theologians, and scholars working in philosophical theology and demonology, as well as historians, cultural anthropologists, and sociologists interested more broadly in the concept of demons.

When the world around you turns dark, tap into the light. If you're having a hard time finding that light, facing trauma and division, or want to send healing vibes to a friend, the inspired, easy-to-do spells of Light Magic for Dark Times can assist. Luna Luna magazine's Lisa Marie Basile shares inspired spells, rituals, and practices, including: A new moon ritual for attracting a lover A spell to banish recurring nightmares A graveyard meditation for engaging with death A mermaid ritual for going with the flow A zodiac practice for tapping into celestial mojo A rose-quartz elixir for finding self-love A spell to recharge after a protest or social justice work These 100 spells are ideal for those inexperienced with self-care rituals, as well as experienced witches. They can be cast during a crisis or to help prevent one, to protect loved ones, to welcome new beginnings, to heal from grief, or to find strength. Whether you're working with the earth, performing a cleanse with water or smoke, healing with tinctures or crystals, meditating through grief, brewing, enchanting, or communing with your coven, Light Magic for Dark Times will help you tap into your inner witch in times of need.