John Beloff is one of our foremost authorities in parapsychology. He is credited with an instrumental role in the acceptance of parapsychology into academia. On April 21 and 22, 2000, a two-day international conference was held by the Koestler Parapsychology Unit of the Psychology Department at the University of Edinburgh to celebrate Beloff's eightieth birthday. Most of the essays in this work were presented at this conference honoring John Beloff. All of the contributors have published a number of articles in mainstream philosophy and their essays promote Beloff's greatest interest--a philosophical interaction with parapsychology. The book is divided into three sections and each section has three papers. The papers in the first section, "Parapsychology, Philosophy and the Mind," explore "the mind-brain problem," parapsychology and the principle of closure, and a cross-cultural perspective on dualism and the self. The second section, "Parapsychology, Self and Survival," looks at parapsychological phenomena and the sense of self, chrysalid therapy, and the problem of super psi. The third section, "Parapsychology, Religion and Spirituality," features papers that discuss parapsychology and how it relates to Hume's view of miracles, to religion, and to the origin of the Copernican hypothesis.

Interact with magical fairy folk and incorporate them into your own witchcraft practice with this detailed account of the ancient wisdom and traditions of fairies and witchcraft. Fairies have long been a part of witchcraft traditions, especially Celtic and Norse witchcraft, paganism, and other traditions deeply tied to the earth. But these fairies aren't the harmless creatures you've read about in children's tales: they are magical creatures with their own culture and rules that you need to know before venturing into their territory. Now you can explore the world of the fairies and how their magic relates to your own witchcraft practice with The Modern Witchcraft Book of Fairies. This book provides you with all the information you need to know about the different types of fae folk and how you can safely interact with them to make the most of your witchcraft practice.

This title includes a 2 DVD set. Christopher S Hyatt, Ph.D., Adv. M.ED. was trained in psycho-physiology and clinical psychology. As a research scientist he has published numerous peer-reviewed articles in professional journals and was a Research Fellow at the University of Toronto and the University of Southern California. He fled the world of academia and state sponsored psychology to become an explorer of the human mind ...creating such devices as the "Radical Undoing Series". He is now a world-famous author of a wide variety of books, CDs, and DVDs on post-modern psychology, sex, tantra, kundalini and mysticism ...and an advocate of brain exploration.

Offers a full introduction to and survey of runes and runology: their history, how they were used, and their interpretation. Runes, often considered magical symbols of mystery and power, are in fact an alphabetic form of writing. Derived from one or more Mediterranean prototypes, they were used by Germanic peoples to write different kinds of Germanic language, principally Anglo-Saxon and the various Scandinavian idioms, and were carved into stone, wood, bone, metal, and other hard surfaces; types of inscription range from memorials to the dead, through Christian prayers and everyday messages to crude graffiti. First reliably attested in the second century AD, runes were in due course supplanted by the roman alphabet, though in Anglo-Saxon England they continued in use until the early eleventh century, inScandinavia until the fifteenth (and later still in one or two outlying areas). This book provides an accessible, general account of runes and runic writing from their inception to their final demise. It also covers modern uses of runes, and deals with such topics as encoded texts, rune names, how runic inscriptions were made, runological method, and the history of runic research. A final chapter explains where those keen to see runic inscriptions can most easily find them. Professor MICHAEL P, BARNES is Emeritus Professor of Scandinavian Studies, University College London.

Stephen A. Mitchell here offers the fullest examination available of witchcraft in late medieval Scandinavia. He focuses on those people believed to be able-and who in some instances thought themselves able-to manipulate the world around them through magical practices, and on the responses to these beliefs in the legal, literary, and popular cultures of the Nordic Middle Ages. His sources range from the Icelandic sagas to cultural monuments much less familiar to the nonspecialist, including legal cases, church art, law codes, ecclesiastical records, and runic spells. Mitchell's starting point is the year 1100, by which time Christianity was well established in elite circles throughout Scandinavia, even as some pre-Christian practices and beliefs persisted in various forms. The book's endpoint coincides with the coming of the Reformation and the onset of the early modern Scandinavian witch hunts. The terrain covered is complex, home to the Germanic Scandinavians as well as their non-Indo-European neighbors, the Sami and Finns, and it encompasses such diverse areas as the important trade cities of Copenhagen, Bergen, and Stockholm, with their large foreign populations; the rural hinterlands; and the insular outposts of Iceland and Greenland. By examining witches, wizards, and seeresses in literature, lore, and law, as well as surviving charm magic directed toward love, prophecy, health, and weather, Mitchell provides a portrait of both the practitioners of medieval Nordic magic and its performance. With an understanding of mythology as a living system of cultural signs (not just ancient sacred narratives), this study also focuses on such powerful evolving myths as those of "the milk-stealing witch," the diabolical pact, and the witches' journey to Blakulla. Court cases involving witchcraft, charm magic, and apostasy demonstrate that witchcraft ideologies played a key role in conceptualizing gender and were themselves an important means of exercising social control.

Suppose you could ask God the most puzzling questions about existence--questions about love and faith, life and death, good and evil.

Supose God provided clear, understandable answers.

It happened to Neale Donald Walsch. It can happen to you.

You are about to have a conversation.


Walsch's fascinating three-year conversation with God about every aspect of life and living began in 1992, Walsch says, when he was struggling financially and his health and relationships were suffering. Out of frustration, he composed an angry, passionate letter to God demanding to know why his life was in such turmoil. To his amazement, when he was finished, he was moved to continue writing as God answered back. The book that grew from that first experience addresses the real life issues we all face at work, at home, and out in the world, as well as the larger questions of the nature of God and his relationship to man.

How does Walsch know that God was actually talking to him? "The book contains concepts and information beyond anything I've ever thought of," says Walsch. "But more importantly, I've found out through other readers that there are hundreds of people that have had this same experience. This book has allowed them to speak out."

Walsch claims that God speaks to everyone all the time, that we're just not listening. "Have you ever been struck by a song lyric or the cover story of a magazine you suddenly pass on a newsstand that seems to answer a question you've had? Have you ever met someone for the first time and had that person mention something out of the blue that's been on your mind? Have you ever gone to church and thought the minister must have read your mail, because he seems to be talking directly to you? We often write things off to coincidence that we should give God credit for."

Rediscovering Renaissance Witchcraft is an exploration of witchcraft in the literature of Britain and America from the 16th and 17th centuries through to the present day. As well as the themes of history and literature (politics and war, genre and intertextuality), the book considers issues of national identity, gender and sexuality, race and empire, and more. The complex fascination with witchcraft through the ages is investigated, and the importance of witches in the real world and in fiction is analysed. The book begins with a chapter dedicated to the stories and records of witchcraft in the Renaissance and up until the English Civil War, such as the North Berwick witches and the work of the 'Witch Finder Generall' Matthew Hopkins. The significance of these accounts in shaping future literature is then presented through the examination of extracts from key texts, such as Shakespeare's Macbeth and Middleton's The Witch, among others. In the second half of the book, the focus shifts to a consideration of the Romantic rediscovery of Renaissance witchcraft in the eighteenth century, and its further reinvention and continued presence throughout the nineteenth, twentieth and twenty-first centuries, including the establishment of witchcraft studies as a subject in its own right, the impact of the First World War and end of the British Empire on witchcraft fiction, the legacy of the North Berwick, Hopkins and Salem witch trials, and the position of witchcraft in culture, including filmic and televisual culture, today. Equipped with an extensive list of primary and secondary sources, Rediscovering Renaissance Witchcraft is essential reading for all students of witchcraft in modern British and American culture and early modern history and literature.

Witchcraft's legacy is full of myth, magick and ancient archetypes. In the 21st century, these may feel more distant than ever, but in uncertain times, harnessing the energy of the maiden, the mother, and the crone are more empowering than ever. A guide to all things magick, Bewitched snakes through the types of witches, deities, astrological influences, and how to harness the powers within. Simmering with spells and beautiful illustration, this book is a visual guide through the world of witchcraft. Accessible and lavish, this book is the perfect artefact for any altar (with guidance on how to build one).

A beautiful and inspirational guide to colour and its magic. Magic can take many forms, whether it be a desire, a wish, or a spell. It can even be a simple act of kindness for friends and family, and importantly for yourself too - like a lovingly hand-made object, a comforting meal or a home-cooked gift. Many people are turning to alternative ways to find connection and meaning. Something as simple as, 'Are you ok?' has great strength, power and empathy. Thoughtfulness is key and this book has kindness at the heart of its magic to create a more forgiving and considerate community. Curated into colour chapters, Sam takes a look at each colour and what it represents. The book brims full of magical spells, poems, charms, rituals, recipes, makes and wishes to create a helpful guide - a comfort, a tonic - something that is available to everyone, whether you feel like you are a witch or not. Chapters are: White, Yellow & Orange, Red, Pink, Violet, Blue, Green, Brown, Black & Grey, Silver & Gold Projects include: Orange blossom spell, Clay incense holder, Lucky red wrist ribbon, Hanging crystal grotto, Witch's knots, Friendship jar spell, Crescent moon and amethyst make, Making a wand, Secret message jewellery, Moon biscuits.

How can researchers study magic without destroying its mystery? Drawing on a collaborative project between the playwright Poppy Corbett, the poet Anna Kisby Compton, and the historian William G. Pooley, this Element presents thirteen tools for creative-academic research into magic, illustrated through case studies from France (1790-1940) and examples from creative outputs: write to discover; borrow forms; use the whole page; play with footnotes; erase the sources; write short; accumulate fragments; re-enact; improvise; use dialogue; change perspective; make methods of metaphors; use props. These tools are ways to 'untell' the dominant narratives that shape stereotypes of the 'witch' which frame belief in witchcraft as ignorant and outdated. Writing differently suggests ways to think and feel differently, to stay with the magic, rather than explaining it away. The Element includes practical creative exercises to try as well as research materials from French newspaper and trial sources from the period.

The tyrannous Huntsmen have declared everyone in one village to be outlaws, since they insist on supporting the magical beings of neighbouring Darkwood. Why won't they accept that magic is an abomination? Far from being abominable, the residents of Darkwood are actually very nice when you get to know them, even Snow the White Knight, who can get a bit tetchy when people remind her she's a Princess. In order to stop the Huntsmen from wiping out all magical beings, Snow and her friends have to venture into the Badlands of Ashtrie, and seek the support of the Glass Witch - but she has plans of her own, and let's just say they're not good ones.

Rosie Strange is back in the latest of the fabulously creepy Essex Witch Museum Mysteries Secretly Rosie Strange has always thought herself a little bit more interesting than most people – the legacy her family has bequeathed her is definitely so, she’s long believed. But then life takes a peculiar turn when the Strange legacy turns out not just to be the Essex Witch Museum, but perhaps some otherworldly gifts that Rosie finds difficult to fathom. Meanwhile Sam Stone, Rosie’s curator, is oddly distracted as breadcrumb clues into what happened to his missing younger brother and other abducted boys from the past are poised to lead him and Rosie deep into a dark wood where there lurks something far scarier than Hansel and Gretel’s witch… Praise for the Essex Witch Museum Mysteries: ‘I gleefully submitted to a tale of witchcraft, feminism, mysterious strangers, historical atrocities, plucky heroines and ghastly apparitions – and came away more proud than ever to be an Essex girl.’ Sarah Perry, author of The Essex Serpent ‘Confident, down-to-earth Essex girl Rosie is an appealing character, and there is plenty of spooky fun in this spirited genre mashup.’ Guardian

Ritual deposition is not an activity that many people in the Western world would consider themselves participants of. The enigmatic beliefs and magical thinking that led to the deposition of swords in watery places and votive statuettes in temples, for example, may feel irrelevant to the modern day. However, it could be argued that ritual deposition is a more widespread feature now than in the past, with folk assemblages - from roadside memorials and love-lock bridges, to wishing fountains and coin-trees - emerging prolifically worldwide. Despite these assemblages being as much the result of ritual activity as historically deposited objects, they are rarely given the same academic attention or heritage status. As well as exploring the nature of ritual deposition in the contemporary West, and the beliefs and symbolisms behind various assemblages, this Element explores the heritage of the modern-day deposit, promoting a renegotiation of the pejorative term 'ritual litter'.

Katharine Briggs enjoys an unchallenged reputation in the world of folklore studies. The theme of this volume, the witch figure as a malevolent intermediary in folk belief, was chosen to reflect that aspect of Briggs's scholarship exemplified in her study of witchcraft, Pale Hecate's Team. The contributors draw on the disciplines of archaeology, comparative religion, sociology and literature and include: Carmen Blacker, H.R. Ellis Davidson, Margaret Dean-Smith, L.V. Grinsell, Christina Hole, Venetia Newall, Geoffrey Parrinder, Anne Ross, Jacqueline Simpson, Beatrice White, John Widdowson. Originally published in 1973.

In Freud's Early Psychoanalysis, Witch Trials and the Inquisitorial Method: The Harsh Therapy, author Kathleen Duffy asks why Freud compared his 'hysterical' patients to the accused women in the witch trials, and his 'psychoanalytical' treatment to the inquisitorial method of their judges. He wrote in 1897 to Wilhelm Fliess: 'I ... understand the harsh therapy of the witches' judges'. This book proves that Freud's view of his method as inquisitorial was both serious and accurate. In this multidisciplinary and in-depth examination, Duffy demonstrates that Freud carefully studied the witch trial literature to develop the supposed parallels between his patients and the witches and between his own psychoanalytic method and the judges' inquisitorial extraction of 'confessions', by torture if necessary. She examines in meticulous detail both the witch trial literature that Freud studied and his own case studies, papers, letters and other writings. She shows that the various stages of his developing early psychoanalytic method, from the 'Katharina' case of 1893, through the so-called seduction theory of 1896 and its retraction, to the 'Dora' case of 1900, were indeed in many respects inquisitorial and invalidated his patients' experience. This book demonstrates with devastating effect the destructive consequences of Freud's nineteenth-century inquisitorial practice. This raises the question about the extent to which his mature practice and psychoanalysis and psychotherapy today, despite great achievements, remain at times inquisitorial and consequently untrustworthy. This book will therefore be invaluable not only to academics, practitioners and students of psychoanalysis, psychotherapy, literature, history and cultural studies, but also to those seeking professional psychoanalytic or psychotherapeutic help.

The little-studied witchcraft trial that took place at Abiquiu, New Mexico, between 1756 and 1766 is the centerpiece of this book. The witchcraft outbreak took place less than a century after the Pueblo Revolt and symbolized a resistance by the Genzaros (hispanicized Indians) of Abiquiu to forced Christianization.

The Abiquiu Genzaro land grant where the witchcraft outbreak occurred was the crown jewel of Governor Vlez Cachupns plan to achieve peace for the early New Mexican colonists. They were caught between the Pueblo Indians' resistance to Christianization and raids by the nomadic indio barbaros that threatened the existence of the colony. Thanks mainly to the governor's strategy, peace was achieved with the Comanches and Utes, the Pueblo Indians retained their religious ceremonies, and the Abiqui Pueblo land grant survived and flourished.

"The Witches of Abiquiu" is the story of a polarizing event in New Mexico history equal in importance to the Salem witchcraft trials of 1692.

Over half a century after the defeat of the Third Reich, the complexities of Nazi ideology are still being unravelled. This text is a serious attempt to identify these ideological origins. It demonstrates the way in which Nazism was influenced by powerful occult and millenarian sects that thrived in Germany and Austria at the turn of the century. Their ideas and symbols filtered through to nationalist-racist groups associated with the infant Nazi party and their fantasies were played out with terrifying consequences in the Third Reich: Auschwitz, Sobibor and Treblinka are the hellish museums of the Nazi apocalypse. This bizarre and fascinating story contains lessons we cannot afford to ignore.

If you think ghosts are only responsible for hauntings, think again. The Demonologist reveals the grave religious process behind supernatural events and how it can happen to you. Used as a text in seminaries and classrooms, this is one book you can't put down. Illustrated with photos of phenomena in progress from the Warrens' private collection.

For over five decades Ed and Lorraine Warren have been known as the world's most renowned paranormal investigators. Lorraine is a gifted clairvoyant, while Ed is the only non-ordained demonologist recognized by the Catholic Church. Together they have investigated thousands of hauntings in their career.

The History of the Devil (1900) is a philosophical study by Paul Carus. A lifelong Monist, Carus sought to apply a scientific analysis to the principles of humanity's religions. Credited with bridging the gap between Eastern and Western beliefs, Carus believed that the dualism rampant in the West could be replaced in order to establish a more equitable world where difference and diversity would be accepted and nurtured, rather than suppressed. "This world of ours is a world of opposites. There is light and shade, there is heat and cold, there is good and evil, there is God and the Devil. The dualistic conception of nature has been a necessary phase in the evolution in human thought." Recognizing the need for dualism in the history of humanity, Carus sought to promote the principles of Monism in the West, believing it could lead to a universal worldview capable of uniting East and West. A positivist and pantheist, Carus believed that by pursuing "in religion the same path that science travels, [...] the narrowness of sectarianism [would] develop into a broad cosmical religion which shall be as wide and truly catholic as is science itself." To lay the groundwork for this "cosmical religion," he investigates the figure of the Devil and the historical evolution of the concept of evil, which he saw as predating belief in goodness and God. With a beautifully designed cover and professionally typeset manuscript, this edition of Paul Carus' The History of the Devil is a classic of philosophy reimagined for modern readers.

Witchcraft is rarely mentioned in official documents of the contemporary Roman Catholic church, but ideas about the dangers of witchcraft and other forms of occultism underpin the recent revival of interest in exorcism in the church. This Element examines hierarchical and clerical understandings of witchcraft within the contemporary Roman Catholic church. The Element considers the difficulties faced by clergy in parts of the developing world, where belief in witchcraft is so dominant it has the potential to undermine the church's doctrine and authority. The Element also considers the revival of interest in witchcraft and cursing among Catholic demonologists and exorcists in the developed world. The Element explores whether it is possible for a global church to adopt any kind of coherent approach to a phenomenon appraised so differently across different cultures that the church's responses to witchcraft in one context are likely to seem irrelevant in another.

This is the first published edition of a fascinating manuscript on witchcraft in the collection of the British Library, written by an unknown sixteenth-century scholar. Responding to a pre-publication draft of Reginald Scot's sceptical Discoverie of Witchcraft (1584), the treatise represents the most detailed defence of witchcraft belief to be written in the early modern period in England. It highlights in detail the scriptural and theological justifications for a belief in witches, covering ground that may well have been considered too sensitive for print publications and presenting learned arguments not found in any other contemporary English work. Consequently, it offers a unique insight into elite witchcraft belief dating from the very beginning of the English witchcraft debate. This edition, which includes a comprehensive analytical introduction, presents the treatise with modernised spelling and relevant excerpts from Scot's book. -- .

Examining the intersection of occult spirituality, text, and gender, this book provides a compelling analysis of the occult revival in literature from the 1880s through the course of the twentieth century. Bestselling novels such as The Da Vinci Code play with magic and the fascination of hidden knowledge, while occult and esoteric subjects have become very visible in literature during the twentieth century. This study analyses literature by women occultists such as Alice Bailey, Dion Fortune, and Starhawk, and revisits texts with occult motifs by canonical authors such as Sylvia Townsend Warner, Leonora Carrington, and Angela Carter. This material, which has never been analysed in a literary context, covers influential movements such as Theosophy, Spiritualism, Golden Dawn, Wicca, and Goddess spirituality. Wallraven engages with the question of how literature functions as the medium for creating occult worlds and powerful identities, particularly the female Lucifer, witch, priestess, and Goddess. Based on the concept of ancient wisdom, the occult in literature also incorporates topical discourses of the twentieth century, including psychoanalysis, feminism, pacifism, and ecology. Hence, as an ever-evolving discursive universe, it presents alternatives to religious truth claims that often lead to various forms of fundamentalism that we encounter today. This book offers a ground-breaking approach to interpreting the forms and functions of occult texts for scholars and students of literary and cultural studies, religious studies, sociology, and gender studies.

The ancient Egyptians were firmly convinced of the importance of magic, which was both a source of supernatural wisdom and a means of affecting one's own fate. The gods themselves used it for creating the world, granting mankind magical powers as an aid to the struggle for existence. Magic formed a link between human beings, gods, and the dead. Magicians were the indispensable guardians of the god-given cosmic order, learned scholars who were always searching for the Magic Book of Thoth, which could explain the wonders of nature. Egyptian Magic, illustrated with wonderful and mysterious objects from European museum collections, describes how Egyptian sorcerers used their craft to protect the weakest members of society, to support the gods in their fight against evil, and to imbue the dead with immortality, and explores the arcane systems and traditions of the occult that governed this well-organized universe of ancient Egypt.

The Routledge History of Medieval Magic brings together the work of scholars from across Europe and North America to provide extensive insights into recent developments in the study of medieval magic between c.1100 and c.1500. This book covers a wide range of topics, including the magical texts which circulated in medieval Europe, the attitudes of intellectuals and churchmen to magic, the ways in which magic intersected with other aspects of medieval culture, and the early witch trials of the fifteenth century. In doing so, it offers the reader a detailed look at the impact that magic had within medieval society, such as its relationship to gender roles, natural philosophy, and courtly culture. This is furthered by the book's interdisciplinary approach, containing chapters dedicated to archaeology, literature, music, and visual culture, as well as texts and manuscripts. The Routledge History of Medieval Magic also outlines how research on this subject could develop in the future, highlighting under-explored subjects, unpublished sources, and new approaches to the topic. It is the ideal book for both established scholars and students of medieval magic.