This thought-provoking collection of magical texts from ancient Egypt shows the exotic rituals, esoteric healing practices, and incantatory and supernatural dimensions that flowered in early Christianity. These remarkable Christian magical texts include curses, spells of protection from "headless powers" and evil spirits, spells invoking thunderous powers, descriptions of fire baptism, and even recipes from a magical "cookbook." Virtually all the texts are by Coptic Christians, and they date from about the 1st-12th centuries of the common era, with the majority from late antiquity. By placing these rarely seen texts in historical context and discussing their significance, the authors explore the place of healing, prayer, miracles, and magic in the early Christian experience, and expand our understanding of Christianity and Gnosticism as a vital folk religion.

London, more than any other city, has a secret history concealed from view. Behind the official facade promoted by the heritage industry, lies a city of esoteric traditions, obscure institutions, and forgotten locations. Occult London rediscovers this history, unearthing the hidden city that lies beneath our own. From the Elizabethan magic of Dr Dee and Simon Forman, to the occult designs of Wren and Hawksmoor; from the Victorian London of Spring-Heeled Jack, to the fin de siecle heyday of Madame Blavatsky and Aleister Crowley. This book describes these practitioners of the occult and their unorthodox beliefs, alongside the myths and legends through which the city has always been perceived. The role of the occult within London's literary history is also outlined, while a gazetteer maps the sites of London's most resonant occult locations. Today we are experiencing a renewal of interest in the occult tradition, and Merlin Coverley examines the roots of this revival, exploring the rise of New Age philosophies and the emergence of psychogeography in shaping a new vision of the city.

Magician, Poet and Seer, Victor Neuburg was the disciple of Aleister Crowley and literary godfather of Dylan Thomas. Really two books in one. Firstly a record of one man's extraordinary journey to magical enlightenment. Secondly the story of the Aleister Crowley, the magus who summoned Neuburg to join him in the quest. The book opens with the author's entry into the group of young poets including Dylan Thomas and Pamela Hansford Johnson. They gather around Victor Neuburg in 1935 when he is poetry editor of the Sunday Referee. Gradually the author becomes aware of his strange and sinister past, in which Neuburg was associated in magic with Aleister Crowley. Neuburg had been Crowley's partner in magical rituals in the desert and in rites even more dangerous and controversial. The author sought out the truth behind the rumours and with her intuitive understanding of deeper things presents a sympathetic and compelling biography. 'Vicky encouraged me as no one else has done, ' Dylan Thomas declared on hearing of Neuburg's death. 'He possessed many kinds of genius, and not the least was his genius for drawing to himself, by his wisdom, graveness, great humour and innocence, a feeling of trust and love, that won't ever be forgotten.' ' . . . there was a whiff of sulphur abroad, and all of us would have liked to know the truth of the Aleister Crowley's legends, the truth of the witch-like baroness called Cremers, the abandonment of Neuburg in the desert.' - Pamela Hansford Johnson

2011 Reprint of 1929 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Francesco Maria Guazzo was an Italian priest in Milan. In the "Compendium Maleficarum" (Compendium of the Witches), he cites numerous experts on the subject, among them Nicholas Remy. He describes the eleven formulas or ceremonies previous to the vow to Satan, allegedly necessary to participate of the Sabbath; besides, Guazzo offers detailed descriptions of the sexual relationships between men and succubi, and women and incubi. The book was not translated into English until 1929, when this was accomplished under the direction of the witchcraft scholar Montague Summers. It discusses witches' alleged powers to transport themselves from place to place, create living things, make beasts talk and the dead reappear. Also discusses witches' powers, poisons and crimes, sleep-inducing spells and methods for removing them, apparitions of demons and specters and more. Guazzo also established also a classification of the demons, inspired by a previous work by Michael Psellus.

A landmark contribution to women's history that sheds new light on the Salem witch trials and one of its most crucial participants, Tituba of The Crucible In this important book, Elaine Breslaw claims to have rediscovered Tituba, the elusive, mysterious, and often mythologized Indian woman accused of witchcraft in Salem in 1692 and immortalized in Arthur Miller's The Crucible. Reconstructing the life of the slave woman at the center of the notorious Salem witch trials, the book follows Tituba from her likely origins in South America to Barbados, forcefully dispelling the commonly-held belief that Tituba was African. The uniquely multicultural nature of life on a seventeenth-century Barbadan sugar plantation—defined by a mixture of English, American Indian, and African ways and folklore—indelibly shaped the young Tituba's world and the mental images she brought with her to Massachusetts. Breslaw divides Tituba’s story into two parts. The first focuses on Tituba's roots in Barbados, the second on her life in the New World. The author emphasizes the inextricably linked worlds of the Caribbean and the North American colonies, illustrating how the Puritan worldview was influenced by its perception of possessed Indians. Breslaw argues that Tituba’s confession to practicing witchcraft clearly reveals her savvy and determined efforts to protect herself by actively manipulating Puritan fears. This confession, perceived as evidence of a diabolical conspiracy, was the central agent in the cataclysmic series of events that saw 19 people executed and over 150 imprisoned, including a young girl of 5. A landmark contribution to women's history and early American history, Tituba, Reluctant Witch of Salem sheds new light on one of the most painful episodes in American history, through the eyes of its most crucial participant.

THE FINAL FREY & McGRAY MYSTERY All will be revealed... * * * * * The Devil Has Come to Edinburgh... An ill-fated grave-robbery unearths a corpse with a most disturbing symbol on it. When a patient in Edinburgh's lunatic asylum is murdered, the same sign is daubed in blood on the walls - the mark of the devil. The prime suspect: inmate Amy McGray, notorious for killing her parents years before. Her brother, Detective 'Nine-Nails' McGray, must prove her innocence - with the help of an old friend . . . Inspector Ian Frey insists he is retired. But when called upon, he reluctantly agrees to their final case. As twists follow bombshells, leading to secrets that have been waiting in the shadows all along, all will be revealed . . . This rollicking Victorian sensationalist melodrama is the epic conclusion to the marvellous Frey & McGray mysteries.

In "The Devil and Philosophy," 34 philosophers explore questions about one of the most recognizable and influential characters (villains?) of all time. From Roman Polanski's "The Ninth Gate" to J. R. R. Tolkien's "The Silmarillion" to Bram Stoker's "Dracula" to Darth Vader to Al Pacino's iconic performance in "The Devil's Advocate," this book demonstrates that a little devil goes a long way. From humorous appearances, as in Kevin Smith's film "Dogma" and Chuck Palahniuk's novels "Damned" and "Doomed," to more villainous appearances, such as Gabriel Byrne's cold outing as Satan in "End of Days," "The Devil in Philosophy" proves that the Devil comes in many forms.
Are there any good arguments for the actual existence of the Devil? Does demonic evil thrive in Gotham City? Can humans really be accountable for all evil? Which truths about the Devil are actual facts? Is Milton correct, in that the Devil believes he is doing good? Through the lenses of Jung, Kant, Kundera, Balkan, Plato, Bradwardine, Aristotle, Hume, Blackburn, Descartes, Lavey, Thoreau, and Aquinas, "The Devil and Philosophy" takes a philosophical look at one of time's greatest characters.

Poison Prescriptions is a stunningly illustrated grimoire of some of the most notorious plants: henbane, datura, belladonna, among others. It is also a practical guide to plant magic, medicine and ritual, offering advice to professional and home herbalists, to those interested in forgotten lore and the old ways, and to all those who wish to reclaim control of their own wellbeing. This book urges the resurrection of the ancient tradition of using these witching herbs in ritual and medicine. Now is the time to relink magic and medicine in the context of modern herbalism and contemporary witchcraft. Discover: Safe ways of interacting with the witching herbs to usher in wellbeing and healing. Practical activities ranging from meditations and folklore writing to wreath making and beer brewing. Step-by-step instructions to creating the powerful witches' Flying Ointment and using it in ritual, sex magic and lucid dreaming.

Heinrich Cornelius Agrippa (1486 1535) was a controversial Renaissance theologian and writer who published work on the occult and magic, and his writings influenced later leading literary figures such as Goethe. Agrippa, although born near Cologne, spent his life travelling around Europe, to Italy, Spain, France, England, Switzerland and the Netherlands. He wrote his De occulta philosophia in 1511 (though it was not published until twenty years later) and its three volumes are the best-known works on Renaissance magic, though Agrippa tried to distance himself from the occult side and instead stress more metaphysical aspects. In Henri Corn lis Agrippa, published in 1911, writer Joseph Orsier examines Agrippa's life. The first part of the work discusses Agrippa's travels, writings, thoughts and controversies. The second part is a translation collection of seventy of his letters, dating from 1509 to 1532, to and from a range of correspondents, including Erasmus.

Harry Gilmore has no idea of the terrible danger he faces when he meets a beautiful girl in a local student bar. Drugged and abducted, Harry wakes up in a secure wooden compound deep in the Welsh countryside, where he is groomed by the leaders of a manipulative cult, run by the self-proclaimed new messiah known as The Master. When the true nature of the cult becomes apparent, Harry looks for any opportunity to escape. But as time passes, he questions if The Master's extreme behavior and teachings are the one true religion. With Harry's life hanging by a thread, a team of officers, led by Detective Inspector Laura Kesey, investigate his disappearance. But will they find him before it's too late? *Previously published as The Girl in White*

Beginning in January 1692, Salem Village in colonial Massachusetts witnessed the largest and most lethal outbreak of witchcraft in early America. Villagers-mainly young women-suffered from unseen torments that caused them to writhe, shriek, and contort their bodies, complaining of pins stuck into their flesh and of being haunted by specters. Believing that they suffered from assaults by an invisible spirit, the community began a hunt to track down those responsible for the demonic work. The resulting Salem Witch Trials, culminating in the execution of 19 villagers, persists as one of the most mysterious and fascinating events in American history. Historians have speculated on a web of possible causes for the witchcraft that stated in Salem and spread across the region-religious crisis, ergot poisoning, an encephalitis outbreak, frontier war hysteria-but most agree that there was no single factor. Rather, as Emerson Baker illustrates in this seminal new work, Salem was "a perfect storm": a unique convergence of conditions and events that produced something extraordinary throughout New England in 1692 and the following years, and which has haunted us ever since. Baker shows how a range of factors in the Bay colony in the 1690s, including a new charter and government, a lethal frontier war, and religious and political conflicts, set the stage for the dramatic events in Salem. Engaging a range of perspectives, he looks at the key players in the outbreak-the accused witches and the people they allegedly bewitched, as well as the judges and government officials who prosecuted them-and wrestles with questions about why the Salem tragedy unfolded as it did, and why it has become an enduring legacy. Salem in 1692 was a critical moment for the fading Puritan government of Massachusetts Bay, whose attempts to suppress the story of the trials and erase them from memory only fueled the popular imagination. Baker argues that the trials marked a turning point in colonial history from Puritan communalism to Yankee independence, from faith in collective conscience to skepticism toward moral governance. A brilliantly told tale, A Storm of Witchcraft also puts Salem's storm into its broader context as a part of the ongoing narrative of American history and the history of the Atlantic World.