The world’s leading psychiatric authority on demonic possession delves into the hidden world of exorcisms and his own transformation from cynic to believer over the course of his twenty-five-year career. Successful New York psychiatrist Richard Gallagher was skeptical yet intrigued when a hard-nosed, no-nonsense Catholic priest asked him to examine a woman for a possible exorcism. Meeting her, Gallagher was astonished. The woman’s behavior defied logic. In an instant, she could pinpoint a person’s secret weaknesses. She knew how individuals she’d never known had died, including Gallagher’s own mother, who passed away after a lengthy battle with ovarian cancer. She spoke fluently in multiple languages, including Latin—but only when she was in a trance. This was not psychosis, Gallagher concluded. It was, in his scientific estimation, what could only be describe as paranormal ability. The woman wasn’t mentally disturbed—she was possessed. This remarkable case was the first of many that Gallagher would encounter. Sought after today by leaders of all faiths—ministers, priests, rabbis and imams, Gallagher has spent a quarter-century studying demonic activity and exorcisms throughout history and has witnessed more cases than any other psychiatrist in the world today. In this eerie and enthralling book, Gallagher chronicles his most famous cases for the first time, including: A professional who claimed her spiritualist mother had “assigned” her a spirit who “turned on her.” A petite woman—”90 pounds soaking wet”—who threw a 200-pound Lutheran deacon across the room to the horror of onlookers in a church hall; And “Julia,” the so-called Satanic queen and self-described witch, who exhibited “the most harrowing” case, a “once-in-a-century” possession. Going beyond horror movies and novels, Demonic Foes takes you deep into this hidden world, sharing in full details of these true-life tales of demonic possession.

Suppose you could ask God the most puzzling questions about existence--questions about love and faith, life and death, good and evil.

Supose God provided clear, understandable answers.

It happened to Neale Donald Walsch. It can happen to you.

You are about to have a conversation.


Walsch's fascinating three-year conversation with God about every aspect of life and living began in 1992, Walsch says, when he was struggling financially and his health and relationships were suffering. Out of frustration, he composed an angry, passionate letter to God demanding to know why his life was in such turmoil. To his amazement, when he was finished, he was moved to continue writing as God answered back. The book that grew from that first experience addresses the real life issues we all face at work, at home, and out in the world, as well as the larger questions of the nature of God and his relationship to man.

How does Walsch know that God was actually talking to him? "The book contains concepts and information beyond anything I've ever thought of," says Walsch. "But more importantly, I've found out through other readers that there are hundreds of people that have had this same experience. This book has allowed them to speak out."

Walsch claims that God speaks to everyone all the time, that we're just not listening. "Have you ever been struck by a song lyric or the cover story of a magazine you suddenly pass on a newsstand that seems to answer a question you've had? Have you ever met someone for the first time and had that person mention something out of the blue that's been on your mind? Have you ever gone to church and thought the minister must have read your mail, because he seems to be talking directly to you? We often write things off to coincidence that we should give God credit for."

There has long existed among the Germanic Pennsylvania Dutch people a belief in white and dark magic. The art of white magic in the Dutch Country is referred to by old-timers as Braucherei in their unique Dialect, otherwise known as Powwowing. Hexerei, of course, is the art of black magic. Powers used to heal in the art of Braucherei are derived from God (the Holy Trinity), but the powers employed in Hexerei are derived from the Devil, in the simplest of explanation. Therefore, one who engages in the latter has bartered or "sold his soul to the Devil," and destined for Hell! For nearly three centuries, the Pennsylvania Dutch have not hesitated to use Braucherei in the healing of their sick and afflicted, and regionally, the culture has canonized early 19th Century faith healer, Mountain Mary (of the Oley Hills), as a Saint for her powers of healing. Furthermore, contemporary of hers, John Georg Hohman, has published numerous early 19th Century books on the matter still in use today. Both their form of faith healing has many counterparts in our civilization, however, the subset of Hexerei, witchcraft, or black magic was always considered of utmost evil here in the region; and only desperate people, and those with devious intentions, have resorted to its equally powerful and secret powers.

"Nightshades is the record of one remarkable magician's exploration of the inverse regions of the Tree of Life. Aleister Crowley's Liber 231 provides the map and Kenneth Grant's Nightside of Eden a travelogue. "Liber 231, apparently started life as a text within the Hermetic Order of the Golden Dawn, as an exercise to develop astral and trance abilities or perhaps in other more elaborate rites. The nightside aspect requires some care and alertness in case of accident. The correct attitude is said to be one of self or ego-less witness. Or maybe it's just one needs Or maybe it's just one needs the use of an all-embracing rather than a limited kind of identity and self-identification?" "The Nightside is always with us. It's so much older than the Dayside. Before the light began to shine, the night was there. Some assume that we are dealing with a simple polarity. On one hand the radiant world of colours and forms, more or less thinkable, reasonable and meaningful. Like the pretty picture of the Tree of Life it has its scenic cites, its hotels, restaurants, shopping opportunities and highways in between. On the other hand the chaotic world of uncertain and incomprehensible mysteries. Both of them connected by the voidness that makes them possible. It looks symmetrical. But when you reach the Nightside it doesn't work like that. The Nightside is not simply a reflection of the dayside with a few confusing and spooky bits thrown in. The Dayside is a tiny island of experience in a huge ocean, the Nightside, full of currents, island chains and continents of the possible and impossible. All and Nothing are present everywhere. Our island is not the opposite of the world-ocean, it is simply a tiny and comprehensible part of it." Jan Fries Nightshades comprises 72 intense drawings prefaced by an explanatory essay detailing the background and genesis of this ultimate magical adventure.

Satanism is a complex and controversial phenomenon co-existing in many social and rhetorical contexts. Some consider it the root of all evil in the world. Others see it as a juvenile proxy for rebellion or as a misapplication of serious esoteric beliefs and practices. Then again, some consider it a specific religious or philosophical position serving as a personal and collective identity. This book, written by three experts in the field of Satanism studies, examines Satanism as a contemporary movement in continuous dialogue with popular culture, aiding as a breeding ground for other new religious movements. Shifting the focus from mythology to meaning-making, this is a book about the invention of Satanism among self-declared religious Satanists. Like all ideologists and believers, Satanists incorporate, borrow, and modify elements from other traditions, and this book explores how traditional folklore and prior strands of occultism were synthesized by Anton LaVey in his founding of the Church of Satan and the creation of the Satanic Bible. Later chapters examine contemporary Satanist subcultures from various perspectives, also demonstrating how Satanism, despite its brief history as an organized phenomenon, continues to reinvent itself. There are now numerous Satanisms with distinctive interpretations of what being a Satanist entails, with some of these new versions deviating more from the historical "mainstream" than others. In this fascinating account of a seemingly abstruse and often-feared movement, Dyrendal, Lewis, and Petersen demonstrate that the invention of Satanism is an ongoing, ever-evolving process.

Investigation of literary and archaeological evidence in search of pagan sources for the Arthurian legend. `Darrah makes the valid point that episodes in the Arthurian romances read like motifs from the ancient mythologies...[he] reconstructs a lost British paganism, grounded in the rivers, hills and woods, and especially those grey monoliths...reminders of a cosmology vanished from this island. NIKOLAI TOLSTOY, DAILY TELEGRAPH `Contends, with a good deal of evidence, that the impact of pre-Christian Welsh, Irish, Scottish, Cornish and Breton religion is greater than has been previously thought... Extensively researched and well written.' CHOICE The origins of Arthurian romance will always be a hotly disputed subject. The great moments of the legends belong partly to dimly-remembered history, partly to the poets' imagination down the ages, yet there is another strand to the stories which goes back deeper and further: the traces of ancient pagan religion, found both in Arthurian heroes who have inherited the attributes of gods, and in episodes which reflect ancient religious rituals. Darrah's careful study of the thematic relationships of, particularly, the more obscure episodes of the romances and his identification of the relative geography of Arthurian Britain as portrayed in the romances will be valuable even to those who differ with his conclusions. His most original contribution to an unravelling of a pagan Arthurian past lies in his appropriation of the fascinating evidence of standing stones and pagan cultic sites. This is dark and difficult territory, but building on elusive clues, and tracing a range of sites, especially in south-west Britain, John Darrah hasadded a significant new dimension to the search for the sources of the legends of Arthur and his court. JOHN DARRAH has also written The Real Camelot.

Explores the unified science-religion of early humanity and the impact of Hermetic philosophy on religion and spirituality * Investigates the Jewish and Egyptian origins of Josephus's famous story that Seth's descendants inscribed knowledge on two pillars to save it from global catastrophe * Reveals how this original knowledge has influenced civilization through Hermetic, Gnostic, Kabbalistic, Masonic, Hindu, and Islamic mystical knowledge * Examines how "Enoch's Pillars" relate to the origins of Hermeticism, Freemasonry, Newtonian science, William Blake, and Theosophy Esoteric tradition has long maintained that at the dawn of human civilization there existed a unified science-religion, a spiritual grasp of the universe and our place in it. The biblical Enoch--also known as Hermes Trismegistus, Thoth, or Idris--was seen as the guardian of this sacred knowledge, which was inscribed on pillars known as Enoch's or Seth's pillars. Examining the idea of the lost pillars of pure knowledge, the sacred science behind Hermetic philosophy, Tobias Churton investigates the controversial Jewish and Egyptian origins of Josephus's famous story that Seth's descendants inscribed knowledge on two pillars to save it from global catastrophe. He traces the fragments of this sacred knowledge as it descended through the ages into initiated circles, influencing civilization through Hermetic, Gnostic, Kabbalistic, Masonic, Hindu, and Islamic mystical knowledge. He follows the path of the pillars' fragments through Egyptian alchemy and the Gnostic Sethites, the Kabbalah, and medieval mystic Ramon Llull. He explores the arrival of the Hermetic manuscripts in Renaissance Florence, the philosophy of Copernicus, Pico della Mirandola, Giordano Bruno, and the origins of Freemasonry, including the "revival" of Enoch in Masonry's Scottish Rite. He reveals the centrality of primal knowledge to Isaac Newton, William Stukeley, John Dee, and William Blake, resurfacing as the tradition of Martinism, Theosophy, and Thelema. Churton also unravels what Josephus meant when he asserted one Sethite pillar still stood in the "Seiriadic" land: land of Sirius worshippers. Showing how the lost pillars stand as a twenty-first century symbol for reattaining our heritage, Churton ultimately reveals how the esoteric strands of all religions unite in a gnosis that could offer a basis for reuniting religion and science.

*THE SUNDAY TIMES BESTSELLER* *SHORTLISTED FOR THE WOLFSON HISTORY PRIZE* *A TIMES, SUNDAY TIMES AND BBC HISTORY BOOK OF THE YEAR* 'A bona fide historical classic' Sunday Times 'Simply one of the best history books I have ever read' BBC History In the frontier town of Springfield in 1651, peculiar things begin to happen. Precious food spoils, livestock ails and property vanishes. People suffer fits and are plagued by strange visions and dreams. Children sicken and die. As tensions rise, rumours spread of witches and heretics, and the community becomes tangled in a web of spite, distrust and denunciation. The finger of suspicion falls on a young couple struggling to make a home and feed their children: Hugh Parsons the irascible brickmaker and his troubled wife, Mary. It will be their downfall. The Ruin of All Witches tells the dark, real-life folktale of witch-hunting in a remote Massachusetts plantation. These were the turbulent beginnings of colonial America, when English settlers' dreams of love and liberty, of founding a 'city on a hill', gave way to paranoia and terror, enmity and rage. Drawing on uniquely rich, previously neglected source material, Malcolm Gaskill brings to life a New World existence steeped in the divine and the diabolic, in curses and enchantments, and precariously balanced between life and death. Through the gripping micro-history of a family tragedy, we glimpse an entire society caught in agonized transition between supernatural obsessions and the age of enlightenment. We see, in short, the birth of the modern world. 'Gaskill tells this deeply tragic story with immense empathy and compassion, as well as historical depth' The Guardian 'As compelling as a campfire story ... Gaskill brings this sinister past vividly to life' Erica Wagner, Financial Times

Strange Histories is an exploration of some of the most extraordinary beliefs that existed in the late Middle Ages through to the end of the seventeenth century. Presenting serious accounts of the appearance of angels and demons, sea monsters and dragons within European and North American history, this book moves away from "present-centred thinking" and instead places such events firmly within their social and cultural context. By doing so, it offers a new way of understanding the world in which dragons and witches were fact rather than fiction, and presents these riveting phenomena as part of an entirely rational thought process for the time in which they existed. This new edition has been fully updated in light of recent research. It contains a new guide to further reading as well as a selection of pictures that bring its themes to life. From ghosts to witches, to pigs on trial for murder, the book uses a range of different case studies to provide fascinating insights into the world-view of a vanished age. It is essential reading for all students of early modern history. .

According to the people of the Mueda plateau in northern Mozambique, sorcerers remake the world by asserting the authority of their own imaginative visions of it. While conducting research among these Muedans, anthropologist Harry G. West made a revealing discovery--for many of them, West's efforts to elaborate an ethnographic vision of their world was itself a form of sorcery. In "Ethnographic Sorcery," West explores the fascinating issues provoked by this equation.
A key theme of West's research into sorcery is that one sorcerer's claims can be challenged or reversed by other sorcerers. After West's attempt to construct a metaphorical interpretation of Muedan assertions that the lions prowling their villages are fabricated by sorcerers is disputed by his Muedan research collaborators, West realized that ethnography and sorcery indeed have much in common. Rather than abandoning ethnography, West draws inspiration from this connection, arguing that anthropologists, along with the people they study, can scarcely avoid interpreting the world they inhabit, and that we are all, inescapably, ethnographic sorcerers.

Original and comprehensive, "Magic in the Ancient Greek World "takes the reader inside both the social imagination and the ritual reality that made magic possible in ancient Greece.
Explores the widespread use of spells, drugs, curse tablets, and figurines, and the practitioners of magic in the ancient world
Uncovers how magic worked. Was it down to mere superstition? Did the subject need to believe in order for it to have an effect?
Focuses on detailed case studies of individual types of magic
Examines the central role of magic in Greek life

In 1711, in County Antrim, eight women were put on trial accused of orchestrating the demonic possession of young Mary Dunbar, and the haunting and supernatural murder of a local clergyman’s wife. Mary Dunbar was the star witness in this trial, and the women were, by the standards of the time, believable witches – they smoked, they drank, they just did not look right. With echoes of Arthur Miller’s The Crucible and the Salem witch-hunt, this is a story of murder, of hysteria, and of how the ‘witch craze’ that claimed over 40,000 lives in Europe played out on Irish shores.

Ranging from the pre-Christian era to Robert Boyle and Isaac Newton at the end of the seventeenth century, this Reader covers a broad range of alchemical authors and works. Organized chronologically, it includes around thirty selections in authoritative but lightly-modernized versions. The selections will provide the reader with a basic introduction to the field and its interdisciplinary links with science and medicine, philosophy, religion, and literature and the arts.

Kimberly B. Stratton investigates the cultural and ideological motivations behind early imaginings of the magician, the sorceress, and the witch in the ancient world. Accusations of magic could carry the death penalty or, at the very least, marginalize the person or group they targeted. But Stratton moves beyond the popular view of these accusations as mere slander. In her view, representations and accusations of sorcery mirror the complex struggle of ancient societies to define authority, legitimacy, and Otherness. Stratton argues that the concept "magic" first emerged as a discourse in ancient Athens where it operated part and parcel of the struggle to define Greek identity in opposition to the uncivilized "barbarian" following the Persian Wars. The idea of magic then spread throughout the Hellenized world and Rome, reflecting and adapting to political forces, values, and social concerns in each society. Stratton considers the portrayal of witches and magicians in the literature of four related periods and cultures: classical Athens, early imperial Rome, pre-Constantine Christianity, and rabbinic Judaism. She compares patterns in their representations of magic and analyzes the relationship between these stereotypes and the social factors that shaped them. Stratton's comparative approach illuminates the degree to which magic was (and still is) a cultural construct that depended upon and reflected particular social contexts. Unlike most previous studies of magic, which treated the classical world separately from antique Judaism, Naming the Witch highlights the degree to which these ancient cultures shared ideas about power and legitimate authority, even while constructing and deploying those ideas in different ways. The book also interrogates the common association of women with magic, denaturalizing the gendered stereotype in the process. Drawing on Michel Foucault's notion of discourse as well as the work of other contemporary theorists, such as Homi K. Bhabha and Bruce Lincoln, Stratton's bewitching study presents a more nuanced, ideologically sensitive approach to understanding the witch in Western history.

New collection of essays promising to re-energize the debate on Nazism's occult roots and legacies and thus our understanding of German cultural and intellectual history over the past century. Scholars have debated the role of the occult in Nazism since it first appeared on the German political landscape in the 1920s. After 1945, a consensus held that occultism - an ostensibly anti-modern, irrational blend of pseudo-religious and -scientific practices and ideas - had directly facilitated Nazism's rise. More recently, scholarly debate has denied the occult a role in shaping the Third Reich, emphasizing the Nazis' hostility to esoteric religion and alternative forms of knowledge. Bringing together cutting-edge scholarship on the topic, this volume calls for a fundamental reappraisal of these positions. The book is divided into three chronological sections. The first,on the period 1890 to 1933, looks at the esoteric philosophies and occult movements that influenced both the leaders of the Nazi movement and ordinary Germans who became its adherents. The second, on the Third Reich in power, explores how the occult and alternative religious belief informed Nazism as an ideological, political, and cultural system. The third looks at Nazism's occult legacies. In emphasizing both continuities and disjunctures, this book promises to re-open and re-energize debate on the occult roots and legacies of Nazism, and with it our understanding of German cultural and intellectual history over the past century. Contributors: Monica Black; Jeff Hayton; Oded Heilbronner; Eric Kurlander; Fabian Link and J. Laurence Hare; Anna Lux; Perry Myers; John Ondrovcik; Michael E. O'Sullivan; Jared Poley; Uwe Schellinger, Andreas Anton, and Michael T. Schetsche; Peter Staudenmaier. Monica Black is Associate Professor and Associate Head of the Department of History at the University of Tennessee, Knoxville. Eric Kurlander is J. Ollie Edmunds Chair and Professor of Modern European History at Stetson University.

A bold exploration of the reintegration of rationality and intuition, science and soul, to foster individual and planetary healing During the scientific revolution, science and soul were drastically separated, propelling humanity into four centuries of scientific exploration based solely on empiricism and rationality. But, as scientist and ecologist Stephan Harding, Ph.D., demonstrates in detail, by reintegrating science with profound personal experiences of psyche and soul, we can reclaim our lost sacred wholeness and help heal ourselves and our planet. The book begins with compelling introductions to depth psychology, alchemy, and Gaia theory--the science of seeing the Earth as an intelligent, self-regulating system, a theory pioneered by the author's mentor James Lovelock. Harding then explores how alchemy, as understood through the depth psychology of C. G. Jung, offers us powerful methods of reuniting rationality and intuition, science and soul. He examines the integration of important alchemical engravings, including those from L'Azoth des Philosophes and the Rosarium Philosophorum, with Gaian science. He shows how the seven key alchemical operations in the Azoth image can help us develop deeply transformative experiences and insights into our interconnectedness with Gaia. He then looks at how the four components of the living Earth--biosphere, atmosphere, hydrosphere, and lithosphere--mesh not only with the four elements of alchemical theory but also with the four functions of consciousness from depth psychology. Woven throughout with the author's own experiences of Gaia alchemy, the book also offers guided meditations and contemplative exercises to open your receptivity to messages from the biosphere and help you develop your own Gaian alchemical way of life, full of wonder and healing.

Witch in Darkness guides readers through the concept of witchcraft as a life-saving, soul-nurturing practice to be reached for in the darkness and relied upon when all else has failed. Readers will be inspired to use witchcraft practices and mindsets for all kinds of challenging issues, from resolving career confusion and relationship problems to healing family wounds and facing bereavement. For each theme, the book provides: a look into the author’s personal experiences insights into how different kinds of witches all over the world are using the craft for healing, growth and empowerment journal prompts and activities, creating a compassionate interactive element throughout. The book’s raw and honest tone will peel back the surface layers of witchcraft’s meaning and power, asking the reader to go deeply into how they want the craft to help them to heal and grow. This is real witchcraft that works and changes lives.

Finalist, 2021 Bram Stoker Awards (Superior Achievement in Non-Fiction) The first collection of essays to address Satan's ubiquitous and popular appearances in film Lucifer and cinema have been intertwined since the origins of the medium. As humankind's greatest antagonist and the incarnation of pure evil, the cinematic devil embodies our own culturally specific anxieties and desires, reflecting moviegoers' collective conceptions of good and evil, right and wrong, sin and salvation. Giving the Devil His Due is the first book of its kind to examine the history and significance of Satan onscreen. This collection explores how the devil is not just one monster among many, nor is he the "prince of darkness" merely because he has repeatedly flickered across cinema screens in darkened rooms since the origins of the medium. Satan is instead a force active in our lives. Films featuring the devil, therefore, are not just flights of fancy but narratives, sometimes reinforcing, sometimes calling into question, a familiar belief system. From the inception of motion pictures in the 1890s and continuing into the twenty-first century, these essays examine what cinematic representations tell us about the art of filmmaking, the desires of the film-going public, what the cultural moments of the films reflect, and the reciprocal influence they exert. Loosely organized chronologically by film, though some chapters address more than one film, this collection studies such classic movies as Faust, Rosemary's Baby, The Omen, Angel Heart, The Witch, and The Last Temptation of Christ, as well as the appearance of the Devil in Disney animation. Guiding the contributions to this volume is the overarching idea that cinematic representations of Satan reflect not only the hypnotic powers of cinema to explore and depict the fantastic but also shifting social anxieties and desires that concern human morality and our place in the universe. Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen, David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton, Murray Leeder, Catherine O'Brien, R. Barton Palmer, Carl H. Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock

According to the Bible, Eve was the first to heed Satan's advice to eat the forbidden fruit and thus responsible for all of humanity's subsequent miseries. The notion of woman as the Devil's accomplice is prominent throughout Christian history and has been used to legitimize the subordination of wives and daughters. In the nineteenth century, rebellious females performed counter-readings of this misogynist tradition. Lucifer was reconceptualized as a feminist liberator of womankind, and Eve became a heroine. In these reimaginings, Satan is an ally in the struggle against a tyrannical patriarchy supported by God the Father and his male priests. Per Faxneld shows how this Satanic feminism was expressed in a wide variety of nineteenth-century literary texts, autobiographies, pamphlets, newspaper articles, paintings, sculptures, and even artifacts of consumer culture like jewelry. He details how colorful figures like the suffragette Elizabeth Cady Stanton, gender-bending Theosophist H. P. Blavatsky, author Aino Kallas, actress Sarah Bernhardt, anti-clerical witch enthusiast Matilda Joslyn Gage, decadent marchioness Luisa Casati, and the Luciferian lesbian poetess Renee Vivien embraced these reimaginings. By exploring the connections between esotericism, literature, art and the political realm, Satanic Feminism sheds new light on neglected aspects of the intellectual history of feminism, Satanism, and revisionary mythmaking.

Also available in an open-access, full-text edition at http: //repositories.tamu.edu/bitstream/handle/1969.1/86080/Marlin_585444251_Txt.pdf?sequence=1 The black sun, an ages-old image of the darkness in individual lives and in life itself, has not been treated hospitably in the modern world. Modern psychology has seen darkness primarily as a negative force, something to move through and beyond, but it actually has an intrinsic importance to the human psyche. In this book, Jungian analyst Stanton Marlan reexamines the paradoxical image of the black sun and the meaning of darkness in Western culture.
In the image of the black sun, Marlan finds the hint of a darkness that shines. He draws upon his clinical experiences--and on a wide range of literature and art, including Goethe's "Faust, " Dante's "Inferno," the black art of Rothko and Reinhardt--to explore the influence of light and shadow on the fundamental structures of modern thought as well as the contemporary practice of analysis. He shows that the black sun accompanies not only the most negative of psychic experiences but also the most sublime, resonating with the mystical experience of negative theology, the Kabbalah, the Buddhist notions of the void, and the black light of the Sufi Mystics.
An important contribution to the understanding of alchemical psychology, this book draws on a postmodern sensibility to develop an original understanding of the black sun. It offers insight into modernity, the act of imagination, and the work of analysis in understanding depression, trauma, and transformation of the soul. Marlan's original reflections help us to explore the unknown darkness conventionally called the Self.
"The image of Kali appearing in the color insert following page 44 is (c) Maitreya Bowen, reproduced with her permission, "[email protected].