The Salem witch hunt of 1692 is among the most infamous events in early American history; however, it was not the only such episode to occur in New England that year. Escaping Salem reconstructs the "other witch hunt" of 1692 that took place in Stamford, Connecticut. Concise and accessible, the book takes students on a revealing journey into the mental world of early America, shattering the stereotype of early New Englanders as quick to accuse and condemn.
Drawing on eyewitness testimony, Richard Godbeer tells the story of Kate Branch, a seventeen-year-old afflicted by strange visions and given to blood-chilling wails of pain and fright. Branch accused several women of bewitching her, two of whom were put on trial for witchcraft. Escaping Salem takes us inside the Connecticut courtroom and into the minds of the surprisingly skeptical Stamford townspeople. Were the pain and screaming due to natural or supernatural causes? Was Branch simply faking the symptoms? And if she was indeed bewitched, why believe her specific accusations, since her information came from demons who might well be lying? For the judges, Godbeer shows, the trial was a legal thicket. All agreed that witches posed a real and serious threat, but proving witchcraft (an invisible crime) in court was another matter. The court in Salem had become mired in controversy over its use of dubious evidence. In an intriguing chapter, Godbeer examines Magistrate Jonathan Selleck's notes on how to determine the guilt of someone accused of witchcraft, providing an illuminating look at what constituted proof of witchcraft at the time. The stakes were high--if found guilty, the two accused women would be hanged.
In the afterword, Godbeer explains how he used the trial evidence to build his narrative, offering an inside perspective on the historian's craft. Featuring maps, photos, and a selected bibliography, Escaping Salem is ideal for use in undergraduate U.S. survey courses. It can also be used for courses in colonial American history, culture, and religion; witchcraft in the early modern world; and crime and society in early America.

Halloween 1636: sightings of the ghost of an old woman begin to be reported in the small English coastal town of Minehead, and a royal commission is sent to investigate. December 1640: a disgraced Protestant bishop is hanged in the Irish capital, Dublin, after being convicted of an "unspeakable" crime.
In this remarkable piece of historical detective work, Peter Marshall sets out to uncover the intriguing links between these two seemingly unconnected events.
The result is a compelling tale of dark family secrets, of efforts to suppress them, and of the ways in which they finally come to light. It is also the story of a shocking seventeenth-century Church scandal which cast its shadow over religion and politics in Britain and Ireland for the best part of three centuries, drawing in a host of well known and not-so-well-known characters along the way, including Jonathan Swift, Samuel Taylor Coleridge, and Walter Scott.
A fascinating story in its own right, Mother Leakey and the Bishop is also a sparkling demonstration of how the telling of stories is central to the way we remember the past, and can become part of the fabric of history itself.

Who was the historical Merlin? Merlin the Magician has remained an enthralling and curious individual since he was first introduced in the twelfth century though the pages of Geoffrey of Monmouth's Historia Regum Britanniae. But although the Merlin of literature and Arthurian myth is well known, Merlin the "historical" figure and his relation to medieval magic are less familiar. In this book Anne Lawrence-Mathers explores just who he was and what he has meant to Britain. The historical Merlin was no rough magician: he was a learned figure from the cutting edge of medieval science and adept in astrology, cosmology, prophecy, and natural magic, as well as being a seer and a proto-alchemist. His powers were convincingly real-and useful, for they helped to add credibility to the "long-lost" history of Britain which first revealed them to a European public. Merlin's prophecies reassuringly foretold Britain's path, establishing an ancient ancestral line and linking biblical prophecy with more recent times. Merlin helped to put British history into world history. Lawrence-Mathers also explores the meaning of Merlin's magic across the centuries, arguing that he embodied ancient Christian and pagan magical traditions, recreated for a medieval court and shaped to fit a new moral framework. Linking Merlin's reality and power with the culture of the Middle Ages, this remarkable book reveals the true impact of the most famous magician of all time.

What is a grimoire? The word has a familiar ring to many people, particularly as a consequence of such popular television dramas as Buffy the Vampire Slayer and Charmed. But few people are sure exactly what it means. Put simply, grimoires are books of spells that were first recorded in the Ancient Middle East and which have developed and spread across much of the Western Hemisphere and beyond over the ensuing millennia. At their most benign, they contain charms and remedies for natural and supernatural ailments and advice on contacting spirits to help find treasures and protect from evil. But at their most sinister they provide instructions on how to manipulate people for corrupt purposes and, worst of all, to call up and make a pact with the Devil. Both types have proven remarkably resilient and adaptable and retain much of their relevance and fascination to this day. But the grimoire represents much more than just magic. To understand the history of grimoires is to understand the spread of Christianity, the development of early science, the cultural influence of the print revolution, the growth of literacy, the impact of colonialism, and the expansion of western cultures across the oceans. As this book richly demonstrates, the history of grimoires illuminates many of the most important developments in European history over the last two thousand years.

Among the most important sources for understanding the cultures and systems of thought of ancient Mesopotamia is a large body of magical and medical texts written in the Sumerian and Akkadian languages. An especially significant branch of this literature centres upon witchcraft. Mesopotamian anti-witchcraft rituals and incantations attribute ill-health and misfortune to the magic machinations of witches and prescribe ceremonies, devices, and treatments for dispelling witchcraft, destroying the witch, and protecting and curing the patient. The Corpus of Mesopotamian Anti-Witchcraft Rituals aims to present a reconstruction of this body of texts; it provides critical editions of the relevant rituals and prescriptions based on the study of the cuneiform tablets and fragments recovered from the libraries of ancient Mesopotamia. "Now that we have the second volume, we the more admire the thoughtful organisation of the entire project, the strict methods followed, and the insightful observations and decisions made." - Martin Stol, in: Bibliotheca Orientalis LXXIV n Degrees 3-4 (mei-augustus 2017)

The Path of the Devil is organized around three fundamental theories: witch hunts as functional sacrificial ceremonies, realistic conflict and strategic persecution, and scapegoat phenomena. All conjectures point to the role of epidemic disease, war, and climactic and economic hardships as considerable factors. However, such crises have to be differentiated: when war is measured as a quantitative characteristic it is found to inhibit witch hunts, while epidemic disease and economic hardship encourages them. The book integrates the sociologies of collective behavior, contentious conflict, and deviance with cross-disciplinary theory and research. The final chapters examine the Salem witch trials as 'a perfect storm, ' and illustrate the general patterns found for early modern witch hunts and 'modern witch hunts, ' which exhibit similarities that are found to be more than metaphorica

Magic has regularly been configured as a definitively non-modern phenomenon, juxtaposed to the distinctly modern models of religion and science. As a category, however, magic has remained stubbornly amorphous. Randall Styers seeks to account for the extraordinary vitality of scholarly discourse purporting to define and explain magic despite its failure to do just that. He argues that it can best be explained in light of the European and Euro-American drive to establish and secure their own identity as normative: rational-scientific, judicial-ethical, industrious, productive, and heterosexual. Magic has served to designate a form of alterity or deviance against which dominant Western notions of appropriate religious piety, legitimate scientific rationality, and orderly social relations are brought into relief.