While the evolution of contemporary Witchcraft has produced many powerful variations, traditional Wicca can offer unique experiences for spiritual seekers. This book explores structured, coven-based styles of Wicca, in which the practitioners typically trace initiatory lineages back to Wicca s early founders. Exploring covens, initiations, lineages, practices, ethics, and more, Traditional Wicca shares tips and ideas on how to get the most from this profound approach to Witchcraft. Discover how to recognize healthy, reputable covens. Learn how to navigate the process of asking for training and succeeding in an outer court. This book also includes contributions from several practitioners, providing first-person perspectives on what it s like to be on the traditional Wiccan path.

Salem Story engages the story of the Salem witch trials through an analysis of the surviving primary documentation and juxtaposes that against the way in which our culture has mythologized the events of 1692. Salem Story examines a variety of individual motives that converged to precipitate the witch hunt. The book also examines subsequent mythologies that emerged from the events of 1692. Of the many assumptions about the Salem Witch Trials, the most persistent one remains that they were precipitated by a circle of hysterical girls. Through an analysis of what actually happened, through reading the primary material, the emerging story shows a different picture, one where "hysteria" inappropriately describes the events and where accusing males as well as females participated in strategies of accusation and confession that followed a logical, rational pattern.

Undeniably, evil exists in our world; we ourselves commit evil acts. How can one account for evil's ageless presence, its attraction, and its fruits? The question is one that Jeffrey Burton Russell addresses in his history of the concept of the Devil—the personification of evil itself. In the predecessor to this book, The Devil: Perceptions of Evil from Antiquity to Primitive Christianity, Russell traced the idea of the Devil in comparative religions and examined its development in Western thought through ancient Hebrew religion and the New Testament. This volume follows its course over the first five centuries of the Christian era. Like most theological problems, the question of evil was largely ignored by the primitive Christian community. The later Christian thinkers who wrestled with it for many centuries were faced with a seemingly irreconcilable paradox: if God is benevolent and omnipotent, why does He permit evil? How, on the other hand, can God be all-powerful if one adopts a dualist stance, and posits two divine forces, one good and one evil? Drawing upon a rich variety of literary sources as well as upon the visual arts, Russell discusses the apostolic fathers, the apologetic fathers, and the Gnostics. He goes on to treat the thought of Irenaeus and Tertullian, and to describe the diabology of the Alexandrian fathers, Clement and Origen, as well as the dualist tendencies in Lactantius and in the monastic fathers. Finally he addresses the syntheses of the fifth century, especially that of Augustine, whose view of the Devil has been widely accepted in the entire Christian community ever since. Satan is both a revealing study of the compelling figure of the Devil and an imaginative and persuasive inquiry into the forces that shape a concept and ensure its survival.

After identifying its anthropological origins in ancient rituals performed by a shaman or wizard, this text traces the development of the Magus through pre-Christian religious and mystic philosophers, medieval sorcerers and alchemists and the 18th and 19th century occult revival.

No industry has been as influential at shaping the popular notion of what it means to be a witch quite as much as Hollywood. This book traces the fascinating history of witchcraft and witches in American film and television. From Joan the Woman and The Wizard of Oz to Carrie and Charmed, author and film scholar Heather Greene explores how these films helped influence the public image of the witch and profoundly influenced how women negotiate their power in a patriarchal society. Lights, Camera, Witchcraft uncovers fascinating insights into the intersection of entertainment, critical theory, gender studies, and spirituality.

A fifteen-year-old girl who claimed regular communications with the spirits of her dead friends and relatives was the subject of the very first published work by the now legendary psychoanalyst C.G. Jung. Collected here, alongside many of his later writings on such subjects as life after death, telepathy and ghosts, it was to mark just the start of a professional and personal interest—even obsession—that was to last throughout Jung’s lifetime. Written by one of the greatest and most controversial thinkers of the twentieth century, Psychology and the Occult represents a fascinating trawl through both the dark, unknown world of the occult and the equally murky depths of the human psyche.

Carl Gustav Jung (1875–1961). Founded the analytical school of psychology and developed a radical new theory of the unconscious that has made him one of the most familiar names in twentieth-century thought.

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Carl Gustav Jung (1875-1961). Founded the analytical school of psychology and developed a radical new theory of the unconscious that has made him one of the most familiar names in 20th Century thought.

"David Frankfurter's valuable, well-written study takes us to the far reaches of demonology. In documenting the harm done by labeling others evil, he poses a challenge to those of us who believe, however regretfully, in the necessity of the concept."--Robert Jay Lifton, author of "The Nazi Doctors" and "The Genocidal Mentality"

"David Frankfurter has taken a sensationalist topic and given it a serious, sober, and thoroughly enlightening treatment. At the heart of moral panics--witch crazes, red scares, rumors of Satanic ritual abuse, and others--he perceives not evil as an entity or sinister force, but rather a discourse of evil that draws on old traditions and common fantasies to stimulate horror, shock, and also prurient pleasure. Repeatedly, this volatile mix proves capable of inflaming passions and spawning violent campaigns whose excesses all too predictably fall on society's most marginal, and therefore most vulnerable, members. Drawing on a great many examples and much prior research, he makes a strong--and profoundly moral--argument."--Bruce Lincoln, University of Chicago

"David Frankfurter's valuable, well-written study takes us to the far reaches of demonology. In documenting the harm done by labeling others evil, he poses a challenge to those of us who believe, however regretfully, in the necessity of the concept."--Robert Jay Lifton, M.D., Distinguished Professor Emeritus, City University of New York

"Challenging the idea of evil being a reality beyond human comprehension, David Frankfurter's sharp and original analysis explores how this very idea produces a terrifying, unsettling reality of its own. The great merit of this elegantly written, substantial book isthat it moves us beyond a rather particularistic attitude toward separate, locally bounded cases and shows that there is a system in the variegated realm of evil."--Birgit Meyer, Free University Amsterdam

"A significant contribution to several fields including comparative religions, ancient and contemporary religious history, and even literary criticism. Frankfurter's approach--looking at evil not as some force or essence but as a discourse--is highly original."--Hugh Urban, Ohio State University

"Engrossing and well-informed, "Evil Incarnate" presents a cornucopia of amazing material in lucid prose, cogently organized and constructed into an engaging argument. Few authors have the range, the vision, and the boldness to break through the disciplinary and chronological boundaries to bring off a book like this."--Charles Stewart, University College London

What is the secret meaning of alchemical symbolism? Why was the Royal Art kept secret for so long? Could ancient images really turn molten lead into gold with a mere pinch of the Philosopher's Stone? Really? Alchemy is perhaps the last true magical art to survive the ravages of the modern world. In this exquisite book, top laboratory alchemist Guy Ogilvy initiates the reader into some of the key concepts and practices of this extraordinary field of study. It includes extensive appendices. WOODEN BOOKS are small but packed with information. "Fascinating" FINANCIAL TIMES. "Beautiful" LONDON REVIEW OF BOOKS. "Rich and Artful" THE LANCET. "Genuinely mind-expanding" FORTEAN TIMES. "Excellent" NEW SCIENTIST. "Stunning" NEW YORK TIMES. Small books, big ideas.