This is a NEW (2010) easy-to-read translation by ancient languages scholar Dr. A. Nyland and is NOT one of the many Public Domain translations of Enoch NOR IS IT A REWORDED PUBLIC DOMAIN VERSION of Enoch. Great advances which have been made in ancient word meaning in the last twenty years were unknown to the translators of the public domain versions of the late nineteenth and early twentieth centuries. There are copious background notes and cross references. This book is an easy to read translation with cross references and notes. Ideal for those interested in Theosophy Despite the current trend for non-translators to reproduce public domain versions (both as is and disguised by slight rewording) as a commercial venture, be aware that such public domain versions do not take advantage of recent scholarship. This new translation by Dr. A. Nyland contains all three books of Enoch: 1 Enoch (Also called The Ethiopic Book of Enoch) 2 Enoch (Also called The Slavonic Book of Enoch, The Secrets of Enoch). This volume contains the extended version of 2 Enoch, The Exaltation of Melchizedek. 3 Enoch (Also called The Hebrew Book of Enoch) Note that this is Dr. Nyland's translation and NOT a public domain work. 1 Enoch tells of the Watchers, a class of angel, who taught humans weapons, spell potions, root cuttings, astrology, astronomy, and alchemies. The Watchers also slept with human women and produced the Nephilim. For this, they were imprisoned and cast into Tartarus. This is also mentioned in the New Testament. In 2 Enoch, two angels take Enoch through the 7 heavens. This volume contains the extended version of 2 Enoch, The Exaltation of Melchizedek. In 3 Enoch, Enoch ascends to heaven and is transformed into the angel Metatron. This is about the Merkabah and is of interest to Kabbalists. People interested in Theosophy and Rosicrucianism will find this book invaluable. Dr. A. Nyland is an ancient language scholar and lexicographer who served as Faculty at the University of New England, Australia. Dr. Nyland is also the translator of "The Book of Jubilees," and "The Gospel of Thomas," among others. She is also the author of the Amy Stuart Mystery series.

There have been many grimoires attributed to St. Cyprian of Antioch due to his reputation as a consummate magician before his conversion to Christianity, but perhaps none so intriguing as the present manuscript.

This unique grimoire addresses the summoning and use of the four Archangels, Michael, Raphael, Gabriel and Uriel as well as their opposite numbers, the four Demon Kings, Paymon, Maimon, Egyn and Oriens. The latter are shown in their animal and human forms along with their sigils, a resource unique amongst grimoires. The text is a mixture of magical scripts, Greek, Hebrew, cipher, Latin, (and reversed Latin) made plain by the editors.

Full of dark humor, how-to advice, and self-proclaimed hard-won wisdom, the essays in this new collection present more of the opinions and ideas from famed satanist Anton LaVey. Photos.

The history of witchcraft and sorcery has attracted a great deal of interest and debate, but until now studies have been largely from the Anglo-Saxon perspective. This book shows how that approach has blurred our understanding and definition of the issues involved, and sheds new light on the history of witchcraft in England. What had thus far been seen as peculiar to England is here shown to be characteristic of much of northern Europe. Taking into account major new developments in the historiography of witchcraft--in methodology, and in the chronological and geographical scope of the studies--the authors explore the relationship between witchcraft, law, and theology; the origins and nature of the witch's sabbath; the sociology and criminology of witch-hunting; and the comparative approach to European witchcraft. An impressive amount of archival work by all of the contributors has produced an indispensable guide to the study of witchcraft, of interest not only to historians, but to anthropologists, criminologists, psychologists, and sociologists.

Every culture makes a distinction between what it perceives as `true religion' and `magic'. These essays explore the history of this tradition in Judaism and Christianity.

Trade third edition. A completely revised and edited Trade Edition now available Additional typeset and editing by Fra. Tymoleaon and Sor. Shylah Luciferian Witchcraft is a complete grimoire of Left Hand Path initiation. Many books have been written of the so-called left hand path, very few actually were written by initiates. Beginning with a lengthy exploration of the forms of the Adversary throughout history, a foundation of ideology is given by identification with the Adversary. The reader is then led through dark and twisting corridors with Four Chapters, a complete system of the History of the Adversary and the Witchcraft associated with the Left Hand Path. What is found within Luciferian Witchcraft is a Talismanic text which presents the medieval concepts of the Black Book being a conjuration itself of the Devil, a complete initiatory system detailing High Ceremonial Magick, Approach with caution, you may open the gates of hell within...

Its author is as mysterious as its subject matter. The one appearance of English occultist FRANCIS BARRETT (b. circa 1770) upon the literary scene is this mammoth 1801 work, a complete study of ritual magic, in practice and in its theoretical underpinnings. Drawing on numerous works of the arcane and the occult, this one-of-a-kind book ignited a fervor for magic, in all its forms, in the Europe in the early 19th century, and may have even influenced Joseph Smith, founder of the Mormon Church.Subtitling his tome Celestial Intelligencer, Barrett promises here to present a "complete system of occult philosophy," containing the "ancient and modern practice of the Cabalistic art," and showing "the wondering effects that may be performed by a Knowledge of the celestial influences, the occult properties of metals, herbs, and stones." Alchemy, talismanic magic, magnetism, ceremonial magic, the conjuration of spirits... Barrett reveals the secrets of all these disciplines, and more.Featuring all the original charts, diagrams, and illustrations, and including Barrett's biographies of famous occultists from Agrippa to Zoroaster, this is a fascinating work of occult and cultural history.

Also available in an open-access, full-text edition at http: //repositories.tamu.edu/bitstream/handle/1969.1/86080/Marlin_585444251_Txt.pdf?sequence=1 The black sun, an ages-old image of the darkness in individual lives and in life itself, has not been treated hospitably in the modern world. Modern psychology has seen darkness primarily as a negative force, something to move through and beyond, but it actually has an intrinsic importance to the human psyche. In this book, Jungian analyst Stanton Marlan reexamines the paradoxical image of the black sun and the meaning of darkness in Western culture.
In the image of the black sun, Marlan finds the hint of a darkness that shines. He draws upon his clinical experiences--and on a wide range of literature and art, including Goethe's "Faust, " Dante's "Inferno," the black art of Rothko and Reinhardt--to explore the influence of light and shadow on the fundamental structures of modern thought as well as the contemporary practice of analysis. He shows that the black sun accompanies not only the most negative of psychic experiences but also the most sublime, resonating with the mystical experience of negative theology, the Kabbalah, the Buddhist notions of the void, and the black light of the Sufi Mystics.
An important contribution to the understanding of alchemical psychology, this book draws on a postmodern sensibility to develop an original understanding of the black sun. It offers insight into modernity, the act of imagination, and the work of analysis in understanding depression, trauma, and transformation of the soul. Marlan's original reflections help us to explore the unknown darkness conventionally called the Self.
"The image of Kali appearing in the color insert following page 44 is (c) Maitreya Bowen, reproduced with her permission, "[email protected].

From its inaugural Black Plaque in honour of Witchfinder General director Michael Reeves, this unique collection follows a veridical trajectory to the frontiers of belief. Reeves' film becomes a conspiratorial cauldron drawing in a host of tragic players in the end game of the Sixties. The Cornwall of Du Maurier's The Birds is ploughed to reveal the hidden psychic codes of our Blitz spirit. In a powerfully relevant occult rendering of a bruised Island, the myth of Churchill is dissected and re-animalised. New maps of hell are drawn by colliding the forensic vision of JG Ballard and Lovecraftian magic. Actors, witches and psychopaths maraud across a nightmare terrain of murderous henges and abandoned military bases; conflating creative research into a surreal documentary, history as hallucination. Geography becomes an alchemical alembic, a vale of soul-making distilled by the lysergic psychobiology of Stanislav Grof, the alcoholic lyricism of Malcolm Lowry, and the convulsive travelogues of the Marquis de Sade. If history is revealed as paranoid ritual, how do we escape its time traps to wild new imaginative geographies? The English Heretic collection is a darkly comical, urgently lyrical, mental escape hatch from the hells of our own making.

This volume is a multidisciplinary, peer-reviewed print publication, covering all areas of magic, witchcraft, paganism and all geographical regions and all historical periods.

"There are forces better recognized as belonging to human society than repressed or left to waste away or growl about upon its fringes." So writes Valerie Flint in this powerful work on magic in early medieval Europe. Flint shows how many of the more discerning leaders of the early medieval Church decided to promote non-Christian practices originally condemned as magical--rather than repressing them or leaving them to waste away or "growl." These wise leaders actively and enthusiastically incorporated specific kinds of "magic" into the dominant culture not only to appease the contemporary non-Christian opposition but also to enhance Christianity itself.

"The Greek magical papyri" is a collection of magical spells and formulas, hymns, and rituals from Greco-Roman Egypt, dating from the second century B.C. to the fifth century A.D. Containing a fresh translation of the Greek papyri, as well as Coptic and Demotic texts, this new translation has been brought up to date and is now the most comprehensive collection of this literature, and the first ever in English.
"The Greek Magical Papyri in Transition" is an invaluable resource for scholars in a wide variety of fields, from the history of religions to the classical languages and literatures, and it will fascinate those with a general interest in the occult and the history of magic.
"One of the major achievements of classical and related scholarship over the last decade."--Ioan P. Culianu, "Journal for the Study of Judaism"
"The enormous value of this new volume lies in the fact that these texts will now be available to a much wider audience of readers, including historians or religion, anthropologists, and psychologists."--John G. Gager, "Journal of Religion"
"[This book] shows care, skill and zest. . . . Any worker in the field will welcome this sterling performance."--Peter Parsons, "Times Literary Supplement"

Aleister Crowley's appeal on the level of popular culture has been well catered for by a number of biographies that have appeared in recent years, but the more intellectual side to him, which is equally fascinating, has not received so much serious treatment. Crowley, a Modern Master is neither an account of his life, nor a straightforward presentation of his teaching, but an attempt to place him clearly in the context of modern ideas as well as a number of older traditions.

Written in 1597 in old english, King James I, the author of the King James bible, wrote Demonology. This work includes his beliefs in satan and witches. A historical work and important read for scholars of religion, this title allows readers to study the beliefs and ideas and King James. Demonology is known as one of the most interesting and controversial writings in the history of christianity.

Most scholars dismiss research into the paranormal as pseudoscience, a frivolous pursuit for the paranoid or gullible. Even historians of religion, whose work naturally attends to events beyond the realm of empirical science, have shown scant interest in the subject. But the history of psychical phenomena, Jeffrey J. Kripal contends, is an untapped source of insight into the sacred and by tracing that history through the last two centuries of Western thought we can see its potential centrality to the critical study of religion.
Kripal grounds his study in the work of four major figures in the history of paranormal research: psychical researcher Frederic Myers; writer and humorist Charles Fort; astronomer, computer scientist, and ufologist Jacques Vallee; and philosopher and sociologist Bertrand Meheust. Through incisive analyses of these thinkers, Kripal ushers the reader into a beguiling world somewhere between fact, fiction, and fraud. The cultural history of telepathy, teleportation, and UFOs; a ghostly love story; the occult dimensions of science fiction; cold war psychic espionage; galactic colonialism; and the intimate relationship between consciousness and culture all come together in "Authors of the Impossible," a dazzling and profound look at how the paranormal bridges the sacred and the scientific.

The Hermetic Museum takes readers on a magical mystery tour spanning an arc from the medieval cosmogram and images of Christian mysticism, through the fascinating world of alchemy to the art of the Romantic era. The enigmatic hieroglyphs of cabalists, Rosicrucians, and freemasons are shown to be closely linked with the early scientific illustrations in the fields of medicine, chemistry, optics, and color theory. Even for those with no knowledge of the fascinating history of alchemy, this book is a delight to explore. Each richly illustrated chapter begins with an introduction and quotes from alchemists by specialist Alexander Roob. The roots of surrealism and many other more recent artistic movements can be found in this treasure trove. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

While modernism's engagement with the occult has been approached by critics as the result of a loss of faith in representation, an attempt to draw on science as the primary discourse of modernity, or as an attempt to draw on a hidden history of ideas, Leigh Wilson argues that these discourses have at their heart a magical practice which remakes the relationship between world and representation. As Wilson demonstrates, the courses of the occult are based on a magical mimesis which transforms the nature of the copy, from inert to vital, from dead to alive, from static to animated, from powerless to powerful. Wilson explores the aesthetic and political implications of this relationship in the work of those writers, artists and filmmakers who were most self-consciously experimental, including James Joyce, Ezra Pound, Dziga Vertov and Sergei M. Eisenstein.

Some consider this to be the best book on magic available. The system of magic found here originated in Egypt from a magician who was known as Abramelin the Mage. It became the main source in the work of Aleister Crowley, who based many of his magical concepts and rituals on it. This book contains a complete system of ceremonial magic, covering areas considered to be both black and white. It is an advanced test that requires focus and concentration. If patience is used, one can be successful in its practice.

Lucifer: Princeps is a seminal study on the origins of the Lucifer mythos by Peter Grey. It is the first in a two volume work; the companion volume, Praxis, being an exposition of ritual actions, will be published in 2021. The fall of Lucifer, and that of the rebel angels who descended upon the daughters of men, comprise the foundation myth of the Western occult tradition. Lucifer: Princeps is a study of origins, a portrait of the first ancestor of witchcraft and magic. In tracing the genealogy of our patron and prince, the principles that underlie the ritual forms that have come down to us, through the grimoires and folk practices, are elucidated. The study draws on the extensive literature of history, religion and archaeology, engaging with the vital discoveries and advances of recent scholarship, which render previous works on Lucifer, however well intentioned, out of date. A concomitant exegesis of the core texts conjures the terrain and koine of the Ancient Near East, the cradle cultures and language of his nascence. Of critical importance are the effaced cultures and cults that lie behind the Old Testament polemics, viz. those of Assyria, Ugarit and Canaan, as well as Sumeria, Egypt and Greece; they provide the context that give meaning to what would otherwise be an isolated brooding figure, one who makes no sense without being encountered in the landscape. Intended to be the definitive text on Lucifer for the witch, magician and student of the grimoires, Princeps spans wingtip to wingtip from the original flood myth and legends of divine teachers to the Church Fathers, notably Augustine, Origen and Tertullian. The tales of the Garden of Eden, the Nephilim, of the fall of Helel ben Sahar and the Prince of Tyre, the nature of Azazel, and the creation of the Satan are drawn beneath the shadow of these wings into a narrative that binds Genesis and Revelation via the Enochian tradition. The story of the Serpent in the Garden and that of Lucifer are revealed to be a singular myth whose true significance had been lost and can now be restored. It illuminates the path to apotheosis, and the role of the goddess as the transforming initiatrix who bestows the crown.

The most detailed analysis of the techniques of Solomonic magic from the seventh to the nineteenth century ever published. This volume explores the methods of Solomonic magic in Alexandria, tracing how the tradition passed through Byzantium (the Hygromanteia) to the Latin Clavicula Salomonis and its English incarnation as the Key of Solomon. Discover specific magical techniques such as the invocation of the gods, the binding of demons, the use of the four demon Kings, and the construction of the circle and lamen. The use of amulets, talismans, and phylacteries is outlined along with their methods of construction. Also included are explanations of the structures and steps of Solomonic evocation, the facing directions, practical considerations, the use of thwarting angels, achieving invisibility, sacrifice, love magic, treasure finding and the binding, imprisoning, and licensing of spirits.

Scotland, in common with the rest of Europe, was troubled from time to time by outbreaks of witchcraft which the authorities sought to contain and then to suppress, and the outbreak of 1658-1662 is generally agreed to represent the high water mark of Scottish persecution. These were peculiar years for Scotland. This work deals with this subject.

A multidisciplinary, peer-reviewed print publication, covering all areas of magic, witchcraft, paganism etc; all geographical regions and all historical periods.