Many of the spells that spiritual workers give their clients to solve problems in their lives are given in this book. No knowledge or training in magic is necessary to perform thse spells, which have been taken from the successful folk magic of many of the ethnic spiritual practitioners of New York, as well as Draja Mickaharic

A biography of the Devil. Contents: Origin and fall of the Devil; Malevolent activities of the Devil in heaven; Activities of the Devil on earth before the foundation of the Church; Activities of the Devil since the foundation of the Church; War of the Church against the Devil.

Creating Magickal Entities is a comprehensive reference manual that presents step-by-step instructions for creating entities through astral manipulation that will change your life. This manual, written by three practicing occultists, reveals magickal and alchemical methods, many which have been lost and suppressed through the ages, in a refreshingly modern way that magickal practitioners of any tradition can understand.

A multidisciplinary, peer-reviewed print publication, covering all areas of magic, witchcraft, paganism etc; all geographical regions and all historical periods. Issue 3: Hannah Sanders - Buffy and Beyond: Language and Resistance in Contemporary Teenage Witchcraft / Amy Lee - A Language of Her Own: Witchery as a New Language of Female Identity/ Dave Green - Creative Revolution: Bergsonisms and Modern Magic / Mary Hayes - Discovering the Witch's Teat: Magical Practices, Medical Superstitions in The Witch of Edmonton / Penny Lowery - The Re-enchantment of the Medical: An examination of magical elements in healing. / Jonathan Marshall - Apparitions, Ghosts, Fairies, Demons and Wild Events: Virtuality in Early Modern Britain / Kate Laity - Living the Mystery: Sacred Drama Today / Research Articles: David Geall - 'A half-choked meep of cosmic fear' Is there esoteric symbolism in H.P.Lovecraft's The Dream-Quest of Unknown Kadath? / Susan Gorman - Becoming a Sorcerer: Jean-Pierre Bekolo's Quartier Mozart and the Magic of Deleuzian and Guattarian Becoming / Book Reviews

'A major work ... an extraordinary tour de force, [this book] will materially help to bring both sides (science and paranormal studies) together in a way which could lead to real and important advances in our view of the universe' - New Scientist First published in 1978, Mysteries is the powerful and enlightening sequel to The Occult, continuing Colin Wilson's investigations into the paranormal, the occult and the supernatural. The experience of his own panic attacks gave Wilson his insight into the concept of the ladder or hierarchy of selves with which we are all associated. In this book he fully explores this idea of multiple selves, explaining how our lower, childish selves are linked to depression and anxiety. The book offers an optimistic message to counteract our contemporary tendency towards pessimism and nihilism: purposeful activity will always allow us to call on our higher selves and bring concentration, control and a sense of meaning into life. Wilson uses the concept of the multi-personality to explain a wide range of paranormal phenomenon, from dowsing and demonic possession to precognition and spoon-bending, and he analyses the work of all the big names in 20th-century supra-rational research (from T C Lethbridge to Margaret Murray to Carl Jung) from this perspective. The story ranges widely, from the stone circles to 1960s LSD adventures, and Wilson's analysis is woven with hundreds of entertaining paranormal anecdotes and case studies taken from throughout history, including his own experiences of dowsing at the Merry Maidens stone circle and of visions and lucid dreaming.

The title of this book refers to the classic time and place for magic, witchcraft, and divination in Russia. The Bathhouse at Midnight, by one of the world's foremost experts on the subject, surveys all forms of magic, both learned and popular, in Russia from the fifth to the eighteenth century. While no book on the subject could be exhaustive, The Bathhouse at Midnight does describe and assess all the literary sources of magic, witchcraft, astrology, alchemy, and divination from Kiev Rus and Imperial Russia, and to some extent Ukraine and Belorussia. Where possible, Ryan identifies the sources of the texts (usually Greek, Arabic, or West European) and makes parallels to other cultures, ranging from classical antiquity to Finnic. He finds that Russia shares most of its magic and divination with the rest of Europe.

Subjects covered include the Evil Eye, the Number of the Beast, omens, dreams, talismans and amulets, plants, gemstones, and other materials thought to possess magic properties. The first chapter gives a historical overview, and the final chapter summarizes the political, religious, and legal aspects of the history of magic in Russia. The author also provides translations of some key texts.

The Bathhouse at Midnight will be invaluable for anyone--student, teacher, or general reader--with an interest in Russia, magic, or the occult. It is unique in its field and is set to become the definitive study of Russian magic.

The dark side of the dark side ...He has everything he should want in life. A good job. A nice home. A nice car. A beautiful wife and family. A retirement plan. An active social life. A prestigious reputation. Envious neighbours. A pet dog. Yet there remains emptiness inside. In a search for meaning, he begins a journey from which he cannot return. Grasping at everything he can, experiments in ritual magick lead him into the realms of sex, drugs, organised crime, aliens and angels as his life spirals further and further up and down the paths of initiation and illumination while grappling with insanity, annihilation and transformation.

Contents Flavius Josephus' Terminology of Magic: Accommodating Jewish Magic to a Roman Audience, / Philip Jewell The Role of Grimoires in the Conjure Tradition / Dan Harms Hermetic/Cabalistic Ritual in Christopher Marlowe's Doctor Faustus / Dana Winters Italian Cunning Craft: Some Preliminary Observations / Sabina Magliocco Walking The Tightrope: A Study Of Secret Astrologers In Mainstream Professions / J.A. Silver Frost Martyrs, Magic, and Christian Conversion / Patrick Maille "Worshiping the Devil in the Name of God"Anti-Semitism, Theosophy and Christianity in the Occult Doctrines of Pekka Siitoin / Kennet Granholm "The Witching Hour: Sex Magic in 1950s Australia" / Marguerite Johnson Reviews Obituaries

A useful manual for any magician or curious spectator who wonders why the tricks seem so real, this guide examines the psychological aspects of a magician's work. Exploring the ways in which human psychology plays into the methods of conjuring rather than focusing on the individual tricks alone, this explanation of the general principles of magic includes chapters on the use of misdirection, sleight of hand, and reconstruction, provides a better understanding of this ancient art, and offers a section on psychics that warns of their deceptive magic skills.

Timothy d'Arch Smith is a well-known bibliographer, reviewer and antiquarian bookseller with a special interest in the by-ways of literature, notably the occult and the curious. For Aleister Crowley a book was a talisman and their every part right down to colour, dimension, and price was symbolic. He also used magical techniques to gain literary success--thus new editions of Crowley's writing multiply daily, tantalizing the bibliographer. All the more indispensable is this authoritative guide to his magical first editions. Timothy d'Arch Smith, widely acknowledged as a leading expert on Crowley and on underground literature, offers several shorter articles on: *Oxford's demonologist Montague Summers; *R A Caton and his Fortune Press; *Sexual prophet Ralph Chubb; *Florence Farr; *The British Library Private Case; *and Timothy d'Arch Smith. *For this new edition, he also adds an extra chapter on Crowley. ''...one could hardly wish for a more stimulating guide...'' -The London Magazine ''One of the more immediately striking things about the book is its gentle humour.'' - Time Out

Excerpt from A History of Magic and Experimental Science, During the First Thirteen Centuries of Our Era, Vol. 2 Hugh's attitude to history is interesting to note in pass ing. In his classification of the sciences he does not assign it a distinct place as he does to economics and politics, but he shows his inchoate sense of the importance of the histpry of science and of thought by attempting a list of the found ers Of the various arts and sciences.1 In this connection he adopts the theory of the origin of the Etruscans at present in favor with scholars, that they came from Lydia. He regards the study of Biblical or sacred history as the first essential for a theologian, who should learn history from beginning to end before he proceeds to doctrine and alle gory.2 Four essential points to note in studying history in Hugh's opinion are the person, the event, the time, and the place. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Sophia Elizabeth De Morgan (1809-1892) was the wife of the mathematician and logician Augustus De Morgan and mother of the celebrated ceramicist William De Morgan. In this book, published in 1863, De Morgan, writing as 'CD' - with a preface by her husband signed as 'AB' - acknowledges that alleged spirit manifestations have faced much criticism and scepticism, but argues that it was a little-understood phenomenon that merited further investigation. She spent a decade on this research, and focused on the role of the mediums, people who were believed to communicate with the spirit world. She was aided in this by the arrival of a medium who lived with the De Morgan family for six years. Her chapters also examine in depth the process of dying and ideas about the afterlife. A first-hand account of the nineteenth-century spiritualist world, this book provides a fascinating glimpse into Britain's changing religious landscape.

The author of The Green Witch, shows you how you can create your own green witch grimoire to record your favourite spells, recipes, rituals, and more. A grimoire is essential for any witch wanting to capture and record spells, rituals, and secret ingredients. And for a green witch, a perfect place to reflect upon the power of nature, and document the stones, plants, flowers, oils, and herbs used in her practice. The Green Witch's Grimoire finally is a place for all your prized knowledge. Experienced witch Arin Murphy-Hiscock guides you on your path to creating your own personal book of your most cherished magic. Continue to hone your craft and grow into the green witch you've always dreamed of as you personalize your own Green Witch's Grimoire.

This is a new release of the original 1923 edition.

THE FINAL FREY & McGRAY MYSTERY All will be revealed... * * * * * The Devil Has Come to Edinburgh... An ill-fated grave-robbery unearths a corpse with a most disturbing symbol on it. When a patient in Edinburgh's lunatic asylum is murdered, the same sign is daubed in blood on the walls - the mark of the devil. The prime suspect: inmate Amy McGray, notorious for killing her parents years before. Her brother, Detective 'Nine-Nails' McGray, must prove her innocence - with the help of an old friend . . . Inspector Ian Frey insists he is retired. But when called upon, he reluctantly agrees to their final case. As twists follow bombshells, leading to secrets that have been waiting in the shadows all along, all will be revealed . . . This rollicking Victorian sensationalist melodrama is the epic conclusion to the marvellous Frey & McGray mysteries.

Kimberly B. Stratton investigates the cultural and ideological motivations behind early imaginings of the magician, the sorceress, and the witch in the ancient world. Accusations of magic could carry the death penalty or, at the very least, marginalize the person or group they targeted. But Stratton moves beyond the popular view of these accusations as mere slander. In her view, representations and accusations of sorcery mirror the complex struggle of ancient societies to define authority, legitimacy, and Otherness.

Stratton argues that the concept "magic" first emerged as a discourse in ancient Athens where it operated part and parcel of the struggle to define Greek identity in opposition to the uncivilized "barbarian" following the Persian Wars. The idea of magic then spread throughout the Hellenized world and Rome, reflecting and adapting to political forces, values, and social concerns in each society. Stratton considers the portrayal of witches and magicians in the literature of four related periods and cultures: classical Athens, early imperial Rome, pre-Constantine Christianity, and rabbinic Judaism. She compares patterns in their representations of magic and analyzes the relationship between these stereotypes and the social factors that shaped them.

Stratton's comparative approach illuminates the degree to which magic was (and still is) a cultural construct that depended upon and reflected particular social contexts. Unlike most previous studies of magic, which treated the classical world separately from antique Judaism, "Naming the Witch" highlights the degree to which these ancient cultures shared ideas about power and legitimate authority, even while constructing and deploying those ideas in different ways. The book also interrogates the common association of women with magic, denaturalizing the gendered stereotype in the process. Drawing on Michel Foucault's notion of discourse as well as the work of other contemporary theorists, such as Homi K. Bhabha and Bruce Lincoln, Stratton's bewitching study presents a more nuanced, ideologically sensitive approach to understanding the witch in Western history.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Often regarded as an artistic movement of interwar Paris, Surrealism comprised an international community of artists, writers, and intellectuals who have aspired to change the conditions of life itself over the course of the past century. Consisting of a wide range of dedicated case studies from the 1920s to the 1970s, this book highlights the international dimensions of the Surrealist Movement, and the radical chains of thought that linked its followers across the globe: from France to Romania, and from Canada to the former Czechoslovakia. From very early on, the surrealists approached magic as a means of bypassing, discrediting, and combatting rationalism, capitalism, and other institutionalized systems and values that they saw to be constraining influences upon modern life. Surrealist Sorcery maps out how this interest in magic developed into a major area of surrealist research that led not only to theoretical but also practical explorations of the subject. Taking an international perspective, Atkin surveys this important quality of the movement and how it's remained an important element in the surrealist project and its ongoing legacy.

As the author notes, `The early-modern European witch-hunts were neither orchestrated massacres nor spontaneous pogroms. Alleged witches were not rounded up at night and summarily killed extra-judicially or lynched as the victims of mob justice. They were executed after trial and conviction with full legal process'. In this concise but highly-informed account of the persecution of witches, Gregory Durston demonstrates what a largely ordered process was the singling-out or hunting-down of perceived offenders. How a mix of superstition, fear, belief and ready explanations for ailments, misfortune or disasters caused law, politics and religion to indulge in criminalisation and the appearance of justice. Bearing echoes of modern-day `othering' and marginalisation of outsiders he shows how witchcraft became akin to treason (with its special rules), how evidentially speaking storms, sickness or coincidence might be attributed to conjuring, magic, curses and spells. All this reinforced by examples and detailed references to the law and practice through which a desired outcome was achieved. In another resonance with modern-times the author shows how decisions were often diverted into the hands of witch-hunters, witch-finders (including self-appointed Witchfinder General, Matthew Hopkins), witch-prickers and other experts as well as the quaintly titled `cunning-folk' consulted by prosecutors and `victims'. Crimen Exceptum (crimes apart). A straightforward and authoritative guide. Shows the rise and fall of prosecutions. Backed by a wealth of learning and research.

1923. Volume 11 of 14. The 16th Century: Mystic Philosophy, Words and Numbers through Summary and By-Products. The aim of this set is to treat the history of magic and experimental science and their relations to Christian thought during the first thirteen centuries of our era, with special emphasis upon the 12th and 13th centuries. Magic is understood under the broadest sense of the work, as including all occult arts and sciences, superstitions and folklore. The author believes that magic and experimental science have been connected in their development, and within these pages will attempt to prove the same.

1923. Volume 11 of 14. The 16th Century: Mystic Philosophy, Words and Numbers through Summary and By-Products. The aim of this set is to treat the history of magic and experimental science and their relations to Christian thought during the first thirteen centuries of our era, with special emphasis upon the 12th and 13th centuries. Magic is understood under the broadest sense of the work, as including all occult arts and sciences, superstitions and folklore. The author believes that magic and experimental science have been connected in their development, and within these pages will attempt to prove the same.