This book reflects on Western humanity's efforts to escape from history and its terrors--from the existential condition and natural disasters to the endless succession of wars and other man-made catastrophes. Drawing on historical episodes ranging from antiquity to the recent past, and combining them with literary examples and personal reflections, Teofilo Ruiz explores the embrace of religious experiences, the pursuit of worldly success and pleasures, and the quest for beauty and knowledge as three primary responses to the individual and collective nightmares of history. The result is a profound meditation on how men and women in Western society sought (and still seek) to make meaning of the world and its disturbing history.

In chapters that range widely across Western history and culture, "The Terror of History" takes up religion, the material world, and the world of art and knowledge. "Religion and the World to Come" examines orthodox and heterodox forms of spirituality, apocalyptic movements, mysticism, supernatural beliefs, and many forms of esotericism, including magic, alchemy, astrology, and witchcraft. "The World of Matter and the Senses" considers material riches, festivals and carnivals, sports, sex, and utopian communities. Finally, "The Lure of Beauty and Knowledge" looks at cultural productions of all sorts, from art to scholarship.

Combining astonishing historical breadth with a personal and accessible narrative style, "The Terror of History" is a moving testimony to the incredibly diverse ways humans have sought to cope with their frightening history.

Explores the unified science-religion of early humanity and the impact of Hermetic philosophy on religion and spirituality * Investigates the Jewish and Egyptian origins of Josephus's famous story that Seth's descendants inscribed knowledge on two pillars to save it from global catastrophe * Reveals how this original knowledge has influenced civilization through Hermetic, Gnostic, Kabbalistic, Masonic, Hindu, and Islamic mystical knowledge * Examines how "Enoch's Pillars" relate to the origins of Hermeticism, Freemasonry, Newtonian science, William Blake, and Theosophy Esoteric tradition has long maintained that at the dawn of human civilization there existed a unified science-religion, a spiritual grasp of the universe and our place in it. The biblical Enoch--also known as Hermes Trismegistus, Thoth, or Idris--was seen as the guardian of this sacred knowledge, which was inscribed on pillars known as Enoch's or Seth's pillars. Examining the idea of the lost pillars of pure knowledge, the sacred science behind Hermetic philosophy, Tobias Churton investigates the controversial Jewish and Egyptian origins of Josephus's famous story that Seth's descendants inscribed knowledge on two pillars to save it from global catastrophe. He traces the fragments of this sacred knowledge as it descended through the ages into initiated circles, influencing civilization through Hermetic, Gnostic, Kabbalistic, Masonic, Hindu, and Islamic mystical knowledge. He follows the path of the pillars' fragments through Egyptian alchemy and the Gnostic Sethites, the Kabbalah, and medieval mystic Ramon Llull. He explores the arrival of the Hermetic manuscripts in Renaissance Florence, the philosophy of Copernicus, Pico della Mirandola, Giordano Bruno, and the origins of Freemasonry, including the "revival" of Enoch in Masonry's Scottish Rite. He reveals the centrality of primal knowledge to Isaac Newton, William Stukeley, John Dee, and William Blake, resurfacing as the tradition of Martinism, Theosophy, and Thelema. Churton also unravels what Josephus meant when he asserted one Sethite pillar still stood in the "Seiriadic" land: land of Sirius worshippers. Showing how the lost pillars stand as a twenty-first century symbol for reattaining our heritage, Churton ultimately reveals how the esoteric strands of all religions unite in a gnosis that could offer a basis for reuniting religion and science.

There are a lot of things in the universe that we don't understand. When something is meant to happen, it will whether you cast a spell or not. But you can help it on its way by guiding and encouraging it and maybe even tweaking events a little too. A spell can be worked in many ways, from a simple pointing of the finger to a complicated ritual involving lots of herbs and crystals and, of course, any variation in between. What will happen for sure is the boost of confidence and happy buzz you will receive as you cast the spell, as well as the positive vibe you get from putting something into action. Kitchen Witchcraft: Spells & Charms is a the first in a series of books which delves into the world of the Kitchen Witch. Each book breaks down the whys and wherefores of the subject and includes practical guides and exercises. Other titles include Garden Magic, Altars & Rituals and The Elements.

They flew through the air, consorted with animals, and made pacts with the devil. Witches were as unquestioned as alchemy or astrology in medieval England; yet it wasn't until the midsixteenth century that laws were passed against them. Now a leading historian of crime and society in early modern England offers the first scholarly overview of witchcraft in that country in over eighty years, examining how tensions between church, state, and society produced widespread distrust among fearful people.
"Instruments of Darkness" takes readers back to a time when witchcraft was accepted as reality at all levels of society. James Sharpe draws on legal records and other sources to reveal the interplay between witchcraft beliefs in different partts in the social hierarchy. Along the way, he offers disturbing accounts of witch-hunts, such as the East Anglian trials of 1645-47 that sent more than 100 people to the gallows. He tells how poor, elderly women were most often accused of witchcraft and challenges feminist claims that witch-hunts represented male persecution by showing that many accusers were themselves women.
Prosecution of witches gradually declined with increasing skepticism among jurists, new religious attitudes, and scientific advances that explained away magic. But for two hundred years, thousands participated in one of history's most notorious persecutions. "Instruments of Darkness" is a fascinating case study that deepens our understanding of this age-old cultural phenomenon and sheds new light on one society in which it occurred.

Investigation of literary and archaeological evidence in search of pagan sources for the Arthurian legend. `Darrah makes the valid point that episodes in the Arthurian romances read like motifs from the ancient mythologies...[he] reconstructs a lost British paganism, grounded in the rivers, hills and woods, and especially those grey monoliths...reminders of a cosmology vanished from this island. NIKOLAI TOLSTOY, DAILY TELEGRAPH `Contends, with a good deal of evidence, that the impact of pre-Christian Welsh, Irish, Scottish, Cornish and Breton religion is greater than has been previously thought... Extensively researched and well written.' CHOICE The origins of Arthurian romance will always be a hotly disputed subject. The great moments of the legends belong partly to dimly-remembered history, partly to the poets' imagination down the ages, yet there is another strand to the stories which goes back deeper and further: the traces of ancient pagan religion, found both in Arthurian heroes who have inherited the attributes of gods, and in episodes which reflect ancient religious rituals. Darrah's careful study of the thematic relationships of, particularly, the more obscure episodes of the romances and his identification of the relative geography of Arthurian Britain as portrayed in the romances will be valuable even to those who differ with his conclusions. His most original contribution to an unravelling of a pagan Arthurian past lies in his appropriation of the fascinating evidence of standing stones and pagan cultic sites. This is dark and difficult territory, but building on elusive clues, and tracing a range of sites, especially in south-west Britain, John Darrah hasadded a significant new dimension to the search for the sources of the legends of Arthur and his court. JOHN DARRAH has also written The Real Camelot.

Based on twenty-seven years of original archival research, including the discovery of previously unknown documents, this day-by-day narrative of the hysteria that swept through Salem Village in 1692 and 1693 reveals new connections behind the events, and shows how rapidly a community can descend into bloodthirsty madness. Roach opens her work with chapters on the history of the Puritan colonies of New England, and explains how these people regarded the metaphysical and the supernatural. The account of the days from January 1692 to March 1693 keeps in order the large cast of characters, places events in their correct contexts, and occasionally contradicts earlier assumptions about the gruesome events. The last chapter discusses the remarkable impact of the events, pointing out how the 300th anniversary of the trials made headlines in Japan and Australia.

By the spring of 1645, civil war had exacted a terrible toll upon England. Disease was rife, apocalyptic omens appeared in the skies, and idolators detected in every shire. In a remote corner of Essex, two obscure gentlemen began interrogating women suspected of witchcraft, triggering the most brutal witch-hunt in English history. Witchfinders is a spellbinding study of how Matthew Hopkins, 'the Witchfinder General', and John Stearne extended their campaign across East Anglia, driven by godly zeal. Exploiting the anxiety and lawlessness of the times, and cheered on by ordinary folk, they extracted confessions of satanic pacts resulting in scores of executions.

In Dante's Inferno, the lowest circle of Hell is reserved for traitors, those who betrayed their closest companions. In a wide range of literatures and mythologies such intimate aggression is a source of ultimate terror, and in Witchcraft, Intimacy, and Trust, Peter Geschiere sketches it as a central ember at the core of human relationships, one brutally revealed in the practice of witchcraft. Examining witchcraft in its variety of forms throughout the globe, he shows how this often misunderstood practice is deeply structured by intimacy and the powers it affords. In doing so, he offers not only a comprehensive look at contemporary witchcraft but also a fresh - if troubling - new way to think about intimacy itself. Geschiere begins in the forests of southeast Cameroon with the Maka, who fear "witchcraft of the house" above all else. Drawing a variety of local conceptions of intimacy into a global arc, he tracks notions of the home and family - and witchcraft's transgression of them - throughout Africa, Europe, Brazil, and Oceania, showing that witchcraft provides powerful ways of addressing issues that are crucial to social relationships. Indeed, by uncovering the link between intimacy and witchcraft in so many parts of the world, he paints a provocative picture of human sociality that scrutinizes some of the most prevalent views held by contemporary social science. One of the few books to situate witchcraft in a global context, Witchcraft, Intimacy, and Trust is at once a theoretical tour de force and an empirically rich and lucid take on a difficult-to-understand spiritual practice and the private spaces it so greatly affects.

The Hay archive of Coptic manuscripts consists of seven fragmentary sheets of leather bearing spells for divination, protection, healing, personal advancement, cursing and the satisfaction of sexual desire. Purchased from the heir of the Scottish Egyptologist and draughtsman, Robert Hay (1799–1863), the manuscripts arrived at the British Museum in 1868. Since they were first published in the 1930s, they were understood to be the work of a single copyist writing around AD 600 in the Theban region of Upper Egypt. The present volume has confirmed, nuanced or challenged these assessments on the basis of scientific analysis and close study of the manuscripts. Prompted by the urgent conservation needs of the corpus, this study seeks to provide a model, integrated approach to the publication of ancient texts as archaeological objects by providing a full record of provenance and collection history; scientific analysis; conservation approach and treatment; a new complete edition and translation of the Coptic texts; and an extended discussion of the cultural context of production. Written on poorly processed calf, sheep and goat skin, the manuscripts were copied by multiple non-professional writers in the 8th–9th centuries. Employing a striking combination of ancient Egyptian, Graeco-Roman, biblical and extra-biblical motifs, their contents represent a Christian milieu making use of the mechanics of earlier ‘magical’ practice in a period well after the arrival of Islam.

Among the most important sources for understanding the cultures and systems of thought of ancient Mesopotamia is a large body of magical and medical texts written in the Sumerian and Akkadian languages. An especially significant branch of this literature centres upon witchcraft. Mesopotamian anti-witchcraft rituals and incantations attribute ill-health and misfortune to the magic machinations of witches and prescribe ceremonies, devices, and treatments for dispelling witchcraft, destroying the witch, and protecting and curing the patient. The Corpus of Mesopotamian Anti-Witchcraft Rituals aims to present a reconstruction of this body of texts; it provides critical editions of the relevant rituals and prescriptions based on the study of the cuneiform tablets and fragments recovered from the libraries of ancient Mesopotamia.

On September 20, 1587, Walpurga Hausmannin of Dillingen in southern Germany was burned at the stake as a witch. Although she had confessed to committing a long list of "maleficia" (deeds of harmful magic), including killing forty--one infants and two mothers in labor, her evil career allegedly began with just one heinous act--sex with a demon. Fornication with demons was a major theme of her trial record, which detailed an almost continuous orgy of sexual excess with her diabolical paramour Federlin "in many divers places, . . . even in the street by night."
As Walter Stephens demonstrates in "Demon Lovers," it was not Hausmannin or other so-called witches who were obsessive about sex with demons--instead, a number of devout Christians, including trained theologians, displayed an uncanny preoccupation with the topic during the centuries of the "witch craze." Why? To find out, Stephens conducts a detailed investigation of the first and most influential treatises on witchcraft (written between 1430 and 1530), including the infamous "Malleus Maleficarum" ("Hammer of Witches").
Far from being credulous fools or mindless misogynists, early writers on witchcraft emerge in Stephens's account as rational but reluctant skeptics, trying desperately to resolve contradictions in Christian thought on God, spirits, and sacraments that had bedeviled theologians for centuries. Proof of the physical existence of demons--for instance, through evidence of their intercourse with mortal witches--would provide strong evidence for the reality of the supernatural, the truth of the Bible, and the existence of God. Early modern witchcraft theory reflected a crisis of belief--a crisis that continues tobe expressed today in popular debates over angels, Satanic ritual child abuse, and alien abduction.

The most detailed analysis of the techniques of Solomonic magic from the seventh to the nineteenth century ever published. This volume explores the methods of Solomonic magic in Alexandria, tracing how the tradition passed through Byzantium (the Hygromanteia) to the Latin Clavicula Salomonis and its English incarnation as the Key of Solomon. Discover specific magical techniques such as the invocation of the gods, the binding of demons, the use of the four demon Kings, and the construction of the circle and lamen. The use of amulets, talismans, and phylacteries is outlined along with their methods of construction. Also included are explanations of the structures and steps of Solomonic evocation, the facing directions, practical considerations, the use of thwarting angels, achieving invisibility, sacrifice, love magic, treasure finding and the binding, imprisoning, and licensing of spirits.

In The Dark Side of the Enlightenment, John V. Fleming shows how the impulses of the European Enlightenment generally associated with great strides in the liberation of human thought from superstition and traditional religion were challenged by tenacious religious ideas or channeled into the darker pursuits of the esoteric and the occult. His engaging topics include the stubborn survival of the miraculous, the Enlightenment roles of Rosicrucianism and Freemasonry, and the widespread pursuit of magic and alchemy.

Though we tend not to associate what was once called alchemy with what we now call chemistry, Fleming shows that the difference is merely one of linguistic modernization. Alchemy was once the chemistry, of Arabic derivation, and its practitioners were among the principal scientists and physicians of their ages. No point is more important for understanding the strange and fascinating figures in this book than the prestige of alchemy among the learned men of the age.

Fleming follows some of these complexities and contradictions of the Age of Lights into the biographies of two of its extraordinary offspring. The first is the controversial wizard known as Count Cagliostro, the Egyptian freemason, unconventional healer, and alchemist known most infamously for his ambiguous association with the Affair of the Diamond Necklace, which history has viewed as among the possible harbingers of the French Revolution and a major contributing factor in the growing unpopularity of Marie Antoinette. Fleming also reviews the career of Julie de Krudener, the sentimental novelist, Pietist preacher, and political mystic who would later become notorious as a prophet.

Impressively researched and wonderfully erudite, this rich narrative history sheds light on some lesser-known mental extravagances and beliefs of the Enlightenment era and brings to life some of the most extraordinary characters ever encountered either in history or fiction."

America Bewitched is the first major history of witchcraft in America - from the Salem witch trials of 1692 to the present day. The infamous Salem trials are etched into the consciousness of modern America, the human toll a reminder of the dangers of intolerance and persecution. The refrain 'Remember Salem!' was invoked frequently over the ensuing centuries. As time passed, the trials became a milepost measuring the distance America had progressed from its colonial past, its victims now the righteous and their persecutors the shamed. Yet the story of witchcraft did not end as the American Enlightenment dawned - a new, long, and chilling chapter was about to begin. Witchcraft after Salem was not just a story of fire-side tales, legends, and superstitions: it continued to be a matter of life and death, souring the American dream for many. We know of more people killed as witches between 1692 and the 1950s than were executed before it. Witches were part of the story of the decimation of the Native Americans, the experience of slavery and emancipation, and the immigrant experience; they were embedded in the religious and social history of the country. Yet the history of American witchcraft between the eighteenth and the twentieth century also tells a less traumatic story, one that shows how different cultures interacted and shaped each other's languages and beliefs. This is therefore much more than the tale of one persecuted community: it opens a fascinating window on the fears, prejudices, hopes, and dreams of the American people as their country rose from colony to superpower.

It is August 18, 1634. Father Urbain Grandier, convicted of sorcery that led to the demonic possession of the Ursuline nuns of provincial Loudun in France, confesses his sins on the porch of the church of Saint-Pierre, then perishes in flames lit by his own exorcists. A dramatic tale that has inspired many artistic retellings, including a novel by Aldous Huxley and an incendiary film by Ken Russell, the story of the possession at Loudun here receives a compelling analysis from the renowned Jesuit historian Michel de Certeau.
Interweaving substantial excerpts from primary historical documents with fascinating commentary, de Certeau shows how the plague of sorceries and possessions in France that climaxed in the events at Loudun both revealed the deepest fears of a society in traumatic flux and accelerated its transformation. In this tour de force of psychological history, de Certeau brings to vivid life a people torn between the decline of centralized religious authority and the rise of science and reason, wracked by violent anxiety over what or whom to believe.
At the time of his death in 1986, Michel de Certeau was a director of studies at the ecole des hautes etudes en sciences sociales, Paris. He was author of eighteen books in French, three of which have appeared in English translation as "The Practice of Everyday Life, " "The Writing of History, " and "The Mystic Fable, Volume 1, " the last of which is published by The University of Chicago Press.
"Brilliant and innovative. . . . "The Possession at Loudun" is de Certeau's] most accessible book and one of his most wonderful."--Stephen Greenblatt (from the Foreword)

September 1613. In Belvoir Castle, the heir of one of England's great noble families falls suddenly and dangerously ill. His body is 'tormented' with violent convulsions. Within a few short weeks he will suffer an excruciating death. Soon the whole family will be stricken with the same terrifying symptoms. The second son, the last male of the line, will not survive. It is said witches are to blame. And so the Earl of Rutland's sons will not be the last to die. Witches traces the dramatic events which unfolded at one of England's oldest and most spectacular castles four hundred years ago. The case is among those which constitute the European witch craze of the 15th-18th centuries, when suspected witches were burned, hanged, or tortured by the thousand. Like those other cases, it is a tale of superstition, the darkest limits of the human imagination and, ultimately, injustice - a reminder of how paranoia and hysteria can create an environment in which nonconformism spells death. But as Tracy Borman reveals here, it is not quite typical. The most powerful and Machiavellian figure of the Jacobean court had a vested interest in events at Belvoir.He would mastermind a conspiracy that has remained hidden for centuries.

Opulent jeweled objects ranked among the most highly valued works of art in the European Middle Ages. At the same time, precious stones prompted sophisticated reflections on the power of nature and the experience of mineralized beings. Beyond a visual regime that put a premium on brilliant materiality, how can we account for the ubiquity of gems in medieval thought? In The Mineral and the Visual, art historian Brigitte Buettner examines the social roles, cultural meanings, and active agency of precious stones in secular medieval art. Exploring the layered roles played by gems in aesthetic, ideological, intellectual, and economic practices, Buettner focuses on three significant categories of art: the jeweled crown, the pictorialized lapidary, and the illustrated travel account. The global gem trade brought coveted jewels from the Indies to goldsmiths' workshops in Paris, fashionable bodies in London, and the crowns of kings across Europe, and Buettner shows that Europe's literal and metaphorical enrichment was predicated on the importation of gems and ideas from Byzantium, the Islamic world, Persia, and India. Original, transhistorical, and cross-disciplinary, The Mineral and the Visual engages important methodological questions about the work of culture in its material dimension. It will be especially useful to scholars and students interested in medieval art history, material culture, and medieval history.

Enter the world of the occultist: where the spirits of the dead dwell amongst us, where the politics of ecstasy are played out, and where magick spills into every aspect of life. It's all right here; sex, drugs, witchcraft and gardening. From academic papers, through to first person accounts of high-octaine rituals. In Magick Works you will find cutting edge essays from the path of Pleasure, Freedom and Power. In this seminal collection Julian Vayne explores: * The Tantric use of Ketamine. * Social Justice, Green Politics and Druidry. * English Witchcraft and Macumba * The Magickal use of Space. * Cognitive Liberty and the Occult. * Psychogeography & Chaos Magick. * Tai Chi and Apocalyptic Paranoia. * Self-identity, Extropianism and the Abyss. * Parenthood as Spiritual Practice. * Aleister Crowley as Shaman ...and much more!