Ancient chroniclers, including Julius Caesar himself, made the Druids and their sacred rituals infamous throughout the Western world. But in fact, as Miranda Aldhouse-Green shows in this fascinating book, the Druids' day-to-day lives were far less lurid and much more significant. Exploring the various roles that Druids played in British and Gallic society during the first centuries B.C. and A.D.--not just as priests but as judges, healers, scientists, and power brokers--Aldhouse-Green argues that they were a highly complex, intellectual, and sophisticated group whose influence transcended religion and reached into the realms of secular power and politics. With deep analysis, fresh interpretations, and critical discussions, she gives the Druids a voice that resonates in our own time.

This richly illustrated history provides a readable and fresh approach to the extensive and complex story of witchcraft and magic. Telling the story from the dawn of writing in the ancient world to the globally successful Harry Potter films, the authors explore a wide range of magical beliefs and practices, the rise of the witch trials, and the depiction of the Devil-worshipping witch. The book also focuses on the more recent history of witchcraft and magic, from the Enlightenment to the present, exploring the rise of modern magic, the anthropology of magic around the globe, and finally the cinematic portrayal of witches and magicians, from The Wizard of Oz to Charmed and Buffy the Vampire Slayer.

In 1711, in County Antrim, eight women were put on trial accused of orchestrating the demonic possession of young Mary Dunbar, and the haunting and supernatural murder of a local clergyman’s wife. Mary Dunbar was the star witness in this trial, and the women were, by the standards of the time, believable witches – they smoked, they drank, they just did not look right. With echoes of Arthur Miller’s The Crucible and the Salem witch-hunt, this is a story of murder, of hysteria, and of how the ‘witch craze’ that claimed over 40,000 lives in Europe played out on Irish shores.

Witch, Slut, Feminist: these contested identities are informing millennial women as they counter a tortuous history of misogyny with empowerment. This innovative primer highlights sexual liberation as it traces the lineage of "witch feminism" through art, film, music, fashion, literature, technology, religion, pop culture, and politics. Juxtaposing scholarly research on the demonization of women and female sexuality that has continued since the witch hunts of the early modern era with pop occulture analyses and interviews with activists, artists, scholars, and practitioners of witchcraft, this book addresses and illuminates contemporary conversations about reproductive rights, sexual pleasure, queer identity, pornography, sex work, and more. Author Kristen J. Sollee elucidates the ways in which women have been persecuted for their perceived connection with witchcraft, and how they have fought back, harnessing the legacy of the witch for revolutionary means. Kristen J. Sollee is an instructor at The New School and founding editrix of Slutist, an award-winning sex positive feminist website.

Mephistopheles is the fourth and final volume of a critically acclaimed history of the concept of the Devil. The series constitutes the most complete historical study ever made of the figure that has been called the second most famous personage in Christianity.In his first three volumes Jeffrey Burton Russell brought the history of Christian diabology to the end of the Middle Ages, showing the development of a degree of consensus, even in detail, on the concept of the Devil. Mephistopheles continues the story from the Reformation to the present, tracing the fragmentation of the tradition. Using examples from theology, philosophy, art, literature, and popular culture, he describes the great changes effected in our idea of the Devil by the intellectual and cultural developments of modem times.Emphasizing key figures and movements, Russell covers the apogee of the witch craze in the Renaissance and Reformation, the effects of the Enlightenment's rationalist philosophy, the Romantic image of Satan, and the cynical or satirical literary treatments of the Devil in the late nineteenth century. He concludes that although today the Devil may seem an outworn metaphor, the very real horrors of the twentieth century suggest the continuing need for some vital symbol of radical evil.A work of great insight and learning, Mephistopheles deepens our understanding of the ways in which people in Western societies have dealt with the problem of evil.

The History of the Devil (1900) is a philosophical study by Paul Carus. A lifelong Monist, Carus sought to apply a scientific analysis to the principles of humanity's religions. Credited with bridging the gap between Eastern and Western beliefs, Carus believed that the dualism rampant in the West could be replaced in order to establish a more equitable world where difference and diversity would be accepted and nurtured, rather than suppressed. "This world of ours is a world of opposites. There is light and shade, there is heat and cold, there is good and evil, there is God and the Devil. The dualistic conception of nature has been a necessary phase in the evolution in human thought." Recognizing the need for dualism in the history of humanity, Carus sought to promote the principles of Monism in the West, believing it could lead to a universal worldview capable of uniting East and West. A positivist and pantheist, Carus believed that by pursuing "in religion the same path that science travels, [...] the narrowness of sectarianism [would] develop into a broad cosmical religion which shall be as wide and truly catholic as is science itself." To lay the groundwork for this "cosmical religion," he investigates the figure of the Devil and the historical evolution of the concept of evil, which he saw as predating belief in goodness and God. With a beautifully designed cover and professionally typeset manuscript, this edition of Paul Carus' The History of the Devil is a classic of philosophy reimagined for modern readers.

Industry of Magic & Light is a love letter to the counterculture of the 1960s and a requiem for its passing. The much-anticipated prequel to Keenan's cult classic debut, This is Memorial Device, Industry of Magic & Light is set in the same mythical Airdrie in the 1960s and early 70s and centres on a group of hippies running their own psychedelic light show. Told in two halves - the first in the form of an inventory of the contents of a caravan abandoned by one of the hippies, the second in the form of a tarot card reading - it is not so much a book about the 1960s as a direct channelling of the decade's energies, bringing to life how even the smallest and dreariest of working class towns felt so full of possibility in the wake of the psychedelic moment. Via artefacts from the time - everything from poetry chapbooks, record reviews and musical instruments through bubblegum wrappers, bicycle repair kits and mysterious cassette recordings - the book opens out into adventures along the hippy trail in Afghanistan and behind the Iron Curtain that leads a cast of new and returning characters - as well as the authorities - to believe that they are literally making magic. Simultaneously a forensics of the 1960s, a detective novel, an occult thriller, a vision quest, and the hallucinatory exposition of a moment where it felt like anything was possible, Industry of Magic & Life brings to life the streets of small working class towns as transformational sites of utopian joy.

The Hermetic Museum takes readers on a magical mystery tour spanning an arc from the medieval cosmogram and images of Christian mysticism, through the fascinating world of alchemy to the art of the Romantic era. The enigmatic hieroglyphs of cabalists, Rosicrucians, and freemasons are shown to be closely linked with the early scientific illustrations in the fields of medicine, chemistry, optics, and color theory. Even for those with no knowledge of the fascinating history of alchemy, this book is a delight to explore. Each richly illustrated chapter begins with an introduction and quotes from alchemists by specialist Alexander Roob. The roots of surrealism and many other more recent artistic movements can be found in this treasure trove. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

WINNER OF THE DESMOND ELLIOTT PRIZE 2021 'Riveting, appalling, addictive' Megan Nolan England, 1643. Puritanical fervour has gripped the nation. In Manningtree, depleted of men since the Civil War began, the women are left to their own devices and Rebecca West chafes against the drudgery of her days. But when Matthew Hopkins arrives, asking bladed questions and casting damning accusations, mistrust and unease seep into the lives of the women. Caught between betrayal and persecution, what must Rebecca West do to survive? 'Deft and witty... dazzling and precise' New Statesman

Who are the familiar spirits of classical culture and what is their relationship to Christian demons? In its interpretation of Latin and Greek culture, Christianity contends that Satan is behind all classical deities, semi-gods, and spiritual creatures, including the gods of the household, the lares and penates." "But with "In the Company of Demons," the world's leading demonologist Armando Maggi argues that the great thinkers of the Italian Renaissance had a more nuanced and perhaps less sinister interpretation of these creatures or spiritual bodies.
Maggi leads us straight to the heart of what Italian Renaissance culture thought familiar spirits were. Through close readings of Giovan Francesco Pico della Mirandola, Strozzi Cigogna, Pompeo della Barba, Ludovico Sinistrari, and others, we find that these spirits or demons speak through their sudden and striking appearances--their very bodies seen as metaphors to be interpreted. The form of the body, Maggi explains, relies on the spirits' knowledge of their human interlocutors' pasts. But their core trait is compassion, and sometimes their odd, eerie arrivals are seen as harbingers or warnings to protect us. It comes as no surprise then that when spiritual beings distort the natural world to communicate, it is vital that we begin to listen.

Witchcraft in Early Modern England provides a fascinating introduction to the history of witches and witchcraft in England from the sixteenth to the eighteenth century. Witchcraft was a crime punishable by death in England during this period and this book charts the witch panics and legal persecution of witches that followed, exploring topics such as elite attitudes to witchcraft in England, the role of pressures and tensions within the community in accusations of witchcraft, the way in which the legal system dealt with witchcraft cases, and the complex decline of belief in witchcraft. Revised and updated, this new edition explores the modern historiographical debate surrounding this subject and incorporates recent findings and interpretations of historians in the field, bringing it right up-to-date and in particular offering an extended treatment of the difficult issues surrounding gender and witchcraft. Supported by a range of compelling primary documents, this book is essential reading for all students of the history of witchcraft.

Academics tend to look on 'esoteric', 'occult' or 'magical' beliefs with contempt, but are usually ignorant about the religious and philosophical traditions to which these terms refer, or their relevance to intellectual history. Wouter Hanegraaff tells the neglected story of how intellectuals since the Renaissance have tried to come to terms with a cluster of 'pagan' ideas from late antiquity that challenged the foundations of biblical religion and Greek rationality. Expelled from the academy on the basis of Protestant and Enlightenment polemics, these traditions have come to be perceived as the Other by which academics define their identity to the present day. Hanegraaff grounds his discussion in a meticulous study of primary and secondary sources, taking the reader on an exciting intellectual voyage from the fifteenth century to the present day and asking what implications the forgotten history of exclusion has for established textbook narratives of religion, philosophy and science.

Universities And The Occult Rituals Of The Corporate World explores the metaphorical parallels between corporatised, market-oriented universities and aspects of the occult. In the process, the book shows that the forms of mystery, mythmaking and ritual now common in restructured institutions of higher education stem from their new power structures and procedures, and the economic and sociopolitical factors that have generated them.

Wood argues that universities have acquired occult aspects, as the beliefs and practices underpinning present-day market-driven academic discourse and practice weave spells of corporate potency, invoking the bewildering magic of the market and the arcane mysteries of capitalism, thriving on equivocation and evasion. Making particular reference to South African universities, the book demonstrates the ways in which apparently rational features of contemporary Western and westernised societies have acquired occult aspects. It also includes discussion of higher education institutions in other countries where neoliberal economic agendas are influential, such as the UK, the USA, the Eurozone states and Australia.

Providing a unique and thought-provoking look at the impact of the marketisation of Higher Education, this book will be essential reading for academics, researchers and postgraduate students engaged in the study of higher education, educational policy and neoliberalism. It should also be of great interest to academics in the fields of anthropology, folklore and cultural studies, as well as business, economics and management.

Druidry and Wicca are the two great streams of Western Pagan tradition. Both traditions are experiencing a renaissance all over the world, as more and more people seek a spirituality rooted in a love of nature and the land. Increasingly, readers are combining the ideas of both traditions to craft their own spiritual practice. In this down-to-earth, inspiring guide, Philip Carr-Gomm offers a name for this Path that draws on the common beliefs and practices of Wicca and Druidry: DruidCraft. DruidCraft draws on the traditions of scholarship, storytelling, magical craft and seasonal celebration of both the Craft and Druidry to offer inspiration, teachings, rituals, and magical techniques that can help you access your innate powers of creativity, intuition and healing.

Recent years have seen a significant shift in the study of new religious movements. In Satanism studies, interest has moved to anthropological and historical work on groups and inviduals. Self-declared Satanism, especially as a religion with cultural production and consumption, history, and organization, has largely been neglected by academia. This volume, focused on modern Satanism as a practiced religion of life-style, attempts to reverse that trend with 12 cutting-edge essays from the emerging field of Satanism studies. Topics covered range from early literary Satanists like Blake and Shelley, to the Californian Church of Satan of the 1960s, to the radical developments that have taken place in the Satanic milieu in recent decades. The contributors analyze such phenomena as conversion to Satanism, connections between Satanism and political violence, 19th-century decadent Satanism, transgression, conspiracy theory, and the construction of Satanic scripture. A wide array of methods are employed to shed light on the Devil's disciples: statistical surveys, anthropological field studies, philological examination of The Satanic Bible, contextual analysis of literary texts, careful scrutiny of obscure historical records, and close readings of key Satanic writings. The book will be an invaluable resource for everyone interested in Satanism as a philosophical or religious position of alterity rather than as an imagined other.

The untold account of the countless Americans who believe in, or personally experience, paranormal phenomena such as ghosts, Bigfoot, UFOs and psychics Given the popularity of television shows such as Finding Bigfoot, Ghost Hunters, Supernatural, and American Horror Story, there seems to be an insatiable public hunger for mystical happenings. But who believes in the paranormal? Based on extensive research and their own unique personal experiences, Christopher Bader, Joseph Baker and Carson Mencken reveal that a significant number of Americans hold these beliefs, and that for better or worse, we undoubtedly live in a paranormal America. Readers will join the authors as they participate in psychic and palm readings, and have their auras photographed, join a Bigfoot hunt, follow a group of celebrity ghost hunters as they investigate claims of a haunted classroom, and visit a support group for alien abductees. The second edition includes new and updated research based on findings from the Baylor Religion survey regarding America's relationship with the paranormal. Drawing on these diverse and compelling sources of data, the book offers an engaging account of the social, personal, and statistical stories of American paranormal beliefs and experiences. It examines topics such as the popularity of paranormal beliefs in the United States, the ways in which these beliefs relate to each other, whether paranormal beliefs will give rise to a new religion, and how believers in the paranormal differ from "average" Americans. Brimming with fascinating anecdotes and provocative new findings, Paranormal America offers an entertaining yet authoritative examination of a growing segment of American religious culture.

Henrik Bogdan and Martin P. Starr offer the first comprehensive examination of one of the twentieth century's most distinctive occult iconoclasts. Aleister Crowley (1875-1947) was a study in contradictions. He was born into a Fundamentalist Christian family, then educated at Cambridge where he experienced both an intellectual liberation from his religious upbringing and a psychic awakening that led him into the study of magic. He was a stock figure in the tabloid press of his day, vilified during his life as a traitor, drug addict and debaucher; yet he became known as the perhaps most influential thinker in contemporary esotericism. The practice of the occult arts was understood in the light of contemporary developments in psychology, and its advocates, such as William Butler Yeats, were among the intellectual avant-garde of the modernist project. Crowley took a more drastic step and declared himself the revelator of a new age of individualism. Crowley's occult bricolage, Magick, was a thoroughly eclectic combination of spiritual exercises drawing from Western European ceremonial magical traditions as practiced in the nineteenth-century Hermetic Order of the Golden Dawn. Crowley also pioneered in his inclusion of Indic sources for the parallel disciplines of meditation and yoga. The summa of this journey of self-liberation was harnessing the power of sexuality as a magical discipline, an instance of the "sacrilization of the self " as practiced in his co-masonic magical group, the Ordo Templi Orientis. The religion Crowley created, Thelema, legitimated his role as a charismatic revelator and herald of a new age of freedom under the law of ''Do what thou wilt.'' The influence of Aleister Crowley is not only to be found in contemporary esotericism-he was, for instance, a major influence on Gerald Gardner and the modern witchcraft movement-but can also be seen in the counter-culture movement of the late 1960s and early 1970s, and in many forms of alternative spirituality and popular culture. This anthology, which features essays by leading scholars of Western esotericism across a wide array of disciplines, provides much-needed insight into Crowley's critical role in the study of western esotericism, new religious movements, and sexuality.

Film is a kind of magic, a world of shadows and light, where anything is possible and the dead come back to life. Film can persuade us to believe in anything and special effects can work miracles. It is therefore the perfect medium for expressing occult phenomena, and since the beginnings of cinema history, film has done just that. Movie Magick explores the way in which films have been inspired by Alesiter Crowley's famous definition of "Magick" as "the Science and Art of causing Change to occur in conformity with Will." This naturally encompasses classic occult movies, such as Hammer's adaptations of Dennis Wheatley's The Devil Rides Out, but also ventures further afield into the cultural background of the modern occult revival, exploring the way in which occult movies have responded to the esthetics of fin de siecle decadence, the symbolist writings of Villiers de l'Isle Adam, Wagnerian music drama, the Faust legend, the pseudo-science of Theosophy, the occult psychedelia of the 1960s, occult conspiracy theories and some of the more arcane aspects of animation. The result is a cinematic grimoire, which will appeal to both sorcerers and apprentices of movie magick.

A complete introduction to modern magic and witchcraft with spells and incantations for love, happiness, and success. The Practical Witch's Spell Book is an enchanting handbook for anyone with a penchant for the magical and who wants to add joy to their daily life. To practice witchcraft is to be purposeful whether it's to help heal, bring about prosperity, imbue your home with positivity, or even to fall in love. To be a practical witch is to tap into an inner place of intention, energy, and magic to bring about positive change in your life and those of your loved ones. With life's increasingly frenetic pace, a magical approach to living is more important now than ever. In this must-have guide for spell-casters of all levels you will find hundreds of spells, blessings, and incantations for love and romance, contentment and happiness, success and prosperity, health and healing, work and vocation, and money and wealth, all to enrich your mind and spirit, and to improve your life and the world around you. Also included are ritual resources, magical correspondences, lucky colors and numbers, moon spells, and all the essential tools you need for making magic.

This book analyzes the gendered transformation of magical figures occurring in Arthurian romance in England from the twelfth to the sixteenth centuries. In the earlier texts, magic is predominantly a masculine pursuit, garnering its user prestige and power, but in the later texts, magic becomes a primarily feminine activity, one that marks its user as wicked and heretical. This project explores both the literary and the social motivations for this transformation, seeking an answer to the question, 'why did the witch become wicked?' Heidi Breuer traverses both the medieval and early modern periods and considers the way in which the representation of literary witches interacted with the culture at large, ultimately arguing that a series of economic crises in the fourteenth century created a labour shortage met by women. As women moved into the previously male-dominated economy, literary backlash came in the form of the witch, and social backlash followed soon after in the form of Renaissance witch-hunting. The witch figure serves a similar function in modern American culture because late-industrial capitalism challenges gender conventions in similar ways as the economic crises of the medieval period.

'A major work ... an extraordinary tour de force, [this book] will materially help to bring both sides (science and paranormal studies) together in a way which could lead to real and important advances in our view of the universe' - New Scientist First published in 1978, Mysteries is the powerful and enlightening sequel to The Occult, continuing Colin Wilson's investigations into the paranormal, the occult and the supernatural. The experience of his own panic attacks gave Wilson his insight into the concept of the ladder or hierarchy of selves with which we are all associated. In this book he fully explores this idea of multiple selves, explaining how our lower, childish selves are linked to depression and anxiety. The book offers an optimistic message to counteract our contemporary tendency towards pessimism and nihilism: purposeful activity will always allow us to call on our higher selves and bring concentration, control and a sense of meaning into life. Wilson uses the concept of the multi-personality to explain a wide range of paranormal phenomenon, from dowsing and demonic possession to precognition and spoon-bending, and he analyses the work of all the big names in 20th-century supra-rational research (from T C Lethbridge to Margaret Murray to Carl Jung) from this perspective. The story ranges widely, from the stone circles to 1960s LSD adventures, and Wilson's analysis is woven with hundreds of entertaining paranormal anecdotes and case studies taken from throughout history, including his own experiences of dowsing at the Merry Maidens stone circle and of visions and lucid dreaming.

'The Corpus Hermeticum' is a collection of second or third century treatises that have survived intact the systematic destruction of the early Catholic Church.Given mainly in the form of a dialogue between Hermes and a human interlocutor, the writings reveal knowledge of the origins, nature and moral properties of the divine, and (on the principle of 'as above, so below, as below, so above') of humanity and all other spiritual beings. Using this sacred knowledge, humanity can rise above the material and enter the realms of the gods. 'The Corpus Hermeticum' is a foundation document for all students of the Hermetic tradition.

2010 Reprint of 1903 Edition. The Book of Goetia, or the Lesser Key of Solomon the King Clavicula Salomonis]. Introductory essay by Aleister Crowley. The Lesser Key of Solomon or, Clavicula Salomonis, is an anonymous 17th-century grimoire, and one of the most popular books of demonology. It has also long been widely known as the Lemegeton. It appeared in the 17th century, but much was taken from texts of the 16th century and late-medieval grimoires. It is likely that books by Jewish kabbalists and Muslim mystics were also inspirations. Some of the material in the first section, concerning the summoning of demons, dates to the 14th century or earlier. The book claims that it was originally written by King Solomon, although this is certainly incorrect. The Lesser Key of Solomon contains detailed descriptions of spirits and the conjurations needed to invoke and oblige them to do the will of the conjurer (referred to as the "exorcist"). It details the protective signs and rituals to be performed, the actions necessary to prevent the spirits from gaining control, the preparations prior to the invocations, and instructions on how to make the necessary instruments for the execution of these rituals.