|
Books > Humanities > Religion & beliefs > Alternative belief systems > Occult studies
Offers a full introduction to and survey of runes and runology:
their history, how they were used, and their interpretation. Runes,
often considered magical symbols of mystery and power, are in fact
an alphabetic form of writing. Derived from one or more
Mediterranean prototypes, they were used by Germanic peoples to
write different kinds of Germanic language, principally Anglo-Saxon
and the various Scandinavian idioms, and were carved into stone,
wood, bone, metal, and other hard surfaces; types of inscription
range from memorials to the dead, through Christian prayers and
everyday messages to crude graffiti. First reliably attested in the
second century AD, runes were in due course supplanted by the roman
alphabet, though in Anglo-Saxon England they continued in use until
the early eleventh century, inScandinavia until the fifteenth (and
later still in one or two outlying areas). This book provides an
accessible, general account of runes and runic writing from their
inception to their final demise. It also covers modern uses of
runes, and deals with such topics as encoded texts, rune names, how
runic inscriptions were made, runological method, and the history
of runic research. A final chapter explains where those keen to see
runic inscriptions can most easily find them. Professor MICHAEL P,
BARNES is Emeritus Professor of Scandinavian Studies, University
College London.
'A major work ... an extraordinary tour de force, [this book] will
materially help to bring both sides (science and paranormal
studies) together in a way which could lead to real and important
advances in our view of the universe' - New Scientist First
published in 1978, Mysteries is the powerful and enlightening
sequel to The Occult, continuing Colin Wilson's investigations into
the paranormal, the occult and the supernatural. The experience of
his own panic attacks gave Wilson his insight into the concept of
the ladder or hierarchy of selves with which we are all associated.
In this book he fully explores this idea of multiple selves,
explaining how our lower, childish selves are linked to depression
and anxiety. The book offers an optimistic message to counteract
our contemporary tendency towards pessimism and nihilism:
purposeful activity will always allow us to call on our higher
selves and bring concentration, control and a sense of meaning into
life. Wilson uses the concept of the multi-personality to explain a
wide range of paranormal phenomenon, from dowsing and demonic
possession to precognition and spoon-bending, and he analyses the
work of all the big names in 20th-century supra-rational research
(from T C Lethbridge to Margaret Murray to Carl Jung) from this
perspective. The story ranges widely, from the stone circles to
1960s LSD adventures, and Wilson's analysis is woven with hundreds
of entertaining paranormal anecdotes and case studies taken from
throughout history, including his own experiences of dowsing at the
Merry Maidens stone circle and of visions and lucid dreaming.
Making Amulets Christian: Artefacts, Scribes, and Contexts examines
Greek amulets with Christian elements from late antique Egypt in
order to discern the processes whereby a customary practice-the
writing of incantations on amulets-changed in an increasingly
Christian context. It considers how the formulation of incantations
and amulets changed as the Christian church became the prevailing
religious institution in Egypt in the last centuries of the Roman
empire. Theodore de Bruyn investigates what we can learn from
incantations and amulets containing Christian elements about the
cultural and social location of the people who wrote them. He shows
how incantations and amulets were indebted to rituals or
ritualizing behaviour of Christians. This study analyzes different
types of amulets and the ways in which they incorporate Christian
elements. By comparing the formulation and writing of individual
amulets that are similar to one another, one can observe
differences in the culture of the scribes of these materials. It
argues for 'conditioned individuality' in the production of
amulets. On the one hand, amulets manifest qualities that reflect
the training and culture of the individual writer. On the other
hand, amulets reveal that individual writers were shaped, whether
consciously or inadvertently, by the resources they drew upon-by
what is called 'tradition' in the field of religious studies.
'The confrontation with evil manifests as a battle taking place on
many levels, the outcome of which lies in the hands of each one of
us alive today. The most important requisite is the creating of a
space within us in which a new consciousness, the Imagination, will
gradually be able to arise. Much in the future depends on whether a
sufficient number of people succeed in reaching this level of
experience...' - Maria Betti With the world in turmoil, the
greatest challenge facing us today, says Mario Betti, is the inner
transformation of our entire being. This rebirth from within
heralds a new form of consciousness - a creative imaginative
faculty - that is simultaneously a reawakening of the mysterious
Sophia, the feminine aspect of the Divinity. Imagination allows us
to behold the spiritual forces actively at work in the world,
resulting in the possibility of a comprehensive rebirth and renewal
of culture.
This amazing book is an essential reference and permanent resource
for every aspirant. It is illustrated with original ary by Oberon
and friends, as well as hundred of woodcuts from medieval
manuscripts and alchemical texts--plus, charts, tables and
diagrams.
Evil is an intrinsically fascinating topic. In Lucifer, Jeffrey
Burton Russell continues his compelling study of the
personification of evil in the figure of the Devil. The previous
two volumes in this remarkable tertalogy—The Devil and
Satan—trace the history of the concept of the devil comparatively
as it emerged in diverse cultures and followed its development in
Western thought from the ancient Hebrew religion through the first
five centuries of the Christian era.The present volume charts the
evolution of the concept of the devil from the fifth century
through the fifteenth. Drawing on an impressive array of sources
from popular religion, art, literature, and drama, as well as from
scholastic philosophy, mystical theology, homiletics, and
hagiography, Russell provides a detailed treatment of Christian
diabology in the Middle Ages. Although he focuses primarily on
Western Christian thought, Russell also includes, for the sake of
comparison, material on the concept of the devil in Greek Orthodoxy
during the Byzantine period as well as in Muslim thought.Russell
recounts how the Middle Ages saw a refinement in detail rather than
a radical alteration of diabological theory. He shows that the
medieval concept of the devil, fundamentally unchanged over the
course of the centuries, eventually gave rise to the unyielding
beliefs that resulted in the horrifying cruelties of the
witch-hunting craze in the 1500s and 1600s. This major contribution
to the history of the Middle Ages and to the history of religion
will enlighten scholars and students alike and will appeal to
anyone concerned with the problem of evil in our world.
Focusing on colonial Kenya, this book shows how conflicts between
state authorities and Africans over witchcraft-related crimes
provided an important space in which the meanings of justice, law
and order in the empire were debated. Katherine Luongo discusses
the emergence of imperial networks of knowledge about witchcraft.
She then demonstrates how colonial concerns about witchcraft
produced an elaborate body of jurisprudence about capital crimes.
The book analyzes the legal wrangling that produced the Witchcraft
Ordinances in the 1910s, the birth of an anthro-administrative
complex surrounding witchcraft in the 1920s, the hotly contested
Wakamba Witch Trials of the 1930s, the explosive growth of legal
opinion on witch-murder in the 1940s, and the unprecedented
state-sponsored cleansings of witches and Mau Mau adherents during
the 1950s. A work of anthropological history, this book develops an
ethnography of Kamba witchcraft or uoi.
|
|