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Books > Humanities > Religion & beliefs > Alternative belief systems > Occult studies
There has long existed among the Germanic Pennsylvania Dutch people
a belief in white and dark magic. The art of white magic in the
Dutch Country is referred to by old-timers as Braucherei in their
unique Dialect, otherwise known as Powwowing. Hexerei, of course,
is the art of black magic. Powers used to heal in the art of
Braucherei are derived from God (the Holy Trinity), but the powers
employed in Hexerei are derived from the Devil, in the simplest of
explanation. Therefore, one who engages in the latter has bartered
or "sold his soul to the Devil," and destined for Hell! For nearly
three centuries, the Pennsylvania Dutch have not hesitated to use
Braucherei in the healing of their sick and afflicted, and
regionally, the culture has canonized early 19th Century faith
healer, Mountain Mary (of the Oley Hills), as a Saint for her
powers of healing. Furthermore, contemporary of hers, John Georg
Hohman, has published numerous early 19th Century books on the
matter still in use today. Both their form of faith healing has
many counterparts in our civilization, however, the subset of
Hexerei, witchcraft, or black magic was always considered of utmost
evil here in the region; and only desperate people, and those with
devious intentions, have resorted to its equally powerful and
secret powers.
This book represents the first systematic study of the role of the
Devil in English witchcraft pamphlets for the entire period of
state-sanctioned witchcraft prosecutions (1563-1735). It provides a
rereading of English witchcraft, one which moves away from an older
historiography which underplays the role of the Devil in English
witchcraft and instead highlights the crucial role that the Devil,
often in the form of a familiar spirit, took in English witchcraft
belief. One of the key ways in which this book explores the role of
the Devil is through emotions. Stories of witches were made up of a
complex web of emotionally implicated accusers, victims, witnesses,
and supposed perpetrators. They reveal a range of emotional
experiences that do not just stem from malefic witchcraft but also,
and primarily, from a witch's links with the Devil. This book,
then, has two main objectives. First, to suggest that English
witchcraft pamphlets challenge our understanding of English
witchcraft as a predominantly non-diabolical crime, and second, to
highlight how witchcraft narratives emphasized emotions as the
primary motivation for witchcraft acts and accusations.
America Bewitched is the first major history of witchcraft in
America - from the Salem witch trials of 1692 to the present day.
The infamous Salem trials are etched into the consciousness of
modern America, the human toll a reminder of the dangers of
intolerance and persecution. The refrain 'Remember Salem!' was
invoked frequently over the ensuing centuries. As time passed, the
trials became a milepost measuring the distance America had
progressed from its colonial past, its victims now the righteous
and their persecutors the shamed. Yet the story of witchcraft did
not end as the American Enlightenment dawned - a new, long, and
chilling chapter was about to begin. Witchcraft after Salem was not
just a story of fire-side tales, legends, and superstitions: it
continued to be a matter of life and death, souring the American
dream for many. We know of more people killed as witches between
1692 and the 1950s than were executed before it. Witches were part
of the story of the decimation of the Native Americans, the
experience of slavery and emancipation, and the immigrant
experience; they were embedded in the religious and social history
of the country. Yet the history of American witchcraft between the
eighteenth and the twentieth century also tells a less traumatic
story, one that shows how different cultures interacted and shaped
each other's languages and beliefs. This is therefore much more
than the tale of one persecuted community: it opens a fascinating
window on the fears, prejudices, hopes, and dreams of the American
people as their country rose from colony to superpower.
Unlock Supernatural Power"This is definitely a fun read and shows
small ways you can try and change your life for the better." Nerdy
Girl Express #1 Best Seller in Crystals Practice Practical Magic.
Did you know that wearing an amulet of green jade during an
interview will help you get the job? Have you heard that an
amethyst ring can help break bad habits and even encourage
sobriety? Anyone looking for love can place two pink quartz
crystals in the bedroom; you'll not be alone for long! These are
just a few of the hundreds of secrets shared in The Magic of
Crystals and Gems. Semi-precious stones and gems have long been
known for their magic as well as their beauty. In this book of
charms, readers learn everything there is to know about the powers
of crystals from birthstone magic to gem divination to jewelry
spells. This is a fun, entertaining, and enlightening book that
will appeal to everyone who's ever worn a birthstone, kissed the
ring of a lover for luck, or bought a crystal for good energy.
Learn Amazing Things About Crystals. The Magic of Crystals and Gems
is a treasure chest filled with the ancient wisdom of crystals. It
is also a handy how-to filled with little-known lore along with the
myth, meanings and specific magical qualities of hundreds of
crystals, both common and very rare, including many meteorites.
Author Cerridwen Greenleaf shares secrets to how and why crystal
balls work, scrying with obsidian, crystal astrology, divination,
healing, psychism and connections between the stars in the sky and
gems of the earth. This one-of-a-kind work on the power of crystals
belongs on the bookshelf of everyone interested in the magical
gifts of Mother Nature. Learn: Which crystals are right for you How
to unlock the mystery of sacred stones Ways to improve your life
with changes as simple as putting new crystals in your room If you
like The Crystal Bible or Crystals for Healing, you'll love The
Magic of Crystals and Gems
This volume draws on a range of ethnographic and historical
material to provide insight into witchcraft in sub-Saharan Africa.
The chapters explore a variety of cultural contexts, with
contributions focusing on Cameroon, Central African Republic,
Ghana, Mali, Ethiopia and Eritrean diaspora. The book considers the
concept of witchcraft itself, the interrelations with religion and
medicine, and the theoretical frameworks employed to explain the
nature of modern African witchcraft representations.
Stephen A. Mitchell here offers the fullest examination available
of witchcraft in late medieval Scandinavia. He focuses on those
people believed to be able-and who in some instances thought
themselves able-to manipulate the world around them through magical
practices, and on the responses to these beliefs in the legal,
literary, and popular cultures of the Nordic Middle Ages. His
sources range from the Icelandic sagas to cultural monuments much
less familiar to the nonspecialist, including legal cases, church
art, law codes, ecclesiastical records, and runic spells.
Mitchell's starting point is the year 1100, by which time
Christianity was well established in elite circles throughout
Scandinavia, even as some pre-Christian practices and beliefs
persisted in various forms. The book's endpoint coincides with the
coming of the Reformation and the onset of the early modern
Scandinavian witch hunts. The terrain covered is complex, home to
the Germanic Scandinavians as well as their non-Indo-European
neighbors, the Sami and Finns, and it encompasses such diverse
areas as the important trade cities of Copenhagen, Bergen, and
Stockholm, with their large foreign populations; the rural
hinterlands; and the insular outposts of Iceland and Greenland. By
examining witches, wizards, and seeresses in literature, lore, and
law, as well as surviving charm magic directed toward love,
prophecy, health, and weather, Mitchell provides a portrait of both
the practitioners of medieval Nordic magic and its performance.
With an understanding of mythology as a living system of cultural
signs (not just ancient sacred narratives), this study also focuses
on such powerful evolving myths as those of "the milk-stealing
witch," the diabolical pact, and the witches' journey to Blakulla.
Court cases involving witchcraft, charm magic, and apostasy
demonstrate that witchcraft ideologies played a key role in
conceptualizing gender and were themselves an important means of
exercising social control.
Complete and unabridged, here is the unparalleled landmark of
occult philosophy and lost history that reshaped the modern
spiritual mindset and continues to fascinate readers today. There
is perhaps no greater enigma in modern Western literature than THE
SECRET DOCTRINE. The controversial Russian noblewomen Madame Helena
Petrovna Blavatsky told the world that the book restored humanity's
lost history and destiny. Its insights, she said, had been gleaned
from long-secret books of wisdom and her tutelage under mahatmas,
or great souls: adepts from the East who exposed the seeker to
their esoteric teaching. To read THE SECRET DOCTRINE is to enter a
mysterious world of ancient cosmology and spiritual-scientific
insights, which tell of humanity's unthinkably ancient past and its
burgeoning evolution into a new, more refined existence. For the
first time, Blavatsky's encyclopaedia arcana is available in a
reset and redesigned single-volume edition, complete and
unabridged. Its truths and challenges are available to the intrepid
reader, who may find yet-unknown insights within its pages.
This richly illustrated history provides a readable and fresh
approach to the extensive and complex story of witchcraft and
magic. Telling the story from the dawn of writing in the ancient
world to the globally successful Harry Potter films, the authors
explore a wide range of magical beliefs and practices, the rise of
the witch trials, and the depiction of the Devil-worshipping witch.
The book also focuses on the more recent history of witchcraft and
magic, from the Enlightenment to the present, exploring the rise of
modern magic, the anthropology of magic around the globe, and
finally the cinematic portrayal of witches and magicians, from The
Wizard of Oz to Charmed and Buffy the Vampire Slayer.
Alchemy is best known as the age-old science of turning base metal
into gold. But it is much more: essentially, it is a path of
self-knowledge, unique in the Western tradition, with vital
relevance for the modern world. The symbols of Alchemy lie deep in
the collective unconscious, in the world of dreams and imagery: the
practices of alchemy are rooted in an understanding of the oneness
of spirit and matter through which we celebrate our sexuality and
spirituality. Jay Ramsay takes us step by step through the stages
of the alche-mical process using a wide range of original exercises
to create a memorable journey that challenges, inspitres and
transforms us at every stage. We too can be kings and queens: we
too, once we leave our dross behind, are gold. It's full of fi ne
things... --Ted Hughes, Poet Laureate 1984-1998, playwright and
author. So much good work... --Robert Bly, award winning poet,
essayist, activist and author. Jay Ramsay has written a luminous
and wise guide to the mysteries of soul, and to the images and
texts of alchemy, which explores these mysteries... --Anne Baring,
philosopher, visionary and author of several books including: The
Dream of the Cosmos: a Quest for the Soul and The Myth of the
Goddess. Ramsay is among those who have been working most
assiduously to share this archetypal language of the soul...
--Lindsay Clarke, review in Caduceus. The clearest account of the
alchemical process I've read... --Peter Redgrove, poet, novelist
and playwright. Extremely wonderful and important... --Robert
Sardello, author and co-founder of The School of Spiritual
Psychology.
Film is a kind of magic, a world of shadows and light, where
anything is possible and the dead come back to life. Film can
persuade us to believe in anything and special effects can work
miracles. It is therefore the perfect medium for expressing occult
phenomena, and since the beginnings of cinema history, film has
done just that. Movie Magick explores the way in which films have
been inspired by Alesiter Crowley's famous definition of "Magick"
as "the Science and Art of causing Change to occur in conformity
with Will." This naturally encompasses classic occult movies, such
as Hammer's adaptations of Dennis Wheatley's The Devil Rides Out,
but also ventures further afield into the cultural background of
the modern occult revival, exploring the way in which occult movies
have responded to the esthetics of fin de siecle decadence, the
symbolist writings of Villiers de l'Isle Adam, Wagnerian music
drama, the Faust legend, the pseudo-science of Theosophy, the
occult psychedelia of the 1960s, occult conspiracy theories and
some of the more arcane aspects of animation. The result is a
cinematic grimoire, which will appeal to both sorcerers and
apprentices of movie magick.
The present volume arose from a colloquium on magic and divination
intended to apply the study of the history of the classical
tradition to the specific area of magic. Magic is interpreted in a
very broad sense, and the book includes discussions of Neoplatonic
theurgy, Hermetic astrological talismans, the occult activities of
oracles and witches, demon-possession, popular beliefs and party
tricks. While several articles look at magic in the Graeco-Roman
tradition, others deal with practices in Mesopotamia, Egypt,
Byzantium and Russia. The emphasis is on showing transmission
through time, and across cultural and linguistic borders, and the
continuing importance of classical or ancient authorities among
writers of more recent periods. The editions of several previously
unpublished Latin texts are included.
As our newsfeeds become more and more glutted by stories of
harassment and assault, it's no surprise women are turning to every
power in their arsenal to fight back--even the magical ones. As
Lindy West put it in her New York Times op-ed, "Yes, this is a
witch hunt. I'm a witch, and I'm hunting you." Hexing the
Patriarchy: Magical Resistance from A to Z is a book for women for
women who want to join the resistance. Upbeat and inviting, without
making light of anyone's oppression or spirituality, it offers
fed-up women a primer of enchantment in the form of 26 spells for
undermining modern-day oppression, all gathered from authentic
witches from various magical traditions. Readers will learn how to
. . . make salt scrubs to "wash away patriarchal bullshit" place
spells on misogynist leadershipmix potions to boost their strength
against harassment . . . and more. Individually and cumulatively,
the spells are designed to topple the patriarchy with a dangerous,
they-never-saw-it-coming power.
In The Archaeology of Magic, C. Riley Auge explores how early
American colonists used magic to protect themselves from harm in
their unfamiliar and challenging new world. Analyzing evidence from
the different domestic spheres of women and men within Puritan
society, Auge provides a trailblazing archaeological study of
magical practice and its relationship to gender in the
Anglo-American culture of colonial New England. Investigating
homestead sites dating from 1620 to 1725 in Massachusetts, Rhode
Island, and Maine, Auge explains how to recognize objects and
architectural details that colonists intended as defenses and
boundaries against evil supernatural forces. She supports this
archaeological work by examining references to magic in letters,
diaries, sermons, medical texts, and documentation of court
proceedings including the Salem witch trials. She also draws on
folklore from the era to reveal that colonists simultaneously
practiced magic and maintained their Puritan convictions. Auge
exposes the fears and anxieties that motivated individuals to try
to manipulate the supernatural realm, and she identifies gendered
patterns in the ways they employed magic. She argues that it is
essential for archaeologists to incorporate historical records and
oral traditions in order to accurately interpret the worldviews and
material culture of people who lived in the past. Published in
cooperation with the Society for Historical Archaeology
Extracted from Volumes 1, 8, and 18. Includes Jung's Foreword to
Phenomenes Occultes (1939), "On the Psychology and Pathology of
So-called Occult Phenomena," "The Psychological Foundations of
Belief in Spirits," "The Soul and Death," "Psychology and
Spiritualism," "On Spooks: Heresy or Truth?" and Foreword to Jaffe:
Apparitions and Precognition."
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