The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake (""the devil's music""), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as ""the crossroads"" in 1999, claiming Johnson and the devil as their own.

Parting company with the trend in recent scholarship to treat the subject in abstract, highly theoretical terms, Magic in Ancient Greece and Rome proposes that the magic-working of antiquity was in reality a highly pragmatic business, with very clearly formulated aims - often of an exceedingly malignant kind. In seven chapters, each addressed to an important arm of Greco-Roman magic, the volume discusses the history of the rediscovery and publication of the so-called Greek Magical Papyri, a key source for our understanding of ancient magic; the startling violence of ancient erotic spells and the use of these by women as well as men; the alteration in the landscape of defixio (curse tablet) studies by major new finds and the confirmation these provide that the frequently lethal intent of such tablets must not be downplayed; the use of herbs in magic, considered from numerous perspectives but with an especial focus on the bizarre-seeming rituals and protocols attendant upon their collection; the employment of animals in magic, the factors determining the choice of animal, the uses to which they were put, and the procuring and storage of animal parts, conceivably in a sorcerer's workshop; the witch as a literary construct, the clear homologies between the magical procedures of fictional witches and those documented for real spells, the gendering of the witch-figure and the reductive presentation of sorceresses as old, risible and ineffectual; the issue of whether ancient magicians practised human sacrifice and the illuminating parallels between such accusations and late 20th century accounts of child-murder in the context of perverted Satanic rituals. By challenging a number of orthodoxies and opening up some underexamined aspects of the subject, this wide-ranging study stakes out important new territory in the field of magical studies.

Poison Prescriptions is a stunningly illustrated grimoire of some of the most notorious plants: henbane, datura, belladonna, among others. It is also a practical guide to plant magic, medicine and ritual, offering advice to professional and home herbalists, to those interested in forgotten lore and the old ways, and to all those who wish to reclaim control of their own wellbeing. This book urges the resurrection of the ancient tradition of using these witching herbs in ritual and medicine. Now is the time to relink magic and medicine in the context of modern herbalism and contemporary witchcraft. Discover: Safe ways of interacting with the witching herbs to usher in wellbeing and healing. Practical activities ranging from meditations and folklore writing to wreath making and beer brewing. Step-by-step instructions to creating the powerful witches' Flying Ointment and using it in ritual, sex magic and lucid dreaming.

They flew through the air, consorted with animals, and made pacts with the devil. Witches were as unquestioned as alchemy or astrology in medieval England; yet it wasn't until the midsixteenth century that laws were passed against them. Now a leading historian of crime and society in early modern England offers the first scholarly overview of witchcraft in that country in over eighty years, examining how tensions between church, state, and society produced widespread distrust among fearful people.
"Instruments of Darkness" takes readers back to a time when witchcraft was accepted as reality at all levels of society. James Sharpe draws on legal records and other sources to reveal the interplay between witchcraft beliefs in different partts in the social hierarchy. Along the way, he offers disturbing accounts of witch-hunts, such as the East Anglian trials of 1645-47 that sent more than 100 people to the gallows. He tells how poor, elderly women were most often accused of witchcraft and challenges feminist claims that witch-hunts represented male persecution by showing that many accusers were themselves women.
Prosecution of witches gradually declined with increasing skepticism among jurists, new religious attitudes, and scientific advances that explained away magic. But for two hundred years, thousands participated in one of history's most notorious persecutions. "Instruments of Darkness" is a fascinating case study that deepens our understanding of this age-old cultural phenomenon and sheds new light on one society in which it occurred.

There are a lot of things in the universe that we don't understand. When something is meant to happen, it will whether you cast a spell or not. But you can help it on its way by guiding and encouraging it and maybe even tweaking events a little too. A spell can be worked in many ways, from a simple pointing of the finger to a complicated ritual involving lots of herbs and crystals and, of course, any variation in between. What will happen for sure is the boost of confidence and happy buzz you will receive as you cast the spell, as well as the positive vibe you get from putting something into action. Kitchen Witchcraft: Spells & Charms is a the first in a series of books which delves into the world of the Kitchen Witch. Each book breaks down the whys and wherefores of the subject and includes practical guides and exercises. Other titles include Garden Magic, Altars & Rituals and The Elements.

The Italian folklore tradition is one of the most ancient unbroken chains of wisdom on earth. Discover the previously unwritten secrets of an Italian American family's magical tradition passed down from generation to generation. This spellbook provides easy, step-by-step introductions to the basics of authentic Italian American magical practice. Discover how to: Run a magical household, including creating a family altar and connecting with your ancestors Enhance your wellbeing for self and family through Buona Fortuna Perform transformative candle magic Diagnose, cure and ward away malocchio Learn time-tested health remedies from relieving symptoms of viruses to maintaining healthy skin and sleep routines Develop your most important magical tool - your mind Master divination through cartomancy, dreams, pendulums and more With Tarot and folk Italian magic expert Dee Norman as your guide, build your magical toolkit and discover one of humanity's longest-lasting traditions for good fortune, a happy home and self-care.

Contents Flavius Josephus' Terminology of Magic: Accommodating Jewish Magic to a Roman Audience, / Philip Jewell The Role of Grimoires in the Conjure Tradition / Dan Harms Hermetic/Cabalistic Ritual in Christopher Marlowe's Doctor Faustus / Dana Winters Italian Cunning Craft: Some Preliminary Observations / Sabina Magliocco Walking The Tightrope: A Study Of Secret Astrologers In Mainstream Professions / J.A. Silver Frost Martyrs, Magic, and Christian Conversion / Patrick Maille "Worshiping the Devil in the Name of God"Anti-Semitism, Theosophy and Christianity in the Occult Doctrines of Pekka Siitoin / Kennet Granholm "The Witching Hour: Sex Magic in 1950s Australia" / Marguerite Johnson Reviews Obituaries

This book reflects on Western humanity's efforts to escape from history and its terrors--from the existential condition and natural disasters to the endless succession of wars and other man-made catastrophes. Drawing on historical episodes ranging from antiquity to the recent past, and combining them with literary examples and personal reflections, Teofilo Ruiz explores the embrace of religious experiences, the pursuit of worldly success and pleasures, and the quest for beauty and knowledge as three primary responses to the individual and collective nightmares of history. The result is a profound meditation on how men and women in Western society sought (and still seek) to make meaning of the world and its disturbing history.

In chapters that range widely across Western history and culture, "The Terror of History" takes up religion, the material world, and the world of art and knowledge. "Religion and the World to Come" examines orthodox and heterodox forms of spirituality, apocalyptic movements, mysticism, supernatural beliefs, and many forms of esotericism, including magic, alchemy, astrology, and witchcraft. "The World of Matter and the Senses" considers material riches, festivals and carnivals, sports, sex, and utopian communities. Finally, "The Lure of Beauty and Knowledge" looks at cultural productions of all sorts, from art to scholarship.

Combining astonishing historical breadth with a personal and accessible narrative style, "The Terror of History" is a moving testimony to the incredibly diverse ways humans have sought to cope with their frightening history.

Investigation of literary and archaeological evidence in search of pagan sources for the Arthurian legend. `Darrah makes the valid point that episodes in the Arthurian romances read like motifs from the ancient mythologies...[he] reconstructs a lost British paganism, grounded in the rivers, hills and woods, and especially those grey monoliths...reminders of a cosmology vanished from this island. NIKOLAI TOLSTOY, DAILY TELEGRAPH `Contends, with a good deal of evidence, that the impact of pre-Christian Welsh, Irish, Scottish, Cornish and Breton religion is greater than has been previously thought... Extensively researched and well written.' CHOICE The origins of Arthurian romance will always be a hotly disputed subject. The great moments of the legends belong partly to dimly-remembered history, partly to the poets' imagination down the ages, yet there is another strand to the stories which goes back deeper and further: the traces of ancient pagan religion, found both in Arthurian heroes who have inherited the attributes of gods, and in episodes which reflect ancient religious rituals. Darrah's careful study of the thematic relationships of, particularly, the more obscure episodes of the romances and his identification of the relative geography of Arthurian Britain as portrayed in the romances will be valuable even to those who differ with his conclusions. His most original contribution to an unravelling of a pagan Arthurian past lies in his appropriation of the fascinating evidence of standing stones and pagan cultic sites. This is dark and difficult territory, but building on elusive clues, and tracing a range of sites, especially in south-west Britain, John Darrah hasadded a significant new dimension to the search for the sources of the legends of Arthur and his court. JOHN DARRAH has also written The Real Camelot.

Timothy d'Arch Smith is a well-known bibliographer, reviewer and antiquarian bookseller with a special interest in the by-ways of literature, notably the occult and the curious. For Aleister Crowley a book was a talisman and their every part right down to colour, dimension, and price was symbolic. He also used magical techniques to gain literary success--thus new editions of Crowley's writing multiply daily, tantalizing the bibliographer. All the more indispensable is this authoritative guide to his magical first editions. Timothy d'Arch Smith, widely acknowledged as a leading expert on Crowley and on underground literature, offers several shorter articles on: *Oxford's demonologist Montague Summers; *R A Caton and his Fortune Press; *Sexual prophet Ralph Chubb; *Florence Farr; *The British Library Private Case; *and Timothy d'Arch Smith. *For this new edition, he also adds an extra chapter on Crowley. ''...one could hardly wish for a more stimulating guide...'' -The London Magazine ''One of the more immediately striking things about the book is its gentle humour.'' - Time Out

Based on twenty-seven years of original archival research, including the discovery of previously unknown documents, this day-by-day narrative of the hysteria that swept through Salem Village in 1692 and 1693 reveals new connections behind the events, and shows how rapidly a community can descend into bloodthirsty madness. Roach opens her work with chapters on the history of the Puritan colonies of New England, and explains how these people regarded the metaphysical and the supernatural. The account of the days from January 1692 to March 1693 keeps in order the large cast of characters, places events in their correct contexts, and occasionally contradicts earlier assumptions about the gruesome events. The last chapter discusses the remarkable impact of the events, pointing out how the 300th anniversary of the trials made headlines in Japan and Australia.

Naqada is a sleepy little town in Upper Egypt, that gives its name to a crucial period in the prehistory of Egypt. In 1895, William Matthew Flinders Petrie, the 'father' of Egyptian archaeology, stumbled upon a necropolis, belonging to a very ancient city of several thousand inhabitants. With Petrie's usual luck, he'd made yet another archaeological find of seismic proportions -- not just an ancient city a quarter the size of Ur in Mesopotamia, a rare enough find, but the capital of the earliest state established in Egypt! Petrie's fateful walk through the desert led him to a lost city, known to the Greeks as Ombos, the Citadel of Seth. Seth, the Hidden God, once ruled in this ancient place before it was abandoned to the sands of the desert. All this forbidden knowledge was quickly reburied in academic libraries, where its stunning magical secrets had lain, largely unrevealed, for more than a century -- until now.

This volume makes available for the first time in English translation over a thousand texts written between the fifth century BC, and the fifth century AD, of curses inscribed on stone tablets from North Africa, to England, and Syria to Spain. A substantial introduction supplies the full cultural, social and historical context to the ancient Graeco-Roman practice of cursing enemies and rivals by writing an incantation on a tablet and dedicating it to a god or spirit. The selected translations, arranged thematically, are fully annotated and accompanied by extensive commentary.

What do the occult sciences, seances with the souls of the dead, and appeals to saintly powers have to do with rationality? Since the late nineteenth century, modernizing intellectuals, religious leaders, and statesmen in Iran have attempted to curtail many such practices as "superstitious," instead encouraging the development of rational religious sensibilities and dispositions. However, far from diminishing the diverse methods through which Iranians engage with the immaterial realm, these rationalizing processes have multiplied the possibilities for metaphysical experimentation. The Iranian Metaphysicals examines these experiments and their transformations over the past century. Drawing on years of ethnographic and archival research, Alireza Doostdar shows that metaphysical experimentation lies at the center of some of the most influential intellectual and religious movements in modern Iran. These forms of exploration have not only produced a plurality of rational orientations toward metaphysical phenomena but have also fundamentally shaped what is understood as orthodox Shi'i Islam, including the forms of Islamic rationality at the heart of projects for building and sustaining an Islamic Republic. Delving into frequently neglected aspects of Iranian spirituality, politics, and intellectual inquiry, The Iranian Metaphysicals challenges widely held assumptions about Islam, rationality, and the relationship between science and religion.

The Orphic hymns are fascinating historical artifacts 87 devotions, invocations, and entreaties to the Greek gods that are as powerful today as they were when they were originally developed thousands of years ago. Designed to be used in contemporary spiritual practice and spellcrafting, this premium hardcover edition features spectacular new English translations by Patrick Dunn along with the original Greek on facing pages. These translations are complete, accurate, and poetic perfect for integrating into rituals and magical workings for every conceivable purpose, from protection to prosperity and everything in between. Written by a poet and occultist specifically for contemporary practitioners of magic, this must-have book also includes detailed notes to help you understand esoteric passages as well as suggestions for incense selection and the practical use of the hymns.

Exploring occultist, magician, poet, painter, and writer Aleister Crowley's longstanding and intimate association with Paris, Tobias Churton provides the first detailed account of Crowley's activities in the City of Light. Using previously unpublished letters and diaries, Churton explores how Crowley was initiated into the Golden Dawn's Inner Order in Paris in 1900 and how, in 1902, he relocated to Montparnasse. Soon engaged to Anglo-Irish artist Eileen Gray, Crowley pontificates and parties with English, American, and French artists gathered around sculptor Auguste Rodin: all keen to exhibit at Paris's famed Salon d'Automne. In 1904--still dressed as "Prince Chioa Khan" and recently returned from his Book of the Law experience in Cairo--Crowley dines with novelist Arnold Bennett at Paillard's. In 1908 Crowley is back in Paris to prove it's possible to attain Samadhi (or "knowledge and conversation of the Holy Guardian Angel") while living a modern life in a busy metropolis. In 1913 he organizes a demonstration for artistic and sexual freedom at Oscar Wilde's tomb. Until war spoils all in 1914, Paris is Crowley's playground. The author details how, after returning from America in 1920, and though based at his "Abbey of Thelema" in Sicily, Crowley can't leave Paris alone. When Mussolini expels him from Italy, Paris becomes home from 1924 until 1929. Churton reveals Crowley's part in the jazz-age explosion of modernism, as the lover of photographer Berenice Abbott, and many others, and how he enjoyed camaraderie with Man Ray, Nancy Cunard, Andre Gide, and Aimee Crocker. The author explores Crowley's adventures in Tunisia, Algeria, the Riviera, his battle with heroin addiction, his relationship with daughter Astarte Lulu--raised at Cefalu--and finally, a high-level ministerial conspiracy to get him out of Paris. Reconstructing Crowley's heyday in the last decade and a half of France's Belle Epoque and the "roaring Twenties," this book illuminates Crowley's place within the artistic, literary, and spiritual ferment of the great City of Light.

What secret power is hiding within you? There is an untamed wildness within each of us. Once found and nurtured, this wild power can lead to true and boundless freedom, creativity and purpose. In Wild Once, internationally renowned High Wiccan Priestess, Vivianne Crowley, reveals the secret riches to be found on a hidden path. This is the extraordinary and inspiring guide to a life lived magically, of adventures into the unknown and of finding spiritual nourishment. It shows what can happen when you have the courage to step into the unexplainable and live untamed. It is also an evocative, intricate account of a hidden world, a rich tour of modern magical practices, from meditation to manifestation, shamanism to spellwork. Magic is waiting to be discovered. It is here, just beneath the surface, if only you know where to look... We all have wild magic within us; this book will inspire you to find it. ___________________ PRAISE FOR WILD ONCE 'Utterly contemporary, yet drawing on ancient wisdom' - Philip Carr-Gomm, author of The Prophecies and DruidCraft: The Magic of Wicca & Druidry 'A memoir of beautifully told tales about her magical and well-lived life that will awaken the magic within and guide you to the enchanted adventure that awaits' - Phyllis Curott, Priestess of Ara, author of The Witches' Wisdom Tarot 'The best book on the experience of magic that I have ever read' - Ronald Hutton, author of The Pagan Religions of the Ancient British Isles 'Heartfelt and often beautiful ... Witches, look no further! This is the guide you need' - Diane Purkiss 'Wonderfully inspirational and highly practical - if you have ever wondered what it's like to be a witch in Real Life, just read this book!' - Rodney Orpheus, author of Abrahadabra and founding member of The Cassandra Complex

On September 20, 1587, Walpurga Hausmannin of Dillingen in southern Germany was burned at the stake as a witch. Although she had confessed to committing a long list of "maleficia" (deeds of harmful magic), including killing forty--one infants and two mothers in labor, her evil career allegedly began with just one heinous act--sex with a demon. Fornication with demons was a major theme of her trial record, which detailed an almost continuous orgy of sexual excess with her diabolical paramour Federlin "in many divers places, . . . even in the street by night."
As Walter Stephens demonstrates in "Demon Lovers," it was not Hausmannin or other so-called witches who were obsessive about sex with demons--instead, a number of devout Christians, including trained theologians, displayed an uncanny preoccupation with the topic during the centuries of the "witch craze." Why? To find out, Stephens conducts a detailed investigation of the first and most influential treatises on witchcraft (written between 1430 and 1530), including the infamous "Malleus Maleficarum" ("Hammer of Witches").
Far from being credulous fools or mindless misogynists, early writers on witchcraft emerge in Stephens's account as rational but reluctant skeptics, trying desperately to resolve contradictions in Christian thought on God, spirits, and sacraments that had bedeviled theologians for centuries. Proof of the physical existence of demons--for instance, through evidence of their intercourse with mortal witches--would provide strong evidence for the reality of the supernatural, the truth of the Bible, and the existence of God. Early modern witchcraft theory reflected a crisis of belief--a crisis that continues tobe expressed today in popular debates over angels, Satanic ritual child abuse, and alien abduction.

Kimberly B. Stratton investigates the cultural and ideological motivations behind early imaginings of the magician, the sorceress, and the witch in the ancient world. Accusations of magic could carry the death penalty or, at the very least, marginalize the person or group they targeted. But Stratton moves beyond the popular view of these accusations as mere slander. In her view, representations and accusations of sorcery mirror the complex struggle of ancient societies to define authority, legitimacy, and Otherness. Stratton argues that the concept "magic" first emerged as a discourse in ancient Athens where it operated part and parcel of the struggle to define Greek identity in opposition to the uncivilized "barbarian" following the Persian Wars. The idea of magic then spread throughout the Hellenized world and Rome, reflecting and adapting to political forces, values, and social concerns in each society. Stratton considers the portrayal of witches and magicians in the literature of four related periods and cultures: classical Athens, early imperial Rome, pre-Constantine Christianity, and rabbinic Judaism. She compares patterns in their representations of magic and analyzes the relationship between these stereotypes and the social factors that shaped them. Stratton's comparative approach illuminates the degree to which magic was (and still is) a cultural construct that depended upon and reflected particular social contexts. Unlike most previous studies of magic, which treated the classical world separately from antique Judaism, Naming the Witch highlights the degree to which these ancient cultures shared ideas about power and legitimate authority, even while constructing and deploying those ideas in different ways. The book also interrogates the common association of women with magic, denaturalizing the gendered stereotype in the process. Drawing on Michel Foucault's notion of discourse as well as the work of other contemporary theorists, such as Homi K. Bhabha and Bruce Lincoln, Stratton's bewitching study presents a more nuanced, ideologically sensitive approach to understanding the witch in Western history.

While the evolution of contemporary Witchcraft has produced many powerful variations, traditional Wicca can offer unique experiences for spiritual seekers. This book explores structured, coven-based styles of Wicca, in which the practitioners typically trace initiatory lineages back to Wicca s early founders. Exploring covens, initiations, lineages, practices, ethics, and more, Traditional Wicca shares tips and ideas on how to get the most from this profound approach to Witchcraft. Discover how to recognize healthy, reputable covens. Learn how to navigate the process of asking for training and succeeding in an outer court. This book also includes contributions from several practitioners, providing first-person perspectives on what it s like to be on the traditional Wiccan path.

The dark side of the dark side ...He has everything he should want in life. A good job. A nice home. A nice car. A beautiful wife and family. A retirement plan. An active social life. A prestigious reputation. Envious neighbours. A pet dog. Yet there remains emptiness inside. In a search for meaning, he begins a journey from which he cannot return. Grasping at everything he can, experiments in ritual magick lead him into the realms of sex, drugs, organised crime, aliens and angels as his life spirals further and further up and down the paths of initiation and illumination while grappling with insanity, annihilation and transformation.

In a culture where the supernatural possessed an immediacy now strange to us, magic was of great importance both in the literary and mythic tradition and in ritual practice. Recently, ancient magic has hit a high in popularity, both as an area of scholarly inquiry and as one of general, popular interest. In Magic, Witchcraft, and Ghosts in the Greek and Roman Worlds Daniel Ogden presents three hundred texts in new translations, along with brief but explicit commentaries. This is the first book in the field to unite extensive selections from both literary and documentary sources. Alongside descriptions of sorcerers, witches, and ghosts in the works of ancient writers, it reproduces curse tablets, spells from ancient magical recipe books, and inscriptions from magical amulets. Each translation is followed by a commentary that puts it in context within ancient culture and connects the passage to related passages in this volume. Authors include the well known (Sophocles, Herodotus, Plato, Aristotle, Virgil, Pliny) and the less familiar, and extend across the whole of Greco-Roman antiquity.
The second edition includes a new preface, an updated bibliography, and new source-passages, such as the earliest use of the word "mage" in Greek" (fr. Aeschylus' Persians ), a werewolf tale (Aesop's Fables), and excerpts from the most systematic account of ancient legislation against magic (Theodosian Code).