Complete and unabridged, here is the unparalleled landmark of occult philosophy and lost history that reshaped the modern spiritual mindset and continues to fascinate readers today. There is perhaps no greater enigma in modern Western literature than THE SECRET DOCTRINE. The controversial Russian noblewomen Madame Helena Petrovna Blavatsky told the world that the book restored humanity's lost history and destiny. Its insights, she said, had been gleaned from long-secret books of wisdom and her tutelage under mahatmas, or great souls: adepts from the East who exposed the seeker to their esoteric teaching. To read THE SECRET DOCTRINE is to enter a mysterious world of ancient cosmology and spiritual-scientific insights, which tell of humanity's unthinkably ancient past and its burgeoning evolution into a new, more refined existence. For the first time, Blavatsky's encyclopaedia arcana is available in a reset and redesigned single-volume edition, complete and unabridged. Its truths and challenges are available to the intrepid reader, who may find yet-unknown insights within its pages.

How can we account, in a rigorous way, for alchemy's ubiquity? We think of alchemy as the transformation of a base material (usually lead) into gold, but "alchemy" is a word in wide circulation in everyday life, often called upon to fulfill a metaphoric duty as the magical transformation of materials. Almost every culture and time has had some form of alchemy. This book looks at alchemy, not at any one particular instance along the historical timeline, not as a practice or theory, not as a mode of redemption, but as a theoretical problem, linked to real gold and real production in the world. What emerges as the least common denominator or "intensive property" of alchemy is ambivalence, the impossible and paradoxical coexistence of two incompatible elements. "Alchemical Mercury" moves from antiquity, through the golden age of alchemy in the Dutch seventeenth century, to conceptual art, to alternative fuels, stopping to think with writers such as Dante, Goethe, Hoffmann, the Grimm Brothers, George Eliot, and Marx. Eclectic and wide-ranging, this is the first study to consider alchemy in relation to literary and visual theory in a comprehensive way.

With his philosophical and scientific training, Steiner brought a new systematic discipline to the field of spiritual research, allowing for fully conscious methods and comprehensive results. A natural seer, he cultivated his spiritual vision to a high degree, enabling him to speak with authority on previously veiled mysteries.

Most scholarship on sorcery and witch-craft has narrowly focused on specific times and places, particularly early modern Europe and twentieth-century Africa. And much of that research interprets sorcery as merely a remnant of premodern traditions. Boldly challenging these views, "Sorcery in the Black Atlantic" takes a longer historical and broader geographical perspective, contending that sorcery is best understood as an Atlantic phenomenon that has significant connections to modernity and globalization. A distinguished group of contributors here examine sorcery in Brazil, Cuba, South Africa, Cameroon, and Angola. Their insightful essays reveal the way practices and accusations of witchcraft spread throughout the Atlantic world from the age of discovery up to the present, creating an indelible link between sorcery and the rise of global capitalism. Shedding new light on a topic of perennial interest, "Sorcery in the Black Atlantic" will be provocative, compelling reading for historians and anthropologists working in this growing field.

A manual for constructing talismans, mixing magical compounds, summoning planetary spirits, and determining astrological conditions, Picatrix is a cornerstone of Western esotericism. It offers important insights not only into occult practices and beliefs but also into the transmission of magical ideas from antiquity to the present. Dan Attrell and David Porreca's English translation opens the world of this vital medieval treatise to modern-day scholars and lay readers. The original text, Ghayat al-Hakim, was compiled in Arabic from over two hundred sources in the latter half of the tenth century. It was translated into Castilian Spanish in the mid-thirteenth century, and shortly thereafter into Latin. Based on David Pingree's edition of the Latin text, this translation captures the spirit of Picatrix's role in the European tradition. In the world of Picatrix, we see a seamless integration of practical magic, earnest piety, and traditional philosophy. The detailed introduction considers the text's reception through multiple iterations and includes an enlightening statistical breakdown of the rituals described in the book. Framed by extensive research on the ancient and medieval context that gave rise to the Latin version of the text, this translation of Picatrix will be an indispensable volume for students and scholars of the history of science, magic, and religion and will fascinate anyone interested in the occult.

The growing presence in Western society of non-mainstream faiths and spiritual practices poses a dilemma for the law. Building on a thorough history of the legal regulation of fortune-telling laws in four countries, Faith or Fraud examines the impact of people who identify as "spiritual but not religious" (SBNR) on the future legal understanding of religious freedom. Unlike SBNR belief systems that can encompass multiple religions, philosophies, and folklore, traditional legal interpretations of "freedom of religion" are based on organized religion and are ultimately shown to have failed to evolve along with ideas about religion itself.

This sourcebook provides the first systematic overview of witchcraft laws and trials in Russia and Ukraine from medieval times to the late nineteenth century. Witchcraft in Russia and Ukraine, 1000–1900 weaves scholarly commentary with never-before-published primary source materials translated from Polish, Russian, and Ukrainian. These sources include the earliest references to witchcraft and sorcery, secular and religious laws regarding witchcraft and possession, full trial transcripts, and a wealth of magical spells. The documents present a rich panorama of daily life and reveal the extraordinary power of magical words. Editors Valerie A. Kivelson and Christine D. Worobec present new analyses of the workings and evolution of legal systems, the interplay and tensions between church and state, and the prosaic concerns of the women and men involved in witchcraft proceedings. The extended documentary commentaries also explore the shifting boundaries and fraught political relations between Russia and Ukraine.

Alchemists are generally held to be the quirky forefathers of science, blending occultism with metaphysical pursuits. Although many were intelligent and well-intentioned thinkers, the oft-cited goals of alchemy paint these antiquated experiments as wizardry, not scientific investigation. Whether seeking to produce a miraculous panacea or struggling to transmute lead into gold, the alchemists radical goals held little relevance to consequent scientific pursuits. Thus, the temptation is to view the transition from alchemy to modern science as one that discarded fantastic ideas about philosophers stones and magic potions in exchange for modest yet steady results. It has been less noted, however, that the birth of atomic science actually coincided with an efflorescence of occultism and esoteric religion that attached deep significance to questions about the nature of matter and energy.
Mark Morrisson challenges the widespread dismissal of alchemy as a largely insignificant historical footnote to science by prying into the revival of alchemy and its influence on the emerging subatomic sciences of the late 19th and early 20th centuries.Morrisson demonstrates its surprising influence on the emerging subatomic sciences of the late 19th and early 20th centuries. Specifically, Morrisson examines the resurfacing of occult circles during this time period and how their interest in alchemical tropes had a substantial and traceable impact upon the science of the day. Modern Alchemy chronicles several encounters between occult conceptions of alchemy and the new science, describing how academic chemists, inspired by the alchemy revival, attempted to transmute the elements; to make gold.
Examining scientists publications, correspondence, talks, and laboratory notebooks as well as the writings of occultists, alchemical tomes, and science-fiction stories, he argues that during the birth of modern nuclear physics, the trajectories of science and occultism---so often considered antithetical---briefly merged.

Alchemy is best known as the age-old science of turning base metal into gold. But it is much more: essentially, it is a path of self-knowledge, unique in the Western tradition, with vital relevance for the modern world. The symbols of Alchemy lie deep in the collective unconscious, in the world of dreams and imagery: the practices of alchemy are rooted in an understanding of the oneness of spirit and matter through which we celebrate our sexuality and spirituality. Jay Ramsay takes us step by step through the stages of the alche-mical process using a wide range of original exercises to create a memorable journey that challenges, inspitres and transforms us at every stage. We too can be kings and queens: we too, once we leave our dross behind, are gold. It's full of fi ne things... --Ted Hughes, Poet Laureate 1984-1998, playwright and author. So much good work... --Robert Bly, award winning poet, essayist, activist and author. Jay Ramsay has written a luminous and wise guide to the mysteries of soul, and to the images and texts of alchemy, which explores these mysteries... --Anne Baring, philosopher, visionary and author of several books including: The Dream of the Cosmos: a Quest for the Soul and The Myth of the Goddess. Ramsay is among those who have been working most assiduously to share this archetypal language of the soul... --Lindsay Clarke, review in Caduceus. The clearest account of the alchemical process I've read... --Peter Redgrove, poet, novelist and playwright. Extremely wonderful and important... --Robert Sardello, author and co-founder of The School of Spiritual Psychology.

Naming the Witch explores the recent series of witchcraft accusations and killings in East Java, which spread as the Suharto regime slipped into crisis and then fell. After many years of ethnographic work focusing on the origins and nature of violence in Indonesia, Siegel came to the conclusion that previous anthropological explanations of witchcraft and magic, mostly based on sociological conceptions but also including the work of E.E. Evans-Pritchard and Claude Levi-strauss, were simply inadequate to the task of providing a full understanding of the phenomena associated with sorcery, and particularly with the ideas of power connected with it. Previous explanations have tended to see witchcraft in simple opposition to modernism and modernity (enchantment vs. disenchantment). The author sees witchcraft as an effect of culture, when the latter is incapable of dealing with accident, death, and the fear of the disintegration of social and political relations. He shows how and why modernization and witchcraft can often be companiens, as people strive to name what has hitherto been unnameable.

This thought-provoking and engaging guide is filled with a wide range of practical information and step-by-step plans for beginning your study and personal practice, including:
- Exploring the connection between spirituality and sexuality
- Meditating and creating sacred spaces
- Finding rituals and deities that are right for you
- Manifesting your desires through magic
- Living a joyful, purposeful life
- Eight original stories inspired by the Wiccan Sabbats
- And so much more

Imagine yourself sitting on the cool damp earth, surrounded by deep night sky and fields full of fireflies, anticipating the ritual of initiation that you are about to undergo. Suddenly you hear the sounds of far-off singing and chanting, drums booming, rattles "snaking," voices raised in harmony. The casting of the Circle is complete. You are led to the edge of the Circle, where Death, your challenge, is waiting for you. With the passwords of "perfect love" and "perfect trust" you enter Death's realm. The Guardians of the four quarters purify you, and you are finally reborn into the Circle as a newly made Witch.
Coming to the Edge of the Circle offers an ethnographic study of the initiation ritual practiced by one coven of Witches located in Ohio. As a High Priestess within the coven as well as a scholar of religion, Nikki Bado-Fralick is in a unique position to contribute to our understanding of this ceremony and the tradition to which it belongs. Bado-Fralick's analysis of this coven's initiation ceremony offers an important challenge to the commonly accepted model of "rites of passage." Rather than a single linear event, initiation is deeply embedded within a total process of becoming a Witch in practice and in community with others.
Coming to the Edge of the Circle expands our concept of initiation while giving us insight into one coven's practice of Wicca. An important addition to Ritual Studies, it also introduces readers to the contemporary nature religion variously called Wicca, Witchcraft, the Old Religion, or the Craft.

Offers a full introduction to and survey of runes and runology: their history, how they were used, and their interpretation. Runes, often considered magical symbols of mystery and power, are in fact an alphabetic form of writing. Derived from one or more Mediterranean prototypes, they were used by Germanic peoples to write different kinds of Germanic language, principally Anglo-Saxon and the various Scandinavian idioms, and were carved into stone, wood, bone, metal, and other hard surfaces; types of inscription range from memorials to the dead, through Christian prayers and everyday messages to crude graffiti. First reliably attested in the second century AD, runes were in due course supplanted by the roman alphabet, though in Anglo-Saxon England they continued in use until the early eleventh century, inScandinavia until the fifteenth (and later still in one or two outlying areas). This book provides an accessible, general account of runes and runic writing from their inception to their final demise. It also covers modern uses of runes, and deals with such topics as encoded texts, rune names, how runic inscriptions were made, runological method, and the history of runic research. A final chapter explains where those keen to see runic inscriptions can most easily find them. Professor MICHAEL P, BARNES is Emeritus Professor of Scandinavian Studies, University College London.

What do the occult sciences, seances with the souls of the dead, and appeals to saintly powers have to do with rationality? Since the late nineteenth century, modernizing intellectuals, religious leaders, and statesmen in Iran have attempted to curtail many such practices as "superstitious," instead encouraging the development of rational religious sensibilities and dispositions. However, far from diminishing the diverse methods through which Iranians engage with the immaterial realm, these rationalizing processes have multiplied the possibilities for metaphysical experimentation. The Iranian Metaphysicals examines these experiments and their transformations over the past century. Drawing on years of ethnographic and archival research, Alireza Doostdar shows that metaphysical experimentation lies at the center of some of the most influential intellectual and religious movements in modern Iran. These forms of exploration have not only produced a plurality of rational orientations toward metaphysical phenomena but have also fundamentally shaped what is understood as orthodox Shi'i Islam, including the forms of Islamic rationality at the heart of projects for building and sustaining an Islamic Republic. Delving into frequently neglected aspects of Iranian spirituality, politics, and intellectual inquiry, The Iranian Metaphysicals challenges widely held assumptions about Islam, rationality, and the relationship between science and religion.

Histories you can trust. This history provides a readable and fresh approach to the extensive and complex story of witchcraft and magic. Telling the story from the dawn of writing in the ancient world to the globally successful Harry Potter films, the authors explore a wide range of magical beliefs and practices, the rise of the witch trials, and the depiction of the Devil-worshipping witch. The book also focuses on the more recent history of witchcraft and magic, from the Enlightenment to the present, exploring the rise of modern magic, the anthropology of magic around the globe, and finally the cinematic portrayal of witches and magicians, from The Wizard of Oz to Charmed and Buffy the Vampire Slayer.

In "The Specter of Salem", Gretchen A. Adams reveals the many ways that the Salem witch trials loomed over the American collective memory from the Revolution to the Civil War and beyond. Schoolbooks in the 1790s, for example, evoked the episode to demonstrate the new nation's progress from a disorderly and brutal past to a rational present, while critics of new religious movements in the 1830s cast them as a return to Salem-era fanaticism, and during the Civil War southerners evoked witch burning to criticize Union tactics. Shedding new light on the many, varied American invocations of Salem, Adams ultimately illuminates the function of collective memories in the life of a nation.

"This is a scholarly and provocative study of Satanism yesterday and today."--"Nove Religio"

"Medway's book is a breath of fresh air in this field of murk, delusion and deception."
-- "Fortean Times"

"The first truly authoritative book on the subject"
"--New York Press, Nov. 14-20, 2001"

"This is an excellent study of an emotional and difficult subject and it is required reading for the open-minded. Highly recommended."
-- "The Cauldron"

Rumors of Devil-worship, or Satanism, have circulated for centuries. Tales of Black Masses, demonic possession, mysterious nighttime ceremonies, and human sacrifices have captured the popular consciousness, prompting the Christian Church to move aggressively to root out Satanism and its practioners through often extraordinarily brutal means of detection and interrogation.

Until recently the stuff of myths and stories, allegations of occult worship have of late taken the form of police investigations concerning ritual child abuse, teens involved in Satanic cults, and serial killings. Unsubstantiated rumors have found their way into the popular and serious press and have been reported as fact, often with little or no verification. Obsessive anti-Satanists find evidence of Satanic lyrics in rock music from Led Zeppelin's "Stairway to Heaven" to Live Aid's "We are the World," while the numbers "666" are found in barcodes in supermarkets.

The Lure of the Sinister draws on a remarkable range of sources, from newspapers and pulp literature to early modern works on demonology to explore the entire history of Satanism from the origins of the Devil in pre-Christian theology through the Inquisition to the life and times of AleisterCrowley, "the "wickedest man in the world." The book also investigates modern charges of Satanism, the psychology of the people who make the allegations, and the legal and religious contexts in which they arise, showing how rumors of Devil-worship come to take on a life of their own. Lively and wittily written, The Lure of the Sinister reveals a strange tapestry of dark and fearful beliefs which have haunted our imagination for centuries.

This is a work of fundamental importance for our understanding of the intellectual and cultural history of early modern Europe. Stuart Clark offers a new interpretation of the witchcraft beliefs of European intellectuals between the fifteenth and eighteenth centuries, based on their publications in the field of demonology. He shows how these beliefs fitted rationally with other views current in Europe throughout that period, and underlines just how far the nature of rationality is dependent on its historical context.

Witchcraft and paganism exert an insistent pressure from the margins of midcentury British detective fiction. This Element investigates the appearance of witchcraft and paganism in the novels of four of the most popular female detective authors of the era: Agatha Christie, Margery Allingham, Ngaio Marsh and Gladys Mitchell. The author approaches the theme of witchcraft and paganism not simply as a matter of content but as an influence which shapes the narrative and its possibilities. The 'witchy' detective novel, as the author calls it, brings together the conventions of Golden Age fiction with the images and enchantments of witchcraft and paganism to produce a hitherto unstudied mode of detective fiction in the midcentury.

New collection of essays promising to re-energize the debate on Nazism's occult roots and legacies and thus our understanding of German cultural and intellectual history over the past century. Scholars have debated the role of the occult in Nazism since it first appeared on the German political landscape in the 1920s. After 1945, a consensus held that occultism - an ostensibly anti-modern, irrational blend of pseudo-religious and -scientific practices and ideas - had directly facilitated Nazism's rise. More recently, scholarly debate has denied the occult a role in shaping the Third Reich, emphasizing the Nazis' hostility to esoteric religion and alternative forms of knowledge. Bringing together cutting-edge scholarship on the topic, this volume calls for a fundamental reappraisal of these positions. The book is divided into three chronological sections. The first,on the period 1890 to 1933, looks at the esoteric philosophies and occult movements that influenced both the leaders of the Nazi movement and ordinary Germans who became its adherents. The second, on the Third Reich in power, explores how the occult and alternative religious belief informed Nazism as an ideological, political, and cultural system. The third looks at Nazism's occult legacies. In emphasizing both continuities and disjunctures, this book promises to re-open and re-energize debate on the occult roots and legacies of Nazism, and with it our understanding of German cultural and intellectual history over the past century. Contributors: Monica Black; Jeff Hayton; Oded Heilbronner; Eric Kurlander; Fabian Link and J. Laurence Hare; Anna Lux; Perry Myers; John Ondrovcik; Michael E. O'Sullivan; Jared Poley; Uwe Schellinger, Andreas Anton, and Michael T. Schetsche; Peter Staudenmaier. Monica Black is Associate Professor and Associate Head of the Department of History at the University of Tennessee, Knoxville. Eric Kurlander is J. Ollie Edmunds Chair and Professor of Modern European History at Stetson University.

A beautiful and inspirational guide to colour and its magic. Magic can take many forms, whether it be a desire, a wish, or a spell. It can even be a simple act of kindness for friends and family, and importantly for yourself too - like a lovingly hand-made object, a comforting meal or a home-cooked gift. Many people are turning to alternative ways to find connection and meaning. Something as simple as, 'Are you ok?' has great strength, power and empathy. Thoughtfulness is key and this book has kindness at the heart of its magic to create a more forgiving and considerate community. Curated into colour chapters, Sam takes a look at each colour and what it represents. The book brims full of magical spells, poems, charms, rituals, recipes, makes and wishes to create a helpful guide - a comfort, a tonic - something that is available to everyone, whether you feel like you are a witch or not. Chapters are: White, Yellow & Orange, Red, Pink, Violet, Blue, Green, Brown, Black & Grey, Silver & Gold Projects include: Orange blossom spell, Clay incense holder, Lucky red wrist ribbon, Hanging crystal grotto, Witch's knots, Friendship jar spell, Crescent moon and amethyst make, Making a wand, Secret message jewellery, Moon biscuits.