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Books > Humanities > Religion & beliefs > Alternative belief systems > Occult studies
"The remarkable Veronica Varlow seizes life with both hands and
bends it to her will. Learn from her." -Neil Gaiman In Bohemian
Magick, Veronica Varlow, the last daughter in a line of Bohemian
witches, weaves together witchcraft knowledge and ancient secret
spells with an exotic rock-and-roll magick style that has earned
her a devoted following worldwide. This beguiling grimoire-style
guide is filled with potent, never-before-revealed spells,
hand-written rituals, magick ephemera, hand-drawn sigils, potions,
charms, and rhyming incantations that will call your power back to
you and electrify your life! With more than 150
illustrations-drawings, photography, and vintage art-and text
written in her own hand, this sumptuous companion is brimming with
spells for everlasting confidence, radiant self-love, healing,
manifesting your dreams, and love with a desired partner. Veronica
calls upon the ancient and hidden Czech-Romani magic passed down to
from her grandmother Helen's lineage and infuses it with her own
signature sorcery to help you awaken and amplify your truest self.
Each spell that you cast, each potion that you brew, and each chant
you speak into the universe will rouse the most powerful part of
your being! In Part I, The School of Spectaculus, Veronica reveals,
step by step, her personally crafted steps to spellcasting with
power. She shares her secrets regarding writing and preparing for
spells, calling on ancestors to give your spells oomph, and writing
your own badass spells. She also provides information on when to
cast spells and other basics that you need to know to perform the
mind-blowing rituals she introduces in Part II. In Part II,
Initiations, she introduces you to the hidden magick of Bohemia.
She leads you on five initiations, each focused on specific themes
including self-love, sizzling confidence, healing, juicy mojo, and
love. Each initiation begins with an experiential journey of
discovery, a story in which you are the protagonist, whether
following a trail of candles through a dark wood to a river filled
with tiny message-filled paper boats or venturing into a tarot
parlor on a hot, sultry night to meet a Witch who has come back
from the Afterlife to help you find true love. And, of course, each
initiation includes spells with a rock and roll vibe, such as:
Hello, I Love You: Use mirror magick to boost your confidence and
magnetism. Return to Sender: Create a magick candle and burn it
upside down to protect you and send bad vibes back to where they
came from. Search and Destroy: Literally pulverize the false
stories you tell yourself by writing them on china plates and smash
those poisonous words to bits with a hammer! Bohemian Rhapsody: A
secret knot-tying spell to do with a partner to increase passion
and intimacy For each badass bewitching enchantment, Veronica
explains its importance, the purpose of practice, and the necessary
tools and preparation you'll need to cast it correctly. With
Bohemian Magick, you'll discover your adventurous side and your own
unique magick. Get ready to rise up, call your power back to you,
realize your purpose, and make your life story truly legendary!
Reveals changing perceptions of ghosts at different social levels
from the Reformation through to the twentieth century in Britain
and America. This five-volume set focuses on the key published
debates that emerged in each century, and illustrates the range of
literary formats that reported or discussed ghosts.
An insider's guide for beginner mystics, How to Study Magic is your
ultimate introduction to the main areas of magic-from witchcraft to
grimoires-what it means to practice them, and, most of all, how to
get started.Have you ever wanted to dive into the world of magic,
but weren't sure where to begin? You're not alone! Knowing where to
start can be mystifying, but it doesn't have to be. In How to Study
Magic, author, educator, and seasoned witch Sarah Lyons guides you
through an introductory course of study, and an enchanted entry
point to the wide world of magical paths.Drawing on Sarah's own
experience practicing and teaching magic for more than a decade,
this interactive exploration takes novice witches through basic
tools they can use in their studies-from divination and meditation
to cleansing and protection-before diving into the history, lore,
and modern incarnations of a wide range of magical practices. With
chapters on Witchcraft, Chaos Magic, Spellbooks and Grimoires, Gods
and Goddesses, and more, this dynamic guide gives readers an
insider's perspective on how to craft their own, personalized
practice. Each chapter also contains interactive activities,
journal prompts, and suggestions for further reading, allowing baby
witches to chart their own paths and explore their own power. For
anyone who knows they want to study magic, but has no idea where to
begin, How to Study Magic is the answer you've been waiting for.
Finalist, 2021 Bram Stoker Awards (Superior Achievement in
Non-Fiction) The first collection of essays to address Satan's
ubiquitous and popular appearances in film Lucifer and cinema have
been intertwined since the origins of the medium. As humankind's
greatest antagonist and the incarnation of pure evil, the cinematic
devil embodies our own culturally specific anxieties and desires,
reflecting moviegoers' collective conceptions of good and evil,
right and wrong, sin and salvation. Giving the Devil His Due is the
first book of its kind to examine the history and significance of
Satan onscreen. This collection explores how the devil is not just
one monster among many, nor is he the "prince of darkness" merely
because he has repeatedly flickered across cinema screens in
darkened rooms since the origins of the medium. Satan is instead a
force active in our lives. Films featuring the devil, therefore,
are not just flights of fancy but narratives, sometimes
reinforcing, sometimes calling into question, a familiar belief
system. From the inception of motion pictures in the 1890s and
continuing into the twenty-first century, these essays examine what
cinematic representations tell us about the art of filmmaking, the
desires of the film-going public, what the cultural moments of the
films reflect, and the reciprocal influence they exert. Loosely
organized chronologically by film, though some chapters address
more than one film, this collection studies such classic movies as
Faust, Rosemary's Baby, The Omen, Angel Heart, The Witch, and The
Last Temptation of Christ, as well as the appearance of the Devil
in Disney animation. Guiding the contributions to this volume is
the overarching idea that cinematic representations of Satan
reflect not only the hypnotic powers of cinema to explore and
depict the fantastic but also shifting social anxieties and desires
that concern human morality and our place in the universe.
Contributors: Simon Bacon, Katherine A. Fowkes, Regina Hansen,
David Hauka, Russ Hunter, Barry C. Knowlton, Eloise R. Knowlton,
Murray Leeder, Catherine O'Brien, R. Barton Palmer, Carl H.
Sederholm, David Sterritt, J. P. Telotte, Jeffrey Andrew Weinstock
This book discusses two moral panics that appeared in the media in
late apartheid South Africa: the Satanism scare and the so-called
epidemic of white family murder. The analysis of these symptoms of
social and political change reveals important truths about
whiteness, gender, violence, history, nationalism and injustice in
South Africa and beyond.
The essays in this Handbook, written by leading scholars working in
the rapidly developing field of witchcraft studies, explore the
historical literature regarding witch beliefs and witch trials in
Europe and colonial America between the early fifteenth and early
eighteenth centuries. During these years witches were thought to be
evil people who used magical power to inflict physical harm or
misfortune on their neighbours. Witches were also believed to have
made pacts with the devil and sometimes to have worshipped him at
nocturnal assemblies known as sabbaths. These beliefs provided the
basis for defining witchcraft as a secular and ecclesiastical crime
and prosecuting tens of thousands of women and men for this
offence. The trials resulted in as many as fifty thousand
executions.
These essays study the rise and fall of witchcraft prosecutions in
the various kingdoms and territories of Europe and in English,
Spanish, and Portuguese colonies in the Americas. They also relate
these prosecutions to the Catholic and Protestant reformations, the
introduction of new forms of criminal procedure, medical and
scientific thought, the process of state-building, profound social
and economic change, early modern patterns of gender relations, and
the wave of demonic possessions that occurred in Europe at the same
time. The essays survey the current state of knowledge in the
field, explore the academic controversies that have arisen
regarding witch beliefs and witch trials, propose new ways of
studying the subject, and identify areas for future research.
Personifications of evil in the form of demons, devils, spirits,
vampires, and other malign entities can be found across the popular
cultural spectrum. One only has to peruse the shelves of music and
bookstores or view the content of some of the most successful films
and television series to discover evidence for the phenomenal
popular fascination with the demonic other. However, rather
surprisingly, this is not an area in which much research has been
done. The aim of this volume is to examine the demonic foil within
popular culture. Moreover, it will bring together an international
team of some of most important and creative scholars in the areas
of Biblical Studies, Religious Studies, and Christian Theology
currently exploring the religious significance of popular culture.
Witch, Slut, Feminist: these contested identities are informing
millennial women as they counter a tortuous history of misogyny
with empowerment. This innovative primer highlights sexual
liberation as it traces the lineage of "witch feminism" through
art, film, music, fashion, literature, technology, religion, pop
culture, and politics. Juxtaposing scholarly research on the
demonization of women and female sexuality that has continued since
the witch hunts of the early modern era with pop occulture analyses
and interviews with activists, artists, scholars, and practitioners
of witchcraft, this book addresses and illuminates contemporary
conversations about reproductive rights, sexual pleasure, queer
identity, pornography, sex work, and more. Author Kristen J. Sollee
elucidates the ways in which women have been persecuted for their
perceived connection with witchcraft, and how they have fought
back, harnessing the legacy of the witch for revolutionary means.
Kristen J. Sollee is an instructor at The New School and founding
editrix of Slutist, an award-winning sex positive feminist website.
This third, concluding volume of the series publishes 14 studies
and the transcription of a round-table discussion on Carlo
Ginzburg's Ecstasies. The themes of the previous two volumes,
"Communicating with the Spirits," and "Christian Demonology and
Popular Mythology," are further expanded here both as regards their
interdisciplinary approach and the wide range of regional
comparisons. While the emphasis of the second volume was on current
popular belief and folklore as seen in the context of the
historical sources on demonology, this volume approaches its
subject from the point of view of historical anthropology. The
greatest recent advances of witchcraft research occurred recently
in two fields: (1) deciphering the variety of myths and the
complexity of historical processes which lead to the formation of
the witches' Sabbath, (2) the micro-historical analysis of the
social, religious, legal and cultural milieu where witchcraft
accusations and persecutions developed. These two themes are
completed by some further insights into the folklore of the
concerned regions which still carries the traces of the traumatic
historical memories of witchcraft persecutions.
"I never killed Raoul Loveday with a magical spell". Aleister
Crowley, otherwise known as the Beast 666, shared membership of the
Golden Dawn with W B Yeats, and publishers with D H Lawrence. Now
in a beyond-the-grave autobiography, he recounts his own vocation,
his practice of sex magic, and his bruising encounters with his
contemporaries. The great magus, whose own world-conquering creed
The Book of the Law was written in Cairo in 1904, was according to
him, no murderer, but a prophet and practitioner of all kinds of
sexual freedom and new magical systems.
From the shelves of mainstream bookstores and the pages of teen
magazines, to popular films and television series, contemporary
culture at the turn of the twenty-first century has been fascinated
with teenage identity and the presence of magic and the occult.
Alongside this profusion of products and representations, a global
network of teenage Witches has emerged on the margins of adult
neopagan Witchcraft communities, identifying themselves through
various spiritual practices, consumption patterns and lifestyle
choices. The New Generation Witches is the first published
anthology to investigate the recent rise of the teenage Witchcraft
phenomenon in both Britain and North America. Scholars from
Theology, Cultural Studies, Sociology, History and Media Studies,
along with neopagan commentators outside of the academy, come
together to investigate the experiences of thousands of adolescents
constructing an enabling, magical identity through a distinctive
practice of Witchcraft. The contributors discuss key areas of
interest, inspiration and development within the teen Witch
communities from the mid 1990s onward, including teenage Witches'
magical practices and beliefs, gender politics, the formation and
identification of communities, forums and modes of expression,
media representation and new media outlets. Demonstrating the
diversification and expansion of neopaganism in the twenty-first
century, this anthology makes an exciting contribution to the field
of Neopagan Studies and contemporary youth cultures.
THERE IS POWER IN SILENCE East Anglia, 1645. Martha Hallybread, a
midwife, healer and servant, has lived peacefully for more than
four decades in her beloved Cleftwater. Everyone in the village
knows Martha, but no one has ever heard her speak. One bright
morning, Martha becomes a silent witness to a witch hunt, led by
sinister new arrival Silas Makepeace. As a trusted member of the
community, she is enlisted to search the bodies of the accused
women for evidence. But whilst she wants to help her friends, she
also harbours a dark secret that could cost her own freedom. In
desperation, Martha revives a wax witching doll that she inherited
from her mother, in the hope that it will bring protection. But the
doll's true powers are unknowable, the tide is turning, and time is
running out . . . A spellbinding and intoxicating novel inspired by
true events, The Witching Tide is a magnificent debut from a writer
to watch. 'A beautiful, haunting and utterly transporting novel
that takes the reader back to a terrifyingly real witching England'
NAOMI WOOD 'I absolutely devoured The Witching Tide. To read this
book is to step inside time . . . a powerful, riveting read, each
sentence pristine and haunting' ELIZABETH MACNEAL
Pandemonium: An Illustrated History of Demonology presents for this
first time Satan's family tree, providing a history and analysis of
his fellow fallen angels from Asmodeus to Ziminiar. Throughout
there will be short entries on individual demons, but Pandemonium
will be more than just a visual encyclopedia. It will also focus on
the influence of figures like Beelzebub, Azazel, Lilith, and Moloch
on Western religion, literature, and art. Ranging from the earliest
scriptural references to demons in the New Testament through the
Enlightenment and Romantic eras when our devils took on a subtler
form, Pandemonium functions as a compendium of Lucifer's subjects
from Dante's The Divine Comedy to John Milton's Paradise Lost, and
all points in between. Containing rarely seen illustrations of very
old treatises on demonology as well as more well-known works by the
great masters of Western painting, this book will celebrate the art
of hell like never before!
Everywhere, the witches are rising. Are you ready to answer the
call and embrace your own inner witch? In this book, Indigenous
seer, healer, and spirit communicator Juliet Diaz guides you on a
journey to connect with the Magick within you. She explains how to
cast off what doesn't serve you, unleash your authentic self, and
become an embodiment of your truth. You'll also learn the skills
and techniques you need to build your own Magickal craft. Within
these enchanted pages you'll discover how to: - Connect with the
power of your inner witch - Create spells, potions, and rituals for
love, protection, healing, manifestation and more - Amplify your
energy by working with a Book of Shadows - Create an altar and
decorate it according to the seasons - Work with the Moon and the
Seasons of the Witch - Connect with your ancestors to receive their
wisdom Filled with Magick, inspiration, and love, Witchery is your
guide and companion on a sacred journey to true self-empowerment.
Invite joy and healing into your life using your own magic with
this self-help guide from the author of Witchcraft Therapy, Mandi
Em. Witchcraft is a practice where everyone can self-soothe and
find their alignment again through performance, play, following
impulses, and inviting joy into their lives. Beyond spell jars and
candle magic, there's a whole world of uncommon ways to inject some
childlike wonder and play therapy into your daily practice. Now you
can pursue joy, healing, and fun, with this guide to finding
happiness through magic, filled with straight-talk self-care advice
backed up by magical spells, rituals, recipes, meditations, and
more! Happy Witch is an uncommon spell book full of witchy
self-care spells and rituals that think outside the box of what a
witch's practice usually looks like. From kinetic cloud dough play
for moving through your emotions to using dance as a form of
manifestation, Happy Witch brings out your inner child to help you
undertake your healing through magic. Woven through with BS-free
empowering messages, suggestions, and encouragement on how to build
your intuitive practice that you love, this self-help guide is your
perfect companion for magical healing.
Focuses on the problem of communication with the other world: the
phenomenon of spirit possession and its changing historical
interpretations, the imaginary schemes elaborated for giving
accounts of the journeys to the other world, for communicating with
the dead, and finally the historical archetypes of this kind of
religious manifestation-trance prophecy, divination, and shamanism.
Recognized historians and ethnologists analyze the relationship,
coexistence and conflicts of popular belief systems,
Judeo-Christian mythology and demonology in medieval and modern
Europe. The essays address links between rites and beliefs,
folklore and literature; the legacy of various pre-Christian
mythologies; the syncretic forms of ancient, medieval and modern
belief- and rite-systems; "pure" examples from
religious-ethnological research outside Europe to elucidate
European problems.
From 1563 to 1736 Scotland put thousands of women to death for
witchcraft. Their supposed crimes have much to tell us about
attitudes to women in the past, and in the present day. This book
introduces sixteen women who lost their lives or lived in the long
shadow of the persecutions. 'Witches' who, like MARGARET AITKEN,
confessed, implicated others, even aided the hunters before they
were burned. Nonconforming women like MARY MACLEOD, who saw their
reputations tarnished when they did not bend to society's
expectations. Creatures of the imagination, like Robert Burns's
NANNY, who embody deep-seated associations between womanhood and
the occult. Weaving fiction with the facts where these are known,
We Are All Witches invites the reader to explore the forces at work
in one of the darkest episodes of Scotland's history and consider
their echoes in the present day.
The Goetia is the most famous grimoire after the Key of Solomon.
The owner of this handbook of sorcery was Dr. Thomas Rudd, the most
important scholar-magician of the early seventeenth century, and a
magical successor to Dr. John Dee.
The Goetia of Dr. Rudd explains how the 72 angels of the
Shemhamphorash are used to evoke and safely bind demons--material
that has not been made available in any previous edition. This rare
volume contains a transcription of a hitherto unpublished
manuscript of the Lemegeton and includes illustrations drawn from
rare manuscripts held in the British Library.
Magic and divination in early Islam encompassed a wide range of
practices, including belief in jinn, warding off the evil eye, the
production of amulets and other magical equipment, conjuring,
wonder-working, dream interpretation, predicting the weather,
casting lots, astrology, and physiognomy. The ten studies here are
concerned with the pre-Islamic antecedents of such practices, and
with the theory of magic in healing, the nature and use of amulets
and their decipherment, the arts of astrometeorology and geomancy,
the refutation of astrology, and the role of the astrologer in
society. Some of the studies are highly illustrated, some long out
of print, some revised or composed for this volume, and one
translated into English for the first time. These fundamental
investigations, together with the introductory bibliographic essay,
are intended as a guide to the concepts, terminology, and basic
scholarly literature of an important, but often overlooked, aspect
of classical Islamic culture.
This richly illustrated history provides a readable and fresh
approach to the extensive and complex story of witchcraft and
magic. Telling the story from the dawn of writing in the ancient
world to the globally successful Harry Potter films, the authors
explore a wide range of magical beliefs and practices, the rise of
the witch trials, and the depiction of the Devil-worshipping witch.
The book also focuses on the more recent history of witchcraft and
magic, from the Enlightenment to the present, exploring the rise of
modern magic, the anthropology of magic around the globe, and
finally the cinematic portrayal of witches and magicians, from The
Wizard of Oz to Charmed and Buffy the Vampire Slayer.
This chronological collection charts the change in attitudes to
witchcraft during the period 1560-1736, which culminates in the
educated debate on the reality of witchcraft and the gradual
decline in belief in witches and associated phenomena.
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