The Hay archive of Coptic manuscripts consists of seven fragmentary sheets of leather bearing spells for divination, protection, healing, personal advancement, cursing and the satisfaction of sexual desire. Purchased from the heir of the Scottish Egyptologist and draughtsman, Robert Hay (1799–1863), the manuscripts arrived at the British Museum in 1868. Since they were first published in the 1930s, they were understood to be the work of a single copyist writing around AD 600 in the Theban region of Upper Egypt. The present volume has confirmed, nuanced or challenged these assessments on the basis of scientific analysis and close study of the manuscripts. Prompted by the urgent conservation needs of the corpus, this study seeks to provide a model, integrated approach to the publication of ancient texts as archaeological objects by providing a full record of provenance and collection history; scientific analysis; conservation approach and treatment; a new complete edition and translation of the Coptic texts; and an extended discussion of the cultural context of production. Written on poorly processed calf, sheep and goat skin, the manuscripts were copied by multiple non-professional writers in the 8th–9th centuries. Employing a striking combination of ancient Egyptian, Graeco-Roman, biblical and extra-biblical motifs, their contents represent a Christian milieu making use of the mechanics of earlier ‘magical’ practice in a period well after the arrival of Islam.

In the Western world, magic has often functioned as an umbrella term for various religious beliefs and ritual practices that seek to influence events by harnessing supernatural power. The definition of these myriad occult and esoteric traditions have, however, usually come from those that are opposed to its practice; notably authorities in religious, legal and intellectual spheres. This book seeks to provide a new perspective, directly from the practitioners of modern Western magic, by exploring how a distinctive mode of embodiment and consciousness can produce a transition from an 'ordinary' to a 'magical' worldview. Starting with an introduction to the study of magic in the Western academy, the book then presents the author's own participant observation of five ethnographic case studies of modern Western magic. The focus of these ethnographic case studies is directed towards ideas and methods the informants employ to self-legitimise and self-represent as 'magicians'. It concludes by discussing the phenomenological implications and issues around embodiment that are inherent to the contemporary practice of magic. This is a unique insight into the lived experience of practitioners of modern magic. As such, it will be of keen interest to scholars of the Occult and New Religious Movements, as well as Religious Studies academics examining issues around the embodiment and the anthropology of religion.

The Kabbalah is an esoteric Jewish doctrine adapted by author S.L. MacGregor Mathers to form the Hermetic order of the Golden Dawn, an occult organisation. This volume includes three of the critical books from the Zohar, the fundamental work in Kabbalah, as well as Mathers' introduction explaining the key elements of Jewish mysticism. Mathers' translation from Hebrew originally appeared in 1926, and it continues to be a valuable resource for students interested in Religious Studies, particularly Mysticism and the Occult.

Histories of witchcraft continue to fascinate us in the late twentieth century. Looking at texts from colonial narratvies to court masques, trial records to folktales, and Shakespeare to Sylvia Plath, this book shows how the witch acts as a carrier for the fears, desires and fantasies of women and men both now and in the early modern period.
Among other topics, The Witch in History discusses:
* the way the fantasy body of the witch, viewed as both hard and boundless, represents fear of the maternal body;
* how Macbeth and other Renaissance dramas are exploitative and sensationalist representations of witchcraft;
* how the representations of witchcraft in Europe were influenced by encounters in the New World with Native American religion, and vice versa;
* how radical feminists, modern witches and academic historians have appropriated the figure of the witch to construct their own identities. This extraordinary and fascinating study goes beyond the exploration of the figure of the witch, comprising an innovative contribution to all early modern studies.

Related link: Reviews in History
eBook available with sample pages: 0203359720

First published in 2002. The power of magical names, spells, and talismans was of utmost importance to the ancient Egyptians and their religion. Here, in another classic by the foremost Egyptian scholar of the Victorian era, E. A. Wallis Budge describes and explains the magical practices in Egypt, many of which predate the belief in gods and goddesses. Illustrated with twenty line drawings, this volume is one more key needed to unlock the secrets of this great ancient civilization.

In contradistinction to the many monographs and edited volumes devoted to historical, cultural, or theological treatments of demonology, this collection features newly written papers by philosophers and other scholars engaged specifically in philosophical argument, debate, and dialogue involving ideas and topics in demonology. The contributors to the volume approach the subject from the perspective of the broadest areas of Western philosophy, namely metaphysics, epistemology, logic, and moral philosophy. The collection also features a plurality of religious, cultural, and theological views on the nature of demons from both Eastern and Western thought, in addition to views that may diverge from these traditional roots. Philosophical Approaches to Demonology will be of interest to philosophers of religion, theologians, and scholars working in philosophical theology and demonology, as well as historians, cultural anthropologists, and sociologists interested more broadly in the concept of demons.

First published in 1986. Independent Spirits is about the intellectual world of the humbly-born in late nineteenth- and early twentieth-century Britain, focussing on plebeian, or working- and lower middle-class spiritualists. This book is an important study which throws light on the idealism and search for knowledge that were so central in plebeian circles and in certain, very important parts of the labour movement during the nineteenth and early twentieth centuries. This title will be of interest to students of history.

The truth can be dangerous in the wrong hands... 1661, North Berwick, Scotland One stormy night, healer Honor Seton and her daughter Alice are summoned to save the town lord's wife - but they're too late. A vengeful crusade against the Seton women leads to whispers of witchcraft all over town. Honor hopes her connections can protect them from unproven rumours and dangerous accusations - but is the truth finally catching up with them? Present day, North Berwick, Scotland After an explosive scandal lands her husband in prison, Tess Blyth flees Edinburgh to start afresh in Thistle Cottage. As she hides from the media's unforgiving glare, Tess is intrigued by the shadowy stories of witchcraft surrounding the women who lived in the cottage centuries ago. But she quickly discovers modern-day witch hunts can be just as vicious: someone in town knows her secret - and they won't let Tess forget it... A hauntingly compelling timeslip novel from the author of The Girl in the Picture, perfect for fans of The Forgotten Village and The Witchfinder's Sister. Readers LOVE The Secrets of Thistle Cottage! 'A beautifully written book and a gripping tale, frightening at times, funny at times, but a most enjoyable read.' - NetGalley Reviewer, 5 Stars 'I loved this book! Historical fiction and a thriller to boot!' - NetGalley Reviewer, 5 Stars 'Great stories of witchcraft... unexpected turns along the way... This has everything.' - NetGalley Reviewer, 5 Stars 'The Secrets of Thistle Cottage offers the reader a trip to a lovely coastal location and then pulls you in to a time warp... a great book... but be prepared to read it in one go.' - NetGalley Reviewer 'I enjoyed the different timelines. This has some witchcraft added in the mix and was so dang good!' - NetGalley Reviewer 'An enjoyable read... The author sets the scene with eerie and atmospheric detail.' - NetGalley Reviewer

This volume draws on a range of ethnographic and historical material to provide insight into witchcraft in sub-Saharan Africa. The chapters explore a variety of cultural contexts, with contributions focusing on Cameroon, Central African Republic, Ghana, Mali, Ethiopia and Eritrean diaspora. The book considers the concept of witchcraft itself, the interrelations with religion and medicine, and the theoretical frameworks employed to explain the nature of modern African witchcraft representations.

This Element argues that Ireland did not experience a disenchanted modernity, nor a decline in magic. It suggests that beliefs, practices and traditions concerning witchcraft and magic developed and adapted to modernity to retain cultural currency until the end of the twentieth century. This analysis provides the backdrop for the first systematic exploration of how historic Irish trials of witches and cunning-folk were represented by historians, antiquarians, journalists, dramatists, poets, and novelists in Ireland between the late eighteenth and late twentieth century. It is demonstrated that this work created an accepted narrative of Irish witchcraft and magic which glossed over, ignored, or obscured the depth of belief in witchcraft, both in the past and in contemporary society. Collectively, their work gendered Irish witchcraft, created a myth of a disenchanted, modern Ireland, and reinforced competing views of Irishness and Irish identity. These long-held stereotypes were only challenged in the late twentieth-century.

Fragments of ancient belief mingle with folklore and Christian dogma until the original tenets are lost in the myths and psychologies of the intervening years. Hilda Ellis Davidson illustrates how pagan beliefs have been represented and misinterpreted by the Christian tradition, and throws light on the nature of pre-Christian beliefs and how they have been preserved. The Lost Beliefs of Northern Europe stresses both the possibilities and the difficulties of investigating the lost religious beliefs of Northern Europe.

A history of the role that the occult has played in the formation of modern science and medicine, The Rosicrucian Enlightenment has had a tremendous impact on our understanding of the western esoteric tradition. Beautifully illustrated, it remains one of those rare works of scholarship which the general reader simply cannot afford to ignore.

Written by Joseph L. Henderson, one of the first generation of Jungian analysts, and Dyane N. Sherwood, a practising analyst, this book is a striking and unique contribution to the resurgence of interest in alchemy for its way of representing the phenomenology of creative experience. Transformation of the Psyche is organized around 22 illuminated paintings from the early Renaissance alchemical manuscript the Splendor Solis, and is further illustrated by over 50 colour figures. The images of the Splendor Solis are possibly the most beautiful and evocative alchemical paintings to be found anywhere, and they are widely known to students of alchemy. Jung reproduced several Splendor Solis images in his works, yet prior to this book no one has explored the symbolism of the paintings as a series in relation to the process of depth psychological transformation. This book is the first scholarly study of the paintings in their entirety, and of the mythological and historical allusions contained within the images. Transformation of the Psyche does not simply explain or analyze the pictures, but invites the reader to participate in the creative and transforming process evoked by these images. Transformation of the Psyche is a truly unique book that will be of immense value and interest to analysts and psychotherapists, as well as scholars of mediaeval and renaissance intellectual history and students of spiritual disciplines.

A fifteen-year-old girl who claimed regular communications with the spirits of her dead friends and relatives was the subject of the very first published work by the now legendary psychoanalyst C.G. Jung. Collected here, alongside many of his later writings on such subjects as life after death, telepathy and ghosts, it was to mark just the start of a professional and personal interest-even obsession-that was to last throughout Jung's lifetime. Written by one of the greatest and most controversial thinkers of the twentieth century, Psychology and the Occult represents a fascinating trawl through both the dark, unknown world of the occult and the equally murky depths of the human psyche. Carl Gustav Jung (1875-1961). Founded the analytical school of psychology and developed a radical new theory of the unconscious that has made him one of the most familiar names in twentieth-century thought.

A fresh examination of one of the most contentious issues in runic scholarship - magical or not? The runic alphabet, in use for well over a thousand years, was employed by various Germanic groups in a variety of ways, including, inevitably, for superstitious and magical rites. Formulaic runic words were inscribed onto small items that could be carried for good luck; runic charms were carved on metal or wooden amulets to ensure peace or prosperity. There are invocations and allusions to pagan and Christian gods and heroes, to spirits of disease, and even to potential lovers. Few such texts are completely unique to Germanic society, and in fact, most of the runic amulets considered in this book show wide-ranging parallels from a variety of European cultures. The question ofwhether runes were magical or not has divided scholarship in the area. Early criticism embraced fantastic notions of runic magic - leading not just to a healthy scepticism, but in some cases to a complete denial of any magical element whatsoever in the runic inscriptions. This book seeks to re-evaulate the whole question of runic sorcery, attested to not only in the medieval Norse literature dealing with runes but primarily in the fascinating magical texts of the runic inscriptions themselves. Dr MINDY MCLEOD teaches in the Department of Linguistics, Deakin University, Melbourne; Dr BERNARD MEES teaches in the Department of History at the University of Melbourne.

Increasingly, contemporary scholarship reveals the strong connection between Victorian women and the world of the nineteenth-century supernatural. Women were intrinsically bound to the occult and the esoteric from mediums who materialised spirits to the epiphanic experiences of the New Woman, from theosophy to telepathy. This volume addresses the various ways in which Victorian women expressed themselves and were constructed by the occult through a broad range of texts. By examining the roles of women as automatic writing mediums, spiritualists, authors, editors, theosophists, socialists and how they interpreted the occult in their life and work, the contributors in this edition return to sensation novels, ghost stories, autobiographies, seances and fashionable magazines to access the visible and invisible worlds of Victorian life. The variety of texts analysed by the authors in this collection demonstrates the many interpretations of the occult in nineteenth-century culture and the ways that women used supernatural imagery and language to draw attention to issues that bore immediate implications on their own lives. Either by catering for the fad of ghost stories or by giving public trance speeches women harnessed the metaphorical and financial forces of the supernatural. As the articles in this book demonstrate the occult was after all a female affair. This book was published as a special issue of Women's Writing.

The fourth edition of The Witch-Hunt in Early Modern Europe, written by one of the leading names in the field, is the ideal resource for both students and scholars of the witch-hunts.For those starting out in their studies of witch-beliefs and witchcraft trials, Brian Levack provides a concise survey of this complex and fascinating topic, while for more seasoned scholars the scholarship is brought right up to date. The Witchcraft Sourcebook, now in its second edition, is a fascinating collection of documents illustrating the development of ideas about witchcraft from ancient times to the eighteenth century along with commentary and background by Brian Levack. Including trial records, demonological treatises and sermons, literary texts, narratives of demonic possession and artistic depiction of witches, the documents show how notions of witchcraft have changed over time, and consider the connection between gender and witchcraft and the nature of the witch's perceived power. Available to purchase as a bundle, together these two books make the perfect collection for students and lecturers of witchcraft and witch-hunts in the early modern period.

This book will interest clinicians who have wondered what professional practice would be like in the corporate setting and want to learn more about the psychological and organizational dynamics that 'drive' executive behavior. Based on the premise that leadership effectiveness is a function of both leader productivity and health, this book reviews the latest information and research data and offers case studies to illustrate specific strategies for maximizing executive health. Len Sperry has been consulting to executives and organizations for 30 years and has written numerous articles and several books on executives and workplace dynamics.

Dylan Thomas, Aleister Crowley and Victor Neuburg caught in a surrealist web. What if the Beast returned and you were not sure if he were the best or worst thing that had ever happened to you? Sybarite among the Shadows finds Victor Neuburg on 11 June 1936 with the poet he discovered, Dylan Thomas. They embark on a quest whose object is Neuburg's old master, the Great Beast 666; settings, the Surrealist Exhibition, and pubs and clubs of bohemian London; characters, Augustus John, Nina Hamnett and Tom Driberg. Neuburg confronts his demons; Crowley does too. They also meet something far more menacing: MI5's plot to avert the Abdication. Sybarite among the Shadows grew out of the 1977 International Times short story subsequently published in America and Russia. Since writing the original story while living on Ibiza, Richard McNeff has worked internationally in education and the art world. Early contact with connections of the Beast sparked his interest in Crowley.

Witchcraft: The Basics is an accessible and engaging introduction to the scholarly study of witchcraft, exploring the phenomenon of witchcraft from its earliest definitions in the Middle Ages through to its resonances in the modern world. Through the use of two case studies, this book delves into the emergence of the witch as a harmful figure within western thought and traces the representation of witchcraft throughout history, analysing the roles of culture, religion, politics, gender and more in the evolution and enduring role of witchcraft. Key topics discussed within the book include: The role of language in creating and shaping the concept of witchcraft The laws and treatises written against witchcraft The representation of witchcraft in early modern literature The representation of witchcraft in recent literature, TV and film Scholarly approaches to witchcraft through time The relationship between witchcraft and paganism With an extensive further reading list, summaries and questions to consider at the end of each chapter, Witchcraft: The Basics is an ideal introduction for anyone wishing to learn more about this controversial issue in human culture, which is still very much alive today.

First published in 1984. Routledge is an imprint of Taylor & Francis, an informa company.

Spanning from the inauguration of James I in 1603 to the execution of Charles I in 1649, the Stuart court saw the emergence of a full expression of Renaissance culture in Britain. Hart examines the influence of magic on Renaissance art and how in its role as an element of royal propaganda, art was used to represent the power of the monarch and reflect his apparent command over the hidden forces of nature. Court artists sought to represent magic as an expression of the Stuart Kings' divine right, and later of their policy of Absolutism, through masques, sermons, heraldry, gardens, architecture and processions. As such, magic of the kind enshrined in Neoplatonic philosophy and the court art which expressed its cosmology, played their part in the complex causes of the Civil War and the destruction of the Stuart image which followed in its wake.

'Witches occupy a clear place in contemporary imagination. We can see them, shadowy, in the corners of the past: mad, glamorous, difficult, strange. They haunt the footnotes of history - from medieval witches burning at the stake to the lurid glamour of the 1970s witchcraft revival. But they are moving out of history, too. Witches are back. They're feminist, independent, invested in self-care and care for the world. They are here, because they must be needed.' What it means to be a witch has changed radically throughout history; where 'witch' was once a dangerous - and often deadly - accusation, it is now a proud self-definition. Today, as the world becomes ever more complicated and as we face ecological, political and economic crisis - witchcraft is experiencing a resurgence. Witches are back. In A Spell in the Wild, Alice Tarbuck explores what it means to be a witch today. Rooted in the real world, but filled with spells, rituals and recipes, this book is an accessible, seasonal guide to witchcraft in the twenty-first century. Following the course of a witch's calendar year while also exploring the history and politics of witchcraft, A Spell in the Wild is the perfect primer for the contemporary witch.