The author presents with this intellectual biography of the Lutheran alchemist Count Michael Maier an academic study of western esotericism in general and to the study of alchemy and rosicrucianism in particular. The author charts the development of Maier's Hermetic worldview in the context of his service at the courts of Emperor Rudolf II and Moritz of Hessen-Kassel. The problem of the nature of early Rosicrucianism is addressed in detail with reference to Maier's role in the promotion of this "serious jest" in the years immediately prior to the outbreak of the Thirty Years' War. The work is set in the context of ongoing debates concerning the nature of early modern alchemy and its role in the history of Western esotericism.

This volume contains a series of provocative essays that explore expressions of magic and ritual power in the ancient world. The strength of the present volume lies in the breadth of scholarly approaches represented. The book begins with several papyrological studies presenting important new texts in Greek and Coptic, continuing with essays focussing on taxonomy and definition. The concluding essays apply contemporary theories to analyses of specific test cases in a broad variety of ancient Mediterranean cultures. Paul Mirecki, Th.D. (1986) in Religious Studies, Harvard Divinity School, is Associate Professor of Religious Studies at the University of Kansas. Marvin Meyer, Ph.D. (1979) in Religion, Claremont Graduate School, is Professor of Religion at Chapman University, Orange, California, and Director of the Coptic Magical Texts Project of the Institute for Antiquity and Christianity.

After providing a terrifying look into the most secret workings of the occult, and after divulging the methods by which man may have immense power over the physical world through spiritual methods, Koetting now unveils the one written work in existence which unabashedly draws the straight line between the upper and the lower, between the finite and the infinite, and between man and God.

Satan worship. Witches. New Age channelers. The last two decades have witnessed a vast upsurge in occult activity. Scores of popular books have warned Christians of the dangers and urged them to do battle against these spiritual forces. Few books, however, have developed a careful biblical theology on demons, principalities and powers. Clinton Arnold seeks to fill this gap, providing an in-depth look at Paul's letters and what they teach on the subject. For perspective, he examines first-century Greek, Roman and Jewish beliefs as well as Jesus' teaching about magic, sorcery and divination. Arguing against many recent interpretations that have seen principalities and powers as impersonal social, economic and political structures, Arnold contends that the New Testament view is that such forces are organized, personal beings which Jesus defeated at the cross and will bring into full subjection at his return. In his concluding section Arnold suggests practical ways in which Christians today can contend with the forces of evil. A thoughtful, biblical look at an urgent challenge facing the church.

This book argues that the world has sold its soul to Satan. To make this case, Hawkes undertakes a careful, precise analysis of what the terms 'soul' and 'Satan' have meant historically. Focusing on the story of Dr. Faustus, which he argues is the definitive myth of the modern era, Hawkes claims that the autonomous, individual human subject has become dissolved in a sea of representation. The system of performative signs that we call 'the market' functions today as an openly magical power, existing only in our minds, but ruling the world nonetheless, and systematically extinguishing the essence of humanity. Hawkes describes how this situation has arisen using a wide-ranging, trans-national account of the versions of Faust presented by Marlowe, Calderon, Milton, Moliere, Goethe, Byron, Dostoevsky, Wilde, Thomas Mann, Ngugi Wa'Thiongo and Salman Rushdie. Literary scholars, historians, philosophers and even economists will find fascination and instruction in this comprehensive, original book.

A Dweller on Two Planets was "channeled" to FREDERICK SPENSER OLIVER (1866-1899) at his Northern California home near Mount Shasta over a period of three years, beginning when he was seventeen. The true author, according to Oliver, was Phylos the Thibetan, a spirit and one-time inhabitant of the lost continent of Atlantis. Oliver claimed not to have written any of the text, asserting here that he was merely transmitting that which Phylos revealed to him. In fact, professed Oliver, the manuscript was dictated to him out of sequence (much of it backward) so that he could not interfere with the outcome. In this classic of new age and spiritual literature, Phylos describes in rich detail the culture, politics, architecture, and science of Atlantis, as well as its demise. He addresses karma and reincarnation, and predicts technological innovations in the 20th century that match and even exceed those of Atlantis. Supporters maintain that many of those predictions came true. Read for yourself and decide.

Antoine Fabre d'Olivet (December 8, 1767-March 25, 1825) was a French author, poet, and composer whose biblical and philosophical hermeneutics in?uenced many occultists, such as Eliphas Lvi and Gerard Encausse (Papus), and Ren Gunon. D'Olivet spent his life pursuing the esoteric wisdom concealed in the Hebrew scriptures, Greek philosophy, and the symbolism of many ancient cultures as far back as ancient India, Persia, and Egypt. His writings are considered classics of the Hermetic tradition. His best known works today are his research on the Hebrew language (The Hebraic Tongue Restored), his translation and interpretation of the writings of Pythagoras (The Golden Verses of Pythagoras), and his writings on the sacred art of music. In addition to the above two books and the present one, Hermetica has also published in consistent facsimile format for its Collected Works of Fabre d'Olivet series Cain and The Healing of Rodolphe Grivel. D'Olivet's interest in Pythagoras started a revival of Neo-Pythagoreanism that would later in?uence many occultists and new age esotericists. His mastery of many ancient languages and their literatures enabled him to write (in the time of Napoleon) his Hermeneutic Interpretation of the Origin of the Social State of Man and the Destiny of the Adamic Race, which remains a landmark investigation of the deeper esoteric undercurrents at work in the history of culture. A selection of chapter titles indicates the scope of this extraordinary text: Intellectual, Metaphysical Constitution of Man; Man is One of Three Great Powers of the Universe; Division of Mankind; Love, Principle of Sociability; Man is First Mute-First Language Consists of Signs; Digression on the Four Ages of the World; Deplorable Lot of Woman; Origin of Music and Poetry; Deviation of the Cult, Superstition; Establishment of Theocracy; Divine Messenger; Who Rama Was; Digression upon the Celts; Divine Unity Admitted into the Universal Empire; Origin of the Phoenician Shepherds; Foundation of the Assyrian Empire; New Developments of the Intellectual Sphere; Orpheus, Moses, and Fo-Hi; Struggle between Asia and Europe; Greece Loses her Political Existence; Beginning of Rome; Mission of Jesus; Conquest of Odin; Mission of Mohammed; Reign of Charlemagne; Utility of Feudalism and of Christianity; Movement of the European Will towards America; Principle of Monarchical Government; Causes which Are Opposed to the Establishment of Pure Despotism and Democracy.

Werewolf Histories is the first academic book in English to address European werewolf history and folklore from antiquity to the twentieth century. It covers the most important werewolf territories, ranging from Scandinavia to Germany, France and Italy, and from Croatia to Estonia.

"Koen Stroeken's work is fascinating, thought-provoking, theoretically challenging and ethnographically penetrating. It is anthropology, yes, and very true anthropology for that matter, but it is also a deep and unsettling experience finding its voice." . Per Brandstrom, Uppsala University

"The book is thoroughly engaging and a timely contribution to the literature on witchcraft. It may be found too provocative and controversial for some, but I appreciated the analysis as a useful interrogation of the 'certainties' of much anthropological theory and practice in the study of magic and witchcraft." . Joanne Thobeka Wreford, University of Capetown

Neither power nor morality but both. Moral power is what the Sukuma from Tanzania in times of crisis attribute to an unknown figure they call their witch. A universal process is involved, as much bodily as social, which obstructs the patient's recovery. Healers turn the table on the witch through rituals showing that the community and the ancestral spirits side with the victim. In contrast to biomedicine, their magic and divination introduce moral values that assess the state of the system and that remove the obstacles to what is taken as key: self-healing. The implied 'sensory shifts' and therapeutic effectiveness have largely eluded the literature on witchcraft. This book shows how to comprehend culture other than through the prism of identity and politics.

Koen Stroeken is a Lecturer in medical anthropology at Ghent University. He was initiated as a Chwezi healer in Tanzania before writing about cosmology and medicine."

The present volume owes its ongm to a Colloquium on "Alchemy and Chemistry in the Sixteenth and Seventeenth Centuries," held at the Warburg Institute on 26th and 27th July 1989. The Colloquium focused on a number of selected themes during a closely defined chronological interval: on the relation of alchemy and chemistry to medicine, philosophy, religion, and to the corpuscular philosophy, in the sixteenth and seventeenth centuries. The relations between Medicina and alchemy in the Lullian treatises were examined in the opening paper by Michela Pereira, based on researches on unpublished manuscript sources in the period between the 14th and 17th centuries. It is several decades since the researches of R.F. Multhauf gave a prominent role to Johannes de Rupescissa in linking medicine and alchemy through the concept of a quinta essentia. Michela Pereira explores the significance of the Lullian tradition in this development and draws attention to the fact that the early Paracelsians had themselves recognized a family resemblance between the works of Paracelsus and Roger Bacon's scientia experimentalis and, indeed, a continuity with the Lullian tradition.

“Among all the arts, it is the art of alchemy which most closely imitates nature.� - Albertus Magnus (teacher of St. Thomas Aquinas), ca.1250 Alchemists are notorious for attempting to synthesise gold. Their goals, however, were far more ambitious: to transform and bend nature to the will of an industrious human imagination. For scientists, philosophers, and artists alike, alchemy seemed to hold the key to unlocking the secrets of creation. Alchemists' efforts to discover the way the world is made have had an enduring impact on global artistic practice and expression. Concoctions produced in the world’s alchemy labs include inks, dyes, and oil paints; cements and ceramic glazing; dazzling effects in metalwork and glass - and the modern media which now claim boasting rights as the ultimate chemical mirrors of nature: photography and the liquid crystal displays of the digital world. Alchemy may well be the most important human invention after the harnessing of fire. It was certainly a direct result, with consequences both inspired and dire. The field spurred on advancements in the visual arts and aids to human health. Ancient Chinese alchemists also unleashed the black magic of gunpowder onto the world of warfare. This book is the first to explore how the art of alchemy globally transformed human creative culture from antiquity to the industrial age, and displays the ways its legacy still permeates the world we make today.

G.I. Gurdjieff (d. 1949) remains an important, if controversial, figure in early 20th-century Western Esoteric thought. Born in the culturally diverse region of the Caucasus, Gurdjieff traveled in Asia, Africa, and elsewhere in search of practical spiritual knowledge. Though oftentimes allusive, references to Sufi teachings and characters take a prominent position in Gurdjieff's work and writings. Since his death, a discourse on Gurdjieff and Sufism has developed through the contributions as well as critiques of his students and interlocutors. J.G. Bennett began an experimental Fourth Way' school in England in the 1970s which included the introduction of Sufi practices and teachings. In America this discourse has further expanded through the collaboration and engagement of contemporary Sufi teachers. This work does not simply demonstrate the influence of Gurdjieff and his ideas, but approaches the specific discourse on and about Gurdjieff and Sufism in the context of contemporary religious and spiritual teachings, particularly in the United States, and highlights some of the adaptive, boundary-crossing, and hybrid features that have led to the continuing influence of Sufism.

This book explores the religious foundations, political and social significance, and aesthetic aspects of the theatre created by the leaders of the Occult Revival. Lingan shows how theatre contributed to the fragmentation of Western religious culture and how contemporary theatre plays a part in the development of alternative, occult religions.

The late Victorian period witnessed the remarkable revival of magical practice and belief. Butler examines the individuals, institutions and literature associated with this revival and demonstrates how Victorian occultism provided an alternative to the tightening camps of science and religion in a social environment that nurtured magical beliefs.