Divination, the use of special talents and techniques to gain divine knowledge, was practiced in many different forms in ancient Israel and throughout the ancient world. The Hebrew Bible reveals a variety of traditions of women associated with divination. This sensitive and incisive book by respected scholar Esther J. Hamori examines the wide scope of women's divinatory activities as portrayed in the Hebrew texts, offering readers a new appreciation of the surprising breadth of women's "arts of knowledge" in biblical times. Unlike earlier approaches to the subject that have viewed prophecy separately from other forms of divination, Hamori's study encompasses the full range of divinatory practices and the personages who performed them, from the female prophets and the medium of En-dor to the matriarch who interprets a birth omen and the "wise women" of Tekoa and Abel and more. In doing so, the author brings into clearer focus the complex, rich, and diverse world of ancient Israelite divination.

The Ouija board jury incident of 1994 is one of the most disconcerting in English legal history, possibly (says the author) 'the nadir of reported juror misbehaviour in the 20th-century'. But, as Professor Jeremy Gans shows, in an era of soundbites it has been distorted by the media whilst even eminent lawyers have sometimes got the story wrong. In this first full-length treatment he emphasises the known facts, the constitutional dilemma of investigating even bizarre jury misbehaviour and how the trial involved one of the most serious murder cases of the decade in which two people were shot in cold blood. Stephen Young's conviction after a re-trial is still claimed to be a miscarriage of justice by some people, as to which Gans puts forward his own ingenious solution. But quite apart from analysing the facts of R v Young, this book is a tour de force on jury misbehaviour in which the author also examines the implications for example of winks and nods, research by jurors, speaking or listening out of turn, going to sleep during the hearing or falling in love with one of the advocates. Amusing at first sight, such events involve deep questions of law, practice and democratic involvement in the Criminal Justice process. Far from being a mere anecdote, the case of the Ouija board jurors, the misconceptions about it and the issues it leads to deserve close study by anyone who is even remotely interested in jury trial. The first full length treatment of an iconic case. Dispels the myths that have built-up around it. Looks at other instances of jury misbehaviour. Shows how the courts and Parliament have wrestled with problems of this kind. A first-rate analysis of a baffling double murder.

Magic is usually defined as a non-modern phenomenon, contrasted with modern rationalism and science. However, the idea of magic has remained persistent in scholarly discourse throughout history from the Middle Ages to the Enlightenment and beyond. This volume explores how the notion of magic is articulated and theorised in the writing of history. Departing from writing "about" magic in history, this volume addresses magic as it relates to the trajectories of intellectual history as a whole, with particular reference to a diverse series of case studies in thought about magic. The author also engages with the history and philosophy of science; operating within this framework, the author argues that magic has always been figured as "medieval" in the formulation of the discourses of modernity, and that thinking or writing about magic has engendered multiple epistemological crises. Through these controversies, the idea of magic and the occult has profoundly unsettled the understanding of history in Western culture. The resulting study is an investigation of the implications of magic (and the study of magic) for intellectual history.

The devil is the most charismatic and important figure in the blues tradition. He's not just the music's namesake (""the devil's music""), but a shadowy presence who haunts an imagined Mississippi crossroads where, it is claimed, Delta bluesman Robert Johnson traded away his soul in exchange for extraordinary prowess on the guitar. Yet, as scholar and musician Adam Gussow argues, there is much more to the story of the devil and the blues than these cliched understandings. In this groundbreaking study, Gussow takes the full measure of the devil's presence. Working from original transcriptions of more than 125 recordings released during the past ninety years, Gussow explores the varied uses to which black southern blues people have put this trouble-sowing, love-wrecking, but also empowering figure. The book culminates with a bold reinterpretation of Johnson's music and a provocative investigation of the way in which the citizens of Clarksdale, Mississippi, managed to rebrand a commercial hub as ""the crossroads"" in 1999, claiming Johnson and the devil as their own.