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Books > Humanities > Religion & beliefs > Alternative belief systems > Occult studies
The Complete Grimoire is a magickal beginner's guide to witchcraft practices and knowledge, written by Lidia Pradas, the creator of the beloved Instagram handle Wiccan Tips. A grimoire is a witch's handbook filled with all the magickal information, rituals, and practices that a witch uses during their lifetime-a key tool of their craft. Elegantly designed, featuring a gold foil-embossed cover and beautiful illustrations, and written in Wiccan Tips' trademark concise and practical style, The Complete Grimoire presents the key pillars of witchcraft, including: Procuring the proper tools and setting up an altar Harnessing your spells and magick Sabbats and the Wheel of the Year How to safely work with deities and spirits You'll also learn fundamental spells and rituals, such as casting a circle, creating a sigil, and making moon water. Lidia is a reassuring and trusted guide on your witchcraft journey, addressing key questions and debunking common misconceptions. The Complete Grimoire is an informative, accurate resource the newly initiated and experienced witch alike can use in their daily craft.
The Kabbalah is an esoteric Jewish doctrine adapted by author S.L. MacGregor Mathers to form the Hermetic order of the Golden Dawn, an occult organisation. This volume includes three of the critical books from the Zohar, the fundamental work in Kabbalah, as well as Mathers' introduction explaining the key elements of Jewish mysticism. Mathers' translation from Hebrew originally appeared in 1926, and it continues to be a valuable resource for students interested in Religious Studies, particularly Mysticism and the Occult.
First published in 2002. The power of magical names, spells, and talismans was of utmost importance to the ancient Egyptians and their religion. Here, in another classic by the foremost Egyptian scholar of the Victorian era, E. A. Wallis Budge describes and explains the magical practices in Egypt, many of which predate the belief in gods and goddesses. Illustrated with twenty line drawings, this volume is one more key needed to unlock the secrets of this great ancient civilization.
Academics tend to look on 'esoteric', 'occult' or 'magical' beliefs with contempt, but are usually ignorant about the religious and philosophical traditions to which these terms refer, or their relevance to intellectual history. Wouter Hanegraaff tells the neglected story of how intellectuals since the Renaissance have tried to come to terms with a cluster of 'pagan' ideas from late antiquity that challenged the foundations of biblical religion and Greek rationality. Expelled from the academy on the basis of Protestant and Enlightenment polemics, these traditions have come to be perceived as the Other by which academics define their identity to the present day. Hanegraaff grounds his discussion in a meticulous study of primary and secondary sources, taking the reader on an exciting intellectual voyage from the fifteenth century to the present day and asking what implications the forgotten history of exclusion has for established textbook narratives of religion, philosophy and science.
First published in 1986. Independent Spirits is about the intellectual world of the humbly-born in late nineteenth- and early twentieth-century Britain, focussing on plebeian, or working- and lower middle-class spiritualists. This book is an important study which throws light on the idealism and search for knowledge that were so central in plebeian circles and in certain, very important parts of the labour movement during the nineteenth and early twentieth centuries. This title will be of interest to students of history.
Though it is clearly an exceptionally important part of popular culture, witchcraft has generated a variety of often contradictory interpretations, starting from widely differing premises about the nature of witchcraft, its social role and the importance of higher theology as well as more popular beliefs. This work offers a conspectus of historical work on witchcraft in Europe, and shows how many trends converged to form the figure of the witch, and varied from one part of Europe to another.
This Element argues that Ireland did not experience a disenchanted modernity, nor a decline in magic. It suggests that beliefs, practices and traditions concerning witchcraft and magic developed and adapted to modernity to retain cultural currency until the end of the twentieth century. This analysis provides the backdrop for the first systematic exploration of how historic Irish trials of witches and cunning-folk were represented by historians, antiquarians, journalists, dramatists, poets, and novelists in Ireland between the late eighteenth and late twentieth century. It is demonstrated that this work created an accepted narrative of Irish witchcraft and magic which glossed over, ignored, or obscured the depth of belief in witchcraft, both in the past and in contemporary society. Collectively, their work gendered Irish witchcraft, created a myth of a disenchanted, modern Ireland, and reinforced competing views of Irishness and Irish identity. These long-held stereotypes were only challenged in the late twentieth-century.
The Kabbalah is an esoteric Jewish doctrine adapted by author S.L. MacGregor Mathers to form the Hermetic order of the Golden Dawn, an occult organisation. This volume includes three of the critical books from the Zohar, the fundamental work in Kabbalah, as well as Mathers' introduction explaining the key elements of Jewish mysticism. Mathers' translation from Hebrew originally appeared in 1926, and it continues to be a valuable resource for students interested in Religious Studies, particularly Mysticism and the Occult.
Attain wealth, prosperity, and abundance with The Witches' Wealth Spell Book Add a little bit of magic to your daily life with this pocket-sized guide for spell casters of all levels. With spells and incantations for wealth, success, prosperity, and more, this charming collection is perfect for anyone with a penchant for the magical.
Not every lie sounds untrue. Some lies are repeated so often they seem to be common sense. That's why lies about God are so dangerous. The Gospel According to Satan examines eight lies the enemy wants us to believe and provides eight lines of counterattack against them. The lies include: God just wants you to be happy; you only live once you need to live your truth; and just let go and let God. Jared C. Wilson reveals why these lies appeal to us, shows how they harm us, and provides ways to counteract them. We can renounce Satan's counterfeit gospel, but first we must see it for what it is.
Kentucky has a rich legacy of ghostly visitations. Lynwood Montell has harvested dozens of tales of haunted houses and family ghosts from all over the Bluegrass state. Many of the stories were collected from elders by young people and are recounted exactly as they were gathered. Haunted Houses and Family Ghosts of Kentucky includes chilling tales such as that of the Tan Man of Pike County, who trudges invisibly through a house accompanied by the smell of roses, and the famed Gray Lady of Liberty Hall in Frankfort, a houseguest who never left. Montell tells the story of a stormy night, shortly before Henry Clay's death, when the ghost of the statesman's old friend Daniel Boone calls upon him, and then recounts the more modern story of the ghouls that haunt the rehearsal house of the band The Kentucky Headhunters. Included are accounts of haunted libraries, mansions, bedrooms, log cabins, bathrooms, college campuses, apartments, furniture, hotels, and distilleries, as well as reports of eerie visitations from ghostly grandmothers, husbands, daughters, uncles, cousins, babies, slaves, Civil War soldiers, dogs, sheep, and even wildcats. Almost all of Kentucky's 120 counties are represented. Though the book emphasizes the stories themselves, Montell offers an introduction discussing how local history, local character, and local flavor are communicated across the generations in these colorful stories.
No industry has been as influential at shaping the popular notion of what it means to be a witch quite as much as Hollywood. This book traces the fascinating history of witchcraft and witches in American film and television. From Joan the Woman and The Wizard of Oz to Carrie and Charmed, author and film scholar Heather Greene explores how these films helped influence the public image of the witch and profoundly influenced how women negotiate their power in a patriarchal society. Lights, Camera, Witchcraft uncovers fascinating insights into the intersection of entertainment, critical theory, gender studies, and spirituality.
A history of the role that the occult has played in the formation of modern science and medicine, The Rosicrucian Enlightenment has had a tremendous impact on our understanding of the western esoteric tradition. Beautifully illustrated, it remains one of those rare works of scholarship which the general reader simply cannot afford to ignore.
A fifteen-year-old girl who claimed regular communications with the spirits of her dead friends and relatives was the subject of the very first published work by the now legendary psychoanalyst C.G. Jung. Collected here, alongside many of his later writings on such subjects as life after death, telepathy and ghosts, it was to mark just the start of a professional and personal interest-even obsession-that was to last throughout Jung's lifetime. Written by one of the greatest and most controversial thinkers of the twentieth century, Psychology and the Occult represents a fascinating trawl through both the dark, unknown world of the occult and the equally murky depths of the human psyche. Carl Gustav Jung (1875-1961). Founded the analytical school of psychology and developed a radical new theory of the unconscious that has made him one of the most familiar names in twentieth-century thought.
Increasingly, contemporary scholarship reveals the strong connection between Victorian women and the world of the nineteenth-century supernatural. Women were intrinsically bound to the occult and the esoteric from mediums who materialised spirits to the epiphanic experiences of the New Woman, from theosophy to telepathy. This volume addresses the various ways in which Victorian women expressed themselves and were constructed by the occult through a broad range of texts. By examining the roles of women as automatic writing mediums, spiritualists, authors, editors, theosophists, socialists and how they interpreted the occult in their life and work, the contributors in this edition return to sensation novels, ghost stories, autobiographies, seances and fashionable magazines to access the visible and invisible worlds of Victorian life. The variety of texts analysed by the authors in this collection demonstrates the many interpretations of the occult in nineteenth-century culture and the ways that women used supernatural imagery and language to draw attention to issues that bore immediate implications on their own lives. Either by catering for the fad of ghost stories or by giving public trance speeches women harnessed the metaphorical and financial forces of the supernatural. As the articles in this book demonstrate the occult was after all a female affair. This book was published as a special issue of Women's Writing.
The fourth edition of The Witch-Hunt in Early Modern Europe, written by one of the leading names in the field, is the ideal resource for both students and scholars of the witch-hunts.For those starting out in their studies of witch-beliefs and witchcraft trials, Brian Levack provides a concise survey of this complex and fascinating topic, while for more seasoned scholars the scholarship is brought right up to date. The Witchcraft Sourcebook, now in its second edition, is a fascinating collection of documents illustrating the development of ideas about witchcraft from ancient times to the eighteenth century along with commentary and background by Brian Levack. Including trial records, demonological treatises and sermons, literary texts, narratives of demonic possession and artistic depiction of witches, the documents show how notions of witchcraft have changed over time, and consider the connection between gender and witchcraft and the nature of the witch's perceived power. Available to purchase as a bundle, together these two books make the perfect collection for students and lecturers of witchcraft and witch-hunts in the early modern period.
This book will interest clinicians who have wondered what professional practice would be like in the corporate setting and want to learn more about the psychological and organizational dynamics that 'drive' executive behavior. Based on the premise that leadership effectiveness is a function of both leader productivity and health, this book reviews the latest information and research data and offers case studies to illustrate specific strategies for maximizing executive health. Len Sperry has been consulting to executives and organizations for 30 years and has written numerous articles and several books on executives and workplace dynamics.
Dylan Thomas, Aleister Crowley and Victor Neuburg caught in a surrealist web. What if the Beast returned and you were not sure if he were the best or worst thing that had ever happened to you? Sybarite among the Shadows finds Victor Neuburg on 11 June 1936 with the poet he discovered, Dylan Thomas. They embark on a quest whose object is Neuburg's old master, the Great Beast 666; settings, the Surrealist Exhibition, and pubs and clubs of bohemian London; characters, Augustus John, Nina Hamnett and Tom Driberg. Neuburg confronts his demons; Crowley does too. They also meet something far more menacing: MI5's plot to avert the Abdication. Sybarite among the Shadows grew out of the 1977 International Times short story subsequently published in America and Russia. Since writing the original story while living on Ibiza, Richard McNeff has worked internationally in education and the art world. Early contact with connections of the Beast sparked his interest in Crowley.
Witchcraft: The Basics is an accessible and engaging introduction to the scholarly study of witchcraft, exploring the phenomenon of witchcraft from its earliest definitions in the Middle Ages through to its resonances in the modern world. Through the use of two case studies, this book delves into the emergence of the witch as a harmful figure within western thought and traces the representation of witchcraft throughout history, analysing the roles of culture, religion, politics, gender and more in the evolution and enduring role of witchcraft. Key topics discussed within the book include: The role of language in creating and shaping the concept of witchcraft The laws and treatises written against witchcraft The representation of witchcraft in early modern literature The representation of witchcraft in recent literature, TV and film Scholarly approaches to witchcraft through time The relationship between witchcraft and paganism With an extensive further reading list, summaries and questions to consider at the end of each chapter, Witchcraft: The Basics is an ideal introduction for anyone wishing to learn more about this controversial issue in human culture, which is still very much alive today.
First published in 1984. Routledge is an imprint of Taylor & Francis, an informa company.
Of interest to interdisciplinary historians as well as those in various other fields, this book presents the first publication of 14 poems ranging from 12 to 3,000 lines. The poems are printed in the chronological order of their composition, from Elizabethan to Augustan times, but nine of them are verse translations of works from earlier periods in the development of alchemy. Each has a textual and historical introduction and explanatory note by the Editor. Renaissance alchemy is acknowledged as an important element in the histories of early modern science and medicine. This book emphasises these poems expression of and shaping influence on religious, social and political values and institutions of their time too and is a useful reference work with much to offer for cultural studies and literary studies as well as science and history.
Spanning from the inauguration of James I in 1603 to the execution of Charles I in 1649, the Stuart court saw the emergence of a full expression of Renaissance culture in Britain. Hart examines the influence of magic on Renaissance art and how in its role as an element of royal propaganda, art was used to represent the power of the monarch and reflect his apparent command over the hidden forces of nature. Court artists sought to represent magic as an expression of the Stuart Kings' divine right, and later of their policy of Absolutism, through masques, sermons, heraldry, gardens, architecture and processions. As such, magic of the kind enshrined in Neoplatonic philosophy and the court art which expressed its cosmology, played their part in the complex causes of the Civil War and the destruction of the Stuart image which followed in its wake.
First published in 1999. Routledge is an imprint of Taylor & Francis, an informa company. |
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