This comprehensive resource explores the intersection of religion, politics, and the supernatural that spawned the notorious witch hunts in Europe and the New World. "Witch Hunts in the Western World: Persecution and Punishment from the Inquisition through the Salem Trials" traces the evolution of western attitudes towards magic, demons, and religious nonconformity from the Roman Empire through the Age of Enlightenment, placing these chilling events into a wider social and historical context. Witch hunts are discussed in eight narrative chapters by region, highlighting the cultural differences of the people who incited them as well as the key reforms, social upheavals, and intellectual debates that shaped European thought. Vivid accounts of trials and excerpts from the writings of both witch hunters and defenders throughout the Holy Roman Empire, France, the British Isles and colonies, Southern Europe, Scandinavia, and Eastern Europe bring to life one of the most intriguing and shocking periods in Western history.

This in-depth and comprehensive resource explores the intersection of religion, politics, and the supernatural that spawned the notorious witch hunts in Europe and the New World. "Witch Hunts in the Western World" traces the evolution of western attitudes towards magic, demons, and religious nonconformity from the Roman Empire through the Age of Enlightenment, placing these chilling events into a wider social and historical context. Witch hunts are discussed in fascinating detail by region, highlighting the cultural differences of the people who incited them as well as the key reforms, social upheavals, and intellectual debates that shaped European thought. Vivid accounts of trials and excerpts from the writings of both witch hunters and defenders throughout the Holy Roman Empire, France, the British Isles and colonies, Southern Europe, Scandinavia, and Eastern Europe bring to life one of the most intriguing and shocking periods in Western history.

Accessible narrative chapters make this a fascinating volume for general readers while offering a wealth of historic information for students and scholars. Features include a complete glossary of terms, timeline of major events, recommended reading selections, index, and black and white illustrations.

DID THE DEVIL MAKE ME DO IT? The Purpose and Premise of this book. The Purpose: The book was not written simply to offer proof of the existence of the Devil, or to just characterize his behavior. It was written to offer a deep and detailed study on his existence, yes, but also on his origin, objectives and role in the affairs of human beings. Further, it was written to lay out the evidence of his involvement and offer biblical strategies to defeat his efforts to destroy the human family. The Premise: if mankind is enlightened enough to acknowledge the Devil's existence, recognize his actions of evil toward them as individuals and mankind in general, defeat him in their daily walk of experience by relying on God's Word and the Holy Spirit, as did Jesus, they can and will live abundant, peaceful and fulfilling lives. The Book explores question such as: Is the Devil real or a myth? Who is the Devil? What are his intentions toward Man? How can humans protect themselves from his attacks? Does human nature play a part in mankind's involvement with evil? What does human nature and evil have in common? Why hasn't the Devil been destroyed? Why do the righteous suffer? How to be blessed in the midst of the Devil? How to overcome both the Devil and self?

A dazzlingly inventive tale of troubled legacies, desire and unsung power, inspired by The Scarlet Letter. Glasgow, 1829: Isobel, a young seamstress, and her husband Edward set sail for New England, in flight from his mounting debts and addictions. But, arriving in Salem, Massachusetts, Edward soon takes off again, and Isobel finds herself penniless and alone. Then she meets Nathaniel, a fledgling writer, and the two are instantly drawn to each other: he is haunted by his ancestors, who sent innocent women to the gallows during the Salem witch trials - while she is an unusually gifted needleworker, troubled by her own strange talents. Nathaniel and Isobel grow ever closer. Together, they are dark storyteller and muse; enchanter and enchanted. But which is which?

Once associated with astrology and occultist prophecy, the art of interpreting personal character based on facial and other physical features dates back to antiquity. About Face tells the intriguing story of how physiognomics became particularly popular during the Enlightenment, no longer as a mere parlor game but as an empirically grounded discipline. The story expands to illuminate an entire tradition within German culture, stretching from Goethe to the rise of Nazism. In About Face, Richard T. Gray explores the dialectical reversal - from the occult to the scientific realm - that entered physiognomic thought in the late eighteenth century, beginning with the positivistic writings of Swiss pastor Johann Caspar Lavater. Originally claimed to promote understanding and love, physiognomics devolved into a system aimed at valorizing a specific set of physical, moral, and emotional traits and stamping everything else as ""deviant."" This development not only reinforced racial, national, and characterological prejudices but also lent such beliefs a presumably scientific grounding. In the period following World War I, physiognomics experienced yet another unprecedented boom in popularity. Gray explains how physiognomics had by then become a highly respected ""super-discipline"" that embraced many prominent strands of German thought: the Romantic philosophy of nature, the ""life philosophy"" propagated by Dilthey and Nietzsche, the cultural pessimism of Schopenhauer, Husserl's method of intuitive observation, Freudian psychoanalysis, and early-twentieth-century eugenics and racial biology. A rich exploration of German culture, About Face offers fresh insight into the intellectual climate that allowed the dangerous thinking of National Socialism to take hold.

“Among all the arts, it is the art of alchemy which most closely imitates nature.� - Albertus Magnus (teacher of St. Thomas Aquinas), ca.1250 Alchemists are notorious for attempting to synthesise gold. Their goals, however, were far more ambitious: to transform and bend nature to the will of an industrious human imagination. For scientists, philosophers, and artists alike, alchemy seemed to hold the key to unlocking the secrets of creation. Alchemists' efforts to discover the way the world is made have had an enduring impact on global artistic practice and expression. Concoctions produced in the world’s alchemy labs include inks, dyes, and oil paints; cements and ceramic glazing; dazzling effects in metalwork and glass - and the modern media which now claim boasting rights as the ultimate chemical mirrors of nature: photography and the liquid crystal displays of the digital world. Alchemy may well be the most important human invention after the harnessing of fire. It was certainly a direct result, with consequences both inspired and dire. The field spurred on advancements in the visual arts and aids to human health. Ancient Chinese alchemists also unleashed the black magic of gunpowder onto the world of warfare. This book is the first to explore how the art of alchemy globally transformed human creative culture from antiquity to the industrial age, and displays the ways its legacy still permeates the world we make today.

The southwest Virginia murder trials of a young schoolteacher named Edith Maxwell made her a cause celebre of the 1930s. No newspaper reader or radio listener could avoid hearing of her case in 1935 or 1936, and few magazines neglected to run at least one story on the case. In the media attention that it received, the Maxwell case rivaled the Scopes monkey trial of the 1920s, and for some it seemed to involve many of the same sociological issues--the conflict between modernism and tradition, between urban and rural values, between the sexes, and between generations. Feminist organizations like the National Women's Party and other women's business and professional organizations rallied to Edith's defense because women were not allowed on criminal juries in Virginia in the 1930s.

Everyone needs freedom. Everyone desires freedom. Everyone deserves freedom. Freedom is not just a passion but a God given right. This book explores the realms of freedom and discusses some of the various types of freedom needed in different facets of human lives and endeavors. It lays hold on the reasons freedom may have been curtailed in certain environments, and how it can be released and restored. Freedom is discussed as a case of deliverance in the realms of the spirit and the natural. Learn how to raise a battle against the enemy in order to obtain emancipation from all manner of satanic terrorism and interferences. You need the gift of freedom. You can be free. This book provides the antidote to your freedom.

'ONE OF MY FAVOURITE STORYTELLERS. THESE TALES LINGERED, MORPHED, CONSUMED ME' KIRAN MILLWOOD HARGRAVE What will the end of the world look like? Will it be an old man slowly turned to gold, flowers raining from the sky, or a hole cut through the wire fencing that keeps the monsters out? Is it someone you love wearing your face, or a good old fashioned inter-dimensional summoning? Does it sound like a howl outside the window, or does it look like coming home? This startling and irresistibly witty collection from the phenomenally talented Moïra Fowley is an exploration of all our darkest impulses and deepest fears.