Pikor anaylzes the land of Israel in the book of Ezekiel showing how its preoccupation with the Babylonian exile and the loss of the Promised Land that this entails is directly linked to the danger this poses to Israel's covenant with God. Pikor examines the motif of land in its literary and historical contexts and in relation to the oracles of salvation in chapters 34-39 as well as the vision of the new Israel and the return of Yahweh's Glory to the temple. Pikor begins by examining the motif of land in its literary and historical contexts. The main body of the book then addresses specific sections of Ezekiel. Chapter two analyzes the oracles of punishment addressed to Israel, in which the land undergoes a process of anthropomorphization. Chapter three situates the punishment experienced by Ezekiel and his listeners in a broader historical context suggested by the prophet in Ezekiel 20. Chapter four analyses the oracles of salvation in Ezekiel 34-39, in which the restoration of the land of Israel remains intertwined with the promise of the new covenant. Finally, chapter five addresses the closing vision of the new Israel (Ezekiel 40-48), which is characterized by the territorial dimension of the future restoration. This feature is shown via analysis of the rhetoric of the land, the crucial element of which is the return of Yahweh's Glory to the temple. God's presence adds sacral value to the land in which his covenant with his people is to be realized. The covenant will be finalized through Israel's repopulation of the renewed land.

In this unique volume, father-and-son team Walter and John Brueggemann take a close look at our fractured American society and suggest ways for improvement. Using six themes identified by some scholars as the moral foundations of societycare, fairness, liberty, loyalty, authority, and sanctitythey examine the unsustainable patterns of our contemporary society and reveal how those patterns played out in the ancient world of the Old Testament. Brueggemann and Brueggemann demonstrate how comparing the current state of these moral foundations with what God wanted them to be can help us better respond to the challenges of today. They assert that achieving any significant change will require the work of all of us and will be grounded in a vision of neighborliness. Rebuilding the Foundations will inspire readers to reorient toward a better way of living, both for themselves and for all living things.

Stephanie Day Powell illuminates the myriad forms of persuasion, inducement, discontent, and heartbreak experienced by readers of Ruth. Writing from a lesbian perspective, Powell draws upon biblical scholarship, contemporary film and literature, narrative studies, feminist and queer theories, trauma studies and psychoanalytic theory to trace the workings of desire that produced the book of Ruth and shaped its history of reception. Wrestling with the arguments for and against reading Ruth as a love story between women, Powell gleans new insights into the ancient world in which Ruth was written. Ruth is known as a tale of two courageous women, the Moabite Ruth and her Israelite mother-in-law Naomi. As widows with scarce means of financial or social support, Ruth and Naomi are forced to creatively subvert the economic and legal systems of their day in order to survive. Through exceptional acts of loyalty, they, along with their kinsman Boaz, re-establish the bonds of family and community, while preserving the line of Israel's great king David. Yet for many, the story of Ruth is deeply dissatisfying. Scholars increasingly recognize how Ruth's textual "gaps" and ambiguities render conventional interpretations of the book's meaning and purpose uncertain. Feminist and queer interpreters question the appropriation of a woman's story to uphold patriarchal institutions and heteronormative values. Such avenues of inquiry lend themselves to questions of narrative desire, that is, the study of how stories frame our desires and how our own complex longings affect the way we read.

Roy L. Heller looks at the prophets Elijah and Elisha in the books of Kings charting a two-fold characterization that portrays these prophetic figures in both positive and negative lights. In the narratives of Kings Elijah and Elisha often parallel other prophetic figures from Israel's history: they perform miraculous signs, they speak in the name of God, and they pronounce judgments upon the nation of Israel for its idolatrous worship. There are, however, other stories which have troubled readers and scholars alike: Elijah's cowardly running from the threats of Jezebel, his self-pitying complaint to God that he was the only true Israelite left, and Elisha's cursing a group of little boys who, in turn, are slaughtered by two female bears. Scholars have traditionally ignored or belittled the negative stories of the prophets, seeing them as either late additions to the biblical text or as minor, unimportant stories that can easily be dismissed. Heller, however, argues that the dual characterization of Elijah and Elisha reflects an ambivalent attitude that the narrator of Kings has toward prophecy as a whole, an attitude that is reflected in the book of Deuteronomy itself. This forces readers of the biblical text to pose the question; "how may Israel best know and follow God?" The stories of Elijah and Elisha make the answer clear: the words and lives of the prophets are a possible way for God to reveal how Israel is to live, but those words and lives must always be considered with a degree of suspicion and must always be evaluated in light of the clear and straightforward teaching of Deuteronomy.

This volume examines the stories of Genesis in music, showing how musical settings can illuminate many of the Bible's most noted tales. Helen Leneman studies oratorios, operas and songs (as well as their librettos) to shed light on how Genesis has been understood and experienced over time. Examining an extensive range of musical settings of stories from the book of Genesis, Leneman offers an overview of chiefly 19th and 20th century musical engagements with this biblical text. Leneman first discusses how Eve's inner thoughts are explored by noted French composers Jules Massenet and Gabriel Faure. The text then enters the deep waters of Noah's flood in examination of several compositions, including two unusual settings by Igor Stravinsky and Benjamin Britten, as well as more conventional settings by Saint-Saens and Donizetti. Two major 19th century oratorio settings of Abraham's story by lesserknown German composers Martin Blumner and Karl Mangold provide fascinating illuminations of the Abraham narratives, whereas parts of Rebecca's story are found in works by Cesar Franck, Ferdinand Hiller, and most unusually, by a French woman composer, Celanie Carissan. Finally, Leneman shows how Joseph's story was set in numerous oratorios (including by Handel) but that one of the most important works based on his story is an opera by 18th century French composer Etienne Mehul. In addition to discussing these larger 19th century works, Leneman also examines several interesting atonal 20th century works based on the stories of Eve and the Flood, shedding new light on the history of the interpretation of the Book of Genesis.

The Honey of Souls is the first full-length study of the Explanation of the Psalms by Cassiodorus. While the Explanation became a seminal document for the monastic movement in the West and was eagerly read and widely quoted for centuries, it has languished in relative obscurity in the modern period. Derek Olsen explores Cassiodorus and his strategies for reading as a window into a spirituality of the psalms that defined early Western biblical interpretation.

An introduction to the Old Testament prophetic book of Zechariah is followed by a verse-by-verse commentary on the text.

In this engaging book, Graeme Goldsworthy reflects with clarity and practical insight on reading and using the Old Testament. By showing us how Jesus is central to the Old Testament's message, he encourages us to reinstate it as essential and transformative to our lives, churches and mission in today's world. The author asks important questions: Where is Jesus in the whole biblical storyline? How does the kingdom of God relate to him? In what way is he central to the divine revelation? This is a must-read for those who wish to transform their biblical understanding.

This study focuses on the Chronicler's special interest in Levite singers. It takes into consideration the socio-ideological milieu of the Jerusalem temple community in the Persian period and the Mesopotamian elite professional norms and practices that nourished the singers and their music. It also explores the conception of the earthly temple as representative of its heavenly counterpart, and looks at the way in which this shaped the Chronicler's theological frame of reference. The work is divided into two parts. Part I examines the Mesopotamian scribal-musical background, to which Ko attributes the rise of music in Chronicles. Part II considers the Chronicler's ideological perspective, the language of the temple and the educational, scribal, and liturgical services of Levite singers. By focusing on the characterisation of the Levite singers in the light of their Mesopotamian counterparts, Ko shows how they sought to foster cosmic stability according to the terms of the Davidic covenant.

Mayer I. Gruber provides a new commentary on and translation of Hosea. Building upon his work that debunked the myth of sacred prostitution, Gruber now goes on to show that the book of Hosea repeatedly advocates a single standard of marital fidelity for men and women and teaches cheated women to fight back. Gruber employs the latest and most precise findings of lexicography and poetics to solve the difficulties of the text and to determine both how Hosea can be read and what this means. The translation differs from classical and recent renderings in eliminating forms and expressions, which are neither modern English nor ancient Hebrew. Referring to places, events, and material reality of the 9th and 8th centuries BCE, Gruber uncovers the abiding messages of the heretofore obscure book of Hosea. As in previous studies, Gruber employs the insights of behavioral sciences to uncover forgotten meanings of numerous allusions, idioms, similes, and metaphors. Judicious use is made also of textual history, reception history, and personal voice criticism. One of the least biblical books now speaks more clearly to present and future audiences than it did to many previous audiences.

The chapters in this volume clarify crucial aspects of Torah by exploring its relationship to sedaqa (righteousness). Observing the Torah is often considered to be the main identity-marker of Israel in the post-exilic period. However, sedaqa is also widely used as a force of group cohesion and as a resource for ethics without references to torah. The contributors to this volume explore these crucial themes for the post-exilic period, and show how they are related in the key texts that feature them. Though torah and sedaqa can have some aspects in common, especially when they are amended by aspects of creation, both terms are rarely linked to each other explicitly in the Old Testament, and if so, different relations are expressed. These are examined in this book. The opening of the book of Isaiah is shown to integrate torah-learning into a life of righteousness (sedaqa). In Deuteronomy sedaqa is shown to refer to torah-dictacticism, and in the books of Ezra and Nehemiah torah can be understood as symbol of sedaqa meaning the disposition of each individual to accept torah as prescriptive law. However, the chapters also show that these relationships are not exclusive and that sedaqa is not always linked to torah, for in late texts of Isaiah sedaqa is not realized by torah-observance, but by observing the Sabbath.

Through these fascinating Old Testament books, Ezra and Nehemiah you will discover a God who is in control of history and the hearts of his people. It is a real encouragement to be reminded how Yahweh can even work through the lives of secular leaders, just as he did with the Persian Kings, Cyrus and Artaxerxes.

David Janzen argues that the Book of Chronicles is a document with a political message as well as a theological one and moreover, that the book's politics explain its theology. The author of Chronicles was part of a 4th century B.C.E. group within the post-exilic Judean community that hoped to see the Davidides restored to power, and he or she composed this work to promote a restoration of this house to the position of a client monarchy within the Persian Empire. Once this is understood as the political motivation for the work's composition, the reasons behind the Chronicler's particular alterations to source material and emphasis of certain issues becomes clear. The doctrine of immediate retribution, the role of 'all Israel' at important junctures in Judah's past, the promotion of Levitical status and authority, the virtual joint reign of David and Solomon, and the decision to begin the narrative with Saul's death can all be explained as ways in which the Chronicler tries to assure the 4th century assembly that a change in local government to Davidic client rule would benefit them. It is not necessary to argue that Chronicles is either pro-Davidic or pro-Levitical; it is both, and the attention Chronicles pays to the Levites is done in the service of winning over a group within the temple personnel to the pro-Davidic cause, just as many of its other features were designed to appeal to other interest groups within the assembly.

Violence disturbs. And violent depictions, when encountered in the biblical texts, are all the more disconcerting. Isaiah 63:1-6 is an illustrative instance. The prophetic text presents the "Arriving One" in gory details ('trampling down people'; 'pouring out their lifeblood' v.6). Further, the introductory note that the Arriving One is "coming from Edom" (cf. v.1) may suggest Israel's unrelenting animosity towards Edom. These two themes: the "gory depiction" and "coming from Edom" are addressed in this book. Irudayaraj uses a social identity reading to show how Edom is consistently pictured as Israel's proximate and yet 'other'-ed entity. Approaching Edom as such thus helps situate the animosity within a larger prophetic vision of identity construction in the postexilic Third Isaian context. By adopting an iconographic reading of Isaiah 63:1-6, Irudayaraj shows how the prophetic portrayal of the 'Arriving One' in descriptions where it is clear that the 'Arriving One' is a marginalised identity correlates with the experiences of the "stooped" exiles (cf 51:14). He also demonstrates that the text leaves behind emphatic affirmations ('mighty' and 'splendidly robed' cf. v.1; "alone" cf. v.3), by which the relegated voice of the divine reasserts itself. It is in this divine reassertion that the hope of the Isaian community's reclamation of its own identity rests.

In this book Barbara Green demonstrates how David is shown and can be read as emerging from a young naive, whose early successes grow into a tendency for actions of contempt and arrogance, of blindness and even cruelty, particularly in matters of cult. However, Green also shows that over time David moves closer to the demeanor and actions of wise compassion, more closely aligned with God. Leaving aside questions of historicity as basically undecidable Green's focus in her approach to the material is on contemporary literature. Green reads the David story in order, applying seven specific tools which she names, describes and exemplifies as she interprets the text. She also uses relevant hermeneutical theory, specifically a bridge between general hermeneutics and the specific challenges of the individual (and socially located) reader. As a result, Green argues that characters in the David narrative can proffer occasions for insight, wisdom, and compassion. Acknowledging the unlikelihood that characters like David and his peers, steeped in patriarchy and power, can be shown to learn and extend wise compassion, Green is careful to make explicit her reading strategies and offer space for dialogue and disagreement.