Reimagining Hagar illustrates that while interpretations of Hagar as Black are not frequent within the entire history of her interpretation, such interpretations are part of strategies to emphasize elements of Hagar's story in order to associate or disassociate her from particular groups. It considers how interpreters engage markers of difference, including gender, ethnicity, status and their intersections in their portrayals of Hagar. Nyasha Junior offers a reception history that examines interpretations of Hagar with a focus on interpretations of Hagar as a Black woman. Reception history within biblical studies considers the use, impact, and influence of biblical texts and looks at a necessarily small number of points within the long history of the transmission of biblical texts. This volume covers a limited selection of interpretations over time that is not intended to be a representative sample of interpretations of Hagar. It is beyond the scope of this book to offer a comprehensive collection of interpretations of Hagar throughout the history of biblical interpretation or in popular culture. Junior argues for the African presence in biblical texts; identifies and responds to White supremacist interpretations; offers cultural-historical interpretation that attends to the history of biblical interpretation within Black communities; and provides ideological criticism that uses the African-American context as a reading strategy. Reimagining Hagar offers a history of interpretation, but also expands beyond interpretation among Black communities to consider how various interpreters have identified Hagar as Black.

Notions of women as found in the Bible have had an incalculable impact on western cultures, influencing perspectives on marriage, kinship, legal practice, political status, and general attitudes. Women and Exilic Identity in the Hebrew Bible is drawn from three separate strands to address and analyse this phenomenon. The first examines how women were conceptualized and represented during the exilic period. The second focuses on methodological possibilities and drawbacks connected to investigating women and exile. The third reviews current prominent literature on the topic, with responses from authors. With chapters from a range of contributors, topics move from an analysis of Ruth as a woman returning to her homeland, and issues concerning the foreign presence who brings foreign family members into the midst of a community, and how this is dealt with, through the intermarriage crisis portrayed in Ezra 9-10, to an analysis of Judean constructions of gender in the exilic and early post-exilic periods. The contributions show an exciting range of the best scholarship on women and foreign identities, with important consequences for how the foreign/known is perceived, and what that has meant for women through the centuries.

In Esther in Diaspora, Tsaurayi Kudakwashe Mapfeka presents a new approach to the book of Esther in the Hebrew Bible. He argues that, whereas previous interpretations have emphasised an association with the Jewish festival of Purim, a theory-nuanced concept of diaspora offers the key for reading Esther. Alongside the relatively new approach of Diaspora Studies, the author makes use of the more traditional analogical reasoning, seeing parallels between the community behind Esther and the Zimbabwean diaspora community in the United Kingdom, of which he is a member. The two-fold methodological application results in an innovative and stimulating reading of the book. Overall, the book reflects a deep awareness not only of issues surrounding Esther but of the broader fields of the study of the Bible and of the ancient Near East.

The Psalms' insights are remarkable, unexpected, eye-opening. They have vital things to say to us if we listen intently to the ancient wisdom, much of which has been lost to modern ears. Using the insights of the "shape and shaping of the Psalms" work done by Psalms scholars over the past twenty-five years, James Chatham presents an inviting study for nonexperts to explore the interactions that various psalms have with one another. The book invites us to listen in on several psalm conversations, to realize how contemporary they are, and to join them. Chatham encourages us to immerse ourselves in the mind, heart, and world of the Psalms editor, to get to know those editors well, and to realize that their world was, in important ways, very much like ours. Through this process, the messages spoken by the Psalms editors emerge with words of faith about everyday issues in human living, both then and now.

This study of the book of Daniel examines the ideology of divine and human rule in Daniel's historical resumes or reviews found in chaps 2, 7, 8, 9, 10-12. It seeks to uncover the concerns that motivate the resumes and the strategies the resumes use to resolve cognitive and experiential dissonance. Willis argues that the source of dissonance in Daniel stems not from failed prophecies (as has been commonly argued), nor do the visions function as symbolic theodicies to address a contradiction between divine power and divine goodness in the face evil. The study proposes, instead, that the historical resumes address profound contradictions concerning divine power and presence in the face of Hellenistic/Seleucid rule. These contradictions reach a crisis point in Daniel 8's depiction of the desecration of the temple (typically Daniel 8 is seen as a poor replica of the triumphant vision of divine power found in Daniel 7). This crisis of divine absence is addressed both within the vision of chap 8 itself and then in the following visions of chaps 9, and 10-12, through the use of narrative (both mythological narrative and historical narrative).

While recent Old Testament scholarship has seen a steady rise in the prominence of narrative approaches to the text, little such work has been done on the book of Joshua. This book offers a narrative treatment of the conquest accounts, with specific attention given to the characterization of Joshua. The method employed is eclectic, including poetic analysis, structural study, delimitation criticism, comparative literary analysis, and intertextual reading. Joshua's characterization has received inadequate scholarly attention to date, largely because he is seen as a pale character, a mere stereotype in the biblical history. This two-dimensional reading often leads to the conclusion that Joshua is meant to represent another character in the history. But this approach neglects the many aspects of Joshua's character that are unique, and does not address the text's presentation of his flaws. On the other hand, some scholars have recently suggested that Joshua's character is significantly flawed. This reading is similarly untenable, as those features of Joshua's leadership that it portrays as faulty are in fact condoned, not condemned, by the text itself. Close examination of the conquest narratives suggests that Joshua's character is both complex and reliable. To the degree that Joshua functions as a paradigm in the subsequent histories, this paradigm must be conceived more broadly than it has been in the past. He is not merely a royal, prophetic, or priestly figure, but exercises, and often exemplifies, the many different types of leadership that feature in the former prophets.

The story of Samson and Delilah in Judges 16 has been studied and retold over the centuries by biblical interpreters, artists, musicians, filmmakers and writers. Within these scholarly and cultural retellings, Delilah is frequently fashioned as the quintessential femme fatale - the shamelessly seductive 'fatal woman' whose sexual treachery ultimately leads to Samson's downfall. Yet these ubiquitous portrayals of Delilah as femme fatale tend to eclipse the many other viable readings of her character that lie, underexplored, within the ambiguity-laden narrative of Judges 16 - interpretations that offer alternative and more sympathetic portrayals of her biblical persona. In Reimagining Delilah's Afterlives as Femme Fatale, Caroline Blyth guides readers through an in-depth exploration of Delilah's afterlives as femme fatale in both biblical interpretation and popular culture, tracing the social and historical factors that may have inspired them. She then considers alternative afterlives for Delilah's character, using as inspiration both the Judges 16 narrative and a number of cultural texts which deconstruct traditional understandings of the femme fatale, thereby inviting readers to view this iconic biblical character in new and fascinating lights.

Recognizing that human experience is very much influenced by inhabiting bodies, the past decade has seen a surge in studies about representation of bodies in religious experience and human imaginations regarding the Divine. The understanding of embodiment as central to human experience has made a big impact within religious studies particularly in contemporary Christian theology, feminist, cultural and ideological criticism and anthropological approaches to the Hebrew Bible. Within the sub-field of theology of the Hebrew Bible, the conversation is still dominated by assumptions that the God of the Hebrew Bible does not have a body and that embodiment of the divine is a new concept introduced outside of the Hebrew Bible. To a great extent, the insights regarding how body discourse can communicate information have not yet been incorporated into theological studies.

The relationship of the biblical tradition to golden calf worship seems to be entirely negative. In the Torah and the Book of Kings, harsh criticism is wielded against the golden calf the Israelites made in the wilderness (Exod 32; Deut 9:7-10:11) and the calves erected by Jeroboam ben Nebat (1 Kgs 12:26-33) at Dan and Bethel during his reign over the Northern Kingdom of Israel. Hence, the question arises as to whether Jeroboam in truth set up the golden calves in order to buck the postulates of the Israelite religion of his time; that is, was Jeroboam's golden calf really meant to lure Israel into worship of other gods or idolatry? The research into the background and factors which motivated negative attitudes towards the Golden Calf will provide an insight as to when prohibition of images in the Israelite religion became crystallized and how it was indispensable in proclamation of the monotheism of YHWH.

This monograph on biblical linguistics is a highly specialized, pragmatic investigation of the controversial question of "foregrounding"-the deviation from some norm or convention-in Old Testament narratives. The author presents and examines the two main sources of pragmatic foregrounding: events or states deviating from well-established schemata, structures of reader expectation that can be manipulated by the narrator to highlight specific "chunks" of discourse; and evaluative devices, which are used by the narrator to indicate to the reader the point of the story and direct its interpretation. Cotrozzi critiques the particular evaluative device known as the "historic present", a narrative strategy that employs the present tense to describe past event. He tests two main theories that support this device by using a cross-linguistic model of the historical present drawing upon a variety of languages. Cotrozzi ultimately refutes these theories with a thorough examination and detailed refutation. He concludes with a study of a particular Hebraic verb as a particular marker of represented perception, a technique whereby the character's perceptions are expressed directly from its point of view.

This volume explores multiple dimensions of prophetic texts and their violent rhetoric, providing a rich and engaging discussion of violent images not only in prophetic texts and in ancient Near Eastern art but also in modern film and receptions of prophetic texts. The volume addresses questions that are at once ancient and distressingly-modern: What do violent images do to us? Do they encourage violent behavior and/or provide an alternative to actual violence? How do depictions of violence define boundaries between and within communities? What readers can and should readers make of the disturbing rhetoric of violent prophets? Contributors include Corrine Carvahlo, Cynthia Chapman, Chris Franke, Bob Haak, Mary Mills, Julia O'Brien, Kathleen O'Connor, Carolyn Sharp, Yvonne Sherwood, and Daniel Smith-Christopher.

This volume is interested in what the Old Testament and beyond (Dead Sea Scrolls and Targum) has to say about ethical behaviour through its characters, through its varying portrayals of God and humanity in mutual dialogue and through its authors. It covers a wide range of genres of Old Testament material such as law, prophecy and wisdom. It takes key themes such as friendship and the holy war tradition and it considers key texts. It considers authorial intention in the portrayal of ethical stances. It also links up with wider ethical issues such as the environment and human engagement with the 'dark side' of God. It is a multi-authored volume, but the unifying theme was made clear at the start and contributors have worked to that remit. This has resulted in a wide-ranging and fascinating insight into a neglected area, but one that is starting to receive increased attention in the biblical area.

Traditions at Odds explores the Pentateuch's literary influence on other biblical texts. There exist a number of content discrepancies between pentateuchal and non-pentateuchal texts that treat the same subject. Through a detailed analysis, the author argues that the discrepancies are not alterations of pentateuchal material, as is generally argued, but rather indications of independent traditions. Thus, much of biblical literature was written outside of the Pentateuch's purview. Corroborating evidence is found in literature from the Second Temple Period, which also exhibits a lack of conformity to the Pentateuch. After demonstrating this independence, this study explores its implications on the composition of biblical texts and the process of canonization. Marked by an interdisciplinary approach, the study incorporates recent theoretical developments in literary and ideological criticism, as well as ritual, historiography and textual citation. It not only provides a broader base of study, but serves to address a deficiency in biblical studies: most studies of intertextuality operate with little theoretical grounding, while studies in ritual or historiography are based on models from the late 19th/early 20th centuries.

This study focuses on the Chronicler's special interest in Levite singers. It takes into consideration the socio-ideological milieu of the Jerusalem temple community in the Persian period and the Mesopotamian elite professional norms and practices that nourished the singers and their music. It also explores the conception of the earthly temple as representative of its heavenly counterpart, and looks at the way in which this shaped the Chronicler's theological frame of reference. The work is divided into two parts. Part I examines the Mesopotamian scribal-musical background, to which Ko attributes the rise of music in Chronicles. Part II considers the Chronicler's ideological perspective, the language of the temple and the educational, scribal, and liturgical services of Levite singers. By focusing on the characterisation of the Levite singers in the light of their Mesopotamian counterparts, Ko shows how they sought to foster cosmic stability according to the terms of the Davidic covenant.

Kamrada's study analyses three narratives concerning the greatest heroic figures of the biblical tradition: Jephthah's daughter, Samson and Saul, and includes a consideration of texts about King David. All three characters are portrayed as the greatest and most typical and exemplary heroes of the heroic era. All three heroes have an exceptionally close relationship with the deity all die a traditionally heroic, tragic death. Kamrada argues that within the Book of Judges and the biblical heroic tradition, Jephthah's daughter and Samson represent the pinnacle of female and male heroism respectively, and that they achieve super-human status by offering their lives to the deity, thus entering the sphere of holiness. Saul's trajectory, by contrast, exemplifies downfall of a great hero in his final, irreversible separation from God, and it also signals the decline of the heroic era. David, however, is shown as an astute hero who founds a lasting dynasty, thus conclusively bringing the heroic era in the Deuteronomistic history to a close.

Bere'shit (Genesis 1:1-6:8) and Haftarah (Isaiah 42:5-43:10): The JPS B'nai Mitzvah Torah Commentary shows teens in their own language how Torah addresses the issues in their world. The conversational tone is inviting and dignified, concise and substantial, direct and informative. Each pamphlet includes a general introduction, two model divrei Torah on the weekly Torah portion, and one model davar Torah on the weekly Haftarah portion. Jewish learning-for young people and adults-will never be the same. The complete set of weekly portions is available in Rabbi Jeffrey K. Salkin's book The JPS B'nai Mitzvah Torah Commentary (JPS, 2017).

This book is concerned with ascertaining the value of having two versions of the same monarchic history of Israel within the Hebrew Bible (focusing on the books of Kings and Chronicles). It is furthermore concerned with how the book of Chronicles is read in relation to the book of Kings as Chronicles is so often considered to be a later rewritten text drawing upon an earlier version of the Masoretic Text of Samuel and Kings. The predominant scholarly approach to reading the book of Chronicles is to read it in light of how the Chronicler emended his source texts (additions, omissions, harmonizations). This approach has yielded great success in our understanding of the Chronicler's theology and rhetoric. However, Cook asserts, it has also failed to consider how the book of Chronicles can be read as an autonomous and coherent document. That is, a diachronic approach to reading Chronicles sometimes misses the theological and rhetorical features of the text in its final form. This book shows the great benefit of reading these narratives as autonomous and coherent by using the Solomon narratives as a case study. These narratives are first read individually, and then together, so as to ascertain their uniqueness vis-a-vis one another. Finally, Cook addresses questions related to the concordance of these narratives as well as their purposes within their respective larger literary contexts.

One hundred and fifty years of sustained archaeological investigation has yielded a more complete picture of the ancient Near East. The Old Testament in Archaeology and History combines the most significant of these archaeological findings with those of modern historical and literary analysis of the Bible to recount the history of ancient Israel and its neighboring nations and empires. Eighteen international authorities contribute chapters to this introductory volume. After exploring the history of modern archaeological research in the Near East and the evolution of "biblical archaeology" as a discipline, this textbook follows the Old Testament's general chronological order, covering such key aspects as the exodus from Egypt, Israel's settlement in Canaan, the rise of the monarchy under David and Solomon, the period of the two kingdoms and their encounters with Assyrian power, the kingdoms' ultimate demise, the exile of Judahites to Babylonia, and the Judahites' return to Jerusalem under the Persians along with the advent of "Jewish" identity.Each chapter is tailored for an audience new to the history of ancient Israel in its biblical and ancient Near Eastern setting. The end result is an introduction to ancient Israel combined with and illuminated by more than a century of archaeological research. The volume brings together the strongest results of modern research into the biblical text and narrative with archaeological and historical analysis to create an understanding of ancient Israel as a political and religious entity based on the broadest foundation of evidence. This combination of literary and archaeological data provides new insights into the complex reality experienced by the peoples reflected in the biblical narratives.

David Janzen argues that the Book of Chronicles is a document with a political message as well as a theological one and moreover, that the book's politics explain its theology. The author of Chronicles was part of a 4th century B.C.E. group within the post-exilic Judean community that hoped to see the Davidides restored to power, and he or she composed this work to promote a restoration of this house to the position of a client monarchy within the Persian Empire. Once this is understood as the political motivation for the work's composition, the reasons behind the Chronicler's particular alterations to source material and emphasis of certain issues becomes clear. The doctrine of immediate retribution, the role of 'all Israel' at important junctures in Judah's past, the promotion of Levitical status and authority, the virtual joint reign of David and Solomon, and the decision to begin the narrative with Saul's death can all be explained as ways in which the Chronicler tries to assure the 4th century assembly that a change in local government to Davidic client rule would benefit them. It is not necessary to argue that Chronicles is either pro-Davidic or pro-Levitical; it is both, and the attention Chronicles pays to the Levites is done in the service of winning over a group within the temple personnel to the pro-Davidic cause, just as many of its other features were designed to appeal to other interest groups within the assembly.

The Learning Church series offers a range of brief and accessible introductions to the key themes of Christian discipleship and theology. Conversations with the Old Testament introduces major themes and critical issues of the Old Testament in a way which relates them to current experience, context and culture.

In Metaphors in the Discussion on Suffering in Job 3-31, Hanneke van Loon offers a new approach to the theme of suffering in the book of Job. Her analysis of metaphors demonstrates that Job goes through different stages of existential suffering in chapters 3-14 and that he addresses the social dimension of his suffering in chapters 17 and 19. Van Loon claims that Job's existential suffering ends in 19:25, and that chapters 23-31 reflect a process in which Job translates his own experience into a call upon the audience to adopt a new attitude toward the unfortunate ones in society. The theoretical approach to metaphors is based on insights from cognitive linguistics.

In this book Barbara Green demonstrates how David is shown and can be read as emerging from a young naive, whose early successes grow into a tendency for actions of contempt and arrogance, of blindness and even cruelty, particularly in matters of cult. However, Green also shows that over time David moves closer to the demeanor and actions of wise compassion, more closely aligned with God. Leaving aside questions of historicity as basically undecidable Green's focus in her approach to the material is on contemporary literature. Green reads the David story in order, applying seven specific tools which she names, describes and exemplifies as she interprets the text. She also uses relevant hermeneutical theory, specifically a bridge between general hermeneutics and the specific challenges of the individual (and socially located) reader. As a result, Green argues that characters in the David narrative can proffer occasions for insight, wisdom, and compassion. Acknowledging the unlikelihood that characters like David and his peers, steeped in patriarchy and power, can be shown to learn and extend wise compassion, Green is careful to make explicit her reading strategies and offer space for dialogue and disagreement.