This study centers on the question: how do particular readers read a biblical passage? What factors govern each reading? DeLapp here attempts to set up a test case for observing how both socio-historical and textual factors play a part in how a person reads a biblical text. Using a reception-historical methodology, he surveys five Reformed authors and their readings of the David and Saul story (primarily 1 Sam 24 and 26). From this survey two interrelated phenomena emerge. First, all the authors find in David an ideal model for civic praxis-a "Davidic social imaginary" (Charles Taylor). Second, despite this primary agreement, the authors display two different reading trajectories when discussing David's relationship with Saul. Some read the story as showing a persecuted exile, who refuses to offer active resistance against a tyrannical monarch. Others read the story as exemplifying active defensive resistance against a tyrant. To account for this convergence and divergence in the readings, DeLapp argues for a two-fold conclusion. The authors are influenced both by their socio-historical contexts and by the shape of the biblical text itself. Given a Deuteronomic frame conducive to the social imaginary, the paradigmatic narratives of 1 Sam 24 and 26 offer a narrative gap never resolved. The story never makes explicit to the reader what David is doing in the wilderness in relation to King Saul. As a result, the authors fill in the "gap" in ways that accord with their own socio-historical experiences.

Evangelicals are no strangers to the debate over creation and evolution. Now the battle has spread from the contents of the creation account into Genesis 2-3 and the historicity of Adam and therefore the Fall. What, then, is at stake? Is this merely an ivory-tower debate or can it actually impact the Christian life? The faculty of The Master's College have here come together to contend that the second and third chapters of Genesis are indeed historical, that there are excellent reasons for believing so, and that it is an essential issue within Christian thought and life. The contents of these chapters become the history of how everything in the world came to be what it is today, its reflection in an account in our everyday lives. This Scripture--Chapter 3 especially--explains what we observe in the legal system, literature, gender roles, education, psychology, and science. Therefore the issue of the theology and historicity is not irrelevant, but something critical to our everyday lives. What Happened in the Garden? includes new research, scientific, literary, business, educational, and legal perspectives. This multi-disciplinary approach strengthens the conclusion of the contributors that to change our understanding of the Fall is to change the way we understand reality, and a shift in the Christian worldview and the faith itself.

The Peshitta is the Syriac translation of the Old Testament made on the basis of the Hebrew text during the second century CE. Much like the Greek translations of the Old Testament, this document is an important source for our knowledge of the text of the Old Testament. Its language is also of great interest to linguists. Moreover, as Bible of the Syriac Churches it is used in sermons, commentaries, poetry, prayers, and hymns. Many terms specific to the spirituality of the Syriac Churches have their origins in this ancient and reliable version of the Old Testament. The present edition, published by the Peshitta Institute in Leiden on behalf of the International Organization for the Study of the Old Testament, is the first scholarly one of this text. It presents the evidence of all known ancient manuscripts and gives full introductions to the individual books. This volume contains Preface. - Genesis; Exodus.

"Can you Count the Clouds?" asks the voice of God from the whirlwind in the stunningly beautiful catalogue of nature-questions from the Old Testament Book of Job. Tom McLeish takes a scientist's reading of this ancient text as a centrepiece to make the case for science as a deeply human and ancient activity, embedded in some of the oldest stories told about human desire to understand the natural world. Drawing on stories from the modern science of chaos and uncertainty alongside medieval, patristic, classical and Biblical sources, Faith and Wisdom in Science challenges much of the current 'science and religion' debate as operating with the wrong assumptions and in the wrong space. Its narrative approach develops a natural critique of the cultural separation of sciences and humanities, suggesting an approach to science, or in its more ancient form natural philosophy - the 'love of wisdom of natural things' - that can draw on theological and cultural roots. Following the theme of pain in human confrontation with nature, it develops a 'Theology of Science', recognising that both scientific and theological worldviews must be 'of' each other, not holding separate domains. Science finds its place within an old story of participative reconciliation with a nature, of which we start ignorant and fearful, but learn to perceive and work with in wisdom. Surprisingly, science becomes a deeply religious activity. There are urgent lessons for education, the political process of decision-making on science and technology, our relationship with the global environment, and the way that both religious and secular communities alike celebrate and govern science.

This second part of Genesis is the story of God's choosing of the Jews. As you read and study your way through this second part of Genesis, I think you'll be struck, as I was, at what a total mess this chosen family was. And perhaps you'll come to the same conclusion I have: All families are dysfunctional in more ways than we know! Genesis Part 2 is full of hope and a little humor for all of us dysfunctionals.

This volume is the latest addition to the Bible in Medieval Tradition series, which seeks to reconnect today's church with part of its rich history of biblical interpretation. Joy Schroeder here provides substantial excerpts - none previously available in English - from seven noteworthy medieval biblical interpreters who commented on Genesis between the ninth and the fifteenth centuries. Representing a chronological and geographical range of authors, these clear, readable translations illustrate the rich diversity of medieval approaches to biblical interpretation. This generous sampler of medieval writings is supplemented by an in-depth introduction that locates each of the medieval authors within his or her context. Covering the entire book of Genesis, this commentary offers modern readers a splendid opportunity to encounter the creative and reverent approaches to scripture practiced by medieval biblical scholars.

Love the Psalms? Struggle with them? Here are 36 brand new translations for you to enjoy, freshly translated from the original Hebrew. Betty Bracha Stone's translations of thirty-six Biblical psalms are innovative in their freshness, and yet deeply conservative in their faithfulness to the original Hebrew. Constructed in eloquent contemporary language, these interpretations give voice to the deepest sentiments in the human heart. Stone accomplishes the difficult task of renegotiating the passages that can plague the modern reader. For example, the concept of "enemy" is reinterpreted, as are allusions to ancient practices for which we have no meaningful reference. And yet, Stone's offerings bring forward the vibrant piety of the original supplicants. These translations carry the reader into the heart of the psalmists' service as we imagine it was practiced thousands of years ago. We are invited to join them and each other in gratitude, supplication and praise. Well voiced and well executed, this is an excellent companion volume for the personal and deeply felt spiritual journey. "Remarkable " "Bracha Stone's remarkable versions of thirty-six biblical psalms carry the reader into the hearts of religious poets who lived and wrote thousands of years ago. She has fashioned an eloquent contemporary language that reveals the spiritual experiences of these ancient worshipful writers." -- Rabbi Burt Jacobson, Founding Rabbi, Kehilla Community Synagogue "Innovative, fresh and yet deeply conservative" "Innovative in their contemporary freshness, and yet deeply conservative ... these re-voicings carry the prayerful reader to a place where all those who have prayed or sung these psalms join in one chorus." -- J. Gerald Janzen, Professor Emeritus, Christian Theological Seminary "To be savored" "Bracha Stone's offerings are to be savored by those new to the treasure of the Psalms and those who know them in the Hebrew. The words of each psalm take hold of her heart and demand her honest and fresh interpretation, and help us deepen to our own relationship with the Mystery we call God." -- Rabbi Chaya Gusfield, Chaplain, Kaiser Hospital, Oakland CA A perfect gift for yourself or your loved ones Order a copy now.

The Book of Job is one of the most celebrated pieces of biblical literature, probing profound questions about faith. It is a beautifully written work, combining two literary forms, framing forty chapters of verse between two and a half chapters of prose at the beginning and the end. The Book of Job is presented here in five different versions: The King James Version, Douay-Rheims Version, The American Standard Version, Bible in Basic English Version and the Webster Bible Version.

It is easy to forget how often Luther's concerns turned toward helping the common person understand and take comfort from God's word. In this volume, Dennis Ngien helps contemporary readers engage Luther's commentary on the lament psalms. Difficult to understand, and perhaps even more difficult to implement in life and devotion, the lament Psalms play a key role in Luther's thought, and Dennis Ngien's careful explanation of them and their use rewards the reader

The books of the Bible covered in "Historical Books II" share a common emphasis centered on the need for the people to remain faithful to the covenant established between God and the Israelites. If the nation remains faithful to God's covenant, God will protect Israel and lead it to be victorious in battles, but if the nation abandons the covenant, God will abandon Israel and allow other nations to plunder and conquer this nation established by God.

While there are many textbooks about the prophetic literature, most have taken either a historical or literary approach to studying the prophets. A Chorus of Prophetic Voices, by contrast, draws on both historical and literary approaches by paying careful attention to the prophets as narrative characters. It considers each unique prophetic voice in the canon, in its fully developed literary form, while also listening to what these voices say together about a particular experience in Israel's story. It presents these four scrollsaEURO"Isaiah, Jeremiah, Ezekiel, and the Book of the TwelveaEURO"as works produced in the aftermath of destruction, works that employ prophetic characters, and as the words uttered during the crises. The prophetic literature became for Israel, living in a context of dispersion and imperial domination, a portable and adaptable resource at once both challenging and comforting. This book provides the fullest picture available for introducing students to the prophetic literature by valuing the role of the original prophetic characters, the finished state of the books that bear their names, the separate historical crises in the life of Israel they address, and the aEUROoechorus of prophetic voicesaEURO one hears when reading them as part of a coherent literary corpus.

The juxtaposition of 'favour' and 'righteousness' in the flood narrative raises an interpretative and theological problem: Is Noah chosen because of divine favour or because of his piety ? Source-critical scholars identify two different theologies by J and P: J understands Noah's election to be an act of grace whereas P emphasizes Noah's righteousness as the basis for his election. Scholars who interpret the flood narrative according to its final form argue that Noah is chosen because he is righteous. This view is problematic, however, since in the primaeval history grace is shown to the 'undeserving', thus it is characteristically unmerited. This book entails an exegetical analysis of, and according to, the final form of the text, with particular attention being given to the meaning and function of these verses in the Toledot structure. Kaminski argues against the commonly held view that Noah finds favour because he is righteous, and seeks to demonstrate that divine favour is unmerited in accordance with the theme of grace in the primaeval history and in Genesis as a whole. Thus what sets the flood story in motion is not Noah's righteousness, but the divine favour he finds.

The Body As Property indicates that physical disfigurement functioned in biblical law to verify legal property acquisition, when changes in the status of dependents were formalized. It is based on the reality the cuneiform script, in particular, was developed in Sumer and Mesopotamia for the purpose of record keeping: to provide legal proof of ownership where the inscription of a tablet evidenced the sale, or transfer, of property. Legitimate property acquisition was as important in biblical law, where physical disfigurements marked dependents, in a similar way that the veil or the head covering identified a wife or concubine in ancient Assyrian and Judean societies. This is primarily substantiated in the accounts of prescriptive disfigurements: namely circumcision and the piercing of a slave's ear, both of which were required only when a son, or slave, was acquired permanently. It is further argued that legal entitlement was relevant also to the punitive disfigurements recorded in Exodus 21:22-24, and Deuteronomy 25:11-12, where the physical violation of women was of concern solely as an infringement of male property rights.

Few phrases in Scripture have occasioned as much discussion as has the "I am who I am" of Exodus 3:14. What does this phrase mean? How does it relate to the divine name, YHWH? Is it an answer to Moses' question (v. 13), or an evasion of an answer? The trend in late-nineteenth- and twentieth-century scholarly interpretations of this verse was to superimpose later Christian interpretations, which built on Greek and Latin translations, on the Hebrew text. According to such views, the text presents an etymology of the divine name that suggests God's active presence with Israel or what God will accomplish for Israel; the text does not address the nature or being of God. However, this trend presents challenges to theological interpretation, which seeks to consider critically the value pre-modern Christian readings have for faithful appropriations of Scripture today. In "Too Much to Grasp": Exodus 3:13?15 and the Reality of God, Andrea Saner argues for an alternative way forward for twenty-first century readings of the passage, using Augustine of Hippo as representative of the misunderstood interpretive tradition. Read within the literary contexts of the received form of the book of Exodus and the Pentateuch as a whole, the literal sense of Exodus 3:13-15 addresses both who God is as well as God's action. The "I am who I am" of v. 14a expresses indefiniteness; while God reveals himself as YHWH and offers this name for the Israelites to call upon him, God is not exhausted by this revelation but rather remains beyond human comprehension and control.

In Portraits of a Mature God, Mark McEntire traced the narrative development of the divine character in the Old Testament, placing the God portrayed at the end of that long story at the center of theological discussion. He showed that Israel's understanding of God had developed into a complex, multipurpose being who could work within a new reality, a world that included a semiautonomous province of Yehud and a burgeoning Mesopotamian-Mediterranean world in which the Jewish people lived and moved in a growing diversity of ways. Now, McEntire continues that story beyond the narrative end of the Hebrew Bible as Israel and Israel's God moved into the Hellenistic world. The "narrative" McEntire perceives in the apocryphal literature describes a God protecting and guiding the scattered and persecuted, a God responding to suffering in revolt, and a God disclosing mysteries, yet also hidden in the symbolism of dreams and visions. McEntire here provides a coherent and compelling account of theological perspectives in the apocryphal writings and beyond.

It would be difficult to overestimate the importance of the Bible in the medieval world. For the Anglo-Saxons, literary culture emerged from sustained and intensive biblical study. Further, at least to judge from the Old English texts which survive, the Old Testament was the primary influence, both in terms of content and modes of interpretation. Though the Old Testament was only partially translated into Old English, recent studies have shown how completely interconnected Anglo-Latin and Old English literary traditions are.Old English Literature and the Old Testament considers the importance of the Old Testament from a variety of disciplinary perspectives, from comparative to intertextual and historical. Though the essays focus on individual works, authors, or trends, including the Interrogationes Sigewulfi, Genesis A, and Daniel, each ultimately speaks to the vernacular corpus as a whole, suggesting approaches and methodologies for further study.

This major work explores the message and meaning of Ezekiel, one of the longest and most difficult of the prophetic books. An introduction explains what is involved in reading a prophetic book, and how the book of Ezekiel was put together and structured. It looks at the form of speech used and discusses Ezekiel's author and those who transmitted, edited, and enlarged upon what he had to say. The destruction of Jerusalem is a primary concern, and attention is focused on the political and social situation of the time in order to provide a clear understanding of the political and religious crisis facing the prophet's contemporaries.

A lengthy history of readers' struggles with Joel lies behind Merx's characterization of the book as "the problem child of Old Testament exegesis, insofar as the resources utilized by interpreters thus far are entirely insufficient to dispel its darkness". Long before Vernes posited that chapters 3-4 were a composition distinct from 1-2, Augustine voiced his perplexity about how the book constituted a unity. Many attempts to expound it as a unity have subdued the book's tensions through problematic harmonizations. On the other hand, theories of the book's development within the construction of a Book of the Twelve not only bar understanding the book as a whole, but also fall short of explaining its composition. In this volume, Ronald L. Troxel acknowledges the perennial problems raised by the book, but argues that taking account of the signs of its genre elucidates numerous cruxes and spotlights salient interpretive features that are infrequently discussed. Recognizing that chapter four comprises a series of late additions permits recognition of narrative markers that unite the first three chapters as a product of schriftgelehrte Prophetie, "scribal prophecy". The book's features align well with those of two other prophetic narratives fashioned as composite works: Jonah and Haggai. All three books are better accounted for in this way than through the prism of redactional expansion. Correlatively, the long-standing arguments against chapter 3 as the literary continuation of chapters 1-2 prove reliant on social conceptions of prophecy that are alien to schriftgelehrte Prophetie. Instead, Troxel shows Joel 3 to be the culmination of a didactic narrative meant to prepare a future generation to survive the Day of the Lord. The first chapter of Troxel's study illuminates the persistent conundrums addressed in the history of interpretation, as well as the social contexts from which resolutions have been proposed. Chapters two and three address the book's composite texture and narrative marks, while chapter four expounds its distinctive eschatology. The fifth chapter synthesizes these observations in a synopsis of Joel's genre, scope, and meaning.

The foundation of the modern State of Israel in 1948 is commemorated by many Palestinians as a day of catastrophe. Many Palestinian Christians claim that the nakba was also spiritually catastrophic: the characters, names, events, and places of the Old Testament took on new significance with the newly formed political state, which caused vast portions of the text to become unusable in their eyes and be abandoned. Stalder asks how Palestinian Christians have read the Old Testament in the period before and under the British Mandate and now, in light of the foundation of the modern State of Israel, then contemplates how they might read these sacred texts in the future, interacting with proposals by Michael Prior, Charles Miller, and Gershon Nerel. His particular goal is to outline a possible hermeneutic that does not disregard the concerns of the respective religious communities without writing off the Old Testament prematurely.

For almost 3000 years the story of Jonah has intrigued, amused, inspired, encouraged, a,d challenged people of faith. This timeless story about one imperfect, complex man and his difficult relationship with God continues to engage contemporary audiences. Jonah enjoys a unique place in salvation history. His life reprises the actions of key Old Testament figures and also points forward to the New Testament and the coming Messiah. Jonah's story is a beautiful, complex, artfully crafted, work of minimalist literature which speaks a profound and resounding message of grace that still captures the human heart. This book is designed to facilitate a 40 day, shared journey through the book of Jonah. The radical revelation of the book of Jonah is that God's grace is wild. It refuses all human attempts to tame, domesticate, or restrain it. This grace continually bursts forth, in the most unexpected of places, and reaches out to the most unlikely of people.