This book interprets the Tao Te Ching from the perspective of personal cultivation. The Tao Te Ching of Lao Tzu is regarded as one of the greatest books of wisdom ever written in history, but few can grasp what it says in entirety. Embedded in each of its 5,000 Chinese characters are highly profound messages. Master Sim Pooh Ho is a Tai Chi Master and the leader of a Tai Chi lineage that traces back centuries. In his book Decoding the Tao Te Ching, he combines the ancestral teachings of Tai Chi with his practice and provides readers with unique insights into Lao Tzu's ancient book.The Tao Te Ching is difficult to comprehend because many of the concepts it introduces are elusive. What is Tao and Te, being and non-being or yin and yang? The concepts, however, are discernible in Tai Chi because they are what make the practice work. Decoding the Tao Te Ching is written in a simple manner by a Tai Chi master, and translated in an accessible way by his senior disciple Tekson TEO, thus making it an enlightening read to all English readers interested in this topic.

This book interprets the Tao Te Ching from the perspective of personal cultivation. The Tao Te Ching of Lao Tzu is regarded as one of the greatest books of wisdom ever written in history, but few can grasp what it says in entirety. Embedded in each of its 5,000 Chinese characters are highly profound messages. Master Sim Pooh Ho is a Tai Chi Master and the leader of a Tai Chi lineage that traces back centuries. In his book Decoding the Tao Te Ching, he combines the ancestral teachings of Tai Chi with his practice and provides readers with unique insights into Lao Tzu's ancient book.The Tao Te Ching is difficult to comprehend because many of the concepts it introduces are elusive. What is Tao and Te, being and non-being or yin and yang? The concepts, however, are discernible in Tai Chi because they are what make the practice work. Decoding the Tao Te Ching is written in a simple manner by a Tai Chi master, and translated in an accessible way by his senior disciple Tekson TEO, thus making it an enlightening read to all English readers interested in this topic.

Eastern Approaches to Western Film: Asian Aesthetics and Reception in Cinema offers a renewed critical outlook on Western classic film directly from the pantheon of European and American masters, including Alfred Hitchcock, George Lucas, Robert Bresson, Carl Dreyer, Jean-Pierre Melville, John Ford, Leo McCarey, Sam Peckinpah, and Orson Welles. The book contributes an "Eastern Approach" into the critical studies of Western films by reappraising selected films of these masters, matching and comparing their visions, themes, and ideas with the philosophical and paradigmatic principles of the East. It traces Eastern inscriptions and signs embedded within these films as well as their social lifestyle values and other concepts that are also inherently Eastern. As such, the book represents an effort to reformulate established discourses on Western cinema that are overwhelmingly Eurocentric. Although it seeks to inject an alternative perspective, the ultimate aim is to reach a balance of East and West. By focusing on Eastern aesthetic and philosophical influences in Western films, the book suggests that there is a much more thorough integration of East and West than previously thought or imagined.

Ancestral ritual in early China was an orchestrated dance between what was present (the offerings and the living) and what was absent (the ancestors). The interconnections among the tangible elements of the sacrifice were overt and almost mechanical, but extending those connections to the invisible guests required a medium that was itself invisible. Thus in early China, ancestral sacrifice was associated with focused thinking about the ancestors, with a structured mental effort by the living to reach out to the absent forebears and to give them shape and existence. Thinking about the ancestors-about those who had become distant-required active deliberation and meditation, qualities that had to be nurtured and learned. This study is a history of the early Chinese ancestral cult, particularly its cognitive aspects. Its goals are to excavate the cult's color and vitality and to quell assumptions that it was no more than a simplistic and uninspired exchange of food for longevity, of prayers for prosperity. Ancestor worship was not, the author contends, merely mechanical and thoughtless. Rather, it was an idea system that aroused serious debates about the nature of postmortem existence, served as the religious backbone to Confucianism, and may even have been the forerunner of Daoist and Buddhist meditation practices.