Jane Dolby fell in love with a fisherman - the most dangerous peacetime occupation that exists - leading her to find a place in a traditional British world that many have forgotten. Jane was not expecting to fall in love, but she did with Colin, a local fisherman in her hometown. Then one day she faces the loss every fisherman's wife fears: the disappearance of her husband when his boat overturns at sea. Three days later, the boat is finally dredged up, without Colin. At the same time as Jane struggles with her grief, she must fight to keep a roof over her family's heads. With the help and kindness of friends and strangers, the fishing world rallies around one of their own and in time, Jane forms a plan to give something back to the community that has helped her. Jane brings together 40 women from fishing communities up and down the country to release a charity single, founding The Fishwives Choir, and gives a voice to women previously unheard. SONG OF THE SEA is the true story of one woman's love and loss, and after years in which grief stole her ability to sing, she finds her own voice again.

Sing Carols! is a collection of traditional carols and Christmas songs for carol singers of all ages, compiled and arranged by composer Harry Escott. Featuring all your favourites, every song in this collection can be sung as a single unison line, with easy-to-learn second and third parts provided for some. Additionally, there are some accompaniment suggestions for all the carols that are easy to perform outside and accompanying backing tracks are available to download.

The endless wars of the seventeenth century took their toll in the lives of millions of soldiers and crushing taxes. To legitimise war, Europe s rulers turned to the Church: O God, we praise you , Te Deum Laudamus, was sung in the churches of France and Sweden to celebrate victory in battle. It was a way of thanking God, but also an opportunity for congregations to learn what had happened -- and an occasion for festivities. In this book, the historian Anna Maria Forssberg applies a narrative and ritual perspective to the Te Deum, looking at specific wars such as the Thirty Years War and at themes such as peace and enmity. This is a unique, comparative study of war propaganda in early modern times, and how it defined the roles of ruler and ruled alike. There were national differences, but ultimately all war stories were highly selective. Bloody defeat and uneventful everyday life were glossed over; what mattered were spectacular victories and royal glory. Yet in the end, the war stories peddled in both Sweden and France were profoundly challenged by the crisis of 1709.

In Book 1 of "The Singing Thing", John Bell explored the reasons why people sing. In Book 2 he is concerned with learning and teaching. How do people pick up new music? How do you encourage a congregation to learn a new song? How can you breathe new life into quality hymnody which has gone stale? With both tact and irreverence, John Bell shares insights culled from over 20 years of experience in this field.

Most choirs spend their rehearsal time focusing on notes, rhythms, and precision. They rarely, if ever, discuss a song s meaning and feeling, even though those elements are precisely what draws people to the music in the first place. Thousands of books have been written about choral technique, teaching people how to sing technically well. What sets The Heart of Vocal Harmony apart is its focus on honest unified expression and the process of delivering an emotionally compelling performance. It delves into an underdeveloped vocal topic the heart of the music and the process involved with expressing it. The Heart of Vocal Harmony is not just for a cappella groups it is also for vocal harmony groups, ensembles, and choirs at all levels, with or without instruments. In addition to the process, the book features discussions with some of the biggest luminaries in vocal harmony: composers, arrangers, directors, singers, and groups including Eric Whitacre, Pentatonix, the Manhattan Transfer, and more!

The "All-in-One Course for Children" takes all of the pages from "Alfred's Basic Piano Library," Lesson Books 1A and 1B, plus selected pages from Theory, Recital and Fun Solo Books and combines them into part of a sequential five-book series. At the completion of Book 5, the student will be ready to continue into Level 3 of "Alfred's Basic Piano Library" or "Alfred's Premier Piano Course." This course is most effective when used under the direction of a piano teacher or experienced musician.

This wonderful collection brings together seven well-loved carols, all newly arranged by Mack Wilberg for low voice and piano. Featuring a range of Christmas texts, including 'Bring a torch, Jeannette, Isabella', 'Deck the hall', and 'The Twelve Days of Christmas', it also offers two carols with alternative, original foreign-language options (French and Catalan). With a delightful variety of musical styles and moods, this volume is perfect for recitals, services, and concerts at Christmas time. Also available in a volume for high voice.

Merengue-the quintessential Dominican dance music-has a long and complex history, both on the island and in the large immigrant community in New York City. In this ambitious work, Paul Austerlitz unravels the African and Iberian roots of merengue and traces its growth under dictator Rafael Trujillo and its renewed popularity as an international music. Using extensive interviews as well as written commentaries, Austerlitz examines the historical and contemporary contexts in which merengue is performed and danced, its symbolic significance, its social functions, and its musical and choreographic structures. He tells the tale of merengue's political functions, and of its class and racial significance. He not only explores the various ethnic origins of this Ibero-African art form, but points out how some Dominicans have tried to deny its African roots. In today's global society, mass culture often marks ethnic identity. Found throughout Dominican society, both at home and abroad, merengue is the prime marker of Dominican identity. By telling the story of this dance music, the author captures the meaning of mass and folk expression in contemporary ethnicity as well as the relationship between regional, national, and migrant culture and between rural/regional and urban/mass culture. Austerlitz also traces the impact of migration and global culture on the native music, itself already a vibrant intermixture of home-grown merengue forms. From rural folk idiom to transnational mass music, merengue has had a long and colorful career. Its well-deserved popularity will make this book a must read for anyone interested in contemporary music; its complex history will make the book equally indispensable to anyone interested in cultural studies.

The world's most famous hymn book has undergone a complete revision and now offers the broadest ever range of traditional hymns and the best from today's composers and hymn/song writers. 150 years since its first publication and after sales of 170 million copies, this brand new edition contains over 840 items, ranging from the Psalms to John Bell, Bernadette Farrell and Stuart Townend. The guiding principles behind this collection are: * congregational singability * biblical and theological richness * musical excellence * liturgical versatility * relevance to today's worship styles and to today's concerns New features include added provision for all the seasons of the Church year, new items for carol services and other popular occasions where the repertoire is in need of refreshing, more choices for all-age worship, fresh translations of some ancient hymnody, beautiful new tunes, short songs and chants - alleluias, kyries, blessings etc. and music from the world church. A full range of indexes (including biblical and thematic) and a helpful guide to choosing hymns for every occasion will help to make Ancient & Modern the premier hymn collection of choice. This is the Full Music edition.

Popular music in the twenty-first century is increasingly divided into niche markets. How do fans, musicians, and music industry executives define their markets' boundaries? What happens when musicians cross those boundaries? What can Christian music teach us about commercial popular music? In God Rock, Inc., Andrew Mall considers the aesthetic, commercial, ethical, and social boundaries of Christian popular music, from the late 1960s, when it emerged, through the 2010s. Drawing on ethnographic research, historical archives, interviews with music industry executives, and critical analyses of recordings, concerts, and music festival performances, Mall explores the tensions that have shaped this evolving market and frames broader questions about commerce, ethics, resistance, and crossover in music that defines itself as outside the mainstream.

Embraces an all-encompassing interdisciplinary methodology to uncover the symbiosis of saintly and civic ideals in music, rituals, and hagiographic writing celebrating the origins and identity of a major clerical center. Medieval Liege was the seat of a vast diocese in northwestern Europe and a city of an exceptional number of churches, clergymen, and church musicians. Recognized as a priestly paradise, the city accommodated as many Masses each day as Rome. In this volume, musicologist Catherine Saucier examines the music of religious worship in Liege and reveals within the liturgy and ritual a civic function by which local clerics promoted the holy status of their city. Analyzing hagiographic and historical writings, religious art, and sung ceremonies relevant to the city's genesis, destruction, and eventual rebirth, Saucier uncovers richly varied ways in which liegeois clergymen fused music with text, image, and ritual to celebrate the city's sacred episcopal origins and saintly persona. A Paradise of Priests forges new interdisciplinary connections between musicology, the liturgical arts, the cult of saints, church history, and urban studies, and is an essential resource for scholars and students interested in the history of the Low Countries, hagiography and its reception, and ecclesiastical institutions. CatherineSaucier is assistant professor of music history at Arizona State University.

Margot E. Fassler's richly documented history-winner of the Otto Kinkeldey Award from the American Musicological Society and the John Nicholas Brown Prize from the Medieval Academy of America-demonstrates how the Augustinians of St. Victor, Paris, used an art of memory to build sonic models of the church. This musical art developed over time, inspired by the religious ideals of Hugh and Richard of St. Victor and their understandings of image and the spiritual journey. Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris demonstrates the centrality of sequences to western medieval Christian liturgical and artistic experience, and to our understanding of change and continuity in medieval culture. Fassler examines the figure of Adam of St. Victor and the possible layers within the repertories created at various churches in Paris, probes the ways the Victorine sequences worked musically and exegetically, and situates this repertory within the intellectual and spiritual ideals of the Augustinian canons regular, especially those of the Abbey of St. Victor. Originally published in hardover in 1993, this paperback edition includes a new introduction by Fassler, in which she reviews the state of scholarship on late sequences since the original publication of Gothic Song. Her notes to the introduction provide the bibliography necessary for situating the Victorine sequences, and the late sequences in general, in contemporary thought.

Originally published in 1948 and updated with a new introduction in 1970 this book is a classic study on the musical life of a Bantu people in Mozambique. It discusses the poetry on which the music and dances are based and provides, both in original and translation, 50 Chopi songs which are related to the social setting of Chopi life. It analyses some of the musical compositions and their structure with illustrations and transcriptions in score and describes the method of manufacture of the instruments. One chapter is devoted to full descriptions of the elaborate orchestral dances. The book is illustrated by numerous photographs and maps, and contains a glossary of musical terms, and extracts from early Portuguese accounts of the Chopi people and their music.

A great collection of 20 hymns arranged at an easy level, including: Abide with Me * Amazing Grace * Blessed Assurance * For the Beauty of the Earth * Holy, Holy, Holy * A Mighty Fortress Is Our God * Savior, Like a Shepherd Lead Us * To God Be the Glory * What a Friend We Have in Jesus * and more.

The Methodist Church, with its distinctive musical inheritance by which the worldwide Church has been enriched, famously expresses its theology through its singing. Its authorised hymnbook therefore means more than a hymn book does in other traditions - it expresses the central beliefs of the Church itself and is commended to congregations as their core worship resource. Seven years in development, Singing the Faith is authorised by the Methodist Conference and replaces Hymns and Psalms, published almost 30 years ago. Containing the classic, best loved hymns of the Christian tradition it also incorporates many bold and exciting elements including hymns, songs and liturgical chants from the world church. A large proportion of its 830+ items are 20th and 21st century compositions, offering congregations a feast of musical choices spanning centuries and continents. It is arranged thematically in three parts: God's Eternal Goodness - the Trinity, praise and adoration, creation, gathering for worship, Scripture and revelation God's Redeeming Work - the life of Christ revealed throughout the Christian year God's Enduring Purposes - the Holy Spirit, our life in God, prayer, the sacraments, our human journeys, the saints and the life to come. Many helpful indexes enable fitting choices to be made that will enrich all occasions of worship.

In Inside Studio 54, the former owner takes you behind the scenes of the most famous nightclub in the world, through the crowd, to a place where celebrities, friends, and the beautiful people sip champagne and share lines of cocaine using rolled-up hundred-dollar bills. In the early eighties, Mark Fleischman reopened Studio 54, the world's most glamorous and notorious nightclub, after it was closed down by the State of New York. Ten thousand people showed up that night, ready to restart the party that abruptly ended after the raid in 1978 landed its former owners in jail. Inside Studio 54 invites you to revisit the happening scenes of the 1960s, '70s, and '80s, the post-Pill, pre-AIDS era of free love, consequence-free sex, and seemingly endless partying. Following Fleischman as he built connections as a hotel, restaurant, and club owner that lead him to Studio 54. Inside Studio 54 takes the reader from Brazil to the heights of debauchery in the Virgin Islands and finally to New York City. A star-studded thrill ride through decadent and drug-fueled parties at the legendary Studio 54.

A unique record of Poulenc (1899-1963) who is considered the greatest composer of melodies of his period, a period that opened with the aftermath of the First World War and closed as recently as 1960. He set to music poetry by all the greatest French twentieth century poets as well as others from earlier times. He wrote this diary of songs as an answer to what he felt were the frequent misinterpretations of his work. It describes the origins of each song, comments on performances he heard and offers guidelines for interpretation. The diary is filled out with explanatory notes, a collection of unfamiliar photographs and the English translation to the text written opposite the French original. It will appeal to singers who include French song in his or her repertoire and also to those who have an interest in music of this period. The translator, Winifred Radford is also the singer who gave the first performance in England of Poulenc's song cycle Fiancailles pour rire in 1945. She was coached by Poulenc and Pierre Bernac with whom she later translated The Interpretation of French Song and Francis Poulenc - The Man and his Songs.

This popular collection of 280 musical pieces from both the African American and Gospel traditions has been compiled under the supervision of the Office of Black Ministries of the Episcopal Church. It includes service music and several psalm settings in addition to the Negro spirituals, gospel songs, and hymns.